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Anita O'Day Collates | ||||
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Studio album by | ||||
Released | 1953 | |||
Genre | Vocal jazz | |||
Length | 23:19 | |||
Label | Clef | |||
Producer | Norman Granz | |||
Anita O'Day chronology | ||||
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Anita O'Day Collates is a 1953 album by Anita O'Day.
It was a 10-inch LP containing eight songs. It was re-released as Anita O'Day by Norgran Records in 1955 and with four additional tracks as The Lady Is A Tramp on the Verve label in 1957.
Source [1]
Anita Belle Colton, known professionally as Anita O'Day, was an American jazz singer and self proclaimed “song stylist” widely admired for her sense of rhythm and dynamics, and her early big band appearances that shattered the traditional image of the "girl singer". Refusing to pander to any female stereotype, O'Day presented herself as a "hip" jazz musician, wearing a band jacket and skirt as opposed to an evening gown. She changed her surname from Colton to O'Day, pig Latin for "dough", slang for money.
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Ella at Juan-les-Pins is a 1964 live album by Ella Fitzgerald, accompanied by a quartet led by Roy Eldridge on trumpet with the pianist Tommy Flanagan, Gus Johnson on drums and Bill Yancey on bass. Val Valentin was the recording engineer, cover photo by Jean-Pierre Leloir. The original 1964 album featured 12 songs, highlights of two concerts Fitzgerald performed on the 28 and 29 of July 1964 at the fifth annual Festival Mondial du Jazz Antibes in Juan-les-Pins, France. In 2002 Verve re-issued this album, including all the performances from both evenings.
Mink Jazz is a 1963 studio album by Peggy Lee, arranged by Benny Carter and Max Bennett.
Ma Kelly's Greasy Spoon is the third studio album by English rock band Status Quo, released in August 1970. It was the first album by the band to leave behind their early psychedelic sound and begin experimenting with a hard rock style, which remains the band's signature sound, and the last album to feature keyboardist Roy Lynes. The album failed in sales and charts and was not successful.
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"Hallelujah I Love Her So" is a single by American musician Ray Charles. The rhythm and blues song was written and released by Charles in 1956 on the Atlantic label, and in 1957 it was included on his self-titled debut LP, also released on Atlantic. The song peaked at number five on the Billboard R&B chart. It is loosely based on 'Get It Over Baby' by Ike Turner (1953).
Bird: The Complete Charlie Parker on Verve is a 1990 box-set by jazz musician Charlie Parker. It features every extant note Parker recorded for labels controlled by Norman Granz as well as his appearances at Jazz at the Philharmonic. Parker recorded for Granz primarily in the last five years of his life, a period during which, besides playing with his famous quintet, he experimented with strings, Afro-Cuban jazz and mixed chorus. Among the albums produced during Parker’s Verve years were Bird & Diz, Charlie Parker with Strings, and Swedish Schnapps.
Charlie Parker on Dial: The Complete Sessions is a 1993 four-disc box set collecting jazz saxophonist and composer Charlie Parker's 1940s recordings for Dial Records. The box set, released by the English label Spotlite Records, assembled into a single package the multi-volume compilation albums the label had released by Spotlite on vinyl in the 1970s under the series title Charlie Parker on Dial. The box set has been critically well received. In 1996, a different box set collecting Parker's work with Dial was assembled by Jazz Classics and released as Complete Charlie Parker on Dial.
Mel Tormé with the Marty Paich Dek-Tette is a 1956 album by Mel Tormé, with Marty Paich and his Dek-Tette.
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Anita O'Day at Mister Kelly's is a 1958 live album by Anita O'Day, recorded at Mister Kelly's in Chicago.
Johnny Mathis is the first studio album by vocalist Johnny Mathis that was released by Columbia Records in 1956. The subtitle A New Sound in Popular Song can be found on the back cover but not on the front of the album or the disc label; in fact, this Mathis LP has been referred to as "the jazz album".
Dinah Sings Bessie Smith is the ninth studio album by blues, R&B and jazz singer Dinah Washington released on the Emarcy label, and reissued by Verve Records in 1999 as The Bessie Smith Songbook. The album arrangements are headed by Robare Edmondson and Ernie Wilkins, and the songs are associated with American blues singer Bessie Smith. AllMusic details the album in its review as saying: "It was only natural that the "Queen of the Blues" should record songs associated with the "Empress of the Blues." The performances by the septet/octet do not sound like the 1920s and the purposely ricky-tick drumming is insulting, but Dinah Washington sounds quite at home on this music".
"Four" is a 1954 jazz standard. It was first recorded and arranged in 1954 by jazz trumpeter Miles Davis and released on his album Miles Davis Quartet. It is a 32-bar ABAC form.
Jacky June was a Belgian jazz saxophonist, clarinetist, and bandleader.
We'll Sing in the Sunshine is the tenth studio album by Australian-American pop singer Helen Reddy that was released in 1978 by Capitol Records. The album included two songs that were also covered by Johnny Mathis in the first half of that year: "All I Ever Need", which came out on his March release, You Light Up My Life, and "Ready or Not", on which he duetted with Deniece Williams for their June release, That's What Friends Are For. Reddy also ventures into Beatles territory with their rockabilly number "One After 909" and takes on Jeff Lynne's "Poor Little Fool" with accompaniment in the vein of Electric Light Orchestra. This was her first album not to reach Billboard's Top LP's & Tapes chart. On February 23, 2010, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1977 release, Ear Candy. "Blue" was originally featured on the 1977 animated film Raggedy Ann & Andy: A Musical Adventure.
All the Sad Young Men is a 1962 album by Anita O'Day, arranged by Gary McFarland and produced by Creed Taylor.
Anita O'Day & the Three Sounds is an album by vocalist Anita O'Day and The Three Sounds recorded for the Verve label in late 1962.