Related Research Articles
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Postcolonial feminism is a form of feminism that developed as a response to feminism focusing solely on the experiences of women in Western cultures and former colonies. Postcolonial feminism seeks to account for the way that racism and the long-lasting political, economic, and cultural effects of colonialism affect non-white, non-Western women in the postcolonial world. Postcolonial feminism originated in the 1980s as a critique of feminist theorists in developed countries pointing out the universalizing tendencies of mainstream feminist ideas and argues that women living in non-Western countries are misrepresented.
Womanism is a term originating from the work of African American author Alice Walker in her 1983 book In Search of Our Mother's Garden: Womanist Prose, denoting a movement within feminism, primarily championed by Black feminists. Walker coined the term "womanist" in the short story Coming Apart in 1979. Her initial use of the term evolved to envelop a spectrum of issues and perspectives facing black women and others.
Feminist theory is the extension of feminism into theoretical, fictional, or philosophical discourse. It aims to understand the nature of gender inequality. It examines women's and men's social roles, experiences, interests, chores, and feminist politics in a variety of fields, such as anthropology and sociology, communication, media studies, psychoanalysis, political theory, home economics, literature, education, and philosophy.
Socialist feminism rose in the 1960s and 1970s as an offshoot of the feminist movement and New Left that focuses upon the interconnectivity of the patriarchy and capitalism. However, the ways in which women's private, domestic, and public roles in society has been conceptualized, or thought about, can be traced back to Mary Wollstonecraft's A Vindication of the Rights of Woman (1792) and William Thompson's utopian socialist work in the 1800s. Ideas about overcoming the patriarchy by coming together in female groups to talk about personal problems stem from Carol Hanisch. This was done in an essay in 1969 which later coined the term 'the personal is political.' This was also the time that second wave feminism started to surface which is really when socialist feminism kicked off. Socialist feminists argue that liberation can only be achieved by working to end both the economic and cultural sources of women's oppression.
The term postfeminism is used to describe reactions against contradictions and absences in feminism, especially second-wave feminism and third-wave feminism. The term postfeminism is sometimes confused with subsequent feminisms such as fourth-wave feminism and xenofeminism.
Feminist sociology is an interdisciplinary exploration of gender and power throughout society. Here, it uses conflict theory and theoretical perspectives to observe gender in its relation to power, both at the level of face-to-face interaction and reflexivity within social structures at large. Focuses include sexual orientation, race, economic status, and nationality.
Signs: Journal of Women in Culture and Society is a peer-reviewed feminist academic journal. It was established in 1975 by Jean W. Sacks, Head of the Journals Division, with Catharine R. Stimpson as its first editor in Chief, and is published quarterly by the University of Chicago Press. Signs publishes essays examining the lives of women, men, and non-binary people around the globe from both historical and contemporary perspectives, as well as theoretical and critical articles addressing processes of gendering, sexualization, and racialization.
Cyberfeminism is a feminist approach which foregrounds the relationship between cyberspace, the Internet, and technology. It can be used to refer to a philosophy, methodology or community. The term was coined in the early 1990s to describe the work of feminists interested in theorizing, critiquing, exploring and re-making the Internet, cyberspace and new-media technologies in general. The foundational catalyst for the formation of cyberfeminist thought is attributed to Donna Haraway's "A Cyborg Manifesto", third wave feminism, post-structuralist feminism, riot grrrl culture and the feminist critique of the alleged erasure of women within discussions of technology.
In one scholarly conception, the history of feminism in Poland can be divided into seven periods, beginning with 19th-century first-wave feminism. The first four early periods coincided with the foreign partitions of Poland, which resulted in an eclipse of a sovereign Poland for 123 years.
Griselda Frances Sinclair Pollock is an art historian and cultural analyst of international, postcolonial feminist studies in visual arts and visual culture. Since 1977, Pollock has been an influential scholar of modern art, avant-garde art, postmodern art, and contemporary art. She is a major influence in feminist theory, feminist art history, and gender studies. She is renowned for her innovative feminist approaches to art history which aim to deconstruct the lack of appreciation and importance of women in art as other than objects for the male gaze.
Feminist views on BDSM vary widely from acceptance to rejection. BDSM refers to bondage and discipline, dominance and submission, and Sado-Masochism. In order to evaluate its perception, two polarizing frameworks are compared. Some feminists, such as Gayle Rubin and Patrick Califia, perceive BDSM as a valid form of expression of female sexuality, while other feminists, such as Andrea Dworkin and Susan Griffin, have stated that they regard BDSM as a form of woman-hating violence. Some lesbian feminists practice BDSM and regard it as part of their sexual identity.
Sensible and Sensuality is a collection of essay by Indian feminist writer Sarojini Sahoo. Published in 2010, the book contains the author's view on feminism. Sahoo is a key figure and trend-setter of feminism in contemporary Indian literature. She has been listed among 25 exceptional women of India by Kindle English magazine of Kolkata. For Sahoo, feminism is not a "gender problem" or confrontational attack on male hegemony and, as such, differs from the feminist views of Virginia Woolf or Judith Butler.
Hip hop feminism is a sub-set of black feminism that centers on intersectional subject positions involving race and gender in a way that acknowledges the contradictions in being a black feminist, such as black women's enjoyment in hip hop music and culture, rather than simply focusing on the victimization of black women in hip hop culture due to interlocking systems of oppressions involving race, class, and gender.
Feminist children's literature is the writing of children's literature through a feminist lens. Children's literature and women's literature have many similarities. Both often deal with being seen as weak and placed towards the bottom of a hierarchy. In this way feminist ideas are regularly found in the structure of children's literature. Feminist criticism of children's literature is therefore expected, since it is a type of feminist literature. Feminist children's literature has played a critical role for the feminist movement, especially in the past half century. In her book Feminism Is for Everybody: Passionate Politics, bell hooks states her belief that all types of media, including writing and children's books, need to promote feminist ideals. She argues "Children's literature is one of the most crucial sites for feminist education for critical consciousness precisely because beliefs and identities are still being formed". The cover of hooks' book, drawn by Laura DeSantis, depicts children alongside adults, showing the importance of the youth. The presence of feminism in children's literature has evolved over the years, but the overall message and goals have remained consistent.
Technofeminism explores the role gender plays in technology. It is often examined in conjunction with intersectionality, a term coined by Kimberlé Crenshaw which analyzes the relationships among various identities, such as race, socioeconomic status, sexuality, gender, and more. However, many scholars, such as Lori Beth De Hertogh, Liz Lane, and Jessica Oulette, as well as Angela Haas, have spoken out about the lack of technofeminist scholarship, especially in the context of overarching technological research.
Multiracial feminist theory is promoted by women of color (WOC), including Black, Latina, Asian, Native American, and anti-racist white women. In 1996, Maxine Baca Zinn and Bonnie Thornton Dill wrote “Theorizing Difference from Multiracial Feminism," a piece emphasizing intersectionality and the application of intersectional analysis in feminist discourse.
Emer O'Toole is a researcher and writer who contributes to various online publications, including The Guardian and the feminist blog The Vagenda. She is from the West of Ireland, and lives in Montréal, where she is Assistant Professor of Irish Performance Studies at Concordia University.
Arlene Stein is an American sociologist and author best known for her writing about sex and gender, the politics of identities, and collective memory. She is Distinguished professor of sociology at Rutgers University where she directs the Rutgers University Institute for Research on Women. Stein has also taught at the University of Essex and at the University of Oregon.
The term Chicanafuturism was originated by scholar Catherine S. Ramírez which she introduced in Aztlán: A Journal of Chicano Studies in 2004. The term is a portmanteau of 'chicana' and 'futurism', inspired by the developing movement of Afrofuturism. The word 'chicana' refers to a woman or girl of Mexican origin or descent. However, 'Chicana' itself serves as a chosen identity for many female Mexican Americans in the United States, to express self-determination and solidarity in a shared cultural, ethnic, and communal identity while openly rejecting assimilation. Ramírez created the concept of Chicanafuturism as a response to white androcentrism that she felt permeated science-fiction and American society. Chicanafuturism can be understood as part of a larger genre of Latino futurisms.
References
- 1 2 3 4 "Professor of Culture and Creative Industries, Director of the AHRI". King's College London . Retrieved 2023-05-16.
- ↑ Anna Reading in libraries (WorldCat catalog)
- 1 2 Greenfield, Margaret (1989-12-27). "Feminist Poles Apart". pp. 2–3.
- 1 2 3 4 5 6 7 Greenfield, Margaret (1987-08-19). "Domestic Drama". The Yorkshire Post .
- 1 2 3 4 5 Socher, Nicole (1990-11-23). "Sex, guns and Polish politics". Western Mail (Wales) . p. 23.
- ↑ Reading, Anna (1996). Socially inherited memory, gender and the public sphere in Poland (PhD thesis). University of Westminster.
- 1 2 University, Western Sydney. "Professor Anna Reading". www.westernsydney.edu.au. Retrieved 2023-05-16.
- ↑ Sierz, Aleks (2014). In-yer-face theatre: British drama today. London: Faber and Faber. ISBN 978-0-571-31849-0. OCLC 894611979.
- ↑ Greenfield, Margaret (1987-08-19). "Domestic Drama". The Yorkshire Post . pp. 7–8.
- ↑ Campbell, David (1987-08-27). "Around the Fringe". The Scotsman . p. 11.
- 1 2 Adams, David (1990-12-10). "Hard Core". The Guardian . p. 33. Retrieved 2023-05-16.
- ↑ Reading, Anna (2014). Polish Women, Solidarity and Feminism. Palgrave Macmillan. ISBN 978-1-349-12341-4. OCLC 935188799.
- 1 2 Temple, Bogusia (January–February 1995). "Polish Women, Solidarity and Feminism". Women's Studies International Forum . 18 (1): 77. doi:10.1016/0277-5395(95)80002-6 . Retrieved 2023-03-04.
- 1 2 Watson, Peggy (Summer 1993). "Reviewed Work: Polish Women, Solidarity and Feminism by Anna Reading". Feminist Review . 44: 118–119. doi: 10.1057/fr.1993.28 . JSTOR 1395203. S2CID 189906458.
- 1 2 Cole, Tim (Nov 2003). "Review: The Longest Shadow, The Social Inheritance of the Holocaust". History Today . 5, 11: 82–83. hdl:1983/4d26cb62-1afa-4b38-93a7-c362f5131e87.
- 1 2 3 4 Fleming, Michael (2006-08-21). "Holocaust and memory". Ethnopolitics. 4 (1): 115–123. doi:10.1080/17449050500072457. ISSN 1744-9057. S2CID 143854425.
- ↑ Reading,pp.44, 62
- ↑ Allen, Matthew (2011). "Book review: Save As ... Digital Memories. Memory Studies". Memory Studies . 4 (4): 481–484. doi:10.1177/1750698011414087. S2CID 143562914.
- ↑ "Review by Cody A. Jackson, Texas Woman's University – Technoculture" . Retrieved 2023-05-16.
Books
- The social inheritance of the Holocaust : gender, culture, and memory. New York City: Palgrave Macmillan. 2002. ISBN 9780333761472. OCLC 49798975.
