The Rough Riders is a 1927 American silent drama film directed by Victor Fleming, released by Paramount Pictures, and starring Noah Beery, Sr., Charles Farrell, George Bancroft, and Mary Astor. Due to the public apathy towards silent films, a sound version was also prepared early in 1928. While the sound version has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The picture is fictional account of Theodore Roosevelt's military unit in Cuba. This film had an alternate release title, The Trumpet Call. The cinematography was by James Wong Howe and E. Burton Steene.
Mother Machree is a 1928 American synchronized sound drama film, directed by John Ford, based on the 1924 work The Story of Mother Machree by Rida Johnson Young about a poor Irish immigrant in America. While the film has no audible dialog, it was released with a synchronized musical score, singing and sound effects using the sound-on-film movietone process. Rida Johnson Young had invented Mother Machree in the stage show Barry of Ballymoore in 1910. John Wayne had a minor role in the film.
Jeanette Loff was an American actress, musician, and singer who came to prominence for her appearances in several Pathé Exchange and Universal Pictures films in the 1920s.
Good Time Charley is a 1927 American synchronized sound drama film produced and distributed by Warner Bros. and directed by Michael Curtiz. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. It was considered to be a lost film. However, as of January 2021, the film is listed as extant at the Library of Congress.
The Single Standard is a 1929 American synchronized sound romantic drama film from Metro-Goldwyn-Mayer directed by veteran John S. Robertson and starring Greta Garbo, Nils Asther and Johnny Mack Brown. The film has no audible dialogue but featured a synchronized musical score and sound effects. The soundtrack was recorded using the Western Electric Sound System sound-on-film process. The soundtrack was also transferred to discs for those theatres that were wired with sound-on-disc sound systems.
Uncle Tom's Cabin is a 1927 American synchronized sound drama film directed by Harry A. Pollard and released by Universal Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Western Electric sound-on-film process. The film is based on the 1852 novel Uncle Tom's Cabin by Harriet Beecher Stowe and was the last silent version filmed.
The Fair Co-Ed, also known as The Varsity Girl, is a 1927 American silent film comedy starring Marion Davies and released through MGM. The film was produced by William Randolph Hearst, through Cosmopolitan Productions and directed by Sam Wood. The film was released in a sound version in 1928 with a synchronized musical score with sound effects.
The Circus Kid is a 1928 American sound part-talkie drama film directed by George B. Seitz. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the RCA Photophone sound-on-film system. A print of the film exists.
Love Over Night is a 1928 American silent comedy film produced and distributed by Pathé Exchange and starring Rod La Rocque. The film was directed by Edward H. Griffith.
Outcast is a 1928 American synchronized sound drama film produced and distributed by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
A Race for Life is a 1928 American synchronized sound drama film directed by D. Ross Lederman. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. Originally, the film was presumed to be lost. However, according to the Library of Congress Database, the film was found in the Netherlands. The film was released with a Vitaphone soundtrack with a synchronised musical score and sound effects.
The Million Dollar Collar is a 1929 American sound part-talkie crime film directed by D. Ross Lederman. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film is in unknown status which suggests that it may be lost. According to Warner Bros records the film earned $222,000 domestically and $90,000 foreign.
Man-Made Women is a 1928 American silent comedy-drama film directed by Paul L. Stein and starring Leatrice Joy. It was produced by Cecil B. DeMille and Ralph Block and distributed through Pathé Exchange.
Beware of Married Men is a 1928 American synchronized sound comedy film directed by Archie Mayo and starring Irene Rich, Clyde Cook and Audrey Ferris. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was produced and distributed by Warner Brothers.
Caught in the Fog is a 1928 American sound part-talkie thriller film directed by Howard Bretherton and written by Charles R. Condon and Joseph Jackson. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars May McAvoy, Conrad Nagel and Mack Swain, and features Hugh Herbert, Charles K. Gerrard and Émile Chautard. The film was released by Warner Bros. on August 25, 1928.
Win That Girl is a lost 1928 synchronized sound film comedy directed by David Butler and starring David Rollins and Sue Carol. It was produced and distributed by Fox Film Corporation. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film movietone process.
St. Louis Woman is a 1934 American pre-Code musical drama film directed by Albert Ray and starring Jeanette Loff, Johnny Mack Brown and Earle Foxe. It is also known by the alternative title of Missouri Nightingale.
The Good-Bye Kiss is a 1928 American synchronized sound comedy film directed by Mack Sennett and written by Jefferson Moffitt, Mack Sennett and Carl Harbaugh. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film stars Johnny Burke, Sally Eilers, Matty Kemp, Wheeler Oakman, Irving Bacon and Lionel Belmore. The film was released on July 8, 1928, by First National Pictures.
Hold 'Em Yale, alternately known as At Yale, is a 1928 American silent comedy film directed by Edward H. Griffith and starring Rod La Rocque, Jeanette Loff, and Hugh Allan. It was adapted from the Owen Davis play of the same name, and executive-produced by Cecil B. DeMille. The film was preserved by the Academy Film Archive in 2013.
The Sophomore is a 1929 American sound all-talking pre-Code comedy film directed by Leo McCarey and starring Eddie Quillan, Sally O'Neil and Jeanette Loff. Made during the early sound era, it was shot using the RCA Photophone sound system. The film survives in an mute print of the alternate sound version known as an International Sound Version which was meant to be played along with Vitaphone discs. It is not known whether the Vitaphone type soundtrack discs to the International Sound Version are extant.
