Mae Murray was an American actress, dancer, film producer, and screenwriter. Murray rose to fame during the silent film era and was known as "The Girl with the Bee-Stung Lips" and "The Gardenia of the Screen".
Show People is a 1928 American synchronized sound comedy film directed by King Vidor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
Robert Edeson was an American film and stage actor of the silent era and a vaudeville performer.
His Hour is a 1924 American silent drama film directed by King Vidor. This film was the follow-up to Samuel Goldwyn's Three Weeks, written by Elinor Glyn, and starring Aileen Pringle, one of the biggest moneymakers at the time of the Metro-Goldwyn-Mayer amalgamation.
Conway Tearle was an American stage actor who went on to perform in silent and early sound films.
The Mystic is a 1925 American MGM silent drama film directed by Tod Browning, who later directed MGM's Freaks (1932). It was co-written by Browning and Waldemar Young, writing a similar storyline to their earlier 1925 hit film The Unholy Three. Browning was unable however to hire his favorite star Lon Chaney this time around, and The Mystic wound up a little-known film with a cast of now-forgotten names. Aileen Pringle's gowns in the film were by already famous Romain de Tirtoff . A print of the film exists.
Peacock Alley is a 1930 American pre-Code musical romantic drama film directed by Marcel de Sano, and starring Mae Murray and George Barraud. The film is a remake of the 1922 silent film of the same name in which Murray also stars. Aside from Murray being cast in the lead, the remake was largely different from the 1922 silent film. While Murray's character in the 1922 film was named Cleo, she was renamed Claire Tree in this film. George Barraud replaced Monte Blue as the male lead, who is now named Clayton Stoddard.
Mademoiselle Midnight is a 1924 American silent drama film starring Mae Murray and directed by Murray's then husband, Robert Z. Leonard. The film was written by Carl Harbaugh and John Russell. The film was the final release of Metro under the Tiffany Productions banner, owned by the couple. A complete print of the film survives.
Married Flirts is a 1924 American silent drama film directed by Robert Vignola and starring Pauline Frederick, Mae Busch, and Conrad Nagel. The screenplay, written by Julia Ivers, is based on Louis Joseph Vance's 1923 best seller Mrs. Paramor. The drama was considered quite daring at the time as the story centered on husbands being lured away from their wives. One scene has well known Hollywood stars playing themselves at a party.
The Great Divide is a 1925 American silent drama film directed by Reginald Barker and produced and distributed by MGM. The film stars Alice Terry, Conway Tearle, and Wallace Beery. It is based on the William Vaughn Moody play, being the second of three film adaptations. The play had been made famous on the 1906 Broadway stage with Margaret Anglin, Henry Miller, Laura Hope Crews, and a pre-Griffith Henry B. Walthall in the principal parts.
Rose-Marie is a 1928 American silent drama film directed by Lucien Hubbard. It was the first of three Metro-Goldwyn-Mayer adaptations of the 1924 operetta Broadway musical Rose-Marie. The best-known film adaptation starring Nelson Eddy and Jeanette MacDonald was released in 1936; another film was released in 1954. All three versions are set in the Canadian wilderness.
Idols of Clay is a 1920 American silent drama film directed by George Fitzmaurice and starring Mae Murray and David Powell. Location shooting for the film was carried out in Miami, Florida doubling for the South Seas.
On with the Dance is 1920 American silent costume drama directed by George Fitzmaurice, starring Mae Murray and David Powell, and released by Paramount Pictures. Art direction for the film was done by Charles O. Seessel.
Jazzmania is a 1923 American silent drama film directed by Robert Z. Leonard and starring his then-wife Mae Murray. In keeping with Murray's previous films and a few of her succeeding films, the movie possesses some of the most provocative attire worn by an actress in film up to that time. As with Fascination, Edmund Goulding wrote the original screen story and screenplay.
Ashes of Vengeance is a 1923 American drama film directed by Frank Lloyd and starring Norma Talmadge and Wallace Beery.
Men and Women is a 1925 American silent drama film produced by Famous Players–Lasky and released by Paramount Pictures. It was directed by William C. deMille and starred Richard Dix, Claire Adams, and Neil Hamilton. It is based on a play, Men and Women, written years earlier by David Belasco and Henry Churchill de Mille, father of the director.
The Gilded Lily is a surviving 1921 American silent drama film directed by Robert Z. Leonard and written by Clara Beranger and Tom McNamara. The film stars Mae Murray, Lowell Sherman, Jason Robards, Sr., Charles K. Gerrard, and Leonora von Ottinger. The film was released on March 6, 1921, by Paramount Pictures.
Don't Call It Love is a 1923 American silent romantic comedy film directed by William C. deMille and written by Clara Beranger and Julian Street based upon the play Rita Coventry by Hubert Osborne. The film stars Agnes Ayres, Jack Holt, Nita Naldi, Theodore Kosloff, Rod La Rocque, and Robert Edeson. The film was released on December 24, 1923, by Paramount Pictures.
Just a Woman is a 1925 American silent drama film directed by Irving Cummings and starring Claire Windsor. It is based on the 1916 Broadway play by Eugene Walter and is a remake of a 1918 silent version starring Walter's wife, Charlotte Walker. The film and play was remade in the pre-Code sound era in 1933 as No Other Woman.
Cameo Kirby is a 1930 American musical drama film directed by Irving Cummings and written by Marion Orth. It is based on the 1909 play Cameo Kirby by Booth Tarkington and Harry Leon Wilson. The film stars J. Harold Murray, Norma Terris, Douglas Gilmore, Robert Edeson, Myrna Loy and Charles Morton. The film was released on January 12, 1930, by Fox Film Corporation.
