The Big Parade is a 1925 American silent war drama film directed by King Vidor, starring John Gilbert, Renée Adorée, Hobart Bosworth, Tom O'Brien, and Karl Dane. Written by World War I veteran, Laurence Stallings, the film is about an idle rich boy who joins the US Army's Rainbow Division and is sent to France to fight in World War I, becomes a friend of two working class men, experiences the horrors of trench warfare, and finds love with a French girl.
Mae Murray was an American actress, dancer, film producer, and screenwriter. Murray rose to fame during the silent film era and was known as "The Girl with the Bee-Stung Lips" and "The Gardenia of the Screen".
Robert Edeson was an American film and stage actor of the silent era and a vaudeville performer.
His Hour is a 1924 American silent drama film directed by King Vidor. This film was the follow-up to Samuel Goldwyn's Three Weeks, written by Elinor Glyn, and starring Aileen Pringle, one of the biggest moneymakers at the time of the Metro-Goldwyn-Meyer amalgamation.
Conway Tearle was an American stage actor who went on to perform in silent and early sound films.
The Mystic is a 1925 American MGM silent drama film directed by Tod Browning, who later directed MGM's Freaks (1932). It was co-written by Browning and Waldemar Young, writing a similar storyline to their earlier 1925 hit film The Unholy Three. Browning was unable however to hire his favorite star Lon Chaney this time around, and The Mystic wound up a little-known film with a cast of now-forgotten names. Aileen Pringle's gowns in the film were by already famous Romain de Tirtoff . A print of the film exists.
Peacock Alley is a 1930 American musical romantic drama film directed by Marcel de Sano, and starring Mae Murray and George Barraud. The film is a remake of the 1922 silent film of the same name in which Murray also stars. Aside from Murray being cast in the lead, the remake was largely different from the 1922 silent film. While Murray's character in the 1922 film was named Cleo, she was renamed Claire Tree in this film. George Barraud replaced Monte Blue as the male lead, who is now named Clayton Stoddard.
Mademoiselle Midnight is a 1924 American silent drama film starring Mae Murray and directed by Murray's then husband, Robert Z. Leonard. The film was written by Carl Harbaugh and John Russell. The film was the final release of Metro under the Tiffany Productions banner, owned by the couple. A complete print of the film survives.
The Great Divide is a 1925 American silent drama film directed by Reginald Barker and produced and distributed by MGM. The film stars Alice Terry, Conway Tearle, and Wallace Beery. It is based on the William Vaughn Moody play, being the second of three film adaptations. The play had been made famous on the 1906 Broadway stage with Margaret Anglin, Henry Miller, Laura Hope Crews, and a pre-Griffith Henry B. Walthall in the principal parts.
Idols of Clay is a 1920 American silent drama film directed by George Fitzmaurice and starring Mae Murray and David Powell. A copy of the film survives in the Gosfilmofond Archive in Moscow.
On with the Dance is 1920 American silent costume drama directed by George Fitzmaurice, starring Mae Murray and David Powell, and released by Paramount Pictures. The film is a screen adaptation of the 1917 Michael Morton play by the same name.
Jazzmania is a 1923 American silent drama film directed by Robert Z. Leonard and starring his then-wife Mae Murray. In keeping with Murray's previous films and a few of her succeeding films, the movie possesses some of the most provocative attire worn by an actress in film up to that time. As with Fascination, Edmund Goulding wrote the original screen story and screenplay.
Ashes of Vengeance is a 1923 American drama film directed by Frank Lloyd and starring Norma Talmadge and Wallace Beery.
Men is a 1924 American silent drama film directed by Dimitri Buchowetzki and starring Pola Negri that was produced by Famous Players-Lasky and distributed by Paramount Pictures.
A Daughter of the Poor is a 1917 American silent comedy-drama film produced by Fine Arts Film Company and released by Triangle Film Corporation. The film was directed by Edward Dillon and starred young Bessie Love.
Men and Women is a lost 1925 American silent drama film produced by Famous Players-Lasky and released by Paramount Pictures. It was directed by William C. deMille and starred Richard Dix, Claire Adams, and Neil Hamilton. It is based on a play, Men and Women, written years earlier by David Belasco and Henry Churchill de Mille, father of the director.
The Gilded Lily is a surviving 1921 American silent drama film directed by Robert Z. Leonard and written by Clara Beranger and Tom McNamara. The film stars Mae Murray, Lowell Sherman, Jason Robards, Sr., Charles K. Gerrard, and Leonora von Ottinger. The film was released on March 6, 1921, by Paramount Pictures.
Don't Call It Love is a 1923 American silent comedy film directed by William C. deMille and written by Clara Beranger and Julian Street based upon the play Rita Coventry by Hubert Osborne. The film stars Agnes Ayres, Jack Holt, Nita Naldi, Theodore Kosloff, Rod La Rocque, and Robert Edeson. The film was released on December 24, 1923, by Paramount Pictures.
Just a Woman is a 1925 American silent drama film directed by Irving Cummings and starring Claire Windsor. It is based on the 1916 Broadway play by Eugene Walter and is a remake of a 1918 silent version starring Walter's wife, Charlotte Walker. The film and play was remade in the pre-Code sound era in 1933 as No Other Woman.
The Absentee is a 1915 American silent allegory film directed by Christy Cabanne and starring Robert Edeson, A. D. Sears, and Olga Grey. It was released on May 8, 1915.
