Frank Powell was a Canadian-born stage and silent film actor, director, producer, and screenwriter who worked predominantly in the United States. He is also credited with "discovering" Theda Bara and casting her in a starring role in the 1915 release A Fool There Was. Her performance in that production, under Powell's direction, quickly earned Bara widespread fame as the film industry's most popular evil seductress or on-screen "vamp".
Marie Pauline Garon was a Canadian silent film, feature film, and stage actress.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
De Sacia Mooers was a film actress, disputably from Los Angeles, California. She appeared in over one hundred movies in the silent film era. She was perhaps best known as the "Blonde Vamp" for her role in The Blonde Vampire in 1922. Her career ended with talking films.
Slave of Desire is a 1923 American silent drama film directed by George D. Baker, produced and distributed by Goldwyn Pictures. It was based on the novel La Peau de chagrin by Honoré de Balzac, first published in 1831. The Balzac novel had previously been filmed in 1909 as The Wild Ass's Skin, which was more faithful to the original novel.
The Woman on the Jury is a lost 1924 American silent drama film produced and released by Associated First National and directed by Harry Hoyt. It is based on a Broadway stage play, The Woman on the Jury, and stars Sylvia Breamer and Bessie Love. The story was refilmed in 1929 as an early talkie under the title The Love Racket starring Dorothy Mackaill.
Everybody's Doing It is a 1938 American comedy film directed by Christy Cabanne using a screenplay by J. Robert Bren, Edmund Joseph, and Harry Segall, based on George Beck's story. RKO produced and distributed the film, releasing it on January 14, 1938. The movie stars Preston Foster and Sally Eilers.
Deserted at the Altar is a 1922 American silent film melodrama directed by William K. Howard and produced by Phil Goldstone Productions. It stars Bessie Love and Tully Marshall.
Three Who Paid is a 1923 American silent Western film film directed by Colin Campbell, and starring Dustin Farnum, with Bessie Love and Frank Campeau. The film was based on the 1922 short story by George Owen Baxter, and was produced and distributed through Fox Film.
Night Life in Hollywood, called The Shriek of Hollywood in Europe, is a 1922 American silent comedy film directed by Fred Caldwell. It starred J. Frank Glendon, Josephine Hill, and Gale Henry, and featured a number of cameo appearances of celebrities with their families.
Rose of the World is a 1925 American silent melodrama film directed by Harry Beaumont, which stars Patsy Ruth Miller, Allan Forrest, and Pauline Garon. The screenplay was written by Julien Josephson and Dorothy Farnum. Based on the 1924 novel of the same name by Kathleen Norris, the film was released by Warner Brothers on November 21, 1925.
$20 a Week is a 1935 American melodrama film directed by Wesley Ford and starring James Murray, Pauline Starke, and Gwen Lee. It was released on February 2, 1935.
The Beloved Cheater is a 1919 American silent comedy film, directed by Christy Cabanne. It stars Lew Cody, Doris Pawn, and Eileen Percy, and was released on December 6, 1919.
The Barricade is a 1921 silent American melodrama film, directed by Christy Cabanne. It stars William H. Strauss, Katherine Spencer, and Kenneth Harlan, and was released on October 2, 1921.
At the Stage Door, also known by its working title Women of Conquest, is a 1921 silent American romantic drama film directed by Christy Cabanne. It stars Billie Dove, Huntley Gordon, and Miriam Battista, and was released on December 11, 1921. The film gives a glimpse into the behind-the-scenes reality of life in the New York theater, as seen by a small town girl trying to make it in the big city. The picture received mixed reviews. This was Dove's first time on film, having moved over from the Ziegfeld Follies.
Life's Greatest Game is a 1924 American silent melodrama directed by Emory Johnson. FBO released the film in October 1924. The film's "All-Star" cast included Johnnie Walker, Tom Santschi, Jane Thomas, David Kirby, and Gertrude Olmstead. Emilie Johnson, Johnson's mother, wrote both the story and screenplay. She was inspired by the 1919 World Series Black Sox Scandal scandal. Life's Greatest Game was the sixth film in Johnson's eight-picture contract with FBO.
The Marriage Market is a 1923 American silent romantic comedy film directed by Edward LeSaint and starring Pauline Garon, Jack Mulhall, and Alice Lake.
The Forgotten Woman is a 1921 silent American melodrama film directed by Park Frame and starring Pauline Stark.
Jane Jennings was an American actress known for playing older motherly characters. In a 1918 edition of Motion Picture News she is described as a sweet looking little woman. Famous Players was one of the studios where she worked. She is on the cover of the sheet music for That Wonderful Mother of Mine (1918). By the 1925 film Self Defense, she had played 178 mother roles in films.
Speed is a 1925 American silent comedy drama film directed by Edward LeSaint and starring Betty Blythe, Pauline Garon, and Arthur Rankin.
