Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
What's the World Coming To? is a 1926 American silent comedy film directed by Richard Wallace and starring Clyde Cook. The film's working title was Furious Future. A restoration of the film was completed in September 2015 as a collaboration between Carleton University, New York University, and the San Francisco Silent Film Festival.
A 44-Calibre Mystery is a 1917 American short Western film, featuring Harry Carey. Carey plays the role of Sheriff Cheyenne Harry. He saves Kitty Flanders from Pete McGuire and takes her safely home. McGuire hides in a shack on Mr. Flanders' stake and Harry's deputy is shot dead, apparently by Mr. Flanders. McGuire offers to keep quiet about the murder if Flanders gives him half a stake and his daughter's hand in marriage. Mr. Flanders confesses his crime to Sheriff Harry and learns that he is innocent. Sheriff Harry notices McGuire's gun and accuses him of the crime, but they are killed as they try to escape. The film concludes as Kitty Flanders confesses her love to Sheriff Cheyenne as she bandages his wounds from the fight.
Eileen Percy was an Irish-born American actress of the silent era. She appeared in more than 60 films between 1917 and 1933.
Slave of Desire is a 1923 American silent drama film directed by George D. Baker, produced and distributed by Goldwyn Pictures. It was based on the novel La Peau de chagrin by Honoré de Balzac, first published in 1831. The Balzac novel had previously been filmed in 1909 as The Wild Ass's Skin, which was more faithful to the original novel.
Scarlet Days is a 1919 American silent Western film produced and directed by D. W. Griffith and released through Paramount/Artcraft Pictures, Artcraft being an affiliate of Paramount. Richard Barthelmess stars in a role for which Griffith had screentested Rudolph Valentino. In today's time, this film is considered by many to be one of Griffith's worst films though it might have worked better as a short film. This film was unlike others created by D.W. Griffith. According to an article written for The Cincinnati Enquirer, written on the 16 of November 1919: "Unlike other recent Griffith production, Scarlet Days is a story of the old West, of the gold rush days of 49- Bret Harte transferred to the screen!" The Western film genre was expanding at this time and Scarlet Days fits into this category. Western films were popular for this time.
The Woman on the Jury is a lost 1924 American silent drama film produced and released by Associated First National and directed by Harry Hoyt. It is based on a Broadway stage play, The Woman on the Jury, and stars Sylvia Breamer and Bessie Love. The story was refilmed in 1929 as an early talkie under the title The Love Racket starring Dorothy Mackaill.
The Bride's Awakening is a 1918 American silent drama film released by Universal Pictures and produced by their Bluebird production unit. Robert Z. Leonard directed the film and his then-wife Mae Murray was the star. A print of the film is housed at the EYE Institute Nederlands.
Beyond Victory is a 1931 American pre-Code war film starring Bill Boyd, James Gleason, Lew Cody, and ZaSu Pitts. While John Robertson received directing credit, Edward H. Griffith supposedly took extensive re-takes after production ended and the film was deemed not audience ready. Two actresses with major roles in the original version were completely cut from the final release, Helen Twelvetrees and June Collyer. The original screenplay was written by Horace Jackson and James Gleason. While the film might not have made a profit at the box office, it was well received by critics.
Double Danger is a 1938 American crime drama directed by Lew Landers, using a screenplay by Arthur T. Horman and J. Robert Bren based on Horman's story. The film stars Preston Foster and Whitney Bourne, with supporting roles by Donald Meek and Samuel S. Hinds. Produced by RKO Radio Pictures, it was released on January 28, 1938.
The Enchanted Barn is a 1919 American silent drama film produced by Vitagraph Studios. It was directed by David Smith and starred Bessie Love and J. Frank Glendon. The script was written by Kathryn Reed, based on the novel by Grace Livingston Hill Lutz. Bessie Love had been familiar with the source novel, and was instrumental in optioning it for this film.
Penny of Top Hill Trail is a 1921 American silent Western comedy film based on the 1919 novel by Belle Kanaris Maniates. It was directed by Arthur Berthelet and stars Bessie Love. The film was produced by Andrew J. Callaghan Productions and distributed by Federated Film Exchanges of America. The film is presumed lost.
Deserted at the Altar is a 1922 American silent film melodrama directed by William K. Howard and produced by Phil Goldstone Productions. It stars Bessie Love and Tully Marshall.
Human Desire is a 1919 American silent romantic drama film starring Anita Stewart who produced along with Louis B. Mayer. It was distributed by Associated First National.
It Is the Law is a 1924 American silent mystery film directed by J. Gordon Edwards and starring Arthur Hohl, Herbert Heyes, and Mona Palma. It is a film adaptation of the 1922 Broadway play of the same name by Elmer Rice, itself based on a novel by Hayden Talbot. The film depicts the story of Ruth Allen (Palma), who marries Justin Victor (Heyes) over competing suitor Albert Woodruff (Hohl). Seeking revenge for this slight, Woodruff fakes his own death by killing a drifter who resembles him, and frames Victor for the murder. Woodruff attempts to renew his courtship of Allen by using an assumed identity, but she sees through his disguise. Once Victor is freed from prison, he kills Woodruff and goes free because a conviction would constitute double jeopardy.
The Average Woman is a 1924 American silent melodrama film directed by Christy Cabanne and starring Pauline Garon, David Powell, and Harrison Ford. It was released on March 1, 1924.
As the Sun Went Down is a 1919 American silent Western film directed by E. Mason Hopper and starring Edith Storey, Lew Cody, and Harry S. Northrup. It was released on February 10, 1919.
The Net is a 1923 American silent melodrama film directed by J. Gordon Edwards and starring Barbara Castleton, Raymond Bloomer, and Albert Roscoe. It is a film adaptation of the 1919 Broadway play of the same name, itself based on the novel The Woman's Law by Maravene Thompson. The film depicts the story of Allayne Norman (Castleton) and her husband Bruce (Bloomer). Bruce commits murder and convinces Allayne to help him blame the crime on a man suffering from amnesia (Roscoe). After Bruce dies and the man recovers, he marries Allayne.
Broadway Daddies is a lost 1928 American silent melodrama film directed by Fred Windemere. It stars Jacqueline Logan, Alec B. Francis, Rex Lease, and was released on April 7, 1928.
The Love Cheat is a 1919 silent American film written by Peggy McCall and directed by George Archainbaud. It stars June Caprice and Creighton Hale.
