Arike (film)

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Arike
Arike (movie poster).jpg
Film poster
Directed by Shyamaprasad
Screenplay byShyamaprasad
Story by Sunil Gangopadhyay
Produced byN. B. Vindhyan
Starring Dileep
Samvrutha Sunil
Mamta Mohandas
Vineeth
Cinematography Alagappan N
Edited by Vinod Sukumaran
Music by Ouseppachan
Production
company
Picture Perfect
Release date
  • 18 May 2012 (2012-05-18)
CountryIndia
LanguageMalayalam

Arike (So Close) is a 2012 Indian Malayalam romantic drama film [1] [2] by Shyamaprasad, starring Dileep, Samvrutha Sunil, and Mamta Mohandas. Based on a Bengali short story by Sunil Gangopadhyay, the movie was produced under the banner of Picture Perfect and has a script by Shyamaprasad, cinematography by Alagappan, editing by Vinod Sukumaran, and music by Ouseppachan.

Contents

The film, a romantic drama, is about the shades of love that vary in a relationship woven around three individuals.

Plot

It tells the story of Shanthanu, a researcher in linguistics, and his two friends, Kalpana and Anuradha. Anuradha is the sensitive type who has gone through certain bitter experiences in her teenage years when her cousin Balu approached her with love, which she later realised was just his lust for her. Kalpana is slightly capricious and loves being in love. Anuradha wants to play Cupid and bring Shanthanu and Kalpana together; she knows that they care a lot for each other, but for some reason, are hesitant to take the next step.

Kalpana's parents are against her marrying Shanthanu, and they try to bring proposals from their own (Brahmin) community. At one point, Kalpana's aunt tricks her into meeting a guy, Sanjay, whom they hope Kalpana will like and marry. While they travel with Sanjay in his car, they meet with an accident, causing some scars on Kalpana's face and giving her a disfigured toe. After the accident, Kalpana backs out from the relationship with Shanthanu and gives in to her parents' wishes to marry Sanjay. Anuradha feels bad for Shanthanu and tries to console him. It is then that Shanthanu realizes that Kalpana has actually not loved him at all. Though his actual love was near him, so close, he failed to recognise it (this is where the name of this film gets significance).

Cast

Production

Adaptation

Shyamaprasad has adapted several classics on celluloid so far. Arike is the latest in that list and is based on a Bengali short story by Sunil Gangopadhyay, whose novel was also the base for the director's Ore Kadal . [1] Says the director, "I don’t think adapting stories from other languages is an issue at all, because human emotions are universal and can be told without linguistic barriers. I am fond of adapting literature, since writing a story is not my forte and I do not believe in concocting a story for the sake of filmmaking." [3] He also adds that Basu Chatterjee, a Bollywood director who portrayed the middle-class in many films, proved to be his guiding force while making Arike. [3]

Themes

Like all of Shyamaprasad's previous films, Arike too is about the quest for love. [1] Talking about the theme of Arike, the director says, "There is an obsessive quest for love in each one of us. We have illusions and inhibitions about love, yet we have an irrepressible thirst for it. We all want to find happiness in love. But whether we get that happiness is the question which I want to delve through this film." [3]

Compared to the dark themes he took up earlier, Arike's tone is relatively lighter. Shyamaprasad says, "In Ore Kadal, the subject had a shadow of gloom and depression, Ritu was about the aspirations and attitude of the young working population. Arike has a breezy feel, and the story is told in a lighthearted and realistic way. I have also taken efforts to avoid cliches such as rain, sea, train that are common motifs in romantic films." [3]

Casting and filming

The film has only a handful of characters. Shyamaprasad wanted to use live sound recording and hence, chose actors who could emote dialogues perfectly while shooting itself. [1] Shyamaprasad says he selected Dileep to play the protagonist because he feels the actor has the look and feel of the character. [3] This is the first time Shyamaprasad has cast Dileep in a lead role, though the actor had earlier done a role in the director's 1998 film Kallu Kondoru Pennu . [4] [5] The film's production started in late November 2011. [6] The director had given all the actors a copy of the script so that they could practice their parts well. [7]

The film uses sync sound recording or live sound recording. Shyamaprasad brought in Sohel Sanwari from Bollywood to record the sound. Says Shyamaprasad, "This is something I’ve always wanted to do. The early talkies had speech recorded live but the change to outdoor locations made carrying recording cameras cumbersome. Added to this was the fact that technicians and stars started travelling and this started the trend of dubbing. I feel that we lose 50 to 60 per cent of the performance when we post-synchronise voices. Take for example a scene on the seashore — our body, voice modulation and mannerisms are in sync with the surroundings. Dubbing in a studio means that a lot of vocal nuances get lost!" [8] Lead player Dileep describes the sync sound recording experience, "I had to memorise the entire dialogues beforehand and deliver them at one go after umpteen rehearsals. It was a very novel experience for me and I personally feel that it increases one’s memory power." [8] Samvrutha Sunil says, "This is my first film where our voices have been recorded live during our respective performances. The sync sound recording actually threw open many challenges - one, you can't console yourself for a not-up-to-the-mark performance saying that you can cover it up with a good dubbing and two, you have to byheart the dialogues thoroughly as there is no prompting." [7]

The film was shot completely from Kozhikode. It was Shyamaprasad's first film to be filmed in the city. He says it was his emotional relationship with the city and its calm nature which helped live recording to a great extent, that inspired him to choose Kozhikode as the main locale. [9] Filming was completed in late December 2011. [7] Cinematographer Alagappan says he experimented a lot with the film, and the film was made in a special "visual tone." It was shot using a Sony F3 Camera. [9] Sakhi Thomas, who worked with Shyamaprasad in Ritu and Elektra , was the costume designer for this film. [9]

Soundtrack

Arike
Soundtrack album by
Ouseppachan
Released11 June 2012
Genre Feature film soundtrack
Length56:32 (inc. Karaoke)
Label
Ouseppachan chronology
Thiruvambadi Thamban
(2012)		Arike
(2012)		 Kalikalam
(2012)

All lyrics are written by Shibu Chakravarthy; all music is composed by Ouseppachan

No.TitleArtist(s)Length
1."Varavayi Thozhi Vadhuvayi" Nithyasree Mahadevan 5:15
2."Shyam Hare" Shweta Mohan 6:19
3."Iravil Viriyum" Mamta Mohandas 5:19
4."Veyil Pole" Karthik 4:38
5."Ee Vazhiyil" Sreenivas, Manjari 6:45

Awards and nominations

Filmfare Awards South
Asianet Film Awards

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References

  1. 1 2 3 4 P.K.Ajith Kumar (15 December 2011). "Playing Cupid". The Hindu. Archived from the original on 24 May 2012. Retrieved 3 January 2012.
  2. ↑ "Samvrutha in Arike". The Times of India. 11 October 2011. Retrieved 23 May 2013.
  3. 1 2 3 4 5 Parvathy Nambidi (29 December 2011). "Heart of the matter". The New Indian Express. Retrieved 3 January 2012.[ permanent dead link ]
  4. ↑ Unni R. Nair (30 December 2011). "Shyamaprasad's Arike rolls". Screen India. Archived from the original on 2 February 2013. Retrieved 3 January 2012.
  5. ↑ Unni R. Nair (7 October 2011). "Arike: Shyamaprasad's next". Screen India. Archived from the original on 2 February 2013. Retrieved 3 January 2012.
  6. ↑ Anula Aboobacker (24 November 2011). "Arike is a love story with a touch of reality: Shyamaprasad". The Times of India . Archived from the original on 3 January 2013. Retrieved 3 January 2012.
  7. 1 2 3 Parvathy S Nayar (24 December 2011). "Arike is a very special film: Samvrita Sunil". The Times of India . Archived from the original on 3 January 2013. Retrieved 3 January 2012.
  8. 1 2 Priya Sreekumar (30 December 2011). "Mollywood goes experimental". Deccan Chronicle. Archived from the original on 2 January 2012. Retrieved 3 January 2012.
  9. 1 2 3 Baiju P. Sen (31 December 2011). "ശന്തനുവും അരികെ അനുരാധയും കല്പനയും". Chithrabhumi (in Malayalam). Mathrubhumi. Archived from the original on 2 January 2012. Retrieved 3 January 2012.

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