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Art-based research is a mode of formal qualitative inquiry that uses artistic processes in order to understand and articulate the subjectivity of human experience. [1] [2] [3]
The term was first coined by Elliot Eisner (1933–2014) who was a professor of Art and Education at the Stanford Graduate School of Education and one of the United States' leading academic minds. [4] [5] Eisner used the term 'art-based research' as the title of a conference presentation held at Stanford University in 1993. [6] [7] [8] [9]
Subsequently, the concept of art-based research was defined by Shaun McNiff, professor of Creative Arts Therapies at Lesley College, as 'the systematic use of the artistic process, the actual making of artistic expressions in all of the different forms of the arts, as a primary way of understanding and examining experience by both researchers and the people that they involve in their studies.' [10] It was later additionally defined as 'research that uses the arts, in the broadest sense, to explore, understand, represent and even challenge human action and experience'. [11]
Many practitioners of art-based research trace the origins of their approach to the work of German arts theorist and psychologist Rudolf Arnheim, [12] [13] and American philosopher Susanne Langer, [14] [15] both of whom elucidated the use of artistic experimentation and production as a means by which to acquire and document knowledge about the art, the artist, and its audience, inspiring a range of academic programs that facilitated students in using the process of making art, including performance, painting, and music as the means by which to understand the nature of human experience, teaching, and learning. [16]
Arts-Based research is closely related to and is often paired with Action Research, Participatory Action Research and Community-Based Participatory Research methodologies. [17]
Feminist arts-based research draws on the principles of the feminist movement and feminist art, committed to gender equality as it intersects with the vast array of social life and social justice issues. Feminist arts-based research requires researchers to critically reflect on their practice and positionally as artists and researchers. As Karen Keifer-Boyd states, feminist arts-based research "examines gender inequalities manifested in different forms of privilege and oppression, and exposes the pervasiveness of gender entangled with race and class in structuring social life." [18]
Drawing on queer studies and theory as well the historical artistic activism of the LGBT movements such as Act Up or the NAMES Project AIDS Memorial Quilt, queer arts-based research seeks to question and deconstruct normative binaries, hetero- and cis-normativity, and make space for queer ways of knowing and being in the world. The Oxford Research Encyclopedias on Communication state that queer arts-based research "allows individuals to question the taken-for-granted conventions that shape social understanding of gender, sex, and sexuality in a subjective and participatory way." [19]
Disability arts-based research focuses on addressing negative ideology regarding disability through building knowledge from and with people with disabilities, and challenge discourses about disabled people without their involvement. Following the values of the disability rights movement, researchers and participants engaging in disability arts-based research are committed to maintain voice, agency, and dignity for disabled people.
Expanding on Eisner's ideas, researchers in Canada developed a discipline they named 'a/r/tography', a hybrid form of practice-based research within education and the arts. [20] [21] [22] A/R/Tography stands for (a)rtmaking, (r)esearching, and (t)eaching. It is a popular methodology for artists, teachers and makers in which A/R/Tography transforms information and the relationships between art-making, research and theory in order to inform the public on various issues. For example, Australian artist, art theorist, and educator, Graeme Sullivan, states that, "Arts-informed researchers, [Artographers], and the like, have a similar interest in schools, community and culture, but their focus is on developing the practitioner-researcher who is capable of imaginative and insightful inquiry" [23]
Further developments in arts-based approaches as a means of communicating complex research ideas from diverse research sources have been a component of this innovation, merging the domains of arts-based research and knowledge translation research in the health science and the social sciences. This domain of arts-based knowledge translation has been developed by Mandy Archibald, assistant professor and interdisciplinary artist at the University of Manitoba and others. [24]
Today, art-based research is employed not only in arts education, but also in health care, management, the social and behavioral sciences, and the technology sector. [25] [26] [27] [28] [29] [30]
Research is "creative and systematic work undertaken to increase the stock of knowledge". It involves the collection, organization, and analysis of evidence to increase understanding of a topic, characterized by a particular attentiveness to controlling sources of bias and error. These activities are characterized by accounting and controlling for biases. A research project may be an expansion of past work in the field. To test the validity of instruments, procedures, or experiments, research may replicate elements of prior projects or the project as a whole.
Queer theory is a field of post-structuralist critical theory that emerged in the early 1990s out of queer studies and women's studies. The term "queer theory" is broadly associated with the study and theorization of gender and sexual practices that exist outside of heterosexuality, and which challenge the notion that heterosexuality is what is normal. Following social constructivist developments in sociology, queer theorists are often critical of what they consider essentialist views of sexuality and gender. Instead, they study those concepts as social and cultural phenomena, often through an analysis of the categories, binaries, and language in which they are said to be portrayed.
Action research is a philosophy and methodology of research generally applied in the social sciences. It seeks transformative change through the simultaneous process of taking action and doing research, which are linked together by critical reflection. Kurt Lewin, then a professor at MIT, first coined the term "action research" in 1944. In his 1946 paper "Action Research and Minority Problems" he described action research as "a comparative research on the conditions and effects of various forms of social action and research leading to social action" that uses "a spiral of steps, each of which is composed of a circle of planning, action and fact-finding about the result of the action".
Qualitative research is a type of research that aims to gather and analyse non-numerical (descriptive) data in order to gain an understanding of individuals' social reality, including understanding their attitudes, beliefs, and motivation. This type of research typically involves in-depth interviews, focus groups, or field observations in order to collect data that is rich in detail and context. Qualitative research is often used to explore complex phenomena or to gain insight into people's experiences and perspectives on a particular topic. It is particularly useful when researchers want to understand the meaning that people attach to their experiences or when they want to uncover the underlying reasons for people's behavior. Qualitative methods include ethnography, grounded theory, discourse analysis, and interpretative phenomenological analysis. Qualitative research methods have been used in sociology, anthropology, political science, psychology, communication studies, social work, folklore, educational research, information science and software engineering research.
Autoethnography is a form of ethnographic research in which a researcher connects personal experiences to wider cultural, political, and social meanings and understandings. It is considered a form of qualitative and/or arts-based research.
Disability studies is an academic discipline that examines the meaning, nature, and consequences of disability. Initially, the field focused on the division between "impairment" and "disability", where impairment was an impairment of an individual's mind or body, while disability was considered a social construct. This premise gave rise to two distinct models of disability: the social and medical models of disability. In 1999 the social model was universally accepted as the model preferred by the field.
Narrative inquiry or narrative analysis emerged as a discipline from within the broader field of qualitative research in the early 20th century, as evidence exists that this method was used in psychology and sociology. Narrative inquiry uses field texts, such as stories, autobiography, journals, field notes, letters, conversations, interviews, family stories, photos, and life experience, as the units of analysis to research and understand the way people create meaning in their lives as narratives.
Participatory action research (PAR) is an approach to action research emphasizing participation and action by members of communities affected by that research. It seeks to understand the world by trying to change it, collaboratively and following reflection. PAR emphasizes collective inquiry and experimentation grounded in experience and social history. Within a PAR process, "communities of inquiry and action evolve and address questions and issues that are significant for those who participate as co-researchers". PAR contrasts with mainstream research methods, which emphasize controlled experimentation, statistical analysis, and reproducibility of findings.
Photovoice is a qualitative research method used in community-based participatory research that gathers participant-taken photographs and narratives to translate experience into actionable knowledge. Photovoice is commonly used in the fields of community development, international development, public health, and education.
Social practice is a theory within psychology that seeks to determine the link between practice and context within social situations. Emphasized as a commitment to change, social practice occurs in two forms: activity and inquiry. Most often applied within the context of human development, social practice involves knowledge production and the theorization and analysis of both institutional and intervention practices.
The community of inquiry (CoI) is a concept first introduced by early pragmatist philosophers C.S.Peirce and John Dewey, concerning the nature of knowledge formation and the process of scientific inquiry. The community of inquiry is broadly defined as any group of individuals involved in a process of empirical or conceptual inquiry into problematic situations. This concept was novel in its emphasis on the social quality and contingency of knowledge formation in the sciences, contrary to the Cartesian model of science, which assumes a fixed, unchanging reality that is objectively knowable by rational observers. The community of inquiry emphasizes that knowledge is necessarily embedded within a social context and, thus, requires intersubjective agreement among those involved in the process of inquiry for legitimacy.
An unstructured interview or non-directive interview is an interview in which questions are not prearranged. These non-directive interviews are considered to be the opposite of a structured interview which offers a set amount of standardized questions. The form of the unstructured interview varies widely, with some questions being prepared in advance in relation to a topic that the researcher or interviewer wishes to cover. They tend to be more informal and free flowing than a structured interview, much like an everyday conversation. Probing is seen to be the part of the research process that differentiates the in-depth, unstructured interview from an everyday conversation. This nature of conversation allows for spontaneity and for questions to develop during the course of the interview, which are based on the interviewees' responses.
Simon Hayhoe is the author of eleven books on topics ranging from visual impairment and the arts, access to public spaces and the philosophy of social research. His books include Principles and Concepts of Social Research, Emancipatory and Participatory Research for Emerging Educational Researchers, An Introduction to Grounded Methodology for Emerging Educational Researchers, Grounded Theory and Disability Studies, Accessible Vacations two travel guides on visiting public spaces in the US for older people and people with disabilities, Cultural Heritage, Ageing, Disability, and Identity, which features case studies of the Statue of Liberty, Yosemite National Park, Boston Museum of Fine Art, Blind Visitor Experiences at Art Museums, which features a study of the Metropolitan Museum of Art, New York City, Arts, Culture and Blindness on arts education and visual impairment, Philosophy as Disability & Exclusion and God, Money and Politics, these latter two books were the first books on the history of English education of the blind since 1910.
The American Evaluation Association (AEA) is a professional association for evaluators and those with a professional interest in the field of evaluation, including practitioners, faculty, students, funders, managers, and government decision-makers. As of 2014, AEA has approximately 7057 members from all 50 US states and over 60 other countries.
Graeme Sullivan is an Australian artist, author, art theorist, and educator. He has contributed work to numerous exhibitions and events and is known for his international "Streetworks" project that plants public art in unusual urban locales. He authored the books Art Practice as Research (2005) and Seeing Australia: Views of Artists and Artwriters (1994). He has served as an editorial board member and consultant to the International Journal of Art & Design Education, the International Journal of Education and the Arts, and Studies in Material Thinking. Sullivan, who graduated from Ohio State University in 1984 with both a Master of Arts and a PhD, has taught art at the University of New South Wales's College of Fine Arts, and the Teacher's College at Columbia University. He is the current director of the School of Visual Arts at Pennsylvania State University.
Feminist pedagogy is a pedagogical framework grounded in feminist theory. It embraces a set of epistemological theories, teaching strategies, approaches to content, classroom practices, and teacher-student relationships. Feminist pedagogy, along with other kinds of progressive and critical pedagogy, considers knowledge to be socially constructed.
Roewan Crowe is a Canadian feminist artist, writer, curator, and educator. In 2011 she was honoured for her social justice work in the arts by the Government of Manitoba as part of their celebration of Women in the Arts: Artists Working for Social Change. Her first book of poetry, Quivering Land, was published in 2013 by ARP Books. Roewan Crowe is currently an Associate Professor in the Women's and Gender Studies Department at the University of Winnipeg and Co-Director of The Institute for Women's & Gender Studies. Her creative and scholarly work explores queerness, class, violence, queer ecology, and what it means to be a settler. She lives and works in Winnipeg, Manitoba.
Michelle Melody Fine is a distinguished professor at the City University of New York and has her training in Social and Personality Psychology, Environmental Psychology, American Studies, and Urban Education. Her research includes the topics of social injustice and resistance and urban education. Fine is also an author and has written several works, one of her most known being Muslim American Youth (2008).
Nicole Brown is an Austrian and British writer and academic whose expertise lies with social research practice. She focuses on the development and pragmatics of research methods and approaches for data analysis as well as dissemination.
Antke Engel is a German philosopher and publicist. Together with Sabine Hark, she is one of the pioneers of Butler reception in Germany, teaches as a visiting professor for Queer Studies at various universities and is the founder and director of the Institute for Queer Theory in Berlin.
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