Atlanta blues

Last updated

Atlanta blues refers to the local blues scene in Atlanta, Georgia, United States, which had its heyday in the 1920s and 1930s. According to AllMusic,"The Atlanta blues scene of the 1920s was among the most fertile in all the South, with a steady stream of rural musicians converging on the city hoping to gain exposure playing the local club circuit, with any luck rising to perform at Decatur Street's famed 81 Theatre." [1]

Contents

The oldest representative of the Atlanta blues was Peg Leg Howell, who made his first recordings in 1926. He was followed by Blind Willie McTell, Barbecue Bob, Charley Lincoln and Curley Weaver, with McTell typically being the most popular and acclaimed.[ by whom? ] Many of these musicians banded together into groups; the most popular of these bands were the Georgia Cotton Pickers. [2]

Cora Mae Bryant, the daughter of Curley Weaver, gradually became important on the Atlanta blues scene; performing, organizing "Giving It Back" festivals at the city's Northside Tavern to honor early blues artists, and as a frequent caller to local blues radio shows. [3] Also, Bryant's knowledge of early blues in Atlanta and Georgia, was used as a source by the music historians Peter B. Lowry and Bruce Bastin. [4]

More modern blues performers that have come out of or near Atlanta include Delta Moon, [5] and Chick Willis. [6]

Notable performers

Related Research Articles

<span class="mw-page-title-main">Blind Willie McTell</span> Piedmont and ragtime blues singer and guitarist

Blind Willie McTell was a Piedmont blues and ragtime singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues. Unlike his contemporaries, he came to use twelve-string guitars exclusively. McTell was also an adept slide guitarist, unusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenor, differed greatly from many of the harsher voices of Delta bluesmen such as Charley Patton. McTell performed in various musical styles, including blues, ragtime, religious music and hokum.

Country blues is one of the earliest forms of blues music. The mainly solo vocal with acoustic fingerstyle guitar accompaniment developed in the rural Southern United States in the early 20th century. It stands in contrast primarily to the Urban blues style, especially in the pre-war era.

<span class="mw-page-title-main">Piano Red</span> American blues musician

Willie Lee Perryman, usually known professionally as Piano Red and later in life as Dr. Feelgood, was an American blues musician, the first to hit the pop music charts. He was a self-taught pianist who played in the barrelhouse blues style. His performing and recording careers emerged during the period of transition from completely segregated "race music" to rhythm and blues, which was marketed to both white and black audiences. Some music historians credit Perryman's 1950 recording "Rocking With Red" for the popularization of the term rock and roll in Atlanta. His simple, hard-pounding left hand and his percussive right hand, coupled with his cheerful shout, brought him considerable success over three decades.

<span class="mw-page-title-main">Music of Georgia (U.S. state)</span>

Georgia's musical history is diverse and substantial; the state's musicians include Southern rap groups such as Outkast and Goodie Mob, as well as a wide variety of rock, pop, blues, and country artists such as the late Ray Charles, Otis Redding, James Brown, and The Allman Brothers Band. The music of Athens, Georgia is especially well known for a kind of quirky college rock that has included such well-known bands as R.E.M., The B-52's, and Pylon.

<span class="mw-page-title-main">Yazoo Records</span> Record label

Yazoo Records is an American record label founded in the mid-1960s by Nick Perls. It specializes in early American blues, country, jazz, and other rural American genres collectively known as roots music.

<span class="mw-page-title-main">Barbecue Bob</span> American blues musician

Robert Hicks, better known as Barbecue Bob, was an early American Piedmont blues musician. His nickname was derived from his working as a cook in a barbecue restaurant. One of the three extant photographs of him show him playing a guitar and wearing a full-length white apron and cook's hat.

<span class="mw-page-title-main">Lord, Send Me an Angel</span>

"Lord, Send Me an Angel" is a song by Blind Willie McTell of which two versions were recorded on September 19, 1933 in New York City, with Curley Weaver on second guitar. Accompanied by his wife, Kate, McTell re-recorded it as "Ticket Agent Blues" in 1935, albeit with some alternate verses. This was used as the B-side to his single "Bell Street Blues" on Decca Records. The song was covered by Detroit, Michigan garage rock band, The White Stripes, which was released as a single in October 2000.

<span class="mw-page-title-main">Peg Leg Howell</span> Musical artist

Joshua Barnes Howell, known as Peg Leg Howell, was an American blues singer-songwriter and guitarist, who connected early country blues and the later 12-bar style. He was one of the first recorded artists of the Atlanta blues scene during the pre-war period, and he was also one of the first blues musicians to ever make a race record.

Curley James Weaver was an American blues musician, also known as Slim Gordon.

Document Records is an independent record label, founded in Austria and now based in Scotland, that specializes in reissuing vintage blues and jazz. The company has been recognised by The Blues Foundation, being honoured with a Keeping the Blues Alive Award. Document Records is the only UK-based recipient of the award in 2018.

<span class="mw-page-title-main">Buddy Moss</span> American singer-songwriter

Eugene "Buddy" Moss was an American blues musician. He is one of two influential Piedmont blues guitarists to record in the period between Blind Blake's final sessions in 1932 and Blind Boy Fuller's debut in 1935. A younger contemporary of Blind Willie McTell, Curley Weaver and Barbecue Bob, Moss was part of a coterie of Atlanta bluesmen. He was among the few of his era whose careers were reinvigorated by the blues revival of the 1960s and 1970s.

Charley Lincoln, also known as Laughing Charley, was an early American country blues musician. He often recorded with his brother Robert Hicks, who was billed as Barbecue Bob.

Eddie Mapp was an American country blues harmonicist. He is best known for his accompaniment on records by Barbecue Bob and Curley Weaver.

Atlanta has a thriving music industry and is considered to be a capital of hip-hop including crunk, of R&B and its offshoot neo-soul, and of gospel music - in addition to a thriving indie-rock and live music scene. Classical, country and blues have historically been well represented. From the 1920s through 1950s the city was a major center for country music.

<span class="mw-page-title-main">Fred McMullen</span> Musical artist

Fred McMullen was an American blues singer and guitarist known to be active in the 1930s. He recorded with the guitarists Curley Weaver and Buddy Moss in 1933, after which there is no definitive documentation of his life or whereabouts.

Cora Mae Bryant was an American blues musician. She was the daughter of another American blues musician, Curley Weaver. Bryant released two solo albums in her lifetime on the Music Maker label.

<span class="mw-page-title-main">Eddie Tigner</span> American songwriter

Ed Tigner, Jr., better known as Eddie Tigner, was an American blues pianist, keyboardist, singer, and songwriter. He recorded two albums, both released by Music Maker, and continued to perform on stage each week, despite being in his nineties. He performed standing up at the keyboard latterly, noting "Most keyboard players sit; I can’t anymore. If I sit down to play, I'll go to sleep."

Willie Baker was an American Piedmont blues guitarist, singer and songwriter. He recorded eight tracks, playing a twelve-string guitar to back his own strong vocals. All of his recordings took place in January and March 1929 in Richmond, Indiana, United States. Details of his life outside of his recording career are sketchy.

References

  1. Jason Ankeny. "Georgia Blues (1928-1933) - Various Artists | Songs, Reviews, Credits". AllMusic . Retrieved 2015-12-14.
  2. "Georgia Cotton Pickers Songs, Albums, Reviews, Bio & More". AllMusic. Retrieved September 6, 2023.
  3. "American Blues-Music Maker Relief Foundation: Meet Cora Mae Bryant". Ibiblio.org. Retrieved 11 October 2018.
  4. "Cora Mae Bryant biography". Last.fm. Retrieved 11 October 2018.
  5. Atlanta Magazine. June 2003. p. 102. Retrieved 2016-08-01.
  6. "Blues Music: Overview | New Georgia Encyclopedia". M.georgiaencyclopedia.org. Retrieved 2015-12-14.