"Avenue" | ||||
---|---|---|---|---|
Single by Saint Etienne | ||||
from the album So Tough | ||||
B-side |
| |||
Released | 5 October 1992 [1] | |||
Genre | Electronica | |||
Length | 7:37 (12-inch single) | |||
Label | Heavenly | |||
Songwriter(s) | ||||
Producer(s) | Saint Etienne | |||
Saint Etienne singles chronology | ||||
| ||||
Music video | ||||
"Avenue" on YouTube |
"Avenue" is a song by British pop group Saint Etienne, released in October 1992 as the first single from their second album, So Tough (1992). It was originally titled "Lovely Heart" or "Young Heart". [2] The album version is a 7-minute version with lengthy instrumental sequences; it was edited down to around 4 minutes for radio play, though the commercial single contained the full-length version, with the radio edit only released on promotional material. The edit wasn't released commercially until 2005's Travel Edition 1990-2005 .
The song describes a woman nostalgically remembering a love affair from her youth, mostly through impressionistic and surreal imagery, with the refrain: "oh, how many years / is it now Maurice?". The chorus repeats the words "Young heart". The song is recorded with echo effects that make it sound as though it is being performed in a large hall.
The birdsong on the track is sampled from the Pink Floyd track "Cirrus Minor" from the 1969 album More . "Paper" features guitarist Maurice Deebank of the band Felt. "Johnny In The Echo Café" is based on a sample from Forest's song "Bluebell Dance", from their album Full Circle.
The accompanying music video for the single release depicts the band driving to Brighton.
A remix single was also released, with two remixes each by Gordon King (from World of Twist) and Rudy Tambala of A.R. Kane. King's "Variety Club Mix" was later included on the remix collection Casino Classics .
Upon the release, David Stubbs from Melody Maker wrote, "'Avenue' is a return to their Kentish Town Avalon after the techno aberration that was 'Join Our Club'. Sarah Cracknell's flat, tupperware vowels are almost Cocteauesque — imagine hearing an old Dusty Springfield record in a dream, through the silvery haze of recollection, in slow motion, soft focus, idealised by the process of memory." He concluded, "If old pop records go to Heaven, this is what they sound like up there." [3] Stephen Dalton from NME praised the song, saying, "Actually, the dream-pop trio have whisked up another corker, all gliding keyboards and swoooping vocals with a stately tempo and PROPER POP SONG written all the way through. Yummo." [4]
Armond White from Rolling Stone named it one of the "high points" of the album, "an elegiac report on an English day that folds and unfolds in choruses of onomatopoeia. Cracknell's bah-da-da-da-da-da-das are split up by a thunder crack, then a harpsichord interlude. The eclectic sense of rhythm that has revitalized British pop through raves, techno and other aural experiments allows Wiggs and Stanley to make "Avenue" one of the most breathtaking set pieces since Roxy Music's "Amazona"." [5] Peter Stanton from Smash Hits declared the song, along with "You're in a Bad Way", as "classic pop beauties". [6]
Tim Sendra from AllMusic felt "Avenue" is "one of the best the group ever released", describing it as an "epic ballad built around a pastoral melody, a genius arrangement, and a lovely vocal by Sarah Cracknell." [7] Melody Maker ranked "Avenue" number 11 in their list of "Singles of the Year" in December 1992, writing, "Symhonic, idyllic, nostalgic for a semi-imaginary golden age. Bob'n'Pete played Smile -era Beach Boys, Sarah "ba-da-ba-da-ba-da"-ed like some angelic Sixties startlet a la Francaise. In the real charts, "Avenue" hit 30-something with an anchor, but it was the Number One Song in Heaven." [8] NME ranked it number 13 in their list of "Singles of the Year". [9] Jim Wirth from NME called it "lush", noting "the wide-eyed love" that goes into producing the song. [10]
All tracks were written by Ian Catt, Sarah Cracknell, Bob Stanley and Pete Wiggs except where indicated.
Chart (1992) | Peak position |
---|---|
UK Singles (OCC) | 40 |
UK Dance ( Music Week ) [11] | 27 |
Saint Etienne are an English band from London, formed in 1990. The band consists of Sarah Cracknell, Bob Stanley and Pete Wiggs. They became associated with the UK's indie dance scene in the 1990s, beginning with the release of their debut album Foxbase Alpha in 1991. Their work has been described as uniting 1990s club culture with 1960s pop and other disparate influences. The name of the band comes from the French football club of AS Saint-Étienne.
Travel Edition 1990–2005 is a compilation album by the British pop band Saint Etienne. It was released 22 November 2004 in the United States only on the Sub Pop label.
Sound of Water is an album by Saint Etienne, released in 2000. Sound of Water was developed as Saint Etienne's ambient and trip hop statement.
Foxbase Alpha is the debut studio album by English band Saint Etienne, released on 16 September 1991 by Heavenly Recordings.
So Tough is the second studio album by British band Saint Etienne, released in 1993. It is their highest-charting album to date, reaching No. 7 on the UK Album Chart.
Good Humor is the fourth studio album by English alternative dance band Saint Etienne. It was released on 4 May 1998 by Creation Records. The American spelling of humor is used in the title as the band were, according to Sarah Cracknell, "fed up with the 'quintessentially English' tag, so there was a bit of a backlash against that."
Smash the System: Singles and More (2001) is a double-CD greatest hits album by Saint Etienne. The compilation samples music from most of their releases spanning the years from 1990 to 1999. Most tracks are featured in their single or edit versions with the exception of 'Join Our Club' which is a new mix as the original sounded too 'muddy'. Smash The System was also going to be the CD debut of 'Lover Plays The Bass', but the band 'forgot' to include it.
Bob Stanley is a British musician, journalist, author, and film producer. He is a member of the indie pop group Saint Etienne and has had a parallel career as a music journalist, writing for NME, Melody Maker, Mojo, The Guardian and The Times, as well as writing three books on music and football. He also has a career as a DJ and as a producer of record labels, and has collaborated on a series of films about London. His second publication, Yeah! Yeah! Yeah!: The Story of Modern Pop, was published by Faber & Faber in 2013. His third publication Let's Do It: The Birth of Pop Music: A History was published by Pegasus in 2022.
"Only Love Can Break Your Heart" is a song written by Canadian-American singer-songwriter, musician, and activist Neil Young. It has been covered by many bands.
"You're in a Bad Way" is a song by British pop group Saint Etienne, released in February 1993 as the second single from their second album, So Tough (1993). The song is a deliberately old-fashioned throwback to 1960s pop music. In an interview with Melody Maker magazine, Bob Stanley claims that it was written in ten minutes as a simple imitation of Herman's Hermits, and was only intended to be a B-side to "Everlasting", but the record company decided that it should be a single. "Everlasting" was dropped as a single and remained unreleased until it was eventually included on disc 2 on the deluxe edition of So Tough in 2009.
"He's on the Phone" is a song by British pop group Saint Etienne in collaboration with French singer-songwriter Étienne Daho, released in October 1995. A fast-paced dance track, it is one of Saint Etienne's biggest hits, reaching number 11 on the UK Singles Chart, number 31 in Iceland, number 41 in Sweden and number 33 on the US Billboard Dance Club Songs chart. The lyrics tell of an "academia girl" trying to escape from a relationship with a married man: "He's on the phone / And she wants to go home, / Shoes in hand, / Don't make a sound, / It's time to go." At the centre of the track is a spoken-word section by Daho.
"Pale Movie" is a song by British pop group Saint Etienne, released in February 1994 as the first single from their third album, Tiger Bay (1994). It reached number 28 on the UK Singles Charts and also became a hit in Iceland, peaking at number 24. In common with the folk music theme of the album, the song combines a Eurodance beat with Spanish folk-style guitars. The lyrics use surreal imagery to describe a man's love for a mysterious woman. Although the title is not sung, some of the words refer to cinema: "In the bed where they make love / She's in a film on the sheets. / He shows dreams like a movie, / She's the softness of cinema seats." Other lines are stranger: "her skin as white as the milk, / Just like a Sherpa Tenzing / under a Manila silk."
"Like a Motorway" is a song by British pop group Saint Etienne. The song combines the melody from the nineteenth century folk song "Silver Dagger" with a driving techno beat influenced by Kraftwerk and Snap!. It describes a friend whose lover has mysteriously vanished.
"Let's Kiss and Make Up" is a song by The Field Mice from their 1989 album, Snowball. It is better known in the form of Saint Etienne's cover version of 1990, which retitled it "Kiss and Make Up" and was released as a single.
"Nothing Can Stop Us" is a 1991 song by English band Saint Etienne, released as the third single from their debut album, Foxbase Alpha. It is the first release to feature Sarah Cracknell, who would continue to front the band from this release on. The single reached the number one spot on the American dance charts for one week. The song is based on a looped sample from Dusty Springfield's recording of "I Can't Wait Until I See My Baby's Face".
"Xmas 93" is a Christmas-themed single by English alternative dance band Saint Etienne. It was released in the United Kingdom on 6 December 1993 by Heavenly Recordings. The lead track "I Was Born on Christmas Day" features guest vocals from The Charlatans singer Tim Burgess, and peaked at number 37 on the UK Singles Chart. The song's title is a nod to band member Bob Stanley, who was born on 25 December 1964. The music video for the single was filmed in the vicinity of Kensington and Chelsea Register Office in London.
"Join Our Club" is a song by English musical group Saint Etienne, released by Heavenly Records in May 1992 as a double-A side with "People Get Real".
"Hug My Soul" is a song by British band Saint Etienne. It was the third single from their third album, Tiger Bay (1994), and was released in September 1994 by Heavenly Records. It was written by vocalist Sarah Cracknell along with songwriting partners Guy Batson and Johnny Male.
Words and Music by Saint Etienne is the eighth studio album by English alternative dance band Saint Etienne, released on 18 May 2012 by Heavenly Recordings. The band announced the album in a Christmas message on their official website on 11 December 2011. The album features collaborations from longtime Saint Etienne associate Ian Catt, as well as Richard X and former Xenomania members Tim Powell and Nick Coler.
"Sylvie" is a 1998 song written and performed by British pop group Saint Etienne and released as the first single from their fourth album, Good Humor (1998). Produced by Swedish record producer, composer and musician Tore Johansson, it peaked at number 12 on the UK Singles Chart and number 62 on the Eurochart Hot 100. The song also reached number seven in Scotland and number two on the UK Indie Singles Chart. The accompanying music video was directed by Björn Lindgren and filmed in Havana, Cuba.
{{cite journal}}
: Cite journal requires |journal=
(help)