"Avenue" | ||||
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Single by Saint Etienne | ||||
from the album So Tough | ||||
B-side |
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Released | 5 October 1992 [1] | |||
Genre | Electronica | |||
Length | 7:37 (12-inch single) | |||
Label | Heavenly | |||
Songwriter(s) | ||||
Producer(s) | Saint Etienne | |||
Saint Etienne singles chronology | ||||
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Music video | ||||
"Avenue" on YouTube |
"Avenue" is a song by British pop group Saint Etienne, released in October 1992 as the first single from their second album, So Tough (1992). It was originally titled "Lovely Heart" or "Young Heart". [2] The album version is a 7-minute version with lengthy instrumental sequences; it was edited down to around 4 minutes for radio play, though the commercial single contained the full-length version, with the radio edit only released on promotional material. The edit wasn't released commercially until 2005's Travel Edition 1990-2005 .
The song describes a woman nostalgically remembering a love affair from her youth, mostly through impressionistic and surreal imagery, with the refrain: "oh, how many years / is it now Maurice?". The chorus repeats the words "Young heart". The song is recorded with echo effects that make it sound as though it is being performed in a large hall.
The birdsong on the track is sampled from the Pink Floyd track "Cirrus Minor" from the 1969 album More . "Paper" features guitarist Maurice Deebank of the band Felt. "Johnny In The Echo Café" is based on a sample from Forest's song "Bluebell Dance", from their album Full Circle.
The accompanying music video for the single release depicts the band driving to Brighton.
A remix single was also released, with two remixes each by Gordon King (from World of Twist) and Rudy Tambala of A.R. Kane. King's "Variety Club Mix" was later included on the remix collection Casino Classics .
Upon the release, David Stubbs from Melody Maker wrote, "'Avenue' is a return to their Kentish Town Avalon after the techno aberration that was 'Join Our Club'. Sarah Cracknell's flat, tupperware vowels are almost Cocteauesque — imagine hearing an old Dusty Springfield record in a dream, through the silvery haze of recollection, in slow motion, soft focus, idealised by the process of memory." He concluded, "If old pop records go to Heaven, this is what they sound like up there." [3] Stephen Dalton from NME praised the song, saying, "Actually, the dream-pop trio have whisked up another corker, all gliding keyboards and swoooping vocals with a stately tempo and PROPER POP SONG written all the way through. Yummo." [4]
Armond White from Rolling Stone named it one of the "high points" of the album, "an elegiac report on an English day that folds and unfolds in choruses of onomatopoeia. Cracknell's bah-da-da-da-da-da-das are split up by a thunder crack, then a harpsichord interlude. The eclectic sense of rhythm that has revitalized British pop through raves, techno and other aural experiments allows Wiggs and Stanley to make "Avenue" one of the most breathtaking set pieces since Roxy Music's "Amazona"." [5] Peter Stanton from Smash Hits declared the song, along with "You're in a Bad Way", as "classic pop beauties". [6]
Tim Sendra from AllMusic felt "Avenue" is "one of the best the group ever released", describing it as an "epic ballad built around a pastoral melody, a genius arrangement, and a lovely vocal by Sarah Cracknell." [7] Melody Maker ranked "Avenue" number 11 in their list of "Singles of the Year" in December 1992, writing, "Symhonic, idyllic, nostalgic for a semi-imaginary golden age. Bob'n'Pete played Smile -era Beach Boys, Sarah "ba-da-ba-da-ba-da"-ed like some angelic Sixties startlet a la Francaise. In the real charts, "Avenue" hit 30-something with an anchor, but it was the Number One Song in Heaven." [8] NME ranked it number 13 in their list of "Singles of the Year". [9] Jim Wirth from NME called it "lush", noting "the wide-eyed love" that goes into producing the song. [10]
All tracks were written by Ian Catt, Sarah Cracknell, Bob Stanley and Pete Wiggs except where indicated.
Chart (1992) | Peak position |
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UK Singles (OCC) | 40 |
UK Dance ( Music Week ) [11] | 27 |
Saint Etienne are an English band from Greater London, formed in 1990. The band consists of Sarah Cracknell, Bob Stanley and Pete Wiggs. Commonly associated with the indie dance scene of the 1990s, their music blends club culture with 1960s pop and other disparate influences.
Travel Edition 1990–2005 is a compilation album by the British pop band Saint Etienne. It was released 22 November 2004 in the United States only on the Sub Pop label.
Sarah Jane Cracknell is an English singer-songwriter and lead singer of the electronic music band Saint Etienne.
Sound of Water is the fifth studio album by Saint Etienne, released in 2000.
Foxbase Alpha is the debut studio album by English band Saint Etienne, released on 16 September 1991 by Heavenly Recordings.
So Tough is the second studio album by British band Saint Etienne, released in 1993. It is their highest-charting album to date, reaching No. 7 on the UK Albums Chart.
Good Humor is the fourth studio album by English alternative dance band Saint Etienne. It was released on 4 May 1998 by Creation Records. The American spelling of humor is used in the title as the band were, according to Sarah Cracknell, "fed up with the 'quintessentially English' tag, so there was a bit of a backlash against that."
Smash the System: Singles and More (2001) is a double-CD greatest hits album by Saint Etienne. The compilation samples music from most of their releases spanning the years from 1990 to 1999. Most tracks are featured in their single or edit versions, with the exception of 'Join Our Club' which is a new mix as the original sounded too 'muddy'. Smash The System was also going to be the CD debut of 'Lover Plays The Bass', but the band 'forgot' to include it.
"You're in a Bad Way" is a song by British pop group Saint Etienne, released in February 1993 by Heavenly and Warner as the second single from their second album, So Tough (1993). The song is a deliberately old-fashioned throwback to 1960s pop music. In an interview with Melody Maker magazine, Bob Stanley claims that it was written in ten minutes as a simple imitation of Herman's Hermits, and was only intended to be a B-side to "Everlasting", but the record company decided that it should be a single. "Everlasting" was dropped as a single and remained unreleased until it was eventually included on disc 2 on the deluxe edition of So Tough in 2009.
"He's on the Phone" is a song by British pop group Saint Etienne in collaboration with French singer-songwriter Étienne Daho, released in October 1995 by Heavenly and MCA as a single from their third compilation album, Too Young to Die (1995). A fast-paced dance track, it is one of Saint Etienne's biggest hits, reaching number 11 on the UK Singles Chart, number 31 in Iceland, number 41 in Sweden and number 33 on the US Billboard Dance Club Songs chart. The lyrics tell of an "academia girl" trying to escape from a relationship with a married man: He's on the phone / And she wants to go home, / Shoes in hand, / Don't make a sound, / It's time to go. At the centre of the track is a spoken-word section by Daho.
"Pale Movie" is a song by British pop group Saint Etienne, released in February 1994 by Heavenly Records as the first single from the group's third album, Tiger Bay (1994). The song reached number 28 on the UK Singles Charts and also became a hit in Iceland, peaking at number 24. In common with the folk music theme of the album, the song combines a Eurodance beat with Spanish folk-style guitars. The lyrics use surreal imagery to describe a man's love for a mysterious woman. Although the title is not sung, some of the words refer to cinema: "In the bed where they make love / She's in a film on the sheets. / He shows dreams like a movie, / She's the softness of cinema seats." Other lines are stranger: "her skin as white as the milk, / Just like a Sherpa Tenzing / under a Manila silk."
"Hobart Paving" is a song by British pop group Saint Etienne from their second album, So Tough (1993). It was released by Heavenly Records on 11 May 1993 as a double A-side with the band's cover of "Who Do You Think You Are", originally released in 1974 by Jigsaw and a hit for Candlewick Green. It reached number 23 on the UK Singles Chart and number ten on the UK Dance Singles Chart by Music Week.
"Like a Motorway" is a song by British pop group Saint Etienne. It appears on their third album, Tiger Bay (1994) and was released as a single by Heavenly Records in May 1994, reaching number 47 on the UK Singles Chart and number 13 on the UK Dance Singles Chart. The US release of Tiger Bay also features an "alternate version" with more complex percussion and electric guitar stings. It also appears on the original soundtrack for the 1994 film Speed, although the single is never heard in the actual film itself.
"Kiss and Make Up" is a song by English band Saint Etienne, released as a single in 1990. It features Donna Savage of New Zealand indie pop band Dead Famous People and is a cover version of "Let's Kiss and Make Up", a song by The Field Mice from their 1989 album, Snowball. The single peaked at number 80 on the UK Singles Chart.
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"Xmas 93" is a Christmas-themed single by English alternative dance band Saint Etienne. It was released in the United Kingdom on 6 December 1993 by Heavenly Recordings. The lead track "I Was Born on Christmas Day" features guest vocals from The Charlatans singer Tim Burgess, and peaked at number 37 on the UK Singles Chart. The song's title is a nod to band member Bob Stanley, who was born on 25 December 1964. The music video for the single was filmed in the vicinity of Kensington and Chelsea Register Office in London.
"Join Our Club" is a song by English musical group Saint Etienne, released by Heavenly Records in May 1992 as a double-A side with "People Get Real".
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