Axiom Collection | |
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Studio album by Various | |
Released | 1991-6 |
Genre | New wave, ambient, funk, dub |
Label | Axiom / Island |
Axiom Collection series of albums are compilations from the Axiom record label released between 1991 and 1996.
The first collection, Illuminations, collects one track from each of the label's first ten albums. The second collection, Manifestation, contains mainly non-album mixes and edits.
Subsequent collections were released to highlight specific music forms, and in the main contained new material.
Directions in music – sound sculptures by Bill Laswell with contributions from Terre Thaemlitz, The Orb, Tetsu Inoue. Created and mastered at Greenpoint Studio, Brooklyn, New York. Produced by Bill Laswell.
A 12" single containing four mixes of "If 6 was 9" was released in 1996 (Axiom/Island, PR12 7212-1) as Axion Funk featuring Bootsy Collins.
Compiled, edited and mastered at Greenpoint Studio, Brooklyn, New York. Conceived and constructed by Bill Laswell.
Remixes of tracks from Jah Wobble and Bill Laswell's Radioaxiom: A Dub Transmission, and Tabla Beat Science's Tala Matrix.
William Otis Laswell is an American bass guitarist, record producer, and record label owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from funk, world music, jazz, dub, and ambient styles.
Praxis is the name of an experimental rock project, led by producer/bassist Bill Laswell and featuring guitarist Buckethead and drummer Brain in nearly every incarnation of the band.
Nicky Skopelitis is an American guitarist and composer of Greek descent. He also has performed on banjo, oud, lute, keyboards and other instruments. Although Skopelitis has recorded few albums as a bandleader, he has appeared on many more recordings, often collaborating with prolific bass guitarist and producer Bill Laswell.
Material was an American band formed in 1979 and operating until 1999, led by producer and bassist Bill Laswell.
Perfect Machine is the thirty-seventh album by jazz pianist Herbie Hancock. It was the third and final album in Hancock’s series co-produced by Bill Laswell. Guests include bassist Bootsy Collins.
Transmutation (Mutatis Mutandis) is the first album by Bill Laswell's ever-changing "supergroup" Praxis. The album was released in 1992 and features Buckethead on guitar, Bootsy Collins on bass and vocals, Brain on drums, Bernie Worrell on keyboards and DJ AF Next Man Flip on turntables.
Sacrifist is the second album by Bill Laswell's experimental music project Praxis, released in 1993 on Laswell's label Subharmonic. Originally, the album was intended to be a Rammellzee project, but soon was converted into the second Praxis album, after suggestions made by John Zorn.
Funkcronomicon is a 1995 various artists collection of tracks produced by Bill Laswell under the name Axiom Funk, after Laswell's associated record label. It is a 2-CD set that was released by Island Records. Funkcronomicon features heavy participation from various members of Parliament-Funkadelic, to the degree that Funkcronomicon is widely considered to be a full-fledged P-Funk album. The album features what may be Pedro Bell's last authentic artistic renderings, as well as P-Funk guitarist Eddie Hazel's last recordings before his death in 1992. The album comprises newly recorded tracks, as well as tracks that have been featured on other Bill Laswell productions. Produced and compiled at Greenpoint Studio in the Greenpoint neighborhood of Brooklyn, New York, Funkcronomicon contains songs that were recorded as early as Maceo Parker's For All the Kings Men (1989) period. The album title is a play on Necronomicon, a fictional book.
Blacktronic Science is the third solo album by the former Parliament-Funkadelic keyboardist Bernie Worrell. The album was released by Gramavision Records in 1993.
Unison is the first album of Japanese composer Shin Terai, released in 1999. The album features contributions of bassist and producer Bill Laswell, avant-garde guitarists Buckethead and Nicky Skopelitis, and Parliament-Funkadelic keyboardist Bernie Worrell. The album met very good reviews from critics mainly because of the soft guitars and the funky bass.
What's Bootsy Doin'? is a 1988 album by Parliament-Funkadelic bassist Bootsy Collins. The album was released by Columbia Records and was his first album after a six-year hiatus from the music scene. The album reunites Collins with former P-Funk players Bernie Worrell, Fred Wesley and Gary "Mudd Bone" Cooper, and also features newcomers including Mico Wave and Godmoma.
Funk of Ages is a solo album by former Parliament-Funkadelic keyboardist Bernie Worrell. The album was released in 1990 by Gramavision Records. It includes contributions by numerous guest musicians, including Sly and Robbie, David Byrne, Herbie Hancock, Keith Richards, Vernon Reid, and Phoebe Snow. P-Funk bandmates Bootsy Collins, Maceo Parker, Gary Cooper, Doug Duffey, and Michael Hampton also contributed.
This is a list of releases by Material.
Seven Souls is a 1989 album by the American music group Material. A collaboration with author William S. Burroughs, the album features his narration of passages from his novel The Western Lands (1987) set to musical accompaniment.
The Third Power is a 1991 album by the New York based music group Material. The album mixes reggae. funk, dub and rap music.
Hallucination Engine is a 1994 album by the New York based music group Material. The album mixes jazz, dub, funk and Indian music.
Dissident is the second studio album by Deadline, released in 1991 by Day Eight Music.
Light in Extension is a compilation album by American composer Bill Laswell, issued under the moniker Divination. Released in January 1994 by 4th & B'way Records, it comprises Vol. 1 and Vol. 2 of the Ambient Dub series in addition to two previously unreleased pieces.
Radioaxiom: A Dub Transmission is a collaborative album by Bill Laswell and Jah Wobble, released on September 18, 2001 by Axiom and Palm Pictures.
Filmtracks 2000 is the thirteenth album by American composer Bill Laswell, released on September 25, 2001 by Tzadik Records. Despite the title's suggestion, the album is not a collection of Laswell's film scores. Instead it is an assemblage of new compositions which contain the hallmarks of soundtrack music, drawing influences from the music of India, Asia and the Middle East.