"Ballade pour Adeline" | ||||
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Single by Richard Clayderman | ||||
from the album Richard Clayderman | ||||
A-side | "Ballade pour Adeline (Sonate pour Piano et Orchestre)" | |||
B-side | "Ballade pour Adeline (Piano seul)" | |||
Released | 1977 | |||
Studio | Delphine Studios | |||
Label | Delphine | |||
Composer(s) | Paul de Senneville | |||
Producer(s) | Paul de Senneville | |||
Richard Clayderman singles chronology | ||||
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"Ballade pour Adeline" (French for "Ballad for Adeline") is a 1977 instrumental by Richard Clayderman, composed by Paul de Senneville. Paul de Senneville composed the piece as a tribute to his newborn daughter, Adeline. [1] As of 2020 [update] , worldwide sales of the recording have reached 22 million copies in 38 countries. [2] It remains Clayderman's signature hit.
The French trumpeter Jean-Claude Borelly recorded his version in the early 1980s, which used the same instrumental backing track as the original recording.
Richard Clayderman performed a duet of the track with guitarist Francis Goya in 1999, and it was released on their studio album, Together. This recording also used the same backing track.
A new version of this piece was released on the Richard Clayderman studio album A Thousand Winds in 2007, to celebrate 30 years since the original release of "Ballade Pour Adeline." Clayderman was accompanied by a new string arrangement by Olivier Toussaint.
In 1976, Richard Clayderman (real name Philippe Pagès) received a telephone call from Olivier Toussaint, a well-known French record producer, who, with his partner, Paul de Senneville, was looking for a pianist to record a gentle piano ballad. Paul had composed this ballad as a tribute to his new born second daughter “Adeline”. [3] The 23-year-old Philippe Pagès was auditioned along with 20 other hopefuls and, to his amazement, he got the job. [4] "We liked him immediately", says Paul de Senneville, "His very special and soft touch on the keyboards combined with his reserved personality and good looks very much impressed Olivier Toussaint and I. We made our decision very quickly".
Philippe Pagès' name was changed to Richard Clayderman (he adopted his great-grandmother's last name to avoid mispronunciation of his real name outside France), and the single went on to sell 22 million copies in 38 countries. It was called "Ballade pour Adeline". "When I signed him", says Olivier Toussaint, "I told him that if we sell 10,000 singles it will be marvellous, because it was disco at that time and we could not bet on such a ballad being a winner..... We could not imagine that it would be so big". [2]
Originally composed for piano solo. The Clayderman recording features an accompaniment consisting of strings, keyboard, guitar, bass guitar, and drums. This tune has sometimes been attempted on the guitar too.
The introduction mainly uses arpeggios to create the water imagery. The crescendo and decrescendo contribute to the contour of the piece. Lastly, the usage of semiquavers in the introduction quickens the pace of the piece, making it smooth and flow-like. The piece starts off sweetly with (I-IV-V7-I)x2. It is a simple T-PD-D-T style. Here the composer used the change in dynamics to emphasize the difference between antecedent and consequent phrase. Again, here the composer used semiquavers to add in different styles. To a certain extent the series of eight semiquavers may sound juxtaposing to the smooth/sweet mood created in the piece. In B again, the dreamy effect is emphasized with the introduction of the semiquavers. In bar 11, it starts from F and makes its way down by step. It creates direction both in the piece as well as in the phrase. Furthermore, it seems to be anticipating a climax. In bar 12, the descending tone is "quicken" as we can see a rapid decrease E-D-C-B in the right hand. This E-D-C-B phrase seems to be a little "extra" as the melody then goes back to E and continued with its original rate of movement downwards. Finally, the direction of the piece swings upwards into a full swing. It moved 3 octaves progressively within 2 bars and moved from G to G. The melody is accompanied by alternate accent on G and D in the left hand. The difference in its dynamics from p to ff as well as bring an octave higher than in A. The range of G has also expended to include more notes and add volume to C. the E in bar 3 was omitted and in bar 17 replaced by G. this "octave in the right hand" phenomenon extends for the whole of A' here. [5]
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Richard Clayderman is a French pianist who has released numerous albums including the compositions of Paul de Senneville, Olivier Toussaint and Marc Minier, instrumental renditions of popular music, rearrangements of movie soundtracks, ethnic music, and easy-listening arrangements of popular works of classical music.
Étude Op. 10, No. 12 in C minor, known as the "Revolutionary Étude" or the "Étude on the Bombardment of Warsaw", is a solo piano work by Frédéric Chopin written c. 1831, and the last in his first set, Études, Op. 10, dedicated "à son ami Franz Liszt". The autographed edition is located in the archive of Stiftelsen Musikkulturens Främjande in Stockholm.
The Orgelbüchlein BWV 599−644 is a set of 46 chorale preludes for organ — one of them is given in two versions — by Johann Sebastian Bach. All but three were written between 1708 and 1717 when Bach served as organist to the ducal court in Weimar; the remainder and a short two-bar fragment came no earlier than 1726, after the composer’s appointment as cantor at the Thomasschule in Leipzig.
Piano Concerto No. 2 in F major, Op. 102, by Dmitri Shostakovich was composed in 1957 for the 19th birthday of his son Maxim, who premiered the piece on 10 May 1957 during his graduation concert at the Moscow Conservatory. It contains many similar elements to Shostakovich's Concertino for Two Pianos: both works were written to be accessible for developing young pianists. It is an uncharacteristically cheerful piece, for Shostakovich.
In music theory, voicing refers to two closely related concepts:
A ballade refers to a one-movement instrumental piece with lyrical and dramatic narrative qualities reminiscent of such a song setting, especially a piano ballade. In 19th century romantic music, a piano ballad is a genre of solo piano pieces written in a balletic narrative style, often with lyrical elements interspersed.
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Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the ninth Sunday after Trinity and first performed it on 25 July 1723. The musicologist Alfred Dürr has described the cantata as one of "the most sublime descriptions of the soul in baroque and Christian art".
Anarchic System was a French pop group formed in the early 1970s.
"Song of Ocarina" is a 1991 song recorded by the musicians Jean-Philippe Audin and Diego Modena. It is entirely instrumental and is played on ocarina by Modena and cello by Audin. Released as the first single from the album Ocarina, it achieved a huge success in France where it topped the chart and remained in the top 100 for almost eight months.
Olivier Toussaint is a French composer, pop singer, orchestra arranger, company manager, and record producer.
Jean-Claude Borelly is a French trumpeter and composer.
Delphine Records or Delphine Productions is a French record label, founded in 1974 by French composer Paul de Senneville and his partner Olivier Toussaint.
Paul de Senneville was a French composer and music producer.
Excursions, Op. 20, is the first published solo piano piece by Samuel Barber. Barber himself explains:
These are ‘Excursions’ in small classical forms into regional American idioms. Their rhythmic characteristics, as well as their source in folk material and their scoring, reminiscent of local instruments are easily recognized.
Ritual Fire Dance is a movement of the ballet El amor brujo, written by the Spanish composer Manuel de Falla in 1915. It was made popular by the composer's own piano arrangement. The dance has a duration of about three to four and a half minutes.
Dancemania 5 is the fifth set in the Dancemania series of dance music compilation albums, released in 1997 by EMI Music Japan.
"Mariage d'amour" is a piece of French solo piano music, composed by Paul de Senneville in 1978, and first performed by the pianist Richard Clayderman from his album Lettre À Ma Mère in 1979.
"It's Raining" is a soul/R&B ballad, written by Allen Toussaint under the name "Naomi Neville". It was first recorded in November 1961 by Irma Thomas, and produced by Allen Toussaint. The song has emotional ties to Louisiana, having been written and sung by people born in that state, being released on a New Orleans–based record label and enduring in the Deep South as a regional classic.
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