Michael David Watt is an American bassist, vocalist and songwriter. He co-founded and played bass guitar for the rock bands Minutemen (1980–1985), Dos (1985–present), and Firehose (1986–1994). He began a solo career with the 1995 album Ball-Hog or Tugboat? and has since released three additional solo albums, most recently in 2010 with Hyphenated-man. He is also the frontman for the supergroup Big Walnuts Yonder (2008–present), a member of the art rock group Banyan (1997–present) and is involved with several other musical projects. From 2003 until 2013, he was the bass guitarist for The Stooges.
Firehose was an American alternative rock band consisting of Mike Watt, Ed Crawford, and George Hurley (drums). They were initially active from 1986 to 1994, and briefly reunited in 2012.
Dennes Dale Boon, also known as D. Boon, was an American musician, best known as the guitarist, singer and songwriter of the punk rock trio Minutemen.
George Hurley is a drummer noted for his work with Minutemen and fIREHOSE.
Double Nickels on the Dime is the third album by American punk trio Minutemen, released on the SST Records in July 1984. A double album containing 45 songs, Double Nickels on the Dime combines elements of punk rock, funk, country, spoken word and jazz, and references a variety of themes, from the Vietnam War and racism in America, to working-class experience and linguistics.
D. Boon and Friends is a compilation album of home recordings featuring American musician D Boon, of the band Minutemen. The album is the inaugural release of the Hermosa Beach, California-based label Box-O-Plenty Records, started by Boon's one-time roommate Richard Derrick. Most of the tracks are living-room jam sessions done by Boon, Derrick, and Crane, who had previously contributed backing vocals and trumpet parts to Minutemen's Buzz or Howl Under the Influence of Heat and Project: Mersh EP's.
Joy is the second EP by American hardcore punk band Minutemen. Recorded not long after the release of their first EP Paranoid Time, it is also the first release on Minutemen's own label New Alliance Records. Their first studio album The Punch Line was released three months after Joy, but Joy was recorded after The Punch Line.
Paranoid Time is the debut EP by American hardcore punk band Minutemen. It is also the second ever release by the SST record label, founded by Black Flag's Greg Ginn and Chuck Dukowski. The album cover is a drawing by the American artist Raymond Pettibon.
The Punch Line is the debut studio album and third overall release by American punk rock band Minutemen, and the fourth-ever release from SST Records. After their previous release, Paranoid Time, sold out its 300-copy pressing, Greg Ginn invited the band to record again. Less than half the length of most LPs, the total playing time for all 18 songs is a mere 15 minutes. The album was an early milestone release for the band and SST. The Punch Line hit record store shelves three months after the release of Joy, although Joy was recorded after The Punch Line.
What Makes a Man Start Fires? is the second studio album by American punk rock band Minutemen, released in January 1983 by SST.
Buzz or Howl Under the Influence of Heat is the fourth EP by American hardcore punk band Minutemen, released by SST Records in November 1983.
The Politics of Time is the first compilation album by American hardcore punk band Minutemen, released in 1984 through New Alliance Records.
"Corona" is a protest song by American punk rock band Minutemen. It was included as the seventh song on the second side of their third studio album Double Nickels on the Dime (1984). The song was composed by lead singer and guitarist D. Boon and produced by Ethan James. Its minimalist composition harbors elements of neo-norteño and polka. The song derives its title from a brand of Mexican beer of the same name. Lyrically, "Corona" is a Latino-inspired protest song with politically-charged lines. The song later became famous as the main theme song for the MTV reality stunt show Jackass.
We Jam Econo: The Story of the Minutemen, is a full-length documentary about the influential 1980s punk rock band Minutemen, created by director Tim Irwin and producer Keith Schieron in association with Rocket Fuel Films. The film premiered on February 25, 2005 at the historic Warner Grand Theatre in San Pedro, California, after two years in production.
3-Way Tie is the fourth and final full-length album by American punk band Minutemen, released in 1985 by SST Records. It features covers of songs by the Urinals, Meat Puppets, Blue Öyster Cult, Creedence Clearwater Revival, and Roky Erickson. The last song, a cover of Erickson's "Bermuda", was sung over the phone by Mike Watt.
Project: Mersh is the final extended play by American punk rock trio Minutemen, released on April 8, 1985 through SST Records. It is the band's penultimate release before the death of frontman and composer D. Boon later that year due to injuries sustained in an auto accident.
Joe Baiza is an American guitarist, vocalist and songwriter. Most of Baiza's music touches on a fusion of punk rock and jazz. Eugene Chadbourne cites Baiza as one of the most noteworthy guitarists to emerge from the Southern California punk rock milieu.
Our Band Could Be Your Life: A Tribute to D Boon and the Minutemen was a tribute album for the band The Minutemen released in 1996. It contains 35 tracks of alternative bands covering songs by The Minutemen.
The discography for the Minutemen, an American punk rock band, includes four studio albums, one live album, seven compilation albums, four music videos, and eight extended plays.
Minutemen were an American punk rock band formed in San Pedro, California, in 1980. Composed of guitarist/vocalist D. Boon, bassist/vocalist Mike Watt, and drummer George Hurley, Minutemen recorded four albums and eight EPs before Boon's death in an automobile accident in 1985; the band broke up shortly thereafter. They were noted in the California punk community for a philosophy of "jamming econo"—a sense of thriftiness reflected in their touring and short, tight songs, and for their eclectic style, drawing on hardcore punk, funk, jazz, and other sources.
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