"Balls to the Wall" | ||||
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Single by Accept | ||||
from the album Balls to the Wall | ||||
B-side | "Losing More Than You've Ever Had" | |||
Released | April 1984 | |||
Recorded | 1983 | |||
Studio | Dierks Studios, Cologne, Germany | |||
Genre | Heavy metal | |||
Length | 5:44 (album version) 4:28 (video edit) | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | Accept | |||
Accept singles chronology | ||||
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Music video | ||||
"Balls to the Wall" on YouTube |
"Balls to the Wall" is a song by German heavy metal band Accept. It was released as the lead single from their 1983 studio album of the same name. The anthemic title track is the album's best known song, and quickly became Accept's signature song. An accompanying music video was made that received airplay on MTV.
As of 23 April 2024, the music video has received over 43.9 million views on YouTube. [1]
When asked about the song meaning, lead guitarist Wolf Hoffmann said:
Filmed in January 1984 in London, the song's music video consists of clips of the band performing the song onstage intercut with scenes of a wrecking ball taking down a clock tower and scenes with fans of the band headbanging against the wall of the tower. Later during the buildup to the final chorus, the fans march through the rubble of the tower, and presumably head towards the stage where the band is performing. At the end of the video, singer Udo Dirkschneider rides the wrecking ball into the tower and takes out the front doors of the building it stands upon. When he discussed the scene with songfacts.com, Dirkschneider explained he was apprehensive about riding the ball because of the cold, wintry conditions on the day of the shoot, but decided to do it in the end. "It was very cold in London, near the airport", Dirkschneider said, "And especially when I had to step on this wrecking ball. I said, 'Please, no, I don't want to do this!' But in the end, I was young so I said, 'Okay, here we go.' But it was freezing like hell". [3] The song was also edited down for the video, with the guitar solo and Dirkschneider's spoken bridge being removed. The video edit of the song clocks in at four minutes and twenty eight seconds long, while the album version is five minutes and forty four seconds long.
No. | Title | Length |
---|---|---|
1. | "Balls to the Wall" | 5:44 |
2. | "Losing More Than You've Ever Had" | 5:04 |
Puscifer released a cover version of the song as well as a remix of the cover version on their EP Donkey Punch the Night.
Accept is a German heavy metal band from Solingen, formed in 1976 by guitarist Wolf Hoffmann, singer Udo Dirkschneider and bassist Peter Baltes. Their beginnings can be traced back to the late 1960s, when the band got its start under the name Band X.
Udo Dirkschneider is a German singer who first rose to fame with the heavy metal band Accept. After leaving the band in 1987, he formed the band U.D.O., in which he has also enjoyed commercial success.
Accept is the debut studio album released by German heavy metal band Accept. It was recorded in 1978 and released in early 1979 on the West German label Brain Records. Drums on the record are played by Frank Friedrich, but he chose not to pursue a professional music career and so his place was taken by Stefan Kaufmann just prior to the album's release. Bassist Peter Baltes performs lead vocals on "Seawinds" and "Sounds of War".
I'm a Rebel is the second studio album by German heavy metal band Accept, recorded in 1979 and released in 1980. It was the first of three consecutive Accept records to utilize Dirk Steffens as producer. The album finds Accept continuing to search for their musical direction, experimenting with a more commercial sound than on their debut. Bassist Peter Baltes once again sings lead vocals on two tracks, the slower-paced songs "No Time to Lose" and "The King".
Breaker is the third studio album released by German heavy metal band Accept. It was once again recorded at Delta-Studio in Wilster with Dirk Steffens producing, and was the first Accept album engineered by Michael Wagener. Bassist Peter Baltes sings lead vocal on "Breaking Up Again," and the bridge vocal on "Midnight Highway."
Restless and Wild is the fourth studio album by German heavy metal band Accept, released in 1982 in Continental Europe and in 1983 in the US and UK. It was the first Accept album not to be recorded at Delta-Studio, since the band had moved to Dieter Dierks' studio in Stommeln. It is also the first Accept album in which Udo Dirkschneider sings every track, as well as the first in which manager Gaby Hauke ("Deaffy") gains credits for songwriting. Michael Wagener, once again, handled recording and mixing duties here.
Balls to the Wall is the fifth studio album by German heavy metal band Accept. European label Lark Records released the album in December 1983, but its United States release was delayed until a month later in January 1984 as to not compete with the band's then-current album Restless and Wild, which had arrived in the US in early 1983. It is Accept's only record to attain Gold certification in the US. The album's title track became Accept's signature song and remains a metal anthem and trademark in the genre.
Metal Heart is the sixth studio album by German heavy metal band Accept, released in 1985. Although the group had recorded before at Dierks-Studios, this was the first album produced by Dieter Dierks himself. It marked the return of guitarist Jörg Fischer after a two year absence, with Herman Frank having been his replacement. This album was a cautious attempt to crack the lucrative American market with more accessible songcraft and emphasis on hooks and melodies. Although critically panned at the time, today Metal Heart is often considered by fans as one of the band's best records. It contains several of their classic songs such as "Metal Heart" and "Living for Tonite". The band also makes a detour into jazz metal territory with the unusual song "Teach Us to Survive".
Russian Roulette is the seventh studio album by German heavy metal band Accept, released in 1986. It was again recorded at Dierks-Studios, but the band chose to self-produce rather than bring back Dieter Dierks as producer. It would be the last Accept album to feature Udo Dirkschneider as lead vocalist until the 1993 reunion album Objection Overruled.
Eat the Heat is the eighth studio album by German heavy metal band Accept, released in 1989. It was recorded at Dierks Studios in Cologne from September 1988 to January 1989. Although Jim Stacey is presented as rhythm guitar player in the album line-up, the album credits also state that all guitar work on the album was played by Wolf Hoffmann. Stacey did perform second guitar live with the band. Until 2010's Blood of the Nations, this was Accept's only album without Udo Dirkschneider as lead vocalist. U.D.O. contributes with crowd vocals on "Turn the Wheel". U.D.O. has also covered the song "X-T-C" on the 2001 compilation A Tribute to Accept II. Accept later recorded "Generation Clash II" based on "Generation Clash" with Udo Dirkschneider on vocals for their 1994 album Death Row. U.D.O. will still regularly perform tracks from this album, including "X-T-C".
Objection Overruled is the ninth studio album by German heavy metal band Accept, released in 1993. It is the first to feature Udo Dirkschneider on lead vocals since 1986's Russian Roulette. It was recorded at Dierks-Studios in Stommeln after pre-production at Roxx Studios.
Kaizoku-Ban is a live EP by German heavy metal band Accept. It was recorded in Nagoya, Japan, on 19 September 1985, and released on vinyl the same year. It was later re-released as Live in Japan in 1992. Though this is an official release, the title (海賊版) translates as "Pirate Edition" or "Bootleg". The cassette tape version of this release had the unusual feature of having all six songs recorded on both sides. Because of the duration of the six songs, it was feasible to release it this way. All six songs are available as bonus tracks on the 2002 BMG remasters of Balls to the Wall, Metal Heart, and Russian Roulette.
Mark Tornillo is an American singer and songwriter best known for serving as the frontman of heavy metal band Accept. He joined the band officially in May 2009 as Udo Dirkschneider's replacement. He also became the main lyricist of Accept, replacing the band's long-time manager Gaby Hoffmann.
"I'm a Rebel" is a hard rock song written by Scottish musician Alex Young, that has been recorded and released by Accept and U.D.O.
Best of Accept is a compilation album by German heavy metal band Accept, released in 1983. The songs on the album were pulled from Accept's earliest four solo albums, namely Accept, I'm a Rebel, Breaker, and Restless and Wild, which was released during the following year. This album omits more distinctive songs from the band's later years, such as those from their 1983 album Balls to the Wall.
The Collection is a compilation album by German heavy metal band Accept, released in 1991. The songs on the album were pulled from Accept's albums Accept, I'm a Rebel, Breaker, Restless and Wild, Balls to the Wall, Metal Heart, and Russian Roulette. It omits anything from Eat the Heat, which was released two years before this compilation album.
"Renegade" is a song by HammerFall, the first single from their album Renegade. It was released on 21 August 2000 and contains three audio tracks, screensavers and a video special.
It includes a cover version of the 1983 Accept song "Head over Heels".
"Lady Lou" is the debut single by German heavy metal band Accept, from their 1979 self-titled debut album. The song appears on various Accept compilation albums, including Metal Masters, Best of... and Midnight Highway.
"Restless and Wild" is a song by German heavy metal band Accept from their album Restless and Wild, released in 1982. Written and composed by Wolf Hoffmann, Peter Baltes, Herman Frank, Stefan Kaufmann, Udo Dirkschneider and Robert A. Smith-Diesel, it was also released as a single with "Don't Go Stealing My Soul Away" as the B-side. Another song from the Restless and Wild album, "Fast as a Shark", was also released as a single in 1982. "Restless and Wild" was later coupled with "Fast as a Shark" for a UK 12-inch single in 1983.