Balls to the Wall | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 5 December 1983 | |||
Recorded | July–August 1983 | |||
Studio | Dierks Studios, Stommeln, Cologne, Germany | |||
Genre | Heavy metal | |||
Length | 45:13 | |||
Label | RCA (Germany) Portrait/Epic (US) | |||
Producer | Accept | |||
Accept chronology | ||||
| ||||
Singles from Balls to the Wall | ||||
|
Balls to the Wall is the fifth studio album by German heavy metal band Accept. European label Lark Records released the album in December 1983, with its release in the United States delayed a month to not compete with the band's then-current album Restless and Wild . It is Accept's only record to attain Gold certification in the US. [1] The album's title track became Accept's signature song and remains a metal anthem and trademark in the genre.
A controversy followed the American release, due to the record's title and front cover seen as homoerotic, and the lyrics to "London Leatherboys" and "Love Child" were interpreted to concern homosexuals. [2] Guitarist Wolf Hoffmann was dismissive of the controversy, saying years later that "You Americans are so uptight about this. In Europe it was never a big deal...we just wanted to be controversial and different and touch on these touchy subjects, because it gave us good press and it worked fabulously, you know". [3] Drummer Stefan Kaufmann explained that many of the themes on the album were about oppressed minorities in general. "London Leatherboys" was really about bikers, for example: "They're normal people, they just look different and they behave different. But they're normal people, another minority. And 'Love Child' was about gays, true, but it's basically about people who are suppressed." [2] Concerning the homosexuality issues themselves, Kaufmann said in an interview with French magazine Enfer (n°7, 1983):
"It's a phenomenon that should be taken into consideration. Because it exists on a wide scale and should be demystified. In fact, this is a phenomenon of society that needs to be taken as such. For a long time gay people have been considered as sick or insane. And yet, it's time to respect these people, open our minds which are often closed." [4]
Hoffmann's wife, lyricist Gaby Hauke, also denied these suggestions concerning the controversy:
"Let me answer this and (the next) question in one, ok? I have been very rebellious and by no means I would have written anything 'normal'! Never! The sexual question about the context of certain lyrics are mind games and pure interpretation from outsiders. This is a band who has as individuals -so little to do with controversy and absolutely nothing in particular with anything but being VERY straight." [5]
The front cover image of the album bears a striking resemblance to photographer Robert Mapplethorpe's work "Patrice, N.Y.C." (1977).
This album was the only Accept album which guitarist Herman Frank played on until 2010's Blood of the Nations (though he was given credit on 1982's Restless and Wild).
Professional wrestler Chris Jericho's band, Fozzy, did their own cover of the song "Balls to the Wall". [2] The Swedish band Amon Amarth also covered the song as a bonus track for their 2011 album Surtur Rising .
There are two different remasters of this album. The first is part of Sony's The Metal Masters Series while the second is part of the BMG Remastered Edition. Both editions feature songs taken from the live EP Kaizoku-Ban .
The 2013 release from UK record label Hear No Evil Recordings contains the 1990 live album Staying a Life .
Review scores | |
---|---|
Source | Rating |
AllMusic | [6] |
Collector's Guide to Heavy Metal | 10/10 [7] |
The Metal Crypt | [8] |
Balls to the Wall received positive reviews and was praised by Accept's contemporaries and successors. Ty Tabor of the American hard rock band King's X was a fan of the album and its production, saying that it "set a new bar for what heavy rock could sound like on a record". [7] Dimebag Darrell of Pantera and Damageplan, [9] [ deprecated source ] Doro Pesch of Warlock [10] and Kai Hansen of Helloween [11] were all fans of the band and consider Accept among their main musical influences. The Swedish power metal band HammerFall said they recorded their album Renegade in 2000 with Michael Wagener because they had Balls to the Wall in mind. [8] HammerFall also covered the song "Head Over Heels" with Accept's ex-lead vocalist, Udo Dirkschneider, on the 2008 album Masterpieces .
Canadian critic Martin Popoff liked the complexity of the lyrics combined with the clean and restrained riffing, which give the album "subtle sophistication" and a "singular purpose". [7] He put Balls to the Wall at No. 1 of his Top 100 Heavy Metal Albums of the '80s list. [7] Eduardo Rivadavia of AllMusic refers to it as an "essential heavy metal album", only "slightly more melodic" and "less gritty" than Restless and Wild and considers the title track "an irresistible, fist-pumping masterpiece that came to epitomize the modern, slow-marching metal anthem as it became known." [6] According to Pierre Bégin of the online magazine The Metal Crypt, the album "is simply pure heavy metal", with "no weak tracks" and a masterpiece. [8]
Balls to the Wall was Accept's first album to chart in the United States, where it peaked at number 74 on the Billboard 200, making it the band's highest chart position in that country for over 30 years until the release of Blind Rage in 2014. [12] It was also the band's first album to chart in Germany, where it peaked at number 59. [13]
All lyrics are written by Accept and Deaffy; all music is composed by Accept
No. | Title | Length |
---|---|---|
1. | "Balls to the Wall" | 5:45 |
2. | "London Leatherboys" | 3:57 |
3. | "Fight It Back" | 3:30 |
4. | "Head Over Heels" | 4:19 |
5. | "Losing More Than You've Ever Had" | 5:04 |
No. | Title | Length |
---|---|---|
6. | "Love Child" | 3:35 |
7. | "Turn Me On" | 5:12 |
8. | "Losers and Winners" | 4:19 |
9. | "Guardian of the Night" | 4:25 |
10. | "Winter Dreams" | 4:45 |
No. | Title | Length |
---|---|---|
11. | "Head Over Heels" (live) | 5:53 |
12. | "Love Child" (live) | 4:58 |
No. | Title | Length |
---|---|---|
11. | "Up to the Limit" (live) | 4:53 |
12. | "Head Over Heels" (live) | 5:58 |
Chart (1983-1984) | Peak position |
---|---|
Canada Top Albums/CDs ( RPM ) [14] | 43 |
German Albums (Offizielle Top 100) [15] | 59 |
Swedish Albums (Sverigetopplistan) [16] | 10 |
US Billboard 200 [17] | 74 |
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [18] | Gold | 50,000^ |
United States (RIAA) [19] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Accept is a German heavy metal band from Solingen, formed in 1976 by lead guitarist Wolf Hoffmann, singer Udo Dirkschneider and bassist Peter Baltes. Their beginnings can be traced back to the late 1960s when the band got its earliest start under the name Band X. Their current lineup consists of Hoffmann, vocalist Mark Tornillo, guitarists Uwe Lulis and Philip Shouse, drummer Christopher Williams and bassist Martin Motnik. Accept has undergone numerous lineup changes; Hoffmann is the last remaining original member, and the only band member to appear on all of their albums. As of 2024, the band has released seventeen studio albums, five live albums and nine compilation albums.
Wolf Hoffmann is a German musician, primarily known as the guitarist and last remaining original member of heavy metal band Accept since 1976. His work in Accept influenced the development of speed metal genre. He is also one of the first players of neoclassical metal.
Breaker is the third studio album released by German heavy metal band Accept. It was once again recorded at Delta-Studio in Wilster with Dirk Steffens producing, and was the first Accept album engineered by Michael Wagener. Bassist Peter Baltes sings lead vocal on "Breaking Up Again," and the bridge vocal on "Midnight Highway."
Restless and Wild is the fourth studio album by German heavy metal band Accept, released in 1982 in Continental Europe and in 1983 in the US and UK. It was the first Accept album not to be recorded at Delta-Studio, since the band had moved to Dieter Dierks' studio in Stommeln. It is also the first Accept album in which Udo Dirkschneider sings every track, as well as the first in which manager Gaby Hauke ("Deaffy") gains credits for songwriting. Michael Wagener, once again, handled recording and mixing duties here.
Metal Heart is the sixth studio album by German heavy metal band Accept, released in 1985. Although the group had recorded before at Dierks-Studios, this was the first album produced by Dieter Dierks himself. It marked the return of guitarist Jörg Fischer after a two year absence, with Herman Frank having been his replacement. This album was a cautious attempt to crack the lucrative American market with more accessible songcraft and emphasis on hooks and melodies. Although critically panned at the time, today Metal Heart is often considered by fans as one of the band's best records. It contains several of their classic songs such as "Metal Heart" and "Living for Tonite". The band also makes a detour into jazz metal territory with the unusual song "Teach Us to Survive".
Russian Roulette is the seventh studio album by German heavy metal band Accept, released in 1986. It was again recorded at Dierks-Studios, but the band chose to self-produce rather than bring back Dieter Dierks as producer. It would be the last Accept album to feature Udo Dirkschneider as lead vocalist until the 1993 reunion album Objection Overruled.
Eat the Heat is the eighth studio album by German heavy metal band Accept, released in 1989. It was recorded at Dierks Studios in Cologne from September 1988 to January 1989. Although Jim Stacey is presented as rhythm guitar player in the album line-up, the album credits also state that all guitar work on the album was played by Wolf Hoffmann. Stacey did perform second guitar live with the band. Until 2010's Blood of the Nations, this was Accept's only album without Udo Dirkschneider as lead vocalist. U.D.O. contributes with crowd vocals on "Turn the Wheel". U.D.O. has also covered the song "X-T-C" on the 2001 compilation A Tribute to Accept II. Accept later recorded "Generation Clash II" based on "Generation Clash" with Udo Dirkschneider on vocals for their 1994 album Death Row. U.D.O. will still regularly perform tracks from this album, including "X-T-C".
Objection Overruled is the ninth studio album by German heavy metal band Accept, released in 1993. It is the first to feature Udo Dirkschneider on lead vocals since 1986's Russian Roulette. It was recorded at Dierks-Studios in Stommeln after pre-production at Roxx Studios.
Death Row is the tenth studio album by German heavy metal band Accept, released in 1994. It was recorded at Roxx Studios in Pulheim, Germany.
Kaizoku-Ban is a live EP by German heavy metal band Accept. It was recorded in Nagoya, Japan, on 19 September 1985, and released on vinyl the same year. It was later re-released as Live in Japan in 1992. Though this is an official release, the title (海賊版) translates as "Pirate Edition" or "Bootleg". The cassette tape version of this release had the unusual feature of having all six songs recorded on both sides. Because of the duration of the six songs, it was feasible to release it this way. All six songs are available as bonus tracks on the 2002 BMG remasters of Balls to the Wall, Metal Heart, and Russian Roulette.
Timebomb is the fourth studio album by German heavy metal band U.D.O. It was recorded and mixed at Dierks Studios in Cologne from November 1990 to February 1991. The album is considered the band's heaviest following a light approach on Faceless World.
"Fast as a Shark" is a song by German heavy metal band Accept and a single from their 1982 album Restless and Wild.
The discography of Accept, a German heavy metal band, consists of 17 studio albums, five live albums, nine compilations, 25 singles, four video albums and 11 music videos. Formed in Solingen in 1976, Accept originally consisted of lead vocalist Udo Dirkschneider, lead guitarist Wolf Hoffmann, rhythm guitarist Gerard Wahl, bassist Peter Baltes and drummer Frank Friedrich. The band signed to Brain Records and released their self-titled debut album in 1979, which failed to chart. After Friedrich was replaced by Stefan Kaufmann, I'm a Rebel, Breaker and Restless and Wild followed over the next three years, the last of which gave Accept their debut on the UK Albums Chart when it reached number 98.
Mark Tornillo is an American singer and songwriter best known for serving as the frontman of heavy metal band Accept. He joined the band officially in May 2009 as Udo Dirkschneider's replacement. He also became the main lyricist of Accept, replacing the band's long-time manager Gaby Hoffmann.
"Balls to the Wall" is a song by German heavy metal band Accept. It was released as the lead single from their 1983 studio album of the same name. The anthemic title track is the album's best known song, and quickly became Accept's signature song. An accompanying music video was made that received airplay on MTV.
Best of Accept is a compilation album by German heavy metal band Accept, released in 1983. The songs on the album were pulled from Accept's earliest four solo albums, namely Accept, I'm a Rebel, Breaker, and Restless and Wild, which was released during the following year. This album omits more distinctive songs from the band's later years, such as those from their 1983 album Balls to the Wall.
The Collection is a compilation album by German heavy metal band Accept, released in 1991. The songs on the album were pulled from Accept's albums Accept, I'm a Rebel, Breaker, Restless and Wild, Balls to the Wall, Metal Heart, and Russian Roulette. It omits anything from Eat the Heat, which was released two years before this compilation album.
"Restless and Wild" is a song by German heavy metal band Accept from their album Restless and Wild, released in 1982. Written and composed by Wolf Hoffmann, Peter Baltes, Herman Frank, Stefan Kaufmann, Udo Dirkschneider and Robert A. Smith-Diesel, it was also released as a single with "Don't Go Stealing My Soul Away" as the B-side. Another song from the Restless and Wild album, "Fast as a Shark", was also released as a single in 1982. "Restless and Wild" was later coupled with "Fast as a Shark" for a UK 12-inch single in 1983.
Gaby Hoffmann is primarily known as songwriter under the pseudonym Deaffy and former manager for the heavy metal band Accept. She has also contributed cover art concepts, marketing ideas for the band and even stage moves and wardrobe. She was married to the band's guitarist Wolf Hoffmann. She retired from the manager position in 2019.