This article needs additional citations for verification .(October 2013) |
Bandstand | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 1972 | |||
Recorded | 1972 | |||
Studio | Olympic Studios, London | |||
Genre | Progressive rock, psychedelic rock, hard rock | |||
Length | 37:43 | |||
Label | Reprise (UK), United Artists (US) | |||
Producer | Family, George Chkiantz | |||
Family chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | B+ [2] |
Encyclopedia of Popular Music | [3] |
Bandstand is the sixth studio album by the British progressive rock band Family. Released in 1972, it was their second and last album to chart in the United States. The original album cover was die-cut in the shape of a Bush TV22 television set, with a black-and-white image of the band onscreen.
Bandstand marked a notable change of direction for the band. Family's sound had become more mainstream and somewhat more conventional. By Roger Chapman's own admission, he and Charlie Whitney were getting more standardised in their songwriting, relying more on choruses and regular verse structure. Their sound was brought closer to the mainstream by British soul singer Linda Lewis contributing backing vocals, and Del Newman string arrangements.[ citation needed ]
Bandstand opened with "Burlesque", a straight rocker about a bar of that name in Chapman and Whitney's hometown of Leicester, England. Released as a single in the UK, it got up to number thirteen on the UK Singles Chart. Heavier songs on Bandstand included "Broken Nose", an angry sexual rant involving the British class structure, and "Ready To Go", a swipe at Family's detractors in the British rock press. Family also were becoming more adept with introspective tunes like "Coronation", about an apartment dweller ruminating about his neighbours and his own dishevelled flat, and "Dark Eyes," an atmospheric, sensual ballad Chapman wrote with Poli Palmer. Many Family fans cited "Glove", a soulful power ballad about meeting a woman through an act of chivalry, as one of their best songs ever. "My Friend the Sun", a straight acoustic ballad, displayed a tenderness previously absent in Chapman's vocal style. It was also issued as a single in the UK, but did not chart.[ citation needed ]
Bandstand was the last Family album to feature John Wetton. Having joined the band only a year earlier and being a large vocal and instrumental presence on Fearless , Wetton's role in the band was reduced on Bandstand, and he left to join King Crimson. He was replaced by Jim Cregan, and the group toured North America with Elton John immediately after Bandstand's release . They received favourable exposure from American critics and radio DJs and built up a small but loyal cult following in the US as a result.[ citation needed ]
Bandstand is the only Family album not to feature an instrumental track. Spectacles Records issued[ when? ] a glow-in-the-dark vinyl picture disc version of this album, the album reissued as a double with the Family compilation "Old Songs, New Songs" on sepia-coloured translucent vinyl. This rare double album, in a clear plastic sleeve, regularly reaches up to $4,000 when it turns up at auction.[ citation needed ]
All selections are by Charlie Whitney and Roger Chapman except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Burlesque" | 4:04 | |
2. | "Bolero Babe" | 4:24 | |
3. | "Coronation" | Whitney, Chapman, Wetton | 3:49 |
4. | "Dark Eyes" | Chapman, Palmer | 1:48 |
5. | "Broken Nose" | 4:09 | |
6. | "My Friend the Sun" | 4:20 | |
7. | "Glove" | 4:53 | |
8. | "Ready To Go" | 4:35 | |
9. | "Top of the Hill" | 5:41 |
No. | Title | Length |
---|---|---|
10. | "The Rockin Rs" (original B-side of "Burlesque") | |
11. | "No Mule's Fool" (live) | |
12. | "Good News – Bad News" (live) | |
13. | "The Weaver's Answer" (live) |
No. | Title | Length |
---|---|---|
10. | "My Friend the Sun" (Demo) | |
11. | "Glove" (Demo) | |
12. | "Coronation" (Demo) | |
13. | "Bolero Babe" (Demo) |
The song "My Friend the Sun" was later covered by Linda Lewis for her 1977 album Woman Overboard , with harmonica by Peter Hope Evans and keyboards by Max Middleton. [4] It was also covered by Peter Holsapple and Chris Stamey of the North Carolina band the dB's on their 2009 duo album Here and Now. [5]
Chart (1972) | Peak position |
---|---|
UK Albums (OCC) [6] | 15 |
US Billboard 200 [7] | 183 |
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