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The Barbados Land-ship is a cultural movement and organization, known for its entertaining parades, performances and dances. Members are said to mimic the British Navy, dressed in naval uniforms and marching and performing to the music of the Tuk band. However, it is a lot more than entertainment. The organization was started in the island of Barbados after Emancipation, by the earliest plantation workers of African Descent to help them develop socially and economically. The Barbados Land-ship Association is the umbrella body and is essentially a Friendly Society. Each community had a Land-ship. It is based on a cooperative system, operating within communities and providing common services to them. The Land-ship, as it is locally known, has been an oral tradition handed down from members to members from the time of its establishment in 1863. It is held among the ranks of Barbados' cultural symbols such as the "Mudda Sally" and the "Shaggy Bear", but in much more esteem as a "cultural icon unique to Barbados". It is thought that the Land-ship existed long before it became officially established and that the ways of the Land-ship were practised within the plantation communities of African slaves long before Emancipation Day. This would account for the interpretation of Land-ship maneuvers as re-enactments of the Middle Passage, an experience that would have been embedded into the minds of the first shipments of enslaved Africans to Barbados. During the latter part of slavery, slaves were bred and the plantations had very little need for imported slaves.
The first book on the Land-ship was published in September 2013 by Editha (Nancy) Fergusson-Jacobs, entitled, "Full Steam Ahead - Locating the Barbados Land-ship". It is a cultural organization which was declared unique to Barbados and was recognized for its contribution to Barbados' intangible heritage by the Government of Barbados. It engages in social activities and is also said to mimic the British navy in its organization and structure. It is also said that the Land-ship was founded in Britton's Hill in Seamen's Village, Barbados. This is not correct as it was more likely developed on the plantations in the countryside, since its members were plantation workers.
The Land-ship was said to have been formed by Moses Wood, a retired Bajan seaman who had served in the British Royal Navy and then lived in Cardiff and Southampton. [1] According to Louis Lynch, [2] as far back as 1879, the sight of the white uniformed crew was a familiar one to the inhabitants of the colony. It is reckoned that the Land-ship as it is known today, started in October 1863, [3] but it is not feasible that Moses Wood was the originator, since his records show his birth as 21 January 1860. [4] It is more likely that Wood joined the Land-ship and started a branch of the Land-ship (which is known as a Ship) when he returned to Barbados. However, his fame may have come because the Land-ship had become low keyed (almost underground) by the time Wood returned and the then Governor Hodgson, had previously issued an edict forbidding "the wearing of quazi-military uniforms". [5] Hence Wood was being openly defiant in starting a Ship because he wanted to continue wearing his naval uniform and the Land-ship provided that perfect opportunity.
The Barbados Land-ship was established in 1863. It was formed by Africans living on the plantations tenantries in Barbados after they were emancipated from slavery. The organization provided a safe haven for them to progress out of poverty. Unlike the plantation owners who were compensated for each African that was freed, our African forefathers received nothing. They were kicked off the plantation and assigned to infertile lands called tenantries. They then had to build their own huts and find work to earn money as they endeavored to start from scratch. Many went back to work on the plantation. Skilled workers and artisans became more independent.
Many of the benefits which workers receive today were not available to them. There was no pension after working and toiling all their lives on a plantation. There were no welfare services which would allow them some relief. They had no health or life insurance and did not even have the money to bury their dead.
It is out of these conditions that the Barbados Land-ship was born. Some say it was the benevolence of their African ancestors brought with them that they employed to support themselves. The Barbados Land-ship is therefore a system of benevolence and cooperation which is based on a small contribution from each member. When pooled together these small contributions became significant and allowed the organization to develop the resources to help each member in times of need.
The Barbados Land-ship is the oldest serving African-Barbadian organization in existence to date. The first known statistics of its membership was during the 1930s when it was recorded there were three fleets of sixty ships with a membership of over 3,000 men and 800 women. [7] Over the following years, there have been several periods of adjustment with the number of ships and membership fluctuating until at present there is only one ship in 2021 remaining, the Director(located in landlocked Highland, St Thomas Parish) with twenty-four members. [8] After all this time, not much is known by the Barbadian public about the Land-ship outside of its visual impact of lily-white uniforms decorated with colorful cords, and animated performance with the accompaniment of the Tuk Band known as its "engine".
The phenomenon known as the Barbados Land-ship is truly an example of an oxymoron of the English language. This is a combination of two contradictory terms - a marine activity on land. This institution carries within the body of its maneuvers the oldest African-based performance of the journey known as the Middle Passage.
This traumatic experience of the enslaved West Africans, who were brought to Barbados mainly during the seventeenth century, created this re-enactment to ensure that their children never forget from whence they came. It demonstrates the predominantly African provenance of the Barbados Land-ship which origins can be traced to the traditional maritime organization of the Fante peoples from the Gold Coast region of Ghana known as the Asafo.
The general characteristics of the Asafo organization are quite similar to those of the Barbados Land-ship in several areas: the development of companies or ships located within one domicile; the naming and identification of companies; the titles attached to the offices and uniforms within the companies; the collection of the monetary contributions accumulated by the membership, linked to the responsibility for the funeral ceremonies of their members and, most importantly, the animated ceremonial processions and performances within the communities.
Research on the Asafo institution and corresponding links with the Barbados Land-ship Association is ongoing, drawing largely on the disciplines of African art history and Caribbean history. It has become clearer that the artistic, social and political traditions of the Akan peoples bind these two institutions. It has been a long process of research, trying to identify the connections from the past, addressing the period from slavery to Emancipation and into the present. These linkages offer some meaningfulness and identification for a people who have been separated for over four hundred years. The evidence gathered from research demonstrates the similarities in the framework of these institutions and their divergence after the impact of British colonization.
The structure of the Land-ship organization mirrors the structure of the British navy, with each unit known as a "ship", which is based at its own "dock" (a wooden house similar to a chattel house), and leaders known as Lord High Admiral, Admiral, Captain, Boatswain, Quarter Master, Commander, Doctor, Matron, Engineer and other navy ranks. Each unit is named after an actual British ship. Land-ship performances symbolize and reflect the experience of the Middle Passage, where Africans were brought from the West Coast of Africa by ships to be slaves in the Caribbean and Americas. Land-ship performances are made up of maneuvers done to commands. These maneuvers are unique to the Land-ship and every movement is of historical significance as if coded in a manner not to be forgotten for generations.
The Barbados Land-ship is defined as a Friendly Society [9] and operates as a Friendly Society. A "Society" was the earliest form of organizations that could be registered in Barbados, which were usually for charitable purposes. Today, it also falls within the general definition of a Non Governmental Organization (NGO) and more specifically as a Community Based Organization (CBO).
The Barbados Land-ship is made up of several ships and even though there is only one surviving ship, provision is made for "floating" ships so long as they conform to the rules. The two main components of a Land-ship are the performers and the Engine. Eight persons and an engine is the requirement for starting a Ship. Eight because it takes eight persons to plait the Maypole. The engine or Tuk Band can have a minimum of three members. It provides the musical accompaniment for the members of the Ship to perform their maneuvers as well as for the plaiting of the Maypole.
Each ship was traditionally named after British warships but bearing the initials of the "Barbados Land Ship" BLS before it. Some of the ships that existed were the: BLS Queen Victoria (HMS Victoria (1887)), BLS Queen Mary (HMS Queen Mary), BLS Rosetta, BLS Iron Duke (HMS Iron Duke), BLS Cornwall (HMS Cornwall), BLS Rodney (HMS Rodney), BLS Indefatigable (HMS Indefatigable), BLS York (HMS York) and the sole surviving ship today is the BLS Director (HMS Director (1784)).
The dancing and plaiting of the Maypole are the most spectacular aspect of the Land-ship performance. There are eight participants: four males, led by the King, with the red ribbon, and four females led by the Queen with the white ribbon. The six other ribbon colors are blue and green, yellow and mauve and orange and pink, which are plaited in a clock-wise and counter clock-wise movement, moving over and under each other.
The ribbons are plaited around the central post until they become too short to intertwine, and then the weave is reversed to unwind. In Akan cosmology, the colors of red and white, which are king and queen in the Land-ship maypole dance, are highly significant and have special spiritual meaning when used together.
The dancing of the maypole is a traditional dance found all over northern Europe that dates back to the middle ages, with this version of English and Scottish provenance, a custom likely to have been continued by British settlers in Barbados.
The adaptation of the British maypole into the African culture can be identified as a poignant memory of the mast of the slave ship, but more predominantly the Akan story of Kweku Anansi, the spider man. According to the original Akan legend, Kweku Anansi (Kweku means male born on a Wednesday and Anansi means spider) is the son of Nyame, the Creator God. Anansi had the ability to perform fantastic feats and was also very tricky. It is said that Anansi taught the Akan people the art of weaving and the construction of houses.
The Barbados Land-ship therefore does a re-enactment of the Anansi story, using the eight ribbons for the weave, which represents the eight legs of the spider. The web thus became the symbol of the life-giving rays of the sun, and was also used as a metaphor to bind individuals by ties of blood, clan, village and the state, to form a strong group. Thus during slavery the focus on the meaning of the maypole would have become the backbone for the very survival of Akan peoples wherever they were.
While many have referred to Land-ship Dances, the Land-ship does not dance. They perform maneuvers to the command of the Captain while on parade with the Tuk Band (Engine) providing the music to power the ship. They step, they don't dance. Even the Maypole, which many consider a dance is a maneuver based on a set cycle of stepping to plait and unplait the pole. Hence the only commands during the Maypole are to start the plaiting of the pole, to reverse the plaiting and to end the plaiting. The other type of performance done by the Landship on parade is basically a march with commands in-between which changes the pace and the actions of the parading members as they enact the movement of the ship, the piloting of the ship and the activities on board the ship. For example, during the march there would be commands such as: "Rough Seas" - meaning that the ship is going through rough waters and the crew must take corrective action; The Wangle Low - when the crew is exercising on the Deck; and "Man Overboard" - when the crew would spring into action to save the man who fell overboard and revive him.
The Chief Executive Officer of all Barbados Landships is the highest-ranking officer at the time. The highest achievable rank is the Lord High Admiral. Below are the executive ranks. Collectively these officers make up the executive authority of the Barbados Landship Association
1. Lord High Admiral
2. Admiral Second in Command
3. Rear Admiral Third in Command
Captain: Commanding Officer of a Ship.And the person who takes care of every one.
Vice Captain: Second in command of the Ship.Same like the first one.
Commander: Prepares the ship to sail.
No.1 Officer: Senior Officer on a ship under the Captain and Vice Captain.
Boatswain: In charge of the Deck. The boatswain works in a ship's deck department as the foreman of the deck crew.
Quarter Master: The Quarter Master is the keeper of property. Each ship has a Quarter Master responsible for uniforms, badges, etc.
Master of Arms #1, #2: The security of the ship and ensures that there are no civilians within a specified distance of the Ship.
Captain's Valet: Personal Assistant to a Captain.
Admiral's Valet: Personal Assistant to an Admiral.
Head Nurse: Senior Nurse.
Lord Doctor/ Surgery Nurse: Senior Doctor.
Doctor/ Matron: Medical Staff.
Nurse: Medical Staff.
Engineer: Senior Engineer.
Navigator #1, #2, #3: Navigates the ship.
Sailing Master#1, #2, #3: Operates the sails.
Captain of the Blues / Deck Girl Captain: Equivalent to a Lance Corporal. Organises the Blue Jackets.
Blue Jackets (males) Deck Girls (females): 1st Rank. Equivalent to a private in the navy.
Skylight Boy / Skylight Girl Recruits: Carry torches to give light at night; other duties concerning the maintenance of the ship.
The present leader of the Landship is former Captain Vernon Watson, who was promoted to Lord High Admiral when the BLA celebrated its 145th anniversary in 2008. Admiral Watson, who was also awarded an Order of the British Empire (OBE) by the Queen in 1998 and is a Justice of the Peace, was a keen follower of the landship movement as a young child. His father was Lord High Admiral Nathaniel Watson.
Lord High Admiral Watson recalls in the early days that there was a Landship organisation in every parish of Barbados, with great interest among young Barbadians. The Landship was a popular form of merriment and entertainment for villagers and workers on the plantations. He became actively involved in the movement in 1972 when he noticed a state of growing lawlessness among young people in his district and felt there was a need to keep the children active. He approached his father with the idea of forming a Landship in his community as a means of engaging these youths. His father approved of the idea which led to the formation of the Director I, based in Highlands, St. Thomas. Admiral Watson was sworn in as an official member of the Barbados Landship Association on 24 March 1972.
During that period, there were five existing Landships: the Rodney, Cornwall, Iron Duke, Queen Mary II, and the Vanguard. When Admiral Watson refloated Director I and became an active member of the Landship, he assisted with forming the Queen Victoria in Rose Hill, St Peter, the Director II in Carrington Village, St Michael and then the Indefatigable in Back Ivy, St Michael.
There were some 700 members among these ships, but since that period the vessels have floundered and the Admiral brought all members together to form one ship under one Association, called, the Barbados Landship Association. At present there are 30 active members in the BLA who parade, and overall there are 40 persons involved in the movement, with the original crew of the Director forming the core of the group.
The Barbados Landship has performed across the 'length and breadth' of Barbados especially during the heyday of the 1970s and 1980s. They have been on stage at Government House, Ilaro Court, Harrison's Cave and more recently De Heart uh Barbados. They have represented Barbados culture in the region's CARIFESTA [11] in countries such as Trinidad, Cuba, Suriname and Guyana, to participate in cultural festivals.
The Barbados Landship also participates in all local festivals including Crop-Over, Holetown Festival, Oistins Fish Festival, Independence Day parades and NIFCA. It also participates in the Barbados Workers' Union's (BWU) Labour Day celebrations since its inception and is an associate member of the BWU.
This dedication has led to awards from both organisations, along with honours from the Ministry of Tourism for its significant contribution to Barbados' cultural and historical landscape. Admiral Watson opines that the Landship, "is the best thing in Barbados". He believes that the cultural group has done more than any other for culture in Barbados, noting that during and after the days of slavery, the movement was "the one cultural event that black persons could look forward to on Sundays, Bank Holidays and at Christmas."
The headquarters of a Landship is called the Dock. It is usually a small chattel house and would have the painting of a ship on it. Traditionally, every Friday night is Dock night. It is a time when all the members get together and have short meetings, during which they pay dues and conduct Landship business. [12] Afterwards, members socialise until an appointed hour after which they depart the Dock.
There is nothing in the rules preventing ships or clubs from designating a convenient day and time for Dock gatherings. Drills and rehearsals are also arranged to the convenience of members and members are required to attend all parades.
The Landship takes part in the Independence Day Parade annually. It also participates in other national parades when called upon to do so. Members are required to present themselves for national parades. This rule is less strict for performances and the Ship may decide how many members will take part in a performance.
The Landship represents not simply a cultural icon but an institution which strives to be relevant to the very existence of its members. The Landship to the lives of Barbadians was a Credit Union, a Bank, a Welfare Department, a Counsellor, Entertainment on special occasions, a coordinator of training and apprenticeship and, in general, a friend and family when one is needed.
Every end of the year, members who performed at the various events are given a bonus. Your bonus will depend on the frequency of attending performances and members are judged according to decorum
The main objective of the Landship is to provide support for its less fortunate members and incentives for all its members to assist them in achieving their stated potential. However, the Landship is also very much concerned with the general development of its members and endeavours to remain relevant to its members bearing in mind the struggles of the People and their effort to attain economic empowerment.
The Lord High Admiral has been instrumental in getting the Landship into the schools and teaching the craft to other groups including the Yoruba Dancers, [13] Pinelands Creative Workshop and Dancin' Africa. He welcomes other groups who wish to learn the craft of the Landship.
Barbados Association of Non Governmental Organisations (BANGO) has been working with the Barbados Landship for nearly two decades, providing secretariat services in order to enhance the visibility and capacity of this cultural organisation and to help preserve an important aspect of Barbadian culture. The Secretary General of BANGO has placed great emphasis on officially documenting the history of the Landship and was very instrumental in publishing its first book, written by Editha G. (Nancy) Fergusson-Jacobs in September 2013, to coincide with its 150th Anniversary. Prior to this, he completed the first written record of its rules in 1991 and produced a draft handbook for members, but this remains unpublished.
The Barbados Landship continues to be a vital part of the cultural landscape of Barbados and as the organisation celebrates its 150th anniversary in 2013, persons such as Lord High Admiral Watson who continue to "fly the flag" for Barbadian indigenous folk culture must be saluted. The Landship is a testimony to Barbados' unique history and culture and every effort must be made to ensure that its contribution to this nation is never forgotten.
Barbados is an island country in the Lesser Antilles of the West Indies, in the Caribbean region of North America, and is the most easterly of the Caribbean Islands. It lies on the boundary of the South American and the Caribbean Plates. Its capital and largest city is Bridgetown.
Barbados is an island country in the southeastern Caribbean Sea, situated about 100 miles (160 km) east of Saint Vincent and the Grenadines. Roughly triangular in shape, the island measures some 21 miles (34 km) from northwest to southeast and about 14 miles (23 km) from east to west at its widest point. The capital and largest town is Bridgetown, which is also the main seaport.
Since the island country's independence in 1966, the economy of Barbados has been transformed from a low-income economy dependent upon sugar production into a high-income economy based on tourism and the offshore sector. Barbados went into a deep recession in the 1990s after 3 years of steady decline brought on by fundamental macroeconomic imbalances. After a painful re-adjustment process, the economy began to grow again in 1993. Growth rates have averaged between 3%–5% since then. The country's three main economic drivers are: tourism, the international business sector, and foreign direct-investment. These are supported in part by Barbados operating as a service-driven economy and an international business centre.
Anansi or Ananse is an Akan folktale character associated with stories, wisdom, knowledge, and trickery, most commonly depicted as a spider, in Akan folklore. Taking the role of a trickster, he is also one of the most important characters of West African, African American and West Indian folklore. Originating in Ghana, these spider tales were transmitted to the Caribbean by way of the transatlantic slave trade. Anansi is best known for his ability to outsmart and triumph over more powerful opponents through his use of cunning, creativity and wit. Despite taking on a trickster role, Anansi often takes centre stage in stories and is commonly portrayed as both the protagonist and antagonist.
The music of Barbados includes distinctive national styles of folk and popular music, including elements of Western classical and religious music. The culture of Barbados is a syncretic mix of African and British elements, and the island's music reflects this mix through song types and styles, instrumentation, dances, and aesthetic principles.
The Parish of Saint Peter is one of eleven parishes in the Caribbean island country of Barbados. It is named after the Christian Apostle and patron saint, Saint Peter. It is located in the north of Barbados, and is the only parish besides Saint Lucy that extends from the east coast to the west.
Barbadian nationality law is regulated by 1966 Constitution of Barbados, as amended; the Barbados Citizenship Act, as amended; and various British Nationality laws. These laws determine who is, or is eligible to be, a national of Barbados. Barbadian nationality is typically obtained under the rules of jus sanguinis, i.e. by birth to a father or in some cases, a mother, with Barbadian nationality. It can also be granted to persons with an affiliation to the country, or to a permanent resident who has lived in the country for a given period of time through naturalisation. There is currently no program in Barbados for citizenship by investment, though they do have a special work visa program. Nationality establishes one's international identity as a member of a sovereign nation. Though it is not synonymous with citizenship, rights granted under domestic law for domestic purposes, the United Kingdom, and thus the Commonwealth, has traditionally used the words interchangeably.
George Watson was a Scottish accountant and philanthropist. He was the Bank of Scotland's first Chief Accountant. He bequeathed money that was used to establish George Watson's College and fund George Heriot's School.
A landship is a large land vehicle that travels exclusively on land. Its name is meant to distinguish it from vehicles that travel through other mediums such as conventional ships, airships, and spaceships.
A tuk band is a kind of Barbadian musical ensemble, which plays tuk or rukatuk music. They consist of a double-headed bass drum, triangle, flute and a snare drum; the traditional fiddle has most recently been replaced by the pennywhistle. The tuk band is based on the regimental bands of the British military, which played frequently during the colonial era. The Tuk Band is accompanied by characters that are African in origin. African tribes used costumed figures to represent elements such as fertility, witch doctors, and describing routes of commercial transportation, as well as having survived difficult times.
The culture of Barbados is a blend of West African and British cultures present in Barbados. English is the official language of the nation, reflecting centuries of British influence, but the Bajan dialect in which it is spoken is an iconic part of the Barbadian culture. This dialect is a combination of the languages from the different inhabitants in its history. Barbadian culture is influenced by the Indigenous Caribs, Africans, Europeans and South Asians.
The following is an alphabetical list of topics related to the nation of Barbados.
The music of Barbados draws on the island's cultural heritage, and the music history of Barbados reflects the island's diverse cultures.
The United States and Barbados have had cordial bilateral relations since Barbados' independence in 1966. The United States has supported the government's efforts to expand the country's economic base and to provide a higher standard of living for its citizens. Barbados is a beneficiary of the U.S. Caribbean Basin Initiative. U.S. assistance is channeled primarily through multilateral agencies such as the Inter-American Development Bank and the World Bank, as well as the U.S. Agency for International Development (USAID) office in Bridgetown.
Relations between Barbados and China began on 4 September 1967 with Barbados recognizing the People's Republic of China from 30 May 1977, just over one decade after the eastern Caribbean island nation's independence from the United Kingdom.
The historical ties between the governments of Barbados and the United Kingdom of Great Britain and Northern Ireland (UK) are long and complex, including settlement, post-colonialism and modern bilateral relations. The two countries are related through common history spanning 339 years (1627–1966). Since the Barbadian date of political independence, these nations continue to share ties through the Commonwealth of Nations. Until becoming a Commonwealth republic in 2021, Barbados also shared the same Head of State, with Queen Elizabeth II as their Monarch.
Coromantee, Coromantins, Coromanti or Kormantine is an English-language term for enslaved people from the Akan ethnic group, taken from the Gold Coast region in modern-day Ghana. The term was primarily used in the Caribbean and is now considered archaic.
Black Barbadians or Afro-Barbadians are Barbadians of entirely or predominantly African descent.
Brook Watson was launched in 1796, probably in Holland but possibly in Denmark. She became a prize in 1801 and by 1802 was a whaler in the British Southern Whale Fishery. She made two whaling voyages between 1802 and 1806. She then became a West Indiaman and was last listed in 1809 or 1810.
Theodore Paleologus, alternatively Theodorious or Theodorus and sometimes referred to as Theodore III by modern historians to distinguish him from his grandfather and his uncle, both by the same name, was the only known son of Ferdinand Paleologus. Through Ferdinand, Theodore might have been the last living male member of the Palaiologos dynasty, rulers of the Byzantine Empire from 1259 to its fall in 1453.