Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible Indo-Aryan influence while the impact of Southern Indian style is more distinct.
Lakshmi Narasimha Temple, also referred to as Lakshminarasimha temple of Bhadravati, is a 13th-century Hindu temple dedicated to Vishnu, built by the Hoysala ruler Vira Someshwara. It is located in Bhadravati, Shimoga District of Karnataka state, India. The temple opens to the east and has three sanctums, one each dedicated to Venogopala, Lakshminarasimha and Vishnu-Puroshottama. It is notable for its Vesara architecture, with artwork that includes legends and deities of Vaishnavism, as well as those of Shaivism, Shaktism and Vedic deities. Important reliefs include those of Ganesha, Dakshinamurti, Bhairava, Sarasvati, Brahma, Surya, Harihara, and others. The temple's original shikaras were ruined, and have been restored with a conical structure. According to Adam Hardy – a scholar of Indian temple architecture, this temple has two "exceptional" stellate structures highlighting the architectural sophistication of the Hoysalas.
The Lakshmi Narasimha temple was built in 1246 CE by Bommanna Dandanayaka, a commander in the Hoysala Empire during the rule of King Vira Someshwara. It is a good example of 13th-century Hoysala architecture. Located a short distance away in Nuggehalli, and built around the same time is the Sadashiva temple. The town was called Vijaya Somanathapura in ancient times and gained importance as an agrahara during the time of Bommanna Dandanayaka. Nuggehalli,, is a town in Hassan district of Karnataka, India. It is located on the Tiptur-Channarayapatna state highway and is about 50 km from Hassan city. It is well connected by road with Bangalore, the state capital.
Chennakeshava Temple, also referred to as Keshava, Kesava or Vijayanarayana Temple of Belur, is a 12th-century Hindu temple in the Hassan district of Karnataka state, India. It was commissioned by King Vishnuvardhana in 1117 CE, on the banks of the Yagachi River in Belur also called Velapura, an early Hoysala Empire capital. The temple was built over three generations and took 103 years to finish. It was repeatedly damaged and plundered during wars, repeatedly rebuilt and repaired over its history. It is 35 km from Hassan city and about 200 km from Bengaluru.
Vijayanagara architecture of 1336–1565 CE was a notable building idiom that developed during the rule of the imperial Hindu Vijayanagara Empire. The empire ruled South India, from their regal capital at Vijayanagara, on the banks of the Tungabhadra River in modern Karnataka, India. The empire built temples, monuments, palaces and other structures across South India, with a largest concentration in its capital. The monuments in and around Hampi, in the Vijayanagara principality, are listed as a UNESCO World Heritage Site.
The Veera Narayana temple, also referred to as the Viranarayana temple of Belavadi, is a triple Hindu temple with a complex Hoysala architecture completed around 1200 CE. Close to Halebidu, this is a better preserved large Hoysala monument found in the small village of Belavadi, Chikkamagaluru district of Karnataka, India.
The Ranganthaswamy temple in Srirangapatna, in the Mandya district of Karnataka state, India, is dedicated to the Hindu god Ranganatha. It is one of the five important pilgrimage sites of Smartha -BaboorKamme & Sri Vaishnavism along the river Kaveri for devotees of Ranganatha. These five sacred sites are together known as Pancharanga Kshetrams in Southern India. Since Srirangapatna is the first temple starting from upstream, the deity is known as Adi Ranga. The town of Srirangapatna, which derives its name from the temple, is located on an island in the river Kaveri.
The Lakshminarayana Temple is a 13th-century Hindu temple with Hoysala architecture in Hosaholalu, Mandya district of Karnataka, India. Dedicated to Vishnu, this three-shrine monument is notable for its finely carved plinth (adhisthana) with panels of the Ramayana, the Mahabharata and the Bhagavata Purana. It has one of the most beautifully embellished Hoysala tower projection (sukanasa) that integrates the Dravida motifs with asta-bhadra Bhumija motifs from central India. Also notable are polish and jewelry-like carvings inside the temple's mandapa.
Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.
The Ishvara temple, also referred to as the Ishwara or Isvara temple, is an early 13th-century Hindu temple in Arsikere, Hassan district, Karnataka India. Dedicated to Shiva, it is one of the most notable early Hoysala architecture examples with a rotating circular plan, a domed mandapa with 16-point star shape, a pancatala vimana, and a galaxy of artwork depicting Shaivism, Vaishnavism, Shaktism and Vedic legends of Hinduism.
The antiquity of architecture of Karnataka can be traced to its southern Neolithic and early Iron Age, Having witnessed the architectural ideological and utilitarian transformation from shelter- ritual- religion. Here the nomenclature 'Architecture' is as old as c.2000 B.C.E. The upper or late Neolithic people in order to make their shelters, they constructed huts made of wattle and doab, that were buttressed by stone boulders, presumably having conical roof resting on the bamboo or wooden posts into red murram or paved granite chips as revealed in archaeological excavations in sites like Brhamagiri, Sanganakallu, Tekkalakota, Piklihal. Megaliths are the dominant archaeological evidence of the early Iron Age. There are more than 2000 early Iron Age burial sites on record, who laid the foundation for a high non-perishable architecture in the form of various distinct architectural styles of stone built burials, which are ritualistic in its character. The active religious architecture is evident 345 with that of the Kadamba Dynasty. Karnataka is a state in the southern part of India originally known as the State of Mysore. Over the centuries, architectural monuments within the region displayed a diversity of influences, often relaying much about the artistic trends of the rulers of twelve different dynasties. Its architecture ranges dramatically from majestic monolith, such as the Gomateshwara, to Hindu and Jain places of worship, ruins of ancient cities, mausoleums and palaces of different architectural hue. Mysore Kingdom (Wodeyar) rule has also given an architectural master structure in the St. Philomena's Church at Mysore which was completed in 1956, in addition to many Dravidian style architectural temples. Two of the monuments are listed under the UNESCO World Heritage List of 22 cultural monuments in India. Styles of Indo-Saracenic, Renaissance, Corinthian, Hindu, Indo-Greek and Indo-British style palaces were built in Mysore, the city of palaces. Sikh architecture at Bidar (1512) and also in Bangalore in 1956 can also be cited as having an impact on the architectural composition of the state.
Kadamba architecture was a style of temple architecture founded by Mayurasharma in the 4th century AD in Karnataka, India. Kadambas created new style of architecture which was the basis of the Hoysalas style of architecture, developed original school of sculpture, was the forerunner of series of South Indian sculptors. Many temples at Aihole, Badami and Hampi are built in Kadamba style.
Bucesvara temple, also referred to as the Buceswara, Bucheshwara or Bhucheshvara temple, is a 12th-century Hindu temples in Koravangala village, Karnataka, India. The most sophisticated historical temple in the village, it is considered to be the flag-bearer of Hoysala architecture and was built by a wealthy patron named Buchi during the reign of king Ballala.
The Mallikarjuna temple, dedicated to the Hindu god Shiva, is in Basaralu, a small town in the Mandya district, Karnataka state, India. Basaralu is close to Nagamangala and about 65 km from the culturally important city of Mysore. The temple was built by Harihara Dhannayaka around 1234 A.D. during the rule of the Hoysala Empire King Vira Narasimha II. This temple is protected as a monument of national importance by the Archaeological Survey of India.
The Mallikarjuna temple is located in the town of Kuruvatti in the Bellary district of Karnataka state, India. The temple was constructed in the early 12th century rule of the Western Chalukya Empire. The temple is protected as a monument of national importance by the Archaeological Survey of India.
The Lakshminarasimha temple at Javagal, sometimes referred to as Lakshmi Narasimha temple of Javagallu, is a mid-13th century Hindu temple with Hoysala architecture. It is located in Javagal about 20 km northeast from Halebidu and 50 km from Hassan city, Karnataka state, India. This triple shrine temple is dedicated to Narasimha – the man-lion avatar of Vishnu. It was completed between 1250–1260 A.D. by King Vira Someshwara of the Hoysala Empire.
The Nageshvara-Chennakeshava temple complex, sometimes referred to as the Nagesvara and Chennakesava temples of Mosale, are a pair of nearly identical Hindu temples in the village of Mosale near Hassan city, Karnataka, India. One for Shiva, other for Vishnu, this pair is a set of highly ornamented stone temples, illustrating the Hoysala architecture. These temples also include panels of artwork related to the goddess tradition of Hinduism (Shaktism) and Vedic deities. Another notable feature of these temples is the artwork in their ceilings, how the shilpins (artisans) integrated the historic pre-Hoysala architectural innovations from the Chalukya era. Further, the temples include north Indian Bhumija and south Indian Vesara aedicules on the outer walls above the panels. It is unclear when this temple pair was built, but given the style and architectural innovations embedded therein, it was likely complete before 1250 CE.
Bhoganandiswara Temple and Arunachaleswara Temple are a twin Hindu temples complex located in Nandi village in Chikkaballapur district of Karnataka, India. Ornate, beautifully carved and dedicated to Shiva, they have been variously dated between the 9th- to 10th-century CE.
The Lakshminarasimha temple at Vignasante is a 13th-century Vishnu temple in the village of Vignasante, Tumkur district, Karnataka, India. The three-shrine temple is dedicated to Venugopala, Narasimha and Lakshmi Narayana. One of the late temples built before Hoysala empire came under sustained attacks from the Delhi Sultanate, it illustrates the mature Hoysalanadu architectural tradition. The fully carved, three storey Vesara vimana of this temple is notable.
The Lakshminarasimha temple at Nuggehalli is a 13th-century Hindu temple with Hoysala architecture in Nuggehalli village, Hassan district, Karnataka, India. This three shrine Vaishnava complex is dedicated to Keshava, Lakshminarayana and Venugopala. The temple is notable for its Vaishnava reliefs, Shaiva reliefs such as those of Harihara, Dakshinamurti, Chandikesvara and Ganesha, Shakti reliefs such as of Durga Mahisasuramardini, dancing Lakshmi and Saraswati, as well as Vedic deities such as Surya and Brahma. The lower section depicts scenes from the Hindu epics and the Bhagavata Purana. The artwork completed and signed by the Hoysala artist Mallitamma are particularly notable.
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