Beach Baby

Last updated
"Beach Baby"
Beach Baby - The First Class.jpg
Single by The First Class
from the album Beach Baby
B-side "Both Sides of the Story"
Released3 May 1974
Genre Bubblegum pop
Length3:11 (Single Edit) 4:53 (Single Version) 5:03 (Album Version)
Label UK Records
Songwriter(s) John Carter and Gillian Shakespeare
Producer(s) John Carter for Sunny Records Ltd.
The First Class singles chronology
"Beach Baby"
(1974)
"Bobby Dazzler"
(1974)

"Beach Baby" is a song by the British band The First Class. Written by John Carter and his wife, Gillian (Jill) Shakespeare, the song became the band's only substantial hit. The subject of the lyrics is not holiday love, but a broken love relationship between two high school students in Los Angeles in the 1950s.

Contents

Background

Carter and Shakespeare wrote "Beach Baby" in their home in East Sheen, South West London. Shortly afterward, Carter hired lead singer Tony Burrows and session singer Chas Mills to record it under the band name The First Class. Burrows attempts to sing the tune in an American accent, reflecting the song's California setting.

Toward the end of the song are two instrumental quotations, both on the French horn: the main theme from the last movement of Sibelius's Fifth Symphony, and the tune of the title line from one of Carter's previous compositions, "Let's Go to San Francisco", a 1967 hit for The Flower Pot Men. The estate of Jean Sibelius filed a lawsuit against the song's writers, for infringing on the copyright of the Sibelius piece. The case was settled out of court, with the Sibelius estate receiving half of the song's proceeds.

Because the running time was over five minutes, several AM radio stations edited "Beach Baby" by fading it out during the second instrumental bridge. The fade outs took on some importance, helping to avoid further legal implications.

In the 31 August 1974 edition of American Top 40 , Casey Kasem claimed: [1]

"Now on American Top 40, I have that song that was launched by a criminal act, an act that could have cost the owner of a British record company at least a stiff fine [sic]. He's also a recording artist, Jonathan King. He's known to Americans as the guy who hit back in 1965 with 'Everyone's Gone to the Moon', remember? Well, since then he's become a successful producer in England, and he started his own label a couple of years ago. Last year, during the United Kingdom's severe energy crisis, a songwriter came to Jonathan's house with a master tape of a new song that he'd just recorded, but he'd come on a bad day of the week. You see, it was a day when Britons were prohibited from using electricity because of the power shortage. But something told King to take a chance. He invited the artist to come in, and, in a room lit only by candles, keeping the volume turned way down, he listened to that tape, and he knew he'd bought a hit song. Here it is, up to #25 this week, 'Beach Baby' by First Class."

The 21 September 1974 edition of the program added the detail that the song was recorded in London on 24 December 1973.

An engineer who was involved in the recording session recalls: "The recording was made in February 1974 at Lansdowne Studios, Holland Park, London. Tony Burrows was singing, John Carter producing and & Paul Holland engineering. At the time, I was a house assistant engineer & remember being very impressed with the high level of professionalism and ability of the visiting engineer Paul Holland, who I had never met before. I don't believe that he sat down at any time during the session ! - If my memory serves me right, the recording was completed in one evening session." [2] [ failed verification ]

Although the band went on to release two studio albums and a multitude of singles, they were unable to recreate the success of "Beach Baby".

Legacy

In the online magazine Freaky Trigger , Robin Carmody wrote that the song marked the end of the original wave of British bubblegum pop, indicating the transition into a period of pastiche "and paying tribute to the American pop of a decade or so before, rather than being gloriously unselfconscious and picking up on what was hot at that moment, always a sign that a genre has reached the end of line." He deemed it a "fantastically-produced slice of Californian fantasypop – orchestra, brass, lavish vocal harmonies, already a tribute song to a vanished era at the time." [3] Further including it in a list of the genre's classics, he described it as "Britgum's dying fall: put the fade on repeat play and hear pop, for the first time, become pure period pastiche. [4]

Chart performance

In 1974, the song peaked at #13 in the UK, [5] #4 in the US, and #1 in Canada. [6]

Covers

See also

Related Research Articles

Bubblegum is pop music in a catchy and upbeat style that is marketed for children and adolescents. The term also refers to a more specific rock and pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein.

<span class="mw-page-title-main">Tony Orlando and Dawn</span> American pop group

Tony Orlando and Dawn is an American pop music group that was popular in the 1970s, composed of singer Tony Orlando and the backing vocal group Dawn. Their signature hits include "Candida", "Knock Three Times", "Tie a Yellow Ribbon Round the Ole Oak Tree", "Say, Has Anybody Seen My Sweet Gypsy Rose", and "He Don't Love You ".

<span class="mw-page-title-main">The Flower Pot Men</span> English pop group

The Flower Pot Men were an English pop group created in 1967 as a result of the single "Let's Go to San Francisco", recorded by session musicians, which became a major UK Top 20 and Continental Europe hit in the autumn of 1967. The group's sound was characterised by rich, three-part vocal harmonies.

<span class="mw-page-title-main">Tony Burrows</span> English pop singer and recording artist

Anthony Burrows is an English pop singer and recording artist. As a prolific session musician, Burrows was involved in several transatlantic hit singles throughout the late 1960s and early 1970s, most of which were one-hit wonders, including "Love Grows " by Edison Lighthouse, "United We Stand" by Brotherhood of Man, "My Baby Loves Lovin'" by White Plains, "Gimme Dat Ding" by The Pipkins and "Beach Baby" by The First Class. During 1970, four singles by four different acts with whom he performed all charted at or near the top of the UK Singles Chart and additionally reached the top 20 in the United States.

<span class="mw-page-title-main">Edison Lighthouse</span> English pop band formed in 1969

Edison Lighthouse are an English pop band, formed in London in 1969. The band was best known for their 1970 hit single "Love Grows " recorded in late 1969.

The First Class were a British pop music studio-based group, put together by songwriter and record producer John Carter. They are best known for their hit song "Beach Baby," a top 20 hit in both the US and UK, and #1 in Canada..

<span class="mw-page-title-main">White Plains (band)</span> British pop music group

White Plains were a British pop music group that existed from 1969 to 1976. They had an ever-changing line-up of musicians and five UK hit singles, all on the Deram Records label, in the early 1970s.

<span class="mw-page-title-main">Mr. Bloe</span>

Mr. Bloe was the name given to the musicians who performed the single "Groovin' with Mr. Bloe", which was a hit in 1970 in the UK for Dick James Music (DJM). These included Harry Pitch on harmonica, and Zack Laurence on piano.

John Nicholas Shakespeare, known as John Carter, is an English singer, songwriter, and record producer.

<span class="mw-page-title-main">Jesamine</span> 1968 single by The Casuals

"Jesamine" is a song written by Marty Wilde and Ronnie Scott, published under the pseudonyms Frere Manston and Jack Gellar. Initially recorded by Welsh band the Bystanders as "When Jezamine Goes", the version by English band the Casuals became a hit when it was released as a single in August 1968. It reached number two on the UK Singles Chart in October 1968.

"Now Is the Time" is a pop song written in 1976 by Biddu. It was recorded that year by Jimmy James and the Vagabonds. The track appeared in the Top 10 of the UK Singles Chart.

<span class="mw-page-title-main">Let's Go to San Francisco</span> 1967 single by The Flower Pot Men

"Let's Go to San Francisco" is the only UK-charting single by the British pop group The Flower Pot Men. The song was written and produced by John Carter and Ken Lewis, engineered by John Mackswith and released in 1967 on 7" single format. Carter also sang the lead vocal in the recording. It is regarded as a work of the 1960s California Sound.

"She Called Me Baby" is a country song written in 1961 by Harlan Howard.

<span class="mw-page-title-main">That Same Old Feeling</span>

"That Same Old Feeling" is the title of a pop song composed by John Macleod and Tony Macaulay which in 1970 was a Top Ten UK hit for Pickettywitch, an English band fronted by Polly Brown. In the US the Pickettywitch single vied with a rival version by The Fortunes, with both versions scoring well-enough regionally to reach the Top 70 of the Hot 100, the national hit parade maintained by Billboard magazine.

<span class="mw-page-title-main">When You Are a King</span> 1971 single by White Plains

"When You Are a King" is a 1971 pop song by British band White Plains. It was written by John and Roger Hill, in contrast to most White Plains songs that were written by Roger Cook and Roger Greenaway. Produced by Roger Greenaway. Featuring Pete Nelson on lead vocals.

<span class="mw-page-title-main">Beautiful Sunday (song)</span> 1972 single by Daniel Boone

"Beautiful Sunday" is a song written by Daniel Boone and Rod McQueen and performed by Boone. It appeared on his 1972 album Beautiful Sunday and was produced by Larry Page and arranged by Boone.

<span class="mw-page-title-main">Freedom Come, Freedom Go</span> 1971 single by The Fortunes

"Freedom Come, Freedom Go" is a pop song by The Fortunes. It was the third of three releases from their That Same Old Feeling album, and saw the band revive their fortunes by working in a Britgum idiom.

<span class="mw-page-title-main">Rainbow (The Marmalade song)</span> 1970 single by the Marmalade

"Rainbow" is a song by Scottish rock band the Marmalade, released as a single in June 1970. It peaked at number 3 on the UK Singles Chart.

\ "Funny, Funny" is a song by British band the Sweet released in January 1971. It was the first single from their debut album Funny How Sweet Co-Co Can Be and became their first chart hit, peaking at number 13 on the UK Singles Chart.

"The Banner Man" is a 1971 song by the British pop band Blue Mink. The song managed to reach the top ten on the UK charts peaking at #3 in May 1971. It was released as a single with the B-side "Mind Your Business". The single was written by Blue Mink founders Roger Cook and Roger Greenaway.

References

  1. "American Top 40 August 31 1974 with Casey Kasem (11:23 - 12:23)". YouTube. Retrieved 2019-08-30.[ dead link ]
  2. "Mark Dearnley". Mark Dearnley. Retrieved 2022-12-17.
  3. Carmody, Robin (1 January 2002). "The Cottage Industry of Moments". Freaky Trigger. p. 2. Retrieved 20 November 2022.
  4. Carmody, Robin (1 January 2002). "The Cottage Industry of Moments". Freaky Trigger. p. 3. Retrieved 20 November 2022.
  5. 1 2 Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 200. ISBN   1-904994-10-5.
  6. 1 2 "Image : RPM Weekly - Library and Archives Canada". Bac-lac.gc.ca. 12 October 1974. Retrieved 2016-10-09.
  7. 1 2 "National Top 100 Singles for 1975". Kent Music Report. 29 December 1975. Retrieved 15 January 2022 via Imgur.
  8. Steffen Hung. "Forum - 1970 (ARIA Charts: Special Occasion Charts)". Australian-charts.com. Archived from the original on 2016-06-02. Retrieved 2016-10-09.
  9. "The Irish Charts – Search Results – Beach Baby". Irish Singles Chart. Retrieved September 2, 2018.
  10. "South African Rock Lists Website - SA Charts 1969 - 1989 Songs (A-B)".
  11. Whitburn, Joel (1993). Top Adult Contemporary: 1961–1993. Record Research. p. 86.
  12. "Image : RPM Weekly - Library and Archives Canada". Bac-lac.gc.ca. 17 July 2013. Retrieved 2017-07-09.
  13. "Top 100 Hits of 1974/Top 100 Songs of 1974". Musicoutfitters.com. Retrieved 2016-10-09.
  14. "Top 100 Year End Charts: 1974". Cashbox Magazine . Archived from the original on 2012-09-27. Retrieved 2015-07-16.