"Two Tribes" is an anti-war song by British band Frankie Goes to Hollywood, released in the UK by ZTT Records on 4 June 1984. The song was later included on the album Welcome to the Pleasuredome. Presenting a nihilistic, gleeful lyric expressing enthusiasm for nuclear war, it juxtaposes a relentless pounding bass line and guitar riff inspired by American funk and R&B pop with influences of Russian classical music, in an opulent arrangement produced by Trevor Horn.
Art of Noise were a British avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with keyboardist/arranger Anne Dudley, producer Trevor Horn, and music journalist Paul Morley. The group had international Top 20 hits with its interpretations of "Kiss", featuring Tom Jones, and the instrumental "Peter Gunn", which won a 1986 Grammy Award.
"The Reflex" is the eleventh single by English new wave band Duran Duran, released in 1984. The song was heavily remixed for single release and was the third and last to be taken from their third studio album Seven and the Ragged Tiger (1983). The single became the band's first to reach the top of the Billboard Hot 100 and their second to top the UK Singles Chart.
A cassette single (CS), also known by the trademark cassingle, or capitalised as the trademark Cassette Single, is a music single supplied in the form of a Compact Cassette. The cassette single was introduced in 1980.
"Kiss" is a song composed, written, and produced by American musician Prince. Released by the Paisley Park label as the lead single from Prince and the Revolution's eighth studio album, Parade (1986), on February 5, 1986, it was a No. 1 hit worldwide, holding the top spot of the US Billboard Hot 100 chart for two weeks. The single was certified gold in 1986 for shipments of 1,000,000 copies by RIAA.
"One More Chance / Stay with Me (Remix)" is a song written and recorded by American rapper The Notorious B.I.G. Three versions of the song exist: An original, lyrically explicit version prefaced by an answering machine performance featured on the album, and two versions released as singles, both of which contain identical lyrics by B.I.G. despite differing instrumentals and choruses. The first is an upbeat "Hip Hop Mix" that samples Marley Marl's "Droppin Science", and the second is a sultrier R&B remix parenthetically labeled the "Stay with Me Remix", which samples the namesake 1983 song by the band DeBarge. The lattermost remains the most popular, and features backing vocals and harmonies performed by his wife Faith Evans, as well as uncredited appearances by Mary J. Blige and Bad Boy Records label boss Puff Daddy—who also produced the version with Rashad Smith. It received platinum certification by the RIAA by July 31, 1995, and has sold 1.1 million copies.
"Batdance" is a song by American musician Prince, from the 1989 Batman soundtrack. Helped by the film's popularity, the song reached number one in the US, becoming Prince's fourth American number-one single and served as his first number-one hit since "Kiss" in 1986.
The Seduction of Claude Debussy is the fifth and final studio album by Art of Noise, released in June 1999 in the United Kingdom and the United States, and December 1999 in Japan. It features a line-up of Trevor Horn, Anne Dudley, Paul Morley and Lol Creme, along with other appearances from John Hurt, soprano Sally Bradshaw, Rakim, and Donna Lewis. As it had been 10 years since their last album, this album carries a completely different sound to that which had defined their four previous albums. The group blended the music of French impressionist composer Claude Debussy with drum and bass, opera, hip hop, jazz, and narration, to create a concept album which they described as "the soundtrack to a film that wasn't made about the life of Claude Debussy."
Into Battle with the Art of Noise is a 1983 EP by the Art of Noise—its first release, and also the first release by ZTT Records. The record represented the first installment in ZTT's Incidental Series.
Daft is a compilation collecting the Art of Noise LP Who's Afraid of the Art Of Noise?, along with portions of the Into Battle with the Art of Noise EP and "Moments in Love" remix single. It gives a fairly thorough overview of the Trevor Horn period of the group, prior to its split from the ZTT label. The compilation is also notable for its liner notes by Paul Morley, attacking the new incarnation of the group. In 2003 the album was re-released on Super Audio CD.
"Tour de France" is a song by German electronic band Kraftwerk. It was first issued in early August 1983, peaking at number 22 in the United Kingdom singles chart on 6 August.
"Boogie Woogie Bugle Boy" is a World War II jump blues song written by Don Raye and Hughie Prince which was introduced by The Andrews Sisters in the Abbott and Costello comedy film, Buck Privates (1941). The Andrews Sisters' Decca recording reached number six on the U.S. pop singles chart in the spring of 1941 when the film was in release. The song is ranked No. 6 on Songs of the Century. Bette Midler's 1972 recording of the song also reached the top ten on the U.S. Billboard Hot 100.
"Little Wonder" is a song by English musician David Bowie, released as the second single from his 21st album, Earthling (1997). "Little Wonder" backed by three remixes, was issued on 27 January 1997. The single was a success, peaking at number 14 in the UK and topping the chart in Japan. The accompanying music video was directed by Floria Sigismondi and depicts Bowie at three different ages. Biographer David Buckley considers it a dance-oriented video rather than a rock one, reminiscent of Orbital's "The Box" (1996).
"Close (to the Edit)" is a single by the English avant-garde synth-pop group Art of Noise, released in 1984 by ZTT Records. The song appeared on the group's 1984 album Who's Afraid of the Art of Noise? and different versions were issued on various other formats in October of that year. It was closely related to their earlier single (and hip hop club hit) "Beat Box", though the two tracks were developed as separate pieces from an early stage. The single reached number eight in the UK singles chart in February 1985, and its music video won two awards at the 1985 MTV Video Music Awards. The song's spoken word "Hey!" has been sampled by a number of other artists through the years.
Jay Love Japan is the fourth studio album and second posthumous project by American hip hop recording artist, J Dilla. The album was released on June 26, 2007. The album was re-issued in 2016 after being out of print for many years.
"Mothers Talk" is a 1984 song by the British band Tears for Fears. Written by Roland Orzabal and Ian Stanley and sung by Orzabal, it was the band's seventh single release (the first to be taken from their second album Songs from the Big Chair and fifth UK Top 40 chart hit. The song was released six months in advance of the album, and enjoyed moderate success internationally.
The Best of the Art of Noise is the name of a series of compilation albums with songs by British synth-pop band Art of Noise. The first version was released on the China Records label in November 1988.
"Take On Me" is a song by the Norwegian synth-pop band a-ha. The original version, recorded in 1984 and released in October of that same year, was produced by Tony Mansfield and remixed by John Ratcliff. The 1985 international hit version was produced by Alan Tarney for the group's debut studio album, Hunting High and Low (1985). The recording combines synth-pop with a varied instrumentation, including acoustic guitars, keyboards, and drums.
And What Have You Done with My Body, God? is a 4 CD collection of unreleased tracks, demos and scrapped masters by Art of Noise. It also features the complete cassette versions of three EPs for the first time on CD.
"Moments in Love" is a song performed by the British avant-garde synth-pop group Art of Noise. It was written by group members Anne Dudley, Trevor Horn, J. J. Jeczalik, Gary Langan, and Paul Morley. It was released as a single in 1985 as the third single from their debut studio album, Who's Afraid of the Art of Noise? (1984). It also appeared on the group's debut extended play (EP), Into Battle with the Art of Noise (1983).
