Bell-ringer

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A bell-ringer at work in Palekh, Russia Ivanovo Obl Palekh asv2018-08 img18.jpg
A bell-ringer at work in Palekh, Russia

A bell-ringer is a person who rings a bell, usually a church bell, by means of a rope or other mechanism.

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Despite some automation of bells for random swinging, there are still many active bell-ringers in the world, particularly those with an advanced ringing tradition such as full-circle or Russian ringing, which are artistic and skilled performances difficult to automate.

The term campanologist is popularly misused to refer to a bell-ringer, but this properly refers to someone engaged in the study of bellswhich is known as campanology. [1]

Although in some places carillons are used to sound bells, they are "played" by carillonneurs, not by bell-ringers, and are associated with the ringing of tunes in the Western musical tradition.

Full-circle ringing

English full-circle ringing

English full-circle bell ringers at Stoke Gabriel parish church, Devon, England Bells.devon.750pix.jpg
English full-circle bell ringers at Stoke Gabriel parish church, Devon, England

In England, it is estimated there are about 40,000 bell-ringers ringing on rings of bells in the English full-circle style.[ citation needed ] This type of ringing cannot be automated because of the large rotating masses of the bells and the exact regulation in speed of striking that is required.

The high level of control exerted by ringers means the bells can be struck with both accurate and equal spacing, and can change their striking pattern at each stroke. In addition the Doppler effect due to the movement of the bell when it is struck, and the sharp attack of the strike and the fast die-away due to damping by the clapper, imparts a unique musical sound.

This style of ringing takes place every week in several thousand belfries in England, and to a lesser extent other English-speaking nations. It is supported by the Central Council of Church Bell Ringers, founded in 1891, which is dedicated to representing change ringers around the world.

Bolognese full-circle ringing

This system originated during the Middle Ages, and was perfected in the 19th century. It is a form of full circle ringing which requires the bell ringers to manually swing the bells whilst standing beside them in the bell chamber. It was originally designed for an ensemble of four or five bells, nowadays it is also sometimes used for a set of six bells.

The bells are never counterbalanced. They are mounted on a wooden structure called the castle, and flanked by a wooden support called the goat. The bells are not very heavy, as the rotation has to be fast. Generally, every bell that weighs less than 800 kg (16 cwt) is rung by one person. The heaviest bell used with this system is in Bologna Cathedral, and is called la Nonna ("the Granny") and weighs 3.3 tonnes. Thirteen people are needed to ring a scappata or a calata with it. The bell ringers have to be in contact with the bells and mechanical devices are not allowed.

Veronese full-circle ringing

This method of full circle ringing is similar to English full-circle ring, in that it uses ropes to enable the bell ringers to manipulate the bells. It is not clear whether hanging the bells in this way was independently developed at San Giorgio or whether the method was imported from England where bells are also hung for full circle ringing.

Chiming

Chiming is the art of ringing bells which are "hung dead" or stationary.

Russia

Bell-ringer demonstrating Russian chiming on a portable belfry

Bell ringing saw a spectacular revival in Russia with the growth of the Russian Orthodox Church (see Russian Orthodox bell ringing).

Technically, bells rung in the Russian tradition are sounded exclusively by chiming (i.e., moving only the clapper so that it strikes the side of a stationary bell) and never by swinging the bell. For the Russian tradition a special complex system of ropes is used, designed individually for each belltower. All the ropes are gathered at approximately one point, where the bell-ringer (zvonar) stands. Some ropes (the smaller ones) are played by hand, the bigger ropes are played by foot. The major part of the ropes (usually - all ropes) are not actually pulled, but rather pressed. Since one end of every rope is fixed, and the ropes are kept in tension, a press or even a punch on a rope makes a clapper strike the side of its bell.

The secrets of this technique have passed from generation to generation, but by the 20th century this art was almost lost. Training took place only at workshops until 2008, then the first permanent traditional bell-ringing school opened in Moscow, under the leadership of Drozdihin Ilya. [2]

Ellacombe apparatus

The Ellacombe apparatus is an English mechanism devised for performing change ringing on church bells by striking stationary bells with hammers. It does not produce the same sound as full circle ringing on the same bells due to the absence of the Doppler effect as the bells do not rotate, and the lack of a damping effect from the clapper after each strike. As it requires considerable expertise for one person to ring changes on several bells, it is rarely used for change ringing, and usually a set sequence or a tune is played.

Small-arc swinging

The swinging of bells through a small arc of movement does not allow the ringer to control the speed of the bell striking. Thus a number of bells rung together in this way results in an uncoordinated sound as the bells each swing at their own speed dictated by the physics of a simple pendulum. Sometimes the bells are spaced out, and sometimes they strike simultaneously. This randomness also occurs with motorised bells ringing together. This a common method of ringing where full-circle bells do not exist, and requires little skill.

Historical hazards

In the Middle Ages, it was believed that the sound of a bell could disperse thunder. [3] Many bell-ringers were electrocuted as a result. In France between the years 1753 and 1786, 103 bell-ringers were killed during thunderstorms as a result of holding on to wet bell ropes. The Parlement of Paris enforced an edict in 1786 to prohibit the practice. [4] Deaths likely continued until the 19th century, when the lightning rod came into general use.

Decline

By the late 1940s, the Church of Sweden increasingly began to automate the ringing of its church bells, and dismiss its employed bell-ringers. [5]

See also

Related Research Articles

<span class="mw-page-title-main">Change ringing</span> Art of ringing a set of bells in mathematical patterns

Change ringing is the art of ringing a set of tuned bells in a tightly controlled manner to produce precise variations in their successive striking sequences, known as "changes". This can be by method ringing in which the ringers commit to memory the rules for generating each change, or by call changes, where the ringers are instructed how to generate each change by instructions from a conductor. This creates a form of bell music which cannot be discerned as a conventional melody, but is a series of mathematical sequences.

<span class="mw-page-title-main">Campanology</span> Scientific and musical study of bells

Campanology is the scientific and musical study of bells. It encompasses the technology of bells – how they are founded, tuned and rung – as well as the history, methods, and traditions of bellringing as an art.

<span class="mw-page-title-main">Bell</span> Percussion instrument

A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell.

<span class="mw-page-title-main">Church bell</span> Bell in a church

A church bell which is rung in a church is designed to be heard outside the building. It can be a single bell, or part of a set of bells. Their main function is to call worshippers to the church for a communal service, but are also rung on special occasions such as a wedding, or a funeral service. In some Christian traditions they signify to people outside that a particular part of the service has been reached.

A handbell is a bell designed to be rung by hand. To ring a handbell, a ringer grasps the bell by its slightly flexible handle – traditionally made of leather, but often now made of plastic – and moves the arm to make the hinged clapper strike the inside of the bell. An individual handbell can be used simply as a signal to catch people's attention or summon them together, but handbells are also often heard in tuned sets.

<span class="mw-page-title-main">Ellacombe apparatus</span>

The Ellacombe apparatus is a mechanism devised for performing change ringing on church bells by striking stationary bells with hammers. It does not produce the same sound as full circle ringing due to the absence of Doppler effect as the bells do not rotate, and the lack of a damping effect from the clapper after each strike.

Pummerin is the name of the bell in the Stephansdom, St. Stephen's Cathedral, in Vienna.

<span class="mw-page-title-main">Russian Orthodox bell ringing</span> Tradition in the Russian Orthodox church

Russian Orthodox bell ringing has a history starting from the baptism of Rus in 988 and plays an important role in the traditions of the Russian Orthodox Church.

<span class="mw-page-title-main">Ring of bells</span> Set of bells hung for English full circle ringing

A "ring of bells" is the name bell ringers give to a set of bells hung for English full circle ringing. The term "peal of bells" is often used, though peal also refers to a change ringing performance of more than about 5,000 changes.

<span class="mw-page-title-main">Chime (bell instrument)</span> Musical instrument of bells in the percussion family

A chime or set of chimes is a carillon-like instrument, i.e. a pitched percussion instrument consisting of 22 or fewer bells. Chimes are primarily played with a keyboard, but can also be played with an Ellacombe apparatus. Chimes are often automated, in the past with mechanical drums connected to clocks and in the present with electronic action. Bellfounders often did not attempt to tune chime bells to the same precision as carillon bells. Chimes are defined as specifically having fewer than 23 bells to distinguish them from the carillon. American chimes usually have one to one and a half diatonic octaves. According to a recent count, there are over 1,300 existing chimes throughout the world. Almost all are in the Netherlands and the United States, with most of the remainder in Western European countries.

The North American Guild of Change Ringers (NAGCR) was founded in 1972 after the hanging of a ring of bells in the Washington National Cathedral in Washington, D.C., United States, in 1964. The NAGCR has now grown and expanded to 52 bell towers across the United States and Canada as well as one mini-ring and 9 hand-bell groups with more than 500 members residing in North America. This organization performs the art of change ringing or method ringing, a form of campanology, in the towers and on hand-bells. This art uses mathematical sequences and patterns to change bell orders to carry out these sequences. Change ringing began in England in the 17th century.

<span class="mw-page-title-main">Funeral toll</span> Funeral custom

The funeral tolling of a bell is the technique of sounding a single bell very slowly, with a significant gap between strikes. It is used to mark the death of a person at a funeral or burial service.

Bolognese bell ringing is a tradition of ringing bells that developed in Bologna, present day Italy. A form of full circle ringing, it entails swinging bells to develop rhythmic patterns.

A death knell is the ringing of a church bell to announce the death of a person. Historically, it was the second of three bells rung around death, the first being the passing bell to warn of impending death, and the last was the lych bell or corpse bell, which survives today as the funeral toll.

<span class="mw-page-title-main">Full circle ringing</span> Method of hanging (church) bells and ringing them in the "English tradition"

Full circle ringing is a technique of ringing a tower bell such that it swings in a complete circle from mouth upwards to mouth upwards and then back again repetitively.

<span class="mw-page-title-main">Veronese bell ringing</span> Italian tradition of full circle ringing

Veronese bell ringing is a style of ringing church bells that developed around Verona, Italy, from the eighteenth century. The bells are rung full circle, being held up by a rope and wheel until a note is required.

<span class="mw-page-title-main">The Australian and New Zealand Association of Bellringers</span> Bellringers association

The Australian and New Zealand Association of Bellringers, known as ANZAB, is the organisation responsible for the promotion of English-style "full circle ringing" – namely change ringing and method ringing in bell towers with a peal of bells – across Australia and New Zealand.

Albert John Pitman is regarded by change ringing campanologists as a remarkable and versatile composer of peals in bell ringing methods. Described as 'perhaps the greatest of all time' in the Central Council of Church Bell Ringers biography of him, An Unassuming Genius, he was an extraordinary talent in the field of peal composition.

Campanology is the scientific and musical study of bells. It encompasses the technology of bells – how they are cast, tuned, and rung – as well as the history, methods, and traditions of bellringing as an art. Articles related to campanology include:

References

  1. From Glossary of the Central Council of Church Bell Ringers 2016; " Campanologist - One who studies campanology, (popularly mis-used to refer to a ringer).
  2. "Russia. The TV channel "Culture". The school bell ringers opens in Moscow". Tvkultura.ru. 2008-10-15. Retrieved 2014-06-15.[ permanent dead link ]
  3. White, Andrew Dickson (1896). "Chapter XI : From "The Prince Of The Power Of The Air" To Meteorology". The Warfare of Science With Theology.
  4. Burke, James (1978). Connections . Boston: Little, Brown. p.  34. ISBN   0-316-11681-5.
  5. 18 December 2019. "Kyrkklockor" (in Swedish). Church of Sweden.{{cite web}}: CS1 maint: numeric names: authors list (link)