Berlin Abbozzi | ||||
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Live album by | ||||
Released | 2000 | |||
Recorded | November 8, 1999 | |||
Venue | Podewil, Berlin | |||
Genre | Jazz | |||
Length | 1:09:52 | |||
Label | FMP CD 110 | |||
Producer | Jost Gebers | |||
Bill Dixon chronology | ||||
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Berlin Abbozzi is an album by American jazz trumpeter Bill Dixon recorded at the "Podewil", the headquarters of the Kulturprojekte Berlin non-profit organisation, in 1999 and released in 2000 on the FMP label. [1] The album features a two-part hour-long Dixon composition followed by a free improvisation. Dixon is heard on trumpet and flugelhorn, and is accompanied by Matthias Bauer and Klaus Koch on bass, and Tony Oxley on drums. This instrumental combination previously appeared on the Dixon albums November 1981 , Vade Mecum , and Vade Mecum II .
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz | [3] |
In a review for AllMusic, François Couture awarded the album 4.5 stars, and wrote: "overall the atmosphere on this album is of late-night dark streets... Magnificent, very unique, and strongly recommended." [2] The authors of the Penguin Guide to Jazz Recordings commented: "Again, Dixon experiments with this quartet formation and again the impression is of players working at some remove from each other, or rather that Dixon works at some distance from the ensemble." [3]
Writing for All About Jazz , Derek Taylor stated: "This is music that deftly dodges codification, dealing in open-ended ambiguities rather than easily digestible certainties. Dixon continues to confound and challenge, remaining uncompromising both in his music and his beliefs. The results of his impregnable resolve are recordings such as this that reward exploration on their own terms." [4] In a separate review for the same publication, Andrew Lindstrom praised Dixon's cover art, calling it "a beautifully balanced piece, mostly shades of a single hue, with a certain aura of forboding mystery", and wrote: "The music only grows more interesting with each listening... Dixon's complete control of his instrument is immediately apparent, and his first-hand knowledge of the trumpet's historical lineage in American music allows him to look to the future, to chart new trajectories... It is music which practically invents itself moment-by-moment, with remarkable clarity." [5] In yet another All About Jazz review, John Sharpe commented: "This is an excellent disc easily recommended to anyone willing to immerse themselves in Bill Dixon’s sound world." [6]
Recorded on November 8, 1999, at the Podewil, Berlin.
Tony Oxley is an English free improvising drummer and one of the founders of Incus Records.
Vademecum is a Latin phrase for a handbook.
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Oort–Entropy is an album by bassist Barry Guy. It was recorded in May and July, 2004, at SWR Studio in Baden-Baden, Germany, and was released in 2005 by Intakt Records. On the album, which features a three-part composition by Guy, he plays bass and conducts members of his New Orchestra: Evan Parker and Mats Gustafsson on saxophone, Hans Koch on bass clarinet, Herb Robertson on trumpet, Johannes Bauer on trombone, Per Åke Holmlander on tuba, Agustí Fernández on piano, and Paul Lytton and Raymond Strid on percussion. Oort–Entropy is the group's second recording, following 2001's Inscape–Tableaux.
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The Enchanted Messenger is a live album by a fifteen-piece ensemble called the Tony Oxley Celebration Orchestra, led by English percussionist Tony Oxley, and with trumpeter Bill Dixon appearing as a featured artist. It was recorded in November 1994 at the Haus der Kulturen der Welt on the last day of the Berlin Jazz Festival, and was released in 1995 by Soul Note. The album documents a realization of a 19-part graphic score by Oxley. The performance, which was preceded by two days of rehearsal, was also broadcast on Berlin radio and television.
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