Bill Dixon in Italy Volume One | ||||
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Studio album by | ||||
Released | 1980 | |||
Recorded | June 11–13, 1980 | |||
Studio | Barigozzi Studios, Milano | |||
Genre | Jazz | |||
Length | 41:35 | |||
Label | Soul Note SN 1008 | |||
Producer | Giovanni Bonandrini | |||
Bill Dixon chronology | ||||
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Bill Dixon in Italy Volume One is an album by American jazz trumpeter Bill Dixon, recorded in Milan in 1980 and released on the Italian Soul Note label. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Virgin Encyclopedia of Jazz | [5] |
In his review for AllMusic, Ron Wynn stated "a rare release that showed why he is so admired by musicians and has such a tough time getting recorded. The four songs contain no prominent beats or riffs, catchy hooks, sentimental melodies, or enticing devices... Even the shorter pieces have exacting unison statements and prickly solos. An unfolding, unpredictable musical dialogue." [2]
The authors of The Penguin Guide to Jazz Recordings noted that the album is "very much in the [Cecil] Taylor line," and wrote: "Dixon doesn't feature himself that prominently, preferring to spread much of the higher voicing round the three-trumpet front line." [3]
Conquistador! is a 1968 studio album recorded in 1966 by free jazz pianist Cecil Taylor, released by Blue Note Records.
Bahia is an album by jazz musician John Coltrane, released in 1965 on Prestige Records, catalogue 7353. It was recorded at two sessions at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958. Prestige drew on a stockpile of Coltrane material for several years after his contract had ended without the saxophonist's input.
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
Red Clay is an album recorded in 1970 by jazz trumpeter Freddie Hubbard. It was his first album on Creed Taylor's CTI label and marked a shift toward the soul-jazz fusion sounds that would dominate his recordings in the later part of the decade. It entered at number 20 on Billboard’s Top 20 Best Selling Jazz LPs, on June 20, 1970.
Tears for Dolphy is a 1964 album by jazz trumpeter Ted Curson. The album's title track, an elegy for Eric Dolphy, has been used in many films.
Blues Forever is an album by Muhal Richard Abrams, released by the Italian label Black Saint in 1982 and featuring performances of seven of Abrams compositions by an eleven-member big band.
Nice Guys is a 1979 album by the Art Ensemble of Chicago, their first to appear on the ECM label.
Dark to Themselves is a live album by Cecil Taylor recorded at the Ljubljana Jazz Festival, Yugoslavia, on June 18, 1976, and released on the Enja label. The album features Taylor on piano with alto saxophonist Jimmy Lyons, tenor saxophonist David S. Ware, trumpeter Raphe Malik, and drummer Marc Edwards. The original LP release presented the music in edited form, while the CD reissue contains the complete performance, restoring sections that were previously excised.
Kirk's Work is an album by Roland Kirk with Jack McDuff. Prestige Records released the album in 1961, with Original Jazz Classics and Concord Music Group issuing subsequent re-releases.
Air Mail is an album by the improvisational collective Air featuring Henry Threadgill, Steve McCall, and Fred Hopkins, recorded for the Italian Black Saint label. The album consists of three compositions dedicated to the photographer Bobbie Kingsley, Ronnie Boykins, and Cecil Taylor & Jimmy Lyons.
3 x 4 Eye is an album by jazz saxophonist Roscoe Mitchell and the Sound Ensemble, recorded in 1981 for the Italian Black Saint label.
In the Light is an album by American jazz drummer Max Roach, recorded in 1982 for the Italian Soul Note label.
The Legend of Ai Glatson is an album by American jazz violinist Leroy Jenkins recorded in 1978 for the Italian Black Saint label.
Colours is an album by American jazz saxophonist Sam Rivers featuring Winds of Manhattan, an 11-piece woodwind orchestra. The album was recorded in 1982 for the Italian Black Saint label. The album was composed with some sections of group improvisation. According to participant Steve Coleman, solo improvisations were omitted before the album's release to shorten the track times.
2 Trumpets is an album by trumpeters Art Farmer and Donald Byrd, recorded in 1956 and released on the Prestige label. They are joined by Jackie McLean in the front line for the uptempo pieces but have a ballad quartet track apiece.
Othello Ballet Suite/Electronic Organ Sonata No. 1 is an album by composer George Russell which was recorded in Europe and released by the Swedish Sonet Records and by the Flying Dutchman label in the US in 1970. The album was reissued in 1981 on the Italian Soul Note label
Bill Dixon in Italy Volume Two is an album by American jazz trumpeter Bill Dixon, recorded in Milan in 1980 and released on the Italian Soul Note label. The album resulted after producer Giovanni Bonandrini was so impressed by Dixon's sextet he requested them to record two albums instead of the single one that was planned.
Thoughts is an album by American jazz trumpeter Bill Dixon recorded in 1985 and released on the Italian Soul Note label.
Son of Sisyphus is an album by American jazz trumpeter Bill Dixon recorded in 1988 and released on the Italian Soul Note label.
Vade Mecum is an album by American jazz trumpeter Bill Dixon recorded in 1993 and released on the Italian Soul Note label.