| Papyrus Volume I | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | January 11, 2000 | |||
| Recorded | 22 & 23 June 1998 Mu Rec Studio, Milano | |||
| Genre | Jazz | |||
| Length | 78:42 | |||
| Label | Soul Note 121 308 | |||
| Producer | Giovanni Bonandrini | |||
| Bill Dixon chronology | ||||
| ||||
Papyrus Volume I is an album by American jazz trumpeter Bill Dixon recorded in 1998 and released on the Italian Soul Note label. [1]
| Review scores | |
|---|---|
| Source | Rating |
| All About Jazz |   [2] |
| AllMusic | [3] |
| The Penguin Guide to Jazz Recordings |  [4] |
| Tom Hull – on the Web | B+ [5] |
In his review for AllMusic, Steve Loewy states "All 12 pieces are fully improvised, yet filled with melodic wonders. The music requires the listener to pay close attention, but the rewards are there." [3] At All About Jazz Glenn Astarita observed "On Papyrus Volume I Dixon and Oxley provide the listener with a series of miniatures that go straight to the heart as though the twosome were transfixed in some sort of mystical aura. Overall, the music represented here resides on an elevated plane, which becomes noticeable from the onset. Simply stated, Dixon and Oxley are a stunning duo as the music shuns classification!". [2] JazzTimes' Peter Margasak said "While some of Dixon's work takes the form of achingly gorgeous melodies that float like finely etched clouds over Oxley's jagged architecture, more often than not he's wringing a dazzling wealth of coloristic sounds and textures from his horn, playing its mouthpiece or a microphone as much as he plays the trumpet itself. By now his vast catalog of noises and effects, many of them altered with thick electronic reverb, has been well-documented-evocative smears, blurts, blubbers, grunts and sibilant streams of air-but Dixon's ability to shape them all into something musical remains an astonishing feat of magic. Oxley is that rare kindred spirit who only enhances Dixon's playing". [6]
Melancholy is a live album by Cecil Taylor's Workshop Ensemble featuring Evan Parker, Barry Guy and Tony Oxley recorded on September 30, 1990 at the Bechstein Concert Hall in Berlin and released on the FMP label.
Spontaneous is a live album by bassist and composer William Parker's Little Huey Creative Music Orchestra, which was recorded at the Vision Festival in New York in 2002 and released on the Italian Splasc(H) label.
Chao is an album by pianist Paul Bley, bassist Furio Di Castri and drummer Tony Oxley, recorded in Italy in 1994 and released on the Soul Note label in 1998.
Gravitational Systems is an album by American jazz pianist Matthew Shipp featuring a duo with violinist Mat Maneri, which was recorded in 1998 and released on the Swiss hatOLOGY label. Shipp played previously with Maneri on the albums Critical Mass, The Flow of X and By the Law of Music, but this was their first duo performance. The recording includes a rendition of the English traditional song "Greensleeves" and a version of John Coltrane's classic "Naima".
Vade Mecum is an album by American jazz trumpeter Bill Dixon recorded in 1993 and released on the Italian Soul Note label.
Vade Mecum II is an album by American jazz trumpeter Bill Dixon recorded in 1993 and released on the Italian Soul Note label.
Papyrus Volume II is an album by American jazz trumpeter Bill Dixon recorded in 1998 and released on the Italian Soul Note label.
Africa is an album led by saxophonist Pharoah Sanders recorded in 1987 and released on the Dutch Timeless label.
Tenor is a live solo album by multi-instrumentalist and composer Joe McPhee, recorded in 1976 it was the third album released on the Swiss HatHut label and was rereleased on CD in 2000 as Tenor & Fallen Angels with a bonus track.
Heart and Sack is an album by jazz pianist Pandelis Karayorgis, which was recorded in 1998 and released on Leo Lab, a sublabel of Leo Records. It was the debut recording of his trio with bassist Nate McBride and drummer Randy Peterson.
Composition No. 94 for Three Instrumentalists is a live album by composer and saxophonist Anthony Braxton featuring two variations of the title piece recorded in Italy in 1980 and first released on the Golden Years of New Jazz label in 1999.
Taylor/Dixon/Oxley is a live album by pianist Cecil Taylor, trumpeter Bill Dixon, and drummer Tony Oxley. It was recorded on May 19, 2002 during the Festival International de Musique Actuelle de Victoriaville in Victoriaville, Quebec, and was released in 2002 by Les Disques Victo.
Berlin Abbozzi is an album by American jazz trumpeter Bill Dixon recorded at the "Podewil", the headquarters of the Kulturprojekte Berlin non-profit organisation, in 1999 and released in 2000 on the FMP label. The album features a two-part hour-long Dixon composition followed by a free improvisation. Dixon is heard on trumpet and flugelhorn, and is accompanied by Matthias Bauer and Klaus Koch on bass, and Tony Oxley on drums. This instrumental combination previously appeared on the Dixon albums November 1981, Vade Mecum, and Vade Mecum II.
Odyssey: Solo Works is a six-CD album by Bill Dixon. It was recorded from 1970 to 1992 at a variety of locations, and was self-released in limited quantities in 2001, with distribution by Triple Point Records. The sixth disc contains commentary by Dixon on his music and life. The album also includes two booklets, one containing interviews and essays, and the other containing reproductions of some of Dixon's paintings.
Ailanthus/Altissima: Bilateral Dimensions of 2 Root Songs is a live album by pianist Cecil Taylor and drummer Tony Oxley. It was recorded at the Village Vanguard in New York City on November 6 and 9, 2008, and was released in limited quantities as a double LP set by Triple Point Records in 2010.
Many and One Direction is a live solo piano album by Irène Schweizer. It was recorded at Alte Kirche Boswil in Switzerland in April 1996, and was released later that year by Intakt Records.
The Enchanted Messenger is a live album by a fifteen-piece ensemble called the Tony Oxley Celebration Orchestra, led by English percussionist Tony Oxley, and with trumpeter Bill Dixon appearing as a featured artist. It was recorded in November 1994 at the Haus der Kulturen der Welt on the last day of the Berlin Jazz Festival, and was released in 1995 by Soul Note. The album documents a realization of a 19-part graphic score by Oxley. The performance, which was preceded by two days of rehearsal, was also broadcast on Berlin radio and television.
Double Trouble Two is an album by Barry Guy and the London Jazz Composers' Orchestra with guest artists Irène Schweizer (piano), Marilyn Crispell (piano), and Pierre Favre (drums). Documenting a large-scale, 47-minute composition by Guy, it was recorded in December 1995 in Zürich, Switzerland, and was released in 1998 by Intakt Records.
Actual Proof is an album by trumpeter Ahmed Abdullah. It was recorded on January 18 and 19, 1999, at the Spirit Room in Rossie, New York, and was released in 1999 by CIMP. On the album, Abdullah is joined by members of the band called NAM: saxophonist and clarinetist Alex Harding, bassist Masa Kamaguchi, and drummer Jimmy Weinstein.
Opium is a compilation album by trumpeter Bill Dixon, trumpeter Franz Koglmann, and saxophonist Steve Lacy. It brings together recordings that were initially issued on the small, obscure Pipe label, founded by Koglmann in 1973, and having a total of three releases in its catalog. Four of the album's tracks were recorded in Vienna in 1973, and originally appeared on the 1973 LP Flaps, credited to Koglmann and Lacy. The remaining tracks, recorded in Paris and Vienna during 1975 and 1976, are from the 1977 LP Opium for Franz, credited to Koglmann and Dixon. Opium was released in 2001 by the German label Between the Lines, and was remastered from copies of the two LPs, as the original tapes had been lost.