Bhima Ratha | |
---|---|
Religion | |
Affiliation | Hinduism |
District | Kancheepuram district |
Deity | Shiva |
Location | |
Location | Mahabalipuram |
State | Tamil Nadu, |
Country | India |
Architecture | |
Completed | c. 650 [1] Common era [2] |
Bhima Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolith Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I (630–680 AD; also called Mamalla, or "great warrior") of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI), and is one of the Group of Monuments at Mahabalipuram designated as a UNESCO World Heritage Site since 1984. [3]
It is built in a form which resembles a folk-house with sloping roofs with its sides forming a curved gablelike arch over a rectangular room with a veranda. [4] [5] It is likely, due to the advanced design of the Mamallapuram shrines, that temple building had previously undergone a substantial process of development, and that the shrines mark a rapid transition from the earlier wooden temples to later structural monuments in stone it is carved out of a single, long stone of granite. [3] [6] [7] Though sometimes mistakenly referred to as a temple, the structure was not consecrated because it was not completed [8] following the death of Narasimhavarman I. [6] [7] [9] The structure is named after one of the Pancha Pandavas, of epic Mahabharata fame, [3] [7] [10] though the nomenclature is not supported by its iconography. It is dedicated to Vishnu.[ citation needed ]
The monument is located at Mahabalipuram (previously known as Mammallapuram) on the Coromandel Coast of the Bay of Bengal of Indian Ocean in Kancheepuram district. It is approximately 35 miles (56 km) south of Chennai (previously known as Madras), the capital city, [11] while Chengalpattu is about 20 miles (32 km) distant. [12]
Like the other four Pancha Rathas, this stone edifice is a replica of a wooden version which preceded it. [13] The monument is incomplete. [14]
All the Pancha Rathas are aligned in a north–south direction and share a common plinth. They have no precedent in Indian architecture in stone and have proved to be "templates" for building larger temples in the South Indian tradition of Dravidian temple architecture. [10] Though cut out of monolithic rocks, they are carved in the form of structural temples in regular building form and hence termed as "quasimonolithic temple form".
Similar to the Arjuna and Dharmaraja Rathas, the stone temple is a replica of an earlier wooden version which preceded it. [13] Bhima Ratha is an ektala or single tiered oblong temple, with a barrel-vaulted roof and ornate columns. It is the third ratha after Draupadi and Arjuna Rathas, carved over an extended long pink granite rock out crop that gradually rises from the north to south. It is cut out over a base plan of 42 by 24 feet (12.8 m × 7.3 m), and rising to a height of 25 feet (7.6 m) over two floors. The ground floor has remained incomplete. The unfinished features of the lower floor gives a picture of what was planned to be built, namely a circumambulatory passage supported on pillars mounted with lion posts as the base. The oblong scheme of the layout is conjectured as a plan that was intended to house an Anantashayana Vishnu (reclining image of god Vishnu). [15]
The ratha is reminiscent of Buddhist cave architecture, such as Sala-Shikhara. [16] Archaeologist, however, are of the opinion that the stupa suggests a shikhara (temple tower) style; there are twelve such styles depicted in all the rathas experimented by sculptors during the Pallvava period. It is also mentioned that it has palace architectural style considering its barrel vaulting and long columned porch. The roof section resembles a thatched roof with its sides forming a curved gablelike arch over a rectangular room. [5] [17] The Bhima Ratha has a pillared open veranda, a column with a Pallava seated lion, and "horseshoe-arch dormer like projections" called kudus . These decorations are carved on the external faces of the ratha, above the cornices which also forms the dividing line between the ground floor and the first floor of the structure. Oblong-shaped shrines are carved at the cornices linked with a passage. The small shrines have a wagon-type roof supported on lion mounted pillars. The ends of the gables have fine decorative motifs, with a miniature model of a square at the centre. [16] The niches seen are carved with regular spacing and are supported on two pilasters. Nasikas are mentioned in inscriptions inside the temple. [17]
Mamallapuram, is a town in Chengalpattu district in the southeastern Indian state of Tamil Nadu, best known for the UNESCO World Heritage Site of 7th- and 8th-century Hindu Group of Monuments at Mahabalipuram. It is one of the famous tourist sites in India. The ancient name of the place is Thirukadalmallai. It is a part of Chennai Metropolitan Area. It is a satellite town of Chennai.
Narasimhavarman I was a Pallava emperor who reigned from 630 CE to 668 CE. He shared his father Mahendravarman I's love of art and completed the works started by Mahendravarman in Mamallapuram. During his reign, the famous Pancha Rathas, a monolithic rock-cut temple complex and a UNESCO World Heritage Site was constructed.
The Kailasanathar Temple, Kanchipuram, also referred to as the Kailasanatha temple, is a Pallava-era historic Hindu temple in Kanchipuram, Tamil Nadu, India. Dedicated to Shiva, it is one of the oldest surviving monuments in Kanchipuram. It reflects a Dravidian architecture and was built about 700 CE by Narasimhavarman II with additions by Mahendravarman III. A square-plan temple, it has a mukha-mandapa, a maha-mandapa and a primary garbha-griya (sanctum) topped with a four-storey vimana. The main sanctum is surrounded by nine shrines, seven outside and two inside flanking the entrance of the sanctum, all with forms of Shiva. The outer walls of the temple's prakara (courtyard) is also surrounded by cells.
Indian rock-cut architecture is more various and found in greater abundance in that country than any other form of rock-cut architecture around the world. Rock-cut architecture is the practice of creating a structure by carving it out of solid natural rock. Rock that is not part of the structure is removed until the only rock left makes up the architectural elements of the excavated interior. Indian rock-cut architecture is mostly religious in nature.
"Seven Pagodas" has served as a nickname for the southern Indian city of Mamallapuram, also called Mahabalipuram, since the first European explorers reached it. The phrase "Seven Pagodas" refers to a belief that has circulated in India, Europe, and other parts of the world for over eleven centuries. The group of Monuments at Mahabalipuram, including the Shore Temple built in the 8th century under the reign of Narasimhavarman II, stand at the shore of the Bay of Bengal. Legend has it that six other temples once stood with it.
The Varaha Temple at Khajuraho enshrines a colossal monolithic image of Varaha, the boar avatar of the Hindu god Vishnu. This temple depicts Varaha as a purely animal form. The temple is located in the Western Group of Temple Complex Khajuraho Group of Monuments, a World Heritage Site inscribed by UNESCO in 1986 because of its outstanding architecture and testimony to the Chandela dynasty. Khajuraho is a small village in Chattarpur District of Madhya Pradesh, India.
The Group of Monuments at Mahabalipuram is a collection of 7th- and 8th-century CE religious monuments in the coastal resort town of Mahabalipuram, Tamil Nadu, India and is a UNESCO World Heritage Site. It is on the Coromandel Coast of the Bay of Bengal, about 60 kilometres (37 mi) south of Chennai.
Pancha Rathas is a monument complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Chengalpattu district of the state of Tamil Nadu, India. Pancha Rathas is an example of monolithic Indian rock-cut architecture. The complex was initially thought to have carved during the reign of King Narasimhavarman I However, historians such as Nagaswamy attributed all of monuments in Mahabalipuram to Narasimhavarman II with the discovery of new inscriptions. The complex is under the auspices of the Archaeological Survey of India (ASI) and is part of the UNESCO World Heritage Site inscribed by UNESCO in 1984 as Group of Monuments at Mahabalipuram.
Varaha Cave Temple is a rock-cut cave temple located at Mamallapuram, on the Coromandel Coast of the Bay of Bengal in Kancheepuram District in Tamil Nadu, India. It is part of the hill top village, which is 4 kilometres (2.5 mi) to the north of the main Mahabalipurm sites of rathas and the Shore Temple. It is an example of Indian rock-cut architecture dating from the late 7th century. The temple is one of the finest testimonial to the ancient Hindu rock-cut cave architecture, out of many such caves also called mandapas. Part of the Group of Monuments at Mahabalipuram, the temple is a UNESCO World Heritage Site as inscribed in 1984 under criteria i, ii, iii and iv. The most prominent sculpture in the cave is that of the Hindu god Vishnu in the incarnated form of a Varaha or boar lifting Bhudevi, the mother earth goddess from the sea. Also carved are many mythical figures.
The Shore Temple is a complex of temples and shrines that overlooks the shore of the Bay of Bengal. It is located in Mahabalipuram, about 60 kilometres (37 mi) south of Chennai in Tamil Nadu, India.
Dharmaraja Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolith Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI). It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.
Arjuna Ratha is a monument from the Pallava Period at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in Kancheepuram district of Tamil Nadu, India. Dated to the seventh century, it is an example of early Dravidian architecture and of monolith Indian rock-cut architecture dating from the late 7th century during reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. One of the Pancha Rathas, it is believed to have been completed before the Dharmaraja Ratha, and like that and the Bhima Ratha, the stone temple is a replica of an earlier wooden version which preceded it. It is one of the Group of Monuments at Mahabalipuram designated as a UNESCO World Heritage Site since 1984.
The Draupadi Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, previously called Mamallapuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolithic Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI), and is one of the Group of Monuments at Mahabalipuram designated as a UNESCO World Heritage Site since 1984.
Descent of the Ganges, known locally as Arjuna's Penance, is a monument at Mamallapuram, on the Coromandel Coast of the Bay of Bengal, in the Chengalpattu district of the state of Tamil Nadu, India. Measuring 96 by 43 feet, it is a giant open-air rock relief carved on two monolithic rock boulders. The legend depicted in the relief is the story of the descent of the sacred river Ganges to earth from the heavens led by Bhagiratha. The waters of the Ganges are believed to possess supernatural powers. The descent of the Ganges and Arjuna's Penance are portrayed in stone at the Pallava heritage site. The relief is more of a canvas of Indian rock cut sculpture at its best not seen anywhere else in India. It is one of the Group of Monuments at Mamallapuram that were designated as a UNESCO World Heritage Site since 1984.
Nakula Sahadeva Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolith Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI), and is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.
Mahishasuramardhini Mandapa is an example of Indian rock-cut architecture dating from the late 7th century, of the Pallava dynasty. It is a rock-cut cave temple located on a hill, near a lighthouse, along with other caves in Mamallapuram. Mamallapuram, also popularly known as Mahabalipuram, is a small village to the south of Chennai, in the state of Tamil Nadu, India. The temple is part of the Group of Monuments at Mahabalipuram, a UNESCO World Heritage Site inscribed in 1984. This Cave Temple has many interesting architectural features of which three exquisitely carved reliefs on the cave walls of three sanctums are prominent. One is of Vishnu reclining on the seven hooded serpent, Adishesha, another of Durga, the main deity of the cave temple Durga slaying the buffalo headed demon Mahishasura, and the third sanctum has a sculpture of Shiva.
Ganesha Ratha is a temple in Kancheepuram district, Tamil Nadu, India. It is one of ten rathas ("chariots") carved out of pink granite within the group of monuments of the Pallava Period at Mahabalipuram, a UNESCO-inscribed World Heritage Site since 1984. The ratha is an example of monolith Indian rock-cut architecture dating from the late seventh century during the reign of King Mahendravarman I and his son Narasimhavarman I. Initially constructed with a Shiva Linga, it is now deified with a Ganesha deity after the linga was removed.
Panchapandava Cave Temple is a monument at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. The mandapa is part of the Group of Monuments at Mahabalipuram. It is the largest cave temple in Mahabalipuram. It is an example of Indian rock-cut architecture dating from the late 7th century. The temple is one of the finest testimonial to the ancient Vishwakarma Sthapathis, of rock-cut cave architecture, out of many such caves also called mandapas. Part of the Group of Monuments at Mahabalipuram, the temple is a UNESCO World Heritage Site as inscribed in 1984 under criteria i, ii, iii and iv.
Pallava art and architecture represent an early stage of Dravidian art and architecture which blossomed to its fullest extent under the Chola Dynasty. The first stone and mortar temples of South India were constructed during Pallava rule and were based on earlier brick and timber prototypes.
Nithyakalayana Perumal temple in Thiruvidandai, a village in Chennai, Chengalpattu district of the South Indian state of Tamil Nadu, is dedicated to Varaha, the boar avatar of the Hindu god Vishnu. Constructed in the Tamil style of architecture, the temple is glorified in the Naalayira Divya Prabandham, the early medieval Tamil canon of the Alvar saints from the 6th–9th centuries CE. It is one of the 108 Divya Desams dedicated to Vishnu, who is worshipped as Nithyakalayana Perumal (Varaha) and his consort Lakshmi as Komalavalli Thayar. The original structure of the temple was built by the Pallavas during the 7th century CE, with later additions from the Cholas during the 11th century.