Dharmaraja Ratha

Last updated

Dharmaraja Ratha
Mamallapuram Dharmaraja Ratha.jpg
Dharmaraja Ratha
Religion
Affiliation Hinduism
District Kancheepuram district
Deity Shiva
Location
Location Mahabalipuram
State Tamil Nadu,
CountryIndia
Architecture
Completedc. 650 [1] Common era [2]
Plan of Dharmaraja's Ratha Dharmaraja's Ratha.png
Plan of Dharmaraja's Ratha

Dharmaraja Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolith Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I (630–680 AD; also called Mamalla, or "great warrior") of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI). It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984. [3]

Contents

Resembling a chariot (ratha), it is carved out of a single, long stone of pink granite. [3] [4] [5] Though sometimes mistakenly referred to as a temple, the structure was not consecrated because it was not completed [6] following the death of Narasimhavarman I. [4] [5] [7] The structure is named after the eldest of the Pancha Pandavas, of epic Mahabharata fame, [3] [5] [8] though this nomenclature is not supported by its iconography. [4] It is dedicated to Shiva. [9]

Geography

The structure is located at Mahabalipuram (previously known as Mammallapuram) on the Coromandel Coast of the Bay of Bengal in Kancheepuram district. It is approximately 35 miles (56 km) south of Chennai (previously known as Madras), the capital city, [10] while Chengalpattu is about 20 miles (32 km) away. [11]

History

Like the other four Pancha Rathas, Dharmaraja ratha was built from stone, a replica of a wooden version which preceded it. [12] The temple is incomplete. [8]

Architecture

Elevation of Dharmaraja's Ratha Elevation of Dharmaraja Ratha.png
Elevation of Dharmaraja's Ratha
Section of Dharmaraja's Ratha Section of Dharmaraja Ratha.png
Section of Dharmaraja's Ratha

All the Pancha Rathas are aligned in a north–south direction and share a common plinth. They have no precedent in Indian architecture and have proved to be "templates" for building larger temples in the South Indian tradition of Dravidian temple architecture. [8] Though cut out of monolithic rocks, they are carved in the form of structural temples in regular building form and hence termed as "quasimonolithic temple form.

Full reflection of the architectural complexity of the Dharmaraja Ratha Ratha mahabalipuram.JPG
Full reflection of the architectural complexity of the Dharmaraja Ratha

Dharmaraja Ratha is the most prominent architecturally of the five rathas and also the tallest and largest. [13] [14] [15] The ratha faces west and is sculpturally very rich. It has three floors including the ground floor. The plan of the ground floor measure a square of 28 feet (8.5 m) and has a height of 35 feet (11 m) from ground level to the top of the roof. It is open on all four sides and the facade on all sides are supported by two pillars and two pilasters with the corners forming an integral part of the support system for the upper floors. Carved out from a single rock of pink granite, [16] [17] along with other three rathas on a single block of stone oriented in a north–south direction, [5] it is a trithala or three-story [18] [19] vimana, [20] square in plan, with open porches and a terraced pyramidal tower. [21] and an octagonal shikhara (pinnacle) at the top. Small-sized model shrines called kudus make up the ornament of the upper part of the tower. [9] [22] There are many sculptures on the corners of the sanctum, which depict Shiva; [23] Harihara, Brahma-Sasta, Skanda, Brahma, Ardhanarisvara (half Shiva half Parvati) [24] and Krishna [25] are depicted alongside an inscribed portrait of a king, indicated to be Narasimhavarman I, [21] [26] [27] who commissioned the temple. [28] The shafts of the pillars are supported by seated lions. [21] The second floor contains rich imagery, [29] with further depictions of Shiva as Gangadara and Natesa, and Vishnu resting on Garuda and Kaliya Mardhana.

Kudus (Horse-shoe shaped dormer windows) depicted on all side along the cornices Ratha detail face.JPG
Kudus (Horse-shoe shaped dormer windows) depicted on all side along the cornices

Inscriptions

On the Dharmaraja Rathas there are 16 inscriptions in Grantha and Nagari scripts in Sanskrit inscriptions on which are royal cognomen, single-word titles, most of them are attributed to Narasimhavarman I. [30] On the top tier of the temple is an inscription which refers to it as Atyantakama Pallavesvaram; Atyantakama was one of the known titles of Paramesvaravarman I. Other inscribed titles for the king are Shri Megha and Trailokiya–vardhana-vidhi. [26]

Related Research Articles

<span class="mw-page-title-main">Mamallapuram</span> Town in Tamil Nadu, India

Mamallapuram, also known as Mahabalipuram, is a town in Chengalpattu district in the southeastern Indian state of Tamil Nadu, best known for the UNESCO World Heritage Site of 7th- and 8th-century Hindu Group of Monuments at Mahabalipuram. It is one of the famous tourist sites in India. The ancient name of the place is Thirukadalmallai.

<span class="mw-page-title-main">Pallava dynasty</span> Indian dynasty between the 3rd and 9th centuries CE

The Pallava dynasty existed from 275 CE to 897 CE, ruling a significant portion of the Deccan, also known as Tondaimandalam. The dynasty rose to prominence after the downfall of the Satavahana dynasty, with whom they had formerly served as feudatories.

<span class="mw-page-title-main">Narasimhavarman I</span> Mahabalipuram, Vatapikonda, Mahamalla

Narasimhavarman I was a emperor of the Pallava dynasty who ruled South India from 630 CE – 668 CE. He shared his father Mahendravarman I's love of art and completed the work started by Mahendravarman in Mamallapuram. During his reign famous Pancha Rathas Temple was constructed which is Rock Cut Temple, a UNESCO World Heritage Site.

<span class="mw-page-title-main">Kailasanathar Temple, Kanchi</span> An 8th-century Hindu temple in Tamil Nadu, India

The Kailasanathar temple (Kanchipuram), also referred to as the Kailasanatha temple, is a Pallava-era historic Hindu temple in Kanchipuram, Tamil Nadu, India. Dedicated to Shiva, it is one of the oldest surviving monuments in Kanchipuram. It reflects a Dravidian architecture and was built about 700 CE by Narasimhavarman II with additions by Mahendra III. A square-plan temple, it has a mukha-mandapa, a maha-mandapa and a primary garbha-griya (sanctum) topped with a four-storey vimana. The main sanctum is surrounded by nine shrines, seven outside and two inside flanking the entrance of the sanctum, all with forms of Shiva. The outer walls of the temple's prakara (courtyard) is also surrounded by cells.

"Seven Pagodas" has served as a nickname for the south Indian city of Mamallapuram, also called Mahabalipuram, since the first European explorers reached it. The phrase "Seven Pagodas" refers to a belief that has circulated in India, Europe, and other parts of the world for over eleven centuries. The group of Monuments at Mahabalipuram, including the Shore Temple built in the 8th century under the reign of Narasimhavarman II, stand at the shore of the Bay of Bengal. Legend has it that six other temples once stood with it.

Narasimhavarman II, popularly known as Rajamalla, was a ruler of the Pallava kingdom. Narasimhavarman reigned from 690 CE to 725 CE. He is credited with the construction of the Shore Temple, Isvara and Mukunda Temples in Mahabalipuram, the Panamalai Temple in South Arcot, plus the Kailasanathar Temple. Narasimhavarman's reign was period of great literary and architectural advancements and he is often grouped by historians with Mahendravarman I and Narasimhavarman I as one of the greatest Pallava rulers.

<span class="mw-page-title-main">Tiru Parameswara Vinnagaram</span> Vishnu temple in Vinnagaram

Thiru Parameswara Vinnagaram or Vaikunta Perumal Temple is a temple dedicated to Vishnu, located in Kanchipuram in the South Indian state of Tamil Nadu. Constructed in the Dravidian style of architecture, the temple is glorified in the Nalayira Divya Prabandham, the early medieval Tamil canon of the Alvar saints from the 6th through the 9th centuries CE. It is one among the 108 Divya Desams dedicated to Vishnu, who is worshipped as Vaikuntanathan and his consort Lakshmi as Sri Vaikundavalli. The temple is considered the second oldest extant temple in Kanchipuram after the Kailasanthar temple.

<span class="mw-page-title-main">Group of Monuments at Mahabalipuram</span> UNESCO World Heritage Site in Tamil Nadu, India

The Group of Monuments at Mahabalipuram is a collection of 7th- and 8th-century CE religious monuments in the coastal resort town of Mahabalipuram, Tamil Nadu, India and is a UNESCO World Heritage Site. It is on the Coromandel Coast of the Bay of Bengal, about 60 kilometres (37 mi) south of Chennai.

<span class="mw-page-title-main">Pancha Rathas</span> UNESCO World Heritage monument complex in India

Pancha Rathas is a monument complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. Pancha Rathas is an example of monolithic Indian rock-cut architecture. The complex was initially thought to have carved during the reign of King Narasimhavarman I However, historians such as Nagaswamy attributed all of monuments in Mahabalipuram to Narasimhavarman II with the discovery of new inscriptions. The complex is under the auspices of the Archaeological Survey of India (ASI) and is part of the UNESCO World Heritage site inscribed by UNESCO as Group of Monuments at Mahabalipuram.

<span class="mw-page-title-main">Varaha Cave Temple</span> UNESCO World Heritage Site in Tamil Nadu, India

Varaha Cave Temple is a rock-cut cave temple located at Mamallapuram, on the Coromandel Coast of the Bay of Bengal in Kancheepuram District in Tamil Nadu, India. It is part of the hill top village, which is 4 kilometres (2.5 mi) to the north of the main Mahabalipurm sites of rathas and the Shore Temple. It is an example of Indian rock-cut architecture dating from the late 7th century. The temple is one of the finest testimonial to the ancient Hindu rock-cut cave architecture, out of many such caves also called mandapas. Part of the Group of Monuments at Mahabalipuram, the temple is a UNESCO World Heritage Site as inscribed in 1984 under criteria i, ii, iii and iv. The most prominent sculpture in the cave is that of the Hindu god Vishnu in the incarnated form of a Varaha or boar lifting Bhudevi, the mother earth goddess from the sea. Also carved are many mythical figures.

<span class="mw-page-title-main">Shore Temple</span> 8th-century Hindu temple

The Shore Temple is a complex of temples and shrines that overlooks the shore of the Bay of Bengal. It is located in Mahabalipuram, about 60 kilometres (37 mi) south of Chennai in Tamil Nadu, India.

<span class="mw-page-title-main">Arjuna Ratha</span>

Arjuna Ratha is a monument from the Pallava Period at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in Kancheepuram district of Tamil Nadu, India. Dated to the seventh century, it is an example of early Dravidian architecture and of monolith Indian rock-cut architecture dating from the late 7th century during reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. One of the Pancha Rathas, it is believed to have been completed before the Dharmaraja Ratha, and like that and the Bhima Ratha, the stone temple is a replica of an earlier wooden version which preceded it. It is one of the Group of Monuments at Mahabalipuram designated as a UNESCO World Heritage Site since 1984.

<span class="mw-page-title-main">Bhima Ratha</span>

Bhima Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolith Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI), and is one of the Group of Monuments at Mahabalipuram designated as a UNESCO World Heritage Site since 1984.

<span class="mw-page-title-main">Draupadi Ratha</span>

The Draupadi Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, previously called Mamallapuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolithic Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI), and is one of the Group of Monuments at Mahabalipuram designated as a UNESCO World Heritage Site since 1984.

<span class="mw-page-title-main">Descent of the Ganges (Mahabalipuram)</span> UNESCO World Heritage Site in Tamil Nadu, India

Descent of the Ganges, known locally as Arjuna's Penance, is a monument at Mamallapuram, on the Coromandel Coast of the Bay of Bengal, in the Chengalpattu district of the state of Tamil Nadu, India. Measuring 96 by 43 feet, it is a giant open-air rock relief carved on two monolithic rock boulders. The legend depicted in the relief is the story of the descent of the sacred river Ganges to earth from the heavens led by Bhagiratha. The waters of the Ganges are believed to possess supernatural powers. The descent of the Ganges and Arjuna's Penance are portrayed in stone at the Pallava heritage site. The relief is more of a canvas of Indian rock cut sculpture at its best not seen anywhere in India. It is one of the Group of Monuments at Mamallapuram that were designated as a UNESCO World Heritage Site since 1984.

<span class="mw-page-title-main">Nakula Sahadeva Ratha</span> UNESCO World Heritage Site in Tamil Nadu, India

Nakula Sahadeva Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolith Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI), and is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.

<span class="mw-page-title-main">Mahishasuramardini Mandapa</span>

Mahishasuramardhini Mandapa is an example of Indian rock-cut architecture dating from the late 7th century, of the Pallava dynasty. It is a rock-cut cave temple located on a hill, near a lighthouse, along with other caves in Mamallapuram. Mamallapuram, also popularly known as Mahabalipuram, is a small village to the south of Chennai, in the state of Tamil Nadu, India. The temple is part of the Group of Monuments at Mahabalipuram, a UNESCO World Heritage Site inscribed in 1984. This Cave Temple has many interesting architectural features of which three exquisitely carved reliefs on the cave walls of three sanctums are prominent. One is of Vishnu reclining on the seven hooded serpent, Adisesha, another of Durga, the main deity of the cave temple Durga slaying the buffalo headed demon Mahishasura, and the third sanctum also has a sculpture of Shiva.

<span class="mw-page-title-main">Ganesha Ratha</span>

Ganesha Ratha is a temple in Kancheepuram district, Tamil Nadu, India. It is one of ten rathas ("chariots") carved out of pink granite within the group of monuments of the Pallava Period at Mahabalipuram, a UNESCO-inscribed World Heritage Site since 1984. The ratha is an example of monolith Indian rock-cut architecture dating from the late seventh century during the reign of King Mahendravarman I and his son Narasimhavarman I. Initially constructed with a Shiva Linga, it is now deified with a Ganesha deity after the linga was removed.

<span class="mw-page-title-main">Panchapandava Cave Temple</span>

Panchapandava Cave Temple is a monument at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. The mandapa is part of the Group of Monuments at Mahabalipuram. It is the largest cave temple in Mahabalipuram. It is an example of Indian rock-cut architecture dating from the late 7th century. The temple is one of the finest testimonial to the ancient Vishwakarma Sthapathis, of rock-cut cave architecture, out of many such caves also called mandapas. Part of the Group of Monuments at Mahabalipuram, the temple is a UNESCO World Heritage Site as inscribed in 1984 under criteria i, ii, iii and iv.

<span class="mw-page-title-main">Pallava art and architecture</span>

Pallava art and architecture represent an early stage of Dravidian art and architecture which blossomed to its fullest extent under the Chola Dynasty. The first stone and mortar temples of South India were constructed during Pallava rule and were based on earlier brick and timber prototypes.

References

  1. The Culture of India. The Rosen Publishing Group. 2010. p. 315. ISBN   9780852297629.
  2. Indu Ramchandani (2000). Student Britannica India 7 Vols. Popular Prakashan. p. 5. ISBN   9780852297629.
  3. 1 2 3 "Group of Monuments at Mahabalipuram". UNESCO. Retrieved 3 March 2007.
  4. 1 2 3 "File:Five Rathas, Mahabalipuram.jpg". Archarological Survey of India, Chennai Circle. Retrieved 9 April 2013.
  5. 1 2 3 4 "Pancha Rathas, Mamallapuram". Archaeological Survey of India. Retrieved 23 October 2012.
  6. Marilyn Stokstad (2008). Art history. Pearson Education. p. 333. ISBN   9780131577046.
  7. "Mahabalipuram". UCLA Education, South Asia. Archived from the original on 10 April 2013. Retrieved 30 December 2012.
  8. 1 2 3 "The Rathas, monolithic [Mamallapuram]". Online Gallery of Encyclopædia Britannica. Retrieved 19 February 2013.
  9. 1 2 Margaret Prosser Allen (1991). Ornament in Indian Arch. p. 139.
  10. Michael D. Gunther. "Pancha Rathas, Mamallapuram". art-and-archaeology.com. Retrieved 23 October 2012.
  11. P. V. Jagadisa Ayyar (1982). South Indian Shrines: Illustrated. Asian Educational Services. pp. 157–. ISBN   978-81-206-0151-2 . Retrieved 7 February 2013.
  12. Moffett, Marian; Fazio, Michael W.; Wodehouse, Lawrence (2003). World History of Architecture. Laurence King Publishing. p. 75. ISBN   978-1-85669-371-4 . Retrieved 9 January 2013.
  13. Rina Kamath (2000). Chennai. Orient Blackswan. p. 121.
  14. History & Civics IX. Rachnar Sagnar. p. 127.
  15. K. V. Soundara Rajan (2002). Concise Classified Dictionary of Hinduism. Concept Publishing. p. 260.
  16. Indian Railways. Vol. 15. India Railway Board. 1970.
  17. Our Story So Far. Vol. 6. Pearson Education India. p. 102. ISBN   9788131714942.
  18. Aline Dobbie (2006). India: The Elephant's Blessing. Melrose Press. p. 56. ISBN   9781905226856.
  19. Roshen Dalal (2010). The Religions of India: A Concise Guide to Nine Major Faiths. Penguin Books India. p. 279. ISBN   9780143415176.
  20. D. Dennis Hudson (2008). The Body of God: An Emperor's Palace for Krishna in Eighth-Century Kanchipuram . Oxford University Press. p.  537. ISBN   9780195369229.
  21. 1 2 3 Upinder Singh (2008). A History of Ancient and Early Medieval India: From the Stone Age to the 12th Century. Pearson Education India. p. 636. ISBN   978-81-317-1677-9 . Retrieved 9 January 2013.
  22. Hugh Honour; John Fleming (2005). A World History of Art.
  23. Roshen Dalal (2011). Hinduism: An Alphabetical Guide. Penguin Books India. p. 294. ISBN   9780143414216.
  24. Karen Schreitmüller; Mohan Dhamotharan; Beate Szerelmy (2012). India Baedeker Guide. p. 589.
  25. T. Padmaja (2002). Temples of Kr̥ṣṇa in South India: History, Art, and Traditions in Tamilnāḍu. Abhinav Publishing. p. 110. ISBN   9788170173984.
  26. 1 2 "World Heritage Sites – Mahabalipuram – Monolithic Temples". Archaeological Survey of India. Archived from the original on 12 March 2013. Retrieved 9 January 2013.
  27. K. R. Srinivasan (1975). The Dharmarāja ratha & its sculptures, Mahābalipuram. Abhinav Publications.
  28. G. Jouveau-Dubreuil (1994). Pallava Antiquities – 2 Vols. Asian Educational Services. p. 63. ISBN   9788120605718.
  29. Elisabeth Beck (2006). Pallava rock architecture and sculpture. Sri Aurobindo Institute of Research in Social Sciences in association with East West Books (Madras). p. 226. ISBN   9788188661466.
  30. "A monumental effort". Front Line India's National Magazine from the publishers of The Hindu. 8 November 2003. Archived from the original on 10 April 2013. Retrieved 30 December 2012.