Panchapandava Cave Temple | |
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Pancha Pandava Temples Mandapa of the Five Pavadas | |
Religion | |
Affiliation | Hinduism |
District | Kanchipuram district |
Location | |
Location | Mahabalipuram |
State | Tamil Nadu |
Country | India |
Geographic coordinates | 12°37′00″N80°11′30″E / 12.6167°N 80.1917°E |
Architecture | |
Type | Dravidian Architecture |
Creator | Narasimhavarman I Mamalla of Pallava Dynasty |
Completed | c. 7th-century |
Temple(s) | 5 |
Inscriptions | UNESCO Inscription as a World Heritage Site in 1984 titled Group of Monuments at Mahabalipuram [1] |
Panchapandava Cave Temple (also known as Pancha Pandava Temples and Mandapa of the Five Pandavas) is a monument at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. The mandapa (rock sanctuary) is part of the Group of Monuments at Mahabalipuram. [1] It is the largest cave temple in Mahabalipuram.[ citation needed ] It is an example of Indian rock-cut architecture dating from the late 7th century. The temple is one of the finest testimonial to the ancient Vishwakarma Sthapathis, of rock-cut cave architecture, out of many such caves also called mandapas. Part of the Group of Monuments at Mahabalipuram, the temple is a UNESCO World Heritage Site as inscribed in 1984 under criteria i, ii, iii and iv. [2]
The Panchapandava Mandapa or Pancha Pandava Cave Temple, is near the open-air bas-relief of Arjuna’s Penance, in Mahablaipuram town. [3] It is situated on the top of a hill range along with other caves in Mahabalipuram, on the Coromandel Coast of the Bay of Bengal of the Indian Ocean. Now in the Kanchipuram district, it is approximately 58 kilometres (36 mi) from Chennai city (previously, Madras) and about 20 miles (32 km) from Chengelpet. [4]
The columns of the verandah, which have lion bases are a typical style of Pallava architecture. From the architectural features carved in the cave it is conjectured that this style could be assigned to Narasimhavarman I (Mamalla period) to Narasimhavarman II (Rajasimha) during the mid-7th century. [3] [5]
The cave temple is unfinished. The entrance is east facing. The temple has the longest cavern, 50 feet (15 m) long, among Mahabalipuram Cave Temples. The length of the opening is indicative of creating a circumambulatory passage within the cave to go round the main shrine. [3]
The entrance to the cave has columns resting on seated lions, which is a typical Pallava style of rock-cut architecture. [5] There are six lion based pillars on the front façade of the cave, apart from two pilasters at both ends abutting the rock. As compared to other caves there is an improvement in the layout and the architectural elements that have been carved in the cave. One is the circumambulatory passage around regular structural temples in South India and the other feature is provision of brackets with lion caryatids over the pillars forming the facade; each caryatid consists of three lions one facing to the front and the other two facing to the sides without a lion on the backside. [3] The brackets above the capitals of the pillars have decorations of griffins with human riders also, in addition to the lions. The pillars and pilasters with Yyala base of the pillars and Pilasters are cut out over a square pitha bass plate. [6]
Within the cave, there is long chamber with a second row of four pillars and two pilasters. To the back of this second veranda there is small chamber cut in an octagonal shape flanked by two niches; it is inferred from this that the intended purpose was to carve this chamber to a square plan and making a passage behind it for circumambulation. Only a small chamber has been carved at the centre, which has remained attached to the main rock. At the entrance, the curved cornice has a series of shrines with the four central shrines projecting out. The vaulted roofs of the shrines are carved with kudu horseshoe-arch dormer-like projections and each shrine houses another smaller shrine. The niche below the kudu has a carved deity. Ferocious looking lions are also carved. [3]
Mahabalipuram, also known as Mamallapuram, is a town in Chengalpattu district in the southeastern Indian state of Tamil Nadu, best known for the UNESCO World Heritage Site of 7th- and 8th-century Hindu Group of Monuments at Mahabalipuram. It is one of the famous tourist sites in India.
The Kanchi Kailasanathar temple is the oldest structure in Kanchipuram. Located in Tamil Nadu, India, it is a Hindu temple in the Tamil architectural style. It is dedicated to the Lord Shiva, and is known for its historical importance. The temple was built from 685-705 AD by a Rajasimha ruler of the Pallava Dynasty. The low-slung sandstone compound contains a large number of carvings, including many half-animal deities which were popular during the early Pallava architectural period. The structure contains 58 small shrines which are dedicated to various forms of Shiva. These are built into niches on the inner face of the high compound wall of the circumambulatory passage. The temple is one of the most prominent tourist attractions of the city.
Indian rock-cut architecture is more various and found in greater abundance in that country than any other form of rock-cut architecture around the world. Rock-cut architecture is the practice of creating a structure by carving it out of solid natural rock. Rock that is not part of the structure is removed until the only rock left makes up the architectural elements of the excavated interior. Indian rock-cut architecture is mostly religious in nature.
Dravidian architecture or the South Indian temple style is an architectural idiom in Hindu temple architecture that emerged in the southern part of the Indian subcontinent or South India and in Sri Lanka, reaching its final form by the sixteenth century. It is seen in Hindu temples, and the most distinctive difference from north Indian styles is the use of a shorter and more pyramidal tower over the garbhagriha or sanctuary called a vimana, where the north has taller towers, usually bending inwards as they rise, called shikharas. However, for modern visitors to larger temples the dominating feature is the high gopura or gatehouse at the edge of the compound; large temples have several, dwarfing the vimana; these are a much more recent development. There are numerous other distinct features such as the dwarapalakas - twin guardians at the main entrance and the inner sanctum of the temple and goshtams - deities carved in niches on the outer side walls of the garbhagriha.
The Group of Monuments at Mahabalipuram is a collection of 7th- and 8th-century CE religious monuments in the coastal resort town of Mahabalipuram, Tamil Nadu, India and a UNESCO World Heritage Site. It is on the Coromandel Coast of the Bay of Bengal, about 60 kilometres (37 mi) south of Chennai.
Pancha Rathas is a monument complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. Pancha Rathas is an example of monolithic Indian rock-cut architecture. The complex was carved during the reign of King Narasimhavarman I : the idea of realising monolithic buildings, an innovation in Indian architecture, is attributed to this ruler. The complex is under the auspices of the Archaeological Survey of India (ASI) and is part of the UNESCO World Heritage site inscribed by UNESCO as Group of Monuments at Mahabalipuram.
Varaha Cave Temple is a rock-cut cave temple located at Mamallapuram, on the Coromandel Coast of the Bay of Bengal in Kancheepuram District in Tamil Nadu, India. It is part of the hill top village, which is 4 kilometres (2.5 mi) to the north of the main Mahabalipurm sites of rathas and the Shore Temple. It is an example of Indian rock-cut architecture dating from the late 7th century. The temple is one of the finest testimonial to the ancient Hindu rock-cut cave architecture, out of many such caves also called mandapas. Part of the Group of Monuments at Mahabalipuram, the temple is a UNESCO World Heritage Site as inscribed in 1984 under criteria i, ii, iii and iv. The most prominent sculpture in the cave is that of the Hindu god Vishnu in the incarnated form of a Varaha or boar lifting Bhudevi, the mother earth goddess from the sea. Also carved are many mythical figures.
The Shore Temple is so named because it overlooks the shore of the Bay of Bengal. It is located near Chennai in Tamil Nadu, south India.
Dharmaraja Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolith Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI). It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.
Arjuna Ratha is a monument from the Pallava Period at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in Kancheepuram district of Tamil Nadu, India. Dated to the seventh century, it is an example of early Dravidian architecture and of monolith Indian rock-cut architecture dating from the late 7th century during reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. One of the Pancha Rathas, it is believed to have been completed before the Dharmaraja Ratha, and like that and the Bhima Ratha, the stone temple is a replica of an earlier wooden version which preceded it. It is one of the Group of Monuments at Mahabalipuram designated as a UNESCO World Heritage Site since 1984.
Bhima Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolith Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI), and is one of the Group of Monuments at Mahabalipuram designated as a UNESCO World Heritage Site since 1984.
The Draupadi Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, previously called Mamallapuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolithic Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI), and is one of the Group of Monuments at Mahabalipuram designated as a UNESCO World Heritage Site since 1984.
Descent of the Ganges is a monument at Mamallapuram, on the Coromandel Coast of the Bay of Bengal, in the Chengalpattu district of the state of Tamil Nadu, India. Measuring 96 by 43 feet, it is a giant open-air rock relief carved on two monolithic rock boulders. The legend depicted in the relief is the story of the descent of the sacred river Ganges to earth from the heavens led by Bhagiratha. The waters of the Ganges are believed to possess supernatural powers. The descent of the Ganges and Arjuna's Penance are portrayed in stone at the Pallava heritage site. The relief is more of a canvas of Indian rock cut sculpture at its best not seen anywhere in India. It is one of the Group of Monuments at Mamallapuram that were designated as a UNESCO World Heritage Site since 1984.
Nakula Sahadeva Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolith Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI), and is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.
Mahishasuramardhini Mandapa is an example of Indian rock-cut architecture dating from the late 7th century, of the Pallava dynasty. It is a rock-cut cave temple located on a hill, near a lighthouse, along with other caves in Mamallapuram. Mamallapuram, also popularly known as Mahabalipuram, is a small village to the south of Chennai, in the state of Tamil Nadu, India. The temple is part of the Group of Monuments at Mahabalipuram, a UNESCO World Heritage Site inscribed in 1984. This Cave Temple has many interesting architectural features of which three exquisitely carved reliefs on the cave walls of three sanctums are prominent. One is of Vishnu reclining on the seven hooded serpent, Adisesha, another of Durga, the main deity of the cave temple Durga slaying the buffalo headed demon Mahishasura, and the third sanctum also has a sculpture of Shiva.
Ganesha Ratha is a temple in Kancheepuram district, Tamil Nadu, India. It is one of ten rathas ("chariots") carved out of pink granite within the group of monuments of the Pallava Period at Mahabalipuram, a UNESCO-inscribed World Heritage Site since 1984. The ratha is an example of monolith Indian rock-cut architecture dating from the late seventh century during the reign of King Mahendravarman I and his son Narasimhavarman I. Initially constructed with a Shiva Linga, it is now deified with a Ganesha deity after the linga was removed.
The Olakkannesvara Temple is in Mahabalipuram town, overlooking the Coromandel Coast of the Bay of Bengal in Kancheepuram District in Tamil Nadu, India. Like the Shore Temple, the Olakkannesvara Temple is a structural temple. Built in the 8th century, it is situated directly above the Mahishasuramardini mandapa on a hillock which provides scenic views of the town. As the area is within a high security zone because of a nuclear power station a few kilometres to its south, photography is prohibited. The Olakkannesvara Temple is sometimes mistakenly referred to as a Mahishasura temple. It is dedicated to an incarnation of Shiva. It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.
Mandapa of Krishna or Krishna Mandapam is a monument at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is part of the Group of Monuments at Mahabalipuram, a UNESCO World Heritage Site inscribed in 1984. It is located on a hillock next to the open rock relief of Descent of the Ganges (Mahabalipuram).
Mamandur is a village in Tiruvanamalai district of Tamil Nadu, India. It is located on the Kanchipuram - Vandavasi road, near Dusi and about 15 km from Kanchipuram. It is known for the 7th-century rock-cut cave temple, housing a Tamil Brahmi inscription, one of the monuments of national importance as declared by the Archaeological Survey of India.
Pallava art and architecture represent an early stage of Dravidian art and architecture which blossomed to its fullest extent under the Chola Dynasty. The first stone and mortar temples of South India were constructed during Pallava rule and were based on earlier brick and timber prototypes.
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