Big City | ||||
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Studio album by | ||||
Released | October 1981 | |||
Recorded | July 1981 | |||
Studio | Britannia Studios, Hollywood, California | |||
Genre | Country | |||
Length | 28:59 | |||
Label | Epic | |||
Producer | Merle Haggard | |||
Merle Haggard chronology | ||||
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Big City is the thirty-third studio album by American country music artist Merle Haggard backed by the Strangers, released in 1981. It was his debut on the Epic label after ending his association with MCA. Big City peaked at number three on the Billboard Country Album charts and number 161 on the Pop Album charts. It is an RIAA-certified Gold album. [1]
After five years at MCA Records, Haggard jumped to Epic in 1982, and the move appeared to spark his creativity; he wrote or co-wrote eight of the LP's twelve tracks, including its two #1 singles, "Big City" and "My Favorite Memory." Haggard entered the studio with his band the Strangers and his mentor Lewis Talley and, in a two-day marathon recording session, produced enough songs for this release, plus Haggard’s 1982 LP, Going Where the Lonely Go . Many of the songs on Big City explore the struggle of the working man amid the complexities and challenges of urban life and aging.
The other single release, “Are the Good Times Really Over (I Wish a Buck Was Still Silver),” peaked at number two on the Billboard Hot Country Singles chart and also won the Academy of Country Music 1982 Song of the Year.[ citation needed ]
Big City also contains a rerecording of "You Don't Have Very Far to Go," which had originally appeared on Haggard's 1967 album Branded Man . "I Always Get Lucky With You" was later recorded by Haggard's friend George Jones for his 1983 album Shine On and became his last #1 single.
The CD reissue of Big City features two bonus tracks: "I Won't Give Up My Train," a duet with Roger Miller, and the uncredited "Call Me."
Review scores | |
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Source | Rating |
AllMusic | [2] |
Robert Christgau | B [3] |
The Rolling Stone Album Guide | [4] |
Thom Jurek of AllMusic believes the album "stands among his finest—and most lasting—recordings," adding, "Big City, both the cut and the album, revisits the seemingly eternal themes in Haggard's best work—the plight of the honest, decent working man amid the squalor, complication, and contradiction of urban life." [2] Music critic Robert Christgau wrote "This isn't just for his cult—it's for the whole damn country audience... you can only tell how much filler there is by listening till you're sick of it." [3]
All tracks composed by Merle Haggard; except where indicated:
No. | Title | Writer(s) | Length |
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1. | "Big City" | Merle Haggard, Dean Holloway | 2:59 |
2. | "My Favorite Memory" | 3:06 | |
3. | "Good Old American Guest" | 2:36 | |
4. | "I Think I'm Gonna Live Forever" | Benny Binion, Haggard, Dennis Hromek | 2:29 |
5. | "This Song Is Mine" | 2:33 | |
6. | "Stop the World and Let Me Off" | music: Carl Belew; lyrics: W.S. Stevenson | 3:18 |
7. | "Are the Good Times Really Over (I Wish a Buck Was Still Silver)" | 4:14 | |
8. | "Texas Fiddle Song" | Leona Williams, Ron Williams | 2:19 |
9. | "You Don't Have Very Far to Go" | Haggard, Red Simpson | 3:14 |
10. | "I Always Get Lucky with You" | Gary Church, Haggard, Freddy Powers, Tex Whitson | 3:31 |
with:
and:
Weekly charts
| Year-end charts
|
Single | Chart | Position |
---|---|---|
"My Favorite Memory" | Canada Country Songs (RPM) | 3 |
U.S.Billboard Hot Country Songs | 1 | |
"Big City" | Canada Country Songs (RPM) | 1 |
U.S.Billboard Hot Country Songs | 1 | |
"Are the Good Times Really Over (I Wish a Buck Was Still Silver)" | Canada Country Songs (RPM) | 1 |
U.S.Billboard Hot Country Songs | 2 |
Pancho & Lefty by Townes Van Zandt (1972) became well-known through a honky tonk album by outlaw country musicians Merle Haggard and Willie Nelson, released in 1983. Original vinyl copies from 1983 give the album's title as "Poncho & Lefty" on the cover, as well as on the inner sleeve and the record label; the album's title track is similarly rendered "Poncho & Lefty" on the cover, inner sleeve, and label. Later editions correct the title to the intended "Pancho & Lefty.” They are backed by Don Markham of The Strangers.
A Tribute to the Best Damn Fiddle Player in the World is the eleventh studio album by Merle Haggard backed by The Strangers, released in 1970.
Going Where the Lonely Go is the thirty-fifth studio album by American recording artist Merle Haggard backed by The Strangers, released in 1982.
Hag is the twelfth studio album by American country music artist Merle Haggard and The Strangers released on Capitol Records in 1971. It became his fifth album to top the Billboard country album charts. It also reached number 66 on the pop albums chart.
Back to the Barrooms is the thirty-first studio album by American country music singer Merle Haggard, released in October 1980. He is backed by Norm Hamlet and Don Markham of The Strangers.
Someday We'll Look Back is the thirteenth studio album by American recording artist Merle Haggard and The Strangers, released in 1971. It reached number 4 on the Billboard country albums chart.
It's Not Love (But It's Not Bad) is the fifteenth studio album by American country music singer Merle Haggard and The Strangers, released in 1972. It reached number one on the Billboard country albums chart. The lead off single was "It's Not Love (But it's Not Bad)" which also reached No. 1 on the charts.
I Love Dixie Blues is a live album by American country singer Merle Haggard and The Strangers, released in 1973.
My Love Affair with Trains is the twentieth studio album by American country music singer Merle Haggard and The Strangers, released in 1976. The LP rose to number 7 on the Billboard country albums chart.
Songs for the Mama That Tried is a studio album by American country music singer Merle Haggard with backing by the Strangers, released in 1981. A gospel album, it reached Number 46 on the Billboard country albums chart.
That's the Way Love Goes is the thirty-eighth studio album by the American country music singer Merle Haggard backed by The Strangers, released in 1983.
It's All in the Game is the thirty-ninth studio album by American country music artist Merle Haggard backed by the Strangers, released in 1984 by Epic Records. The album peaked at number 1 on the Billboard Top Country Albums chart.
Down Every Road 1962–1994 is a compilation album by American country singer Merle Haggard, released in 1996. It covers music from his earliest work in the early 1960s to his Epic releases of the late 1980s. The boxed set includes three CDs of material recorded for Capitol and one of Haggard's later MCA and Epic recordings.
Strangers is the debut studio album by American country music artist Merle Haggard. It was released on September 27, 1965, by Capitol Records.
Rainbow Stew Live at Anaheim Stadium is a live album by American country music artist Merle Haggard with backing by The Strangers. It was recorded in October 1980 and released in July 1981 on MCA Records.
Heart to Heart is a duet album by Merle Haggard and Leona Williams with backing by the Strangers, released in June 1983 on Mercury Records. It reached number 44 on the Billboard Country music chart.
A Friend in California is the forty-first studio album by American recording artist Merle Haggard with backing by The Strangers, released in 1986.
Chill Factor is the forty-fourth studio album by American country music singer Merle Haggard, with backing by the Strangers, released on the Epic label in 1987.
5:01 Blues is the forty-sixth studio album by American recording artist Merle Haggard, with backing by The Strangers. It was released in 1989 and was his last studio album on the Epic label. It peaked at number 28 on the Billboard country albums chart. It was co-produced by Mark Yeary, keyboardist of The Strangers.
Blue Jungle is the forty-seventh studio album by American recording artist Merle Haggard, with backing by his band, The Strangers, released in 1990. The album peaked at number 47 on the Billboard country albums chart. It was co-produced by Mark Yeary, the honky tonk piano player of Merle Haggard's band, 13 years in a row awarded the ACM Band of the Year, The Strangers.