"Black Skin Blue Eyed Boys" | |
---|---|
Single by the Equals | |
B-side | "Ain't Got Nothing to Give You" |
Released | December 1970 |
Genre | |
Length | 2:50 |
Label | President PT 325 |
Songwriter(s) | Eddy Grant |
Producer(s) | Eddy Grant |
"Black Skin Blue Eyed Boys" is a song written by Guyanese-British musician Eddy Grant and recorded in London in 1970 by his band the Equals. Their recording, produced by Grant, reached number 9 on the UK Singles Chart in January 1971 and was the band's last chart hit. [3]
The Equals were noted for being one of the first ethnically mixed bands in the UK. The song was described by journalist Chris Taylor as "a hymn to diversity" which "explicitly linked its racial theme with the anti-Vietnam war sentiment of the time". [4] The song is also notable for heralding a shift in the band's sound, from the Caribbean-influenced pop-rock which had given them their initial success in the late 1960s to an embrace of funk music. [1] Lloyd Bradley has described the song as "the first recognisably black British statement - a song that saw itself as being (British) in both words and music, and announced that London's indigenous black soul music was entirely self-sufficient". [5]
In 2019, "Black Skin Blue Eyed Boys" was covered by the Specials as the opening track on their album Encore . [6] Lynval Golding of the Specials said: "I've always thought of The Equals as our spiritual ancestors: they were a massive inspiration to all of us, genuine heroes.... Doing their song on the album is a tribute, our way of thanking them for everything they've done and how much they meant to us...". [7]
The song was also covered by Australian band Hush, and released as a single in 1973. The single was taken from Hush's album Aloud 'N' Live.
Mott the Hoople were an English rock band formed in Herefordshire. Originally named the Doc Thomas Group, the band changed their name after signing with Island Records in 1969. The band released albums at the beginning of the 1970s but failed to find any success. On the verge of breaking up, the band were encouraged by David Bowie to stay together. Bowie wrote their glam-style signature song "All the Young Dudes" for them, which became their first hit in 1972. Bowie subsequently produced their album of the same name, which added to their success.
Herman's Hermits are an English rock and pop group formed in 1964 in Manchester and fronted by singer Peter Noone. Known for their jaunty beat sound and Noone's often tongue-in-cheek vocal style, the Hermits charted with numerous transatlantic hits in the UK and in America, where they ranked as one of the most successful acts in the Beatles-led British Invasion. Between March and August 1965 in the United States, the group logged twenty-four consecutive weeks in the Top Ten of Billboard's Hot 100 with five singles, including the two number ones "Mrs. Brown You've Got a Lovely Daughter" and "I'm Henry VIII, I Am".
The Specials, also known as The Special AKA, were an English 2 tone and ska revival band formed in 1977 in Coventry. After some early changes, the first stable lineup of the group consisted of Terry Hall and Neville Staple on vocals, Jerry Dammers on keyboards, Lynval Golding and Roddy Radiation on guitars, Horace Panter on bass, John Bradbury on drums, and Dick Cuthell and Rico Rodriguez on horns. The band wore mod-style "1960s period rude boy outfits ". Their music combines the danceable rhythms of ska and rocksteady with the energy and attitude of punk. Lyrically, their work presented overt political and social commentary.
The Shadows of Knight were an American rock band from Chicago, Illinois, that played a version of British blues influenced by their native city. When they began recording in 1965, the band's self-description was "the Stones, Animals and the Yardbirds took the Chicago blues and gave it an English interpretation. We've taken the English version of the Blues and re-added a Chicago touch," to which rock critic Richie Unterberger commented: "The Shadows of Knight's self-description was fairly accurate."
"I Fought the Law" is a song written by Sonny Curtis of the Crickets and popularized by a cover by the Bobby Fuller Four, becoming a top-ten hit for the band in 1966. Their version of the song was ranked No. 175 on the Rolling Stone list of The 500 Greatest Songs of All Time in 2004, and the same year was named one of the 500 "Songs that Shaped Rock" by the Rock and Roll Hall of Fame.
"Mystery Train" is a song written and recorded by American blues musician Junior Parker in 1953. Originally performed in the style of a Memphis blues or rhythm and blues tune, it was inspired by earlier songs and later became a popular rockabilly song, as first covered by Elvis Presley, then numerous others.
"Pinball Wizard" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend and featured on their 1969 rock opera album Tommy. The original recording was released as a single in 1969 and reached No. 4 in the UK charts and No. 19 on the U.S. Billboard Hot 100.
Edmond Montague Grant is a Guyanese-British singer, songwriter and multi-instrumentalist, known for his genre-blending sound; his music has blended elements of pop, British rock, soul, funk, reggae, electronic music, African polyrhythms, and Latin music genres such as samba, among many others. In addition to this, he also helped to pioneer the genre of "Ringbang". He was a founding member of the Equals, one of the United Kingdom's first racially mixed pop groups who are best remembered for their million-selling UK chart-topper, the Grant-penned "Baby, Come Back".
The Equals are an English rock band. They are best remembered for their million-selling chart-topper "Baby, Come Back", though they had several other chart hits in the UK and Europe. Drummer John Hall founded the group with Eddy Grant, Pat Lloyd and brothers Derv and Lincoln Gordon, and they were noted as being "the first major interracial rock group in the UK" and "one of the few racially mixed bands of the era".
"Police on My Back" is a 1967 song originally released by The Equals from their second studio album Explosion. In 1980, the song was covered by The Clash.
"Baby, Come Back" is a song by English band the Equals from their 1967 album Unequalled Equals. Written by Eddy Grant, the song was originally released as a B-side in 1966 and was later released as a single in continental Europe before being released as a single in the UK in 1968. "Baby, Come Back" charted in multiple countries, including number one on the Belgian, Rhodesian, and UK charts in 1967 and 1968.
"A Mess of Blues" is a song originally recorded by Elvis Presley for RCA Records in 1960, and written by Doc Pomus and Mort Shuman. Although released as the B-side to "It's Now or Never", "A Mess of Blues" reached number 32 in the U.S. It reached number 2 in the UK as an A-side.
"Little Willy" is a song written by songwriters Nicky Chinn and Mike Chapman and performed by the British glam rock band The Sweet, released in 1972 as a non-album single in the UK, peaking at number 4 in the UK Singles Chart. It was released in the US in January 1973 and also appeared on their US debut album The Sweet and became their biggest hit in the US, reaching number 3 on the Billboard Hot 100. Billboard ranked it as the number 18 song for 1973.
"Wig-Wam Bam" is a song by British glam rock band The Sweet, written by songwriters Nicky Chinn and Mike Chapman, released as a single in September 1972. It was the first Sweet single on which the band members actually played their instruments, as previous singles featured producer Phil Wainman on drums, and session musicians John Roberts and Pip Williams on bass and guitars respectively.
Encore is the eighth studio album by the English ska revival band The Specials. It is their first studio album of original songs since 1998's Guilty 'til Proved Innocent!, and their first new material with vocalist Terry Hall since 1981's "Ghost Town" single.
"Rock 'n' Roll Winter " was a song written by Roy Wood. It was released by the British rock band Wizzard, as their first single on the Warner Bros label in 1974. It was originally meant to be issued early in 1974 but the date was pushed back to 29 March 1974, before it was finally released on 19 April that year. Nevertheless, it sold well and reached number 6 on the UK Singles Chart, and number 13 on the Irish Singles Chart.
Architecture is the third studio album by Spahn Ranch, released on April 8, 1997, by Cleopatra Records. After original member Rob Marton departed from the band, Christian Death drummer David Glass and drummer Harry Lewis joined the Spahn Ranch to further experiment with the band's fusion dark wave and industrial music. Critics have called it one of Spahn Ranch's most influential and experimental albums for its incorporation of drum and bass, dub and live guitar.
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