"Another One Bites the Dust" is a song by the British rock band Queen. Written by bassist John Deacon, the song was featured on the group's eighth studio album The Game (1980). It was a worldwide hit, charting at number one on the US Billboard Hot 100 for three weeks, from 4 October to 18 October. The song spent 15 weeks in the Billboard top 10, including 13 weeks in the top five, and 31 weeks total on the chart. It reached number two on the Hot Soul Singles chart and the Disco Top 100 chart, and number seven on the UK Singles Chart. The song is credited as Queen's best-selling single, with sales of over 7 million copies. This version was ranked at number 34 on Billboard's All-Time Top Songs.
Prakazrel Samuel Michel, known professionally as Pras, is an American rapper. He is best known as a member of the hip hop group Fugees, alongside Wyclef Jean and Lauryn Hill. After the Fugees, he earned two Top 40 hits on the Billboard Hot 100, the Grammy-nominated song "Ghetto Supastar " featuring Ol' Dirty Bastard and Mýa from the film Bulworth, and "Avenues" with Refugee Camp All-Stars and Ky-Mani Marley. He also collaborated with Jean and rock band Queen on the 1998 remix of "Another One Bites the Dust", which reached the top five on the UK Singles Chart. In 2017, he won a Daytime Emmy Award for Outstanding Digital Daytime Drama Series, as a producer on the web series The Bay.
"Puttin' On the Ritz" is a song written by Irving Berlin. He wrote it in May 1927 and first published it on December 2, 1929. It was registered as an unpublished song on August 24, 1927 and again on July 27, 1928. It was introduced by Harry Richman and chorus in the musical film Puttin' On the Ritz (1930). According to The Complete Lyrics of Irving Berlin, this was the first song in film to be sung by an interracial ensemble. The title derives from the slang expression "to put on the Ritz", meaning to dress very fashionably. This expression was inspired by the opulent Ritz Hotel in London.
"Sexual Healing" is a song recorded by American singer Marvin Gaye from his seventeenth and final studio album, Midnight Love (1982). It was his first single since his exit from his long-term record label Motown earlier in the year, following the release of the In Our Lifetime (1981) album the previous year. It peaked at No. 3 on the Billboard Hot 100 and is listed at number 198 on Rolling Stone's list of 500 Greatest Songs of All Time. "Sexual Healing" is written and composed in the key of E-flat major and is set in time signature of 4/4 with a tempo of 94 beats per minute.
"Ghetto Supastar (That Is What You Are)" is a song by American rapper Pras, featuring rapper Ol' Dirty Bastard and R&B singer Mýa. Produced by Pras and Wyclef Jean, with co-production from Jerry 'Wonda" Duplessis and Che Pope, it interpolates Kenny Rogers and Dolly Parton's 1983 single "Islands in the Stream" as written by the Bee Gees. Also featured on the soundtrack for the 1998 film Bulworth, the song was released as Pras' debut solo single and the second from his debut solo album Ghetto Supastar on June 6, 1998.
Edmond Montague Grant is a Guyanese-British singer, songwriter and multi-instrumentalist, known for his genre-blending sound and socially-conscious lyrics; his music has blended elements of pop, British rock, soul, funk, reggae, electronic music, African polyrhythms, and Latin music genres such as samba, among many others. In addition to this, he also helped to pioneer the genre of "Ringbang". He was a founding member of the Equals, one of the United Kingdom's first racially mixed pop groups who are best remembered for their million-selling UK chart-topper, the Grant-penned "Baby, Come Back".
"Blood on the Dance Floor" is a song by American singer-songwriter Michael Jackson, released as the first single from the remix album Blood on the Dance Floor: HIStory in the Mix (1997). Jackson and Teddy Riley created the track in time for the 1991 release of Dangerous. However, it did not appear on that record and was worked on further for its commercial release in 1997. One interpretation of the song describes a predatory woman named Susie who seduces Jackson before plotting to stab him with a knife. The composition explores a variety of genres ranging from funk to new jack swing.
"The Future" is a song from American musician Prince's 1989 Batman soundtrack, and the final single released from the album. The single was not the album version, but a remixed version by S'Express' Mark Moore and William Orbit. "The Future" was released as a single only in Europe. The standard European 7-inch single was backed with the album version of "Electric Chair", but on the maxi-single, "Electric Chair" was also remixed by Moore and Orbit. Moore and Orbit's remix of "The Future" is house-inspired, whereas Prince's original is minimalistic. Moore and Orbit substituted a muted, pulsating beat in place of the original elements of Prince's song. Moore and Orbit also removed Prince's original bassline, synthline, and snippets of sampled dialogue. This would be the last time Orbit would work with Prince for several years. In most countries, neither "The Future" nor its B-side were a hit on the pop or dance floors. The single peaked at #9 in the Dutch charts.
Ky-Mani Marley is a Jamaican reggae musician. In 2001, he received a Grammy nomination for his album Many More Roads. He is the only child of reggae musician Bob Marley and Anita Belnavis, a Jamaican table tennis champion.
"Heaven" is a song by the Canadian singer and songwriter Bryan Adams recorded in 1983, written by Adams and Jim Vallance. It first appeared on the A Night in Heaven soundtrack album the same year and was later included on Adams' album Reckless in 1984. It was released as the third single from Reckless and reached number one on the U.S. Billboard Hot 100 in June 1985, over a year and a half after the song first appeared on record. The single was certified Gold in Canada in 1985.
"Bug a Boo" is a song recorded by American group Destiny's Child for their second studio album The Writing's on the Wall (1999). It was written by group members Beyoncé Knowles, LeToya Luckett, LaTavia Roberson and Kelly Rowland along with Kandi Burruss and Kevin "She'kspere" Briggs, featuring production by the latter. The song uses interpolations of the 1978 song "Child's Anthem" by Toto.
"Fu-Gee-La" is a song by American hip-hop trio, Fugees, released on December 13, 1995, as the lead single from their second and final album, The Score (1996). Produced by Salaam Remi, it contains a sample of "If Loving You Is Wrong " by Ramsey Lewis, while its chorus contains an interpolation of "Ooo La La La" by Teena Marie. Immediately following this is a sample of "Shakiyla (JRH)" by the Poor Righteous Teachers.
Killer on the Rampage is the sixth studio album by Eddy Grant. It remains his most successful album, hitting the top 10 in the US and the UK. It features the hits "Electric Avenue", "I Don't Wanna Dance" and "War Party".
Eddy Grant has released 15 studio albums, 13 compilation albums and 19 singles. His album Killer on the Rampage peaked at number 10 on the Billboard 200 chart in the US and was certified gold. His single "Electric Avenue" received Platinum accreditation in the US, and "I Don't Wanna Dance" topped the charts in five countries including Belgium, Ireland and the UK. In 2001, his ringbang remix of "Electric Avenue" reached number 5 in the UK Singles Chart.
"Last Night" is a song by American rapper P. Diddy that is a single featured on his fourth studio album, Press Play (2006). The song features American singer-songwriter Keyshia Cole. The radio edit version of the song is featured on Cole's second studio album, Just like You (2007).
"The Look of Love" is a song by English pop band ABC, released in 1982 as the third single from their debut studio album, The Lexicon of Love (1982). It was the band's highest-charting hit in the UK, peaking at No. 4 on the UK Singles Chart. The single also went to No. 1 on the US Billboard Dance/Disco chart as well as the Canadian Singles Chart. On the American Cash Box Top 100, it got as high as No. 9, and on the Billboard Hot 100 it peaked at No. 18.
"Gimme Hope Jo'anna" is a British anti-apartheid song written and originally released by Guyanese-British singer, songwriter and multi-instrumentalist Eddy Grant in 1988, during the apartheid era in South Africa. The song was banned by the South African government when it was released, but was widely played there nonetheless. It reached number seven on the UK Singles Chart, becoming Grant's first British top 10 hit for five years.
"Baby, Come Back" is a song by English band the Equals from their 1967 album Unequalled Equals. Written by Eddy Grant, the song was originally released as a B-side in 1966 and was later released as a single in continental Europe before being released as a single in the UK in 1968. "Baby, Come Back" charted in multiple countries, including number one on the Belgian, Rhodesian and UK charts in 1967 and 1968.
"I Don't Wanna Dance" is a 1982 single by Eddy Grant. It went to number one on the UK Singles Chart and held there for three weeks in November 1982. It was later released in the United States, but only reached No. 53 on the Billboard Hot 100 in late 1983. It was later reissued as the B-side of Grant's "Electric Avenue".
"Blue Angels" is a hip-hop song by Pras Michel, released as the third single from his debut solo studio album, Ghetto Supastar. The track features vocals from American group The Product G&B. The single was released on September 28, 1998, as a last minute replacement for What'cha Wanna Do, which was removed from shelves just days before its release. The track samples the theme song "Grease" by Frankie Valli. "Blue Angels" was a commercial success in the United Kingdom, where it reached the top ten.
