Baby, Come Back | |
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Studio album by | |
Released | 1968 |
Recorded | 1966–1968 |
Genre | Beat music, pop rock, psychedelic funk, psychedelic soul, psychedelic pop, psychedelic rock, funk rock |
Label | RCA Victor LSP-4078 |
Producer | Edward Kassner |
Singles from Baby, Come Back | |
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Baby, Come Back is an album by British group The Equals, which was released in the U.S. by RCA Victor, who had obtained the rights to manufacture and distribute the album in all of the Americas from the band's British label, President Records.
The record contains tracks culled from their first three UK albums, Unequalled Equals (1967), Explosion (1968), and Sensational Equals (1968). Two of the tracks were taken from Unequalled: the UK chart-topping single "Baby, Come Back", and "Hold Me Closer". Three tracks came from Explosion: "Police On My Back", "Teardrops", and "Leaving You Is Hard To Do". The remaining six tracks came from the band's third British album, Sensational. [1]
Because it was built around the group's biggest hit, "Baby, Come Back", this was the group's most commercially successful album in the U.S. Despite the fact that the album is a showcase example of British Invasion-era beat music, it has never been available on CD. The only other known alternate configuration for the album was as an 8-track tape cartridge – RCA catalog number P8S 1388. [2] (The 8-track also contains an additional song not present on the vinyl album: the ballad "Is It Right"). [3]
All song and personnel information gathered from the liner notes of the album Baby, Come Back (Copyright © 1968 by RCA Records)
"Police on My Back" was covered by The Clash on the Sandinista! album, in 1980. The Clash version was sampled by Lethal Bizzle for his version of the song, which was released as a single and included on his 2007 album Back to Bizznizz . [4] His version reached number 37 on the UK Singles Chart. Other covers of the song include a Spanish-language version recorded by Amparanoia titled "La semana", released on her debut album El Poder de Machin, and a version performed as a collaboration between Asian Dub Foundation and Zebda for the French TV programme Music Planet 2Nite in February 2003 which was included as a bonus track on ADF's 2003 album Enemy of the Enemy . [5]
"Baby, Come Back" was successfully covered by Pato Banton; his re-make of the song saw it top the UK Singles chart for a second time, in October 1994. [6]
Pato Banton is a reggae singer and toaster from Birmingham, England. He received the nickname Pato Banton from his stepfather: its first name derives from the sound of a Jamaican owl calling "patoo, patoo", while its second comes from the disc jockey slang word "banton", meaning heavyweight lyricist or storyteller. In 1994, he achieved a number 1 on the UK Singles Chart with a cover of The Equals' Baby Come Back featuring Robin and Ali Campbell of UB40.
Edmond Montague Grant is a Guyanese-British singer, songwriter and multi-instrumentalist, known for his genre-blending sound; his music has blended elements of pop, British rock, soul, funk, reggae, electronic music, African polyrhythms, and Latin music genres such as samba, among many others. In addition to this, he also helped to pioneer the genre of "Ringbang". He was a founding member of the Equals, one of the United Kingdom's first racially mixed pop groups who are best remembered for their million-selling UK chart-topper, the Grant-penned "Baby, Come Back".
The Equals are an English rock band. They are best remembered for their million-selling chart-topper "Baby, Come Back", though they had several other chart hits in the UK and Europe. Drummer John Hall founded the group with Eddy Grant, Pat Lloyd and brothers Derv and Lincoln Gordon, and they were noted as being "the first major interracial rock group in the UK" and "one of the few racially mixed bands of the era".
Elvis Sings The Wonderful World of Christmas is the fifteenth studio album by American singer Elvis Presley, released in October 1971. It was his first Christmas album with new recordings since Elvis' Christmas Album (1957). The album's single, "Merry Christmas Baby" / "O Come All Ye Faithful", was later released in November 1971. This album was a top seller and topped the Christmas LP's chart; it would have charted high on the Billboard Top LPs chart, but from 1963 to 1973, holiday albums were not allowed to chart. Though lacking the commercial appeal of Elvis' first Christmas album, it gradually become a perennial favorite. The album was certified Gold on November 4, 1977, Platinum on December 1, 1977, 2× Platinum on May 20, 1988, and 3× Platinum on July 15, 1999, by the RIAA.
Elvis for Everyone! is a compilation album by American singer and musician Elvis Presley, issued by RCA Victor in mono and stereo, LPM/LSP 3450, on August 10, 1965. Recording sessions took place over a ten-year span at Sun Studio in Memphis, RCA Studio B in Nashville, Tennessee, and Radio Recorders in Hollywood, California. It peaked at number 10 on the Top Pop Albums chart.
Baggariddim, not to be confused with the EP Little Baggariddim released in the US, is the sixth album by UB40, released in 1985. Most of the tracks are reworkings of previous UB40 recordings that originally appeared on Labour of Love and Geffery Morgan, here showcasing guest singers and "toasters" on vocals. Guest artists included Chrissie Hynde, the leader of The Pretenders, and Douglas Gilbert, lead trombonist with the London Symphony Orchestra (LSO). In the UK, Germany, the Netherlands and Belgium, this album was released in a gatefold sleeve containing an additional 3-track 12" EP. The album features two hits, "I Got You Babe"—a duet with Hynde that reached number one in the UK, Ireland and Australia—and the UK number-three follow-up "Don't Break My Heart", which was the 'B-side' of "I Got You Babe" with vocals added.
"Police on My Back" is a 1967 song originally released by The Equals from their second studio album Explosion. In 1980, the song was covered by The Clash.
"Baby, Come Back" is a song by English band the Equals from their 1967 album Unequalled Equals. Written by Eddy Grant, the song was originally released as a B-side in 1966 and was later released as a single in continental Europe before being released as a single in the UK in 1968. "Baby, Come Back" charted in multiple countries, including number one on the Belgian, Rhodesian, and UK charts in 1967 and 1968.
"Black Skin Blue Eyed Boys" is a song written by Guyanese-British musician Eddy Grant and recorded in London in 1970 by his band the Equals. Their recording, produced by Grant, reached number 9 on the UK Singles Chart in January 1971 and was the band's last chart hit.
Never Give In is the second album by English reggae artist Pato Banton, released by Greensleeves Records in 1987. By the release of the record, Banton had built a long-time following as an MC and deejay thanks to collaborations with other reggae artists like Mad Professor, and momentum-building tours around the United Kingdom, United States and Europe. He recorded the album with producers G.T. Haynes and Lesburn Thomas and worked with the Studio Two Crew from his native Birmingham. The record displays Banton's humorous approach to serious subjects such as drugs and poverty, which he delivers via singing and toasting, whilst the music balances roots reggae with nascent digital dancehall, with accessible grooves and a punctuating horn section. The record features collaborations with Ranking Roger, Paul Shaffer and Steel Pulse.
Dervan Gordon is a Jamaican-born English singer, who was the lead vocalist for The Equals from 1964 to 2017.
Unequalled Equals is the debut studio album released by The Equals, released in 1967. The album was produced by Edward Kassner.
Equals Supreme is the fourth album by the Equals, released on President Records.
"I Get So Excited" is a 1968 song released as a single by The Equals from their third studio album Sensational Equals. The song peaked at number 44 on the Official Singles Chart.
"Laurel and Hardy" is a 1968 song released as a single by The Equals from their third studio album Sensational Equals. The song was written by Eddy Grant and named after the British-American comedy duo. The song peaked at number 35 on the Official Singles Chart.
"Michael and the Slipper Tree" is a 1969 song released as a single by The Equals from their fifth studio album Equals Strike Again. It was written by band members Eddy Grant and Lincoln Gordon. The song peaked at number 24 on the Official Singles Chart.
"Viva Bobby Joe" is a 1969 song released as a single by The Equals from their fifth studio album Equals Strike Again. The song peaked at number six on the Official Singles Chart, and number three in Ireland.
Explosion, also known as Equals Explosion, is the second studio album by The Equals, released in December 1967.
Sensational Equals is the third studio album released by The Equals in 1968.
Equals Strike Again is the fifth studio album by The Equals, released in 1969. Most of the original-penned were written by either Eddy Grant, Derv Gordon, or Lincoln Gordon.