Bluebeard (1944 film)

Last updated
Bluebeard
Bluebeard.jpg
Theatrical release poster
Directed by Edgar G. Ulmer
Screenplay by Pierre Gendron
Story by
Produced by
Starring
Cinematography
Edited by Carl Pierson
Music by
Distributed by Producers Releasing Corporation
Release date
  • November 11, 1944 (1944-11-11)(United States)
Running time
72 minutes
CountryUnited States
LanguageEnglish
Budget$167,567.42 [1]

Bluebeard is a 1944 film noir directed by Edgar G. Ulmer, starring John Carradine in the title role. [2] The film also stars Jean Parker. The film is based on the famous French tale Barbe bleue [3] that tells the story of a violent nobleman in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. The film is registered in the public domain. [4]

Contents

Plot

All Paris is frightened by the murders attributed to "Bluebeard". Modiste Lucille (Jean Parker) is introduced to Gaston Morrell (John Carradine), a puppeteer and painter, by her friend. They are attracted to each other, and she accepts a commission to design some costumes for his puppets.

At home, Morrell is confronted by a jealous Renee (Sonia Sorel), who performs in Morrell's puppet show and is his lover. When she wonders what became of the models who had posed for him, he strangles her, then dumps her body in the Seine River.

Art dealer Jean Lamarte (Ludwig Stössel) is aware of Morrell's homicidal tendencies, but keeps his secret, as Morrell's paintings fetch high prices. However, the normally discreet Lamarte makes a mistake in selling Morrell's last work to a duke. When the duke exhibits his collection, a policeman on guard recognizes the portrait as being that of one of Bluebeard's victims.

Inspector Lefevre (Nils Asther) of the Sûreté calls in one of his best undercover agents, Francine (Teala Loring), who happens to be Lucille's sister. She and her "father" go to Lamarte to have her portrait done. Lamarte is on his guard, but her father is willing to pay a very large commission to find the man responsible for the duke's painting, and Lamarte's greed overcomes his caution.

Morrell has decided to give up painting (which triggers his murderous compulsion) out of love for Lucille, but Lamarte pressures him into one last picture to make him financially independent. However, Francine recognizes him, having met him briefly earlier at her sister's apartment, and Morrell has no choice but to dispose of her. Certain that Francine and her father were working for the police, Lamarte tries to flee, but Morrell catches him and kills him too, before escaping. The only clue he leaves behind is the cravat he used to strangle Francine.

At Francine's funeral, Inspector Lefevre shows Lucille the cravat. She knows it belongs to Morrell, as she had mended it for him. When she confronts Morrell, he tells her the story behind his crimes. As a starving art student, he had nursed back to health a woman who had fainted, fallen in love with her, and painted her portrait. She left without warning. When his painting was chosen to hang in the Louvre, he searched for her to tell her the news, only to discover that she was a prostitute. Enraged by her contemptuous response, he strangled her. But ever since then, every model he painted turned into her in his mind, and he was compelled to kill her again and again. When Lucille tells him she is going to the authorities, he starts strangling her too, but the police break in. Lefevre saw that Lucille recognized the cravat and had her followed. After a chase across the rooftops, Morrell falls to his death into the Seine.

Cast

Production

Carradine was paid $9,333.32. [1] Eugen Schufftan was uncredited as cinematographer due to union restrictions at the time of this film. Instead, he is listed on some prints as "production designer". The art director Paul Palmentola, a veteran of low-budget films, designed the sets.

Reception

Author and film critic Leonard Maltin awarded the film 3/4 stars, calling it "Surprisingly effective". [5] Dennis Schwartz from Ozus' World Movie Reviews gave the film a grade A, "Though not exactly a horror story, more a psycho serial killer tale that turns out to be a spellbinding chiller that mixes sleaze with thrills in an inventive way that only a great filmmaker such as Ulmer can get away with." [6]

Nigel Honeybone of the horrornews.net said that "[The film] is badly in need of a restoration, but as it’s not likely to get one, there’s no point in waiting." [7]

Bluebeard was released on DVD on April 21, 2000. Mark Zimmer of the Digitally obsessed.com praised the DVD's developer, All Day Entertainment for presenting the film in the "near top-notch form", adding that "[it is] a pleasure for devotees of classic horror films". [8]

Walter Albert of the Mystery Fancier praised its visual effects and compared them to You Only Live Once, a 1937 film by Fritz Lang. [9]

The film also got 100% positive reviews from 12 critics on film aggregator site Rotten Tomatoes. [10]

See also

Notes

  1. 1 2 Mank, Gregory William (2018). Laird Cregar: A Hollywood Tragedy. McFarland.
  2. Bluebeard , retrieved October 23, 2020
  3. Haase, Donald; Duggan, Anne E.; Callow, Helen J. (February 12, 2016). Folktales and Fairy Tales: Traditions and Texts from around the World. ABC-CLIO. ISBN   9781610692540.
  4. Leon Fromkess, Bluebeard, PRC Pictures, Inc., retrieved October 23, 2020
  5. Maltin, Green & Edelman 2010, p. 69.
  6. Schwartz, Dennis. "bluebeard1944". Sover.net. Dennis Schwartz. Retrieved October 23, 2020.
  7. Honeybone, Nigel. "Film Review: Bluebeard (1944)" . Retrieved October 23, 2020.
  8. Zimmer, Mark. "Bluebeard". Digitally Obsessed. Retrieved October 23, 2020.
  9. Albert, Walter. The Mystery Fancier, (May–June 1982). 6(3).
  10. "Bluebeard". Rotten Tomatoes . Fandango Media . Retrieved October 23, 2020.

Related Research Articles

Bluebeard French folktale

"Bluebeard" is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom" and "Fitcher's Bird" are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word "Bluebeard" the definition of "a man who marries and kills one wife after another". The verb "bluebearding" has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of women.

John Carradine American actor

John Carradine was an American actor, a prolific and famed character actor. He was a member of Cecil B. DeMille's stock company and later John Ford's company, best known for his roles in horror films, Westerns, and Shakespearean theatre. In the later decades of his career, he starred mostly in low-budget B-movies, but continued to also appear in higher-profile fare. In total, he holds 351 film and television credits, making him one of the most prolific English-speaking actors of all time.

Iris Adrian American actress (1912–1994)

Iris Adrian Hostetter was an American stage, film actress and dancer.

<i>Champagne Charlie</i> (1944 film) 1944 film by Alberto Cavalcanti

Champagne Charlie is a 1944 British musical film directed by Alberto Cavalcanti and loosely based on the rivalry between the popular music hall performers George Leybourne, who was called "Champagne Charlie" because he was the first artist to perform the song of that title, and Alfred Vance, who was known as "The Great Vance".

<i>Side Street</i> (1950 film) 1950 film by Anthony Mann

Side Street is a 1950 American film noir/police procedural starring Farley Granger and Cathy O'Donnell. Directed by Anthony Mann, the picture was filmed on location throughout New York City and culminated in one of the first modern car chases. Part of the story is set in the vicinity of the long-demolished Third Avenue El, a favorite location of the films made in the city during that era.

<i>I Married a Monster from Outer Space</i> 1958 film by Gene Fowler Jr.

I Married a Monster from Outer Space is a 1958 American horror science fiction film from Paramount Pictures, produced and directed by Gene Fowler Jr., that stars Tom Tryon and Gloria Talbott. Paramount released the film as a double feature with The Blob.

<i>House of Dracula</i> 1945 film by Erle C. Kenton

House of Dracula is a 1945 American horror film released and distributed by Universal Pictures. Directed by Erle C. Kenton, the film features several Universal Horror properties meeting as they had done in the 1944 film House of Frankenstein. The film is set at the castle home of Dr. Franz Edelmann, who is visited first by Count Dracula and later by Larry Talbot, the Wolf Man, who are trying to cure their vampirism and lycanthropy, respectively. Talbot can not be cured, which leads him to discover the body of Frankenstein's monster in a cave below the base of the castle. Edelemann takes the monster's body back to his laboratory, but finds Count Dracula has awoken and by attacking his assistants, he captures Edelmann and forces a reverse blood transfusion, which gives Edelmann a split personality that likes to wreak havoc with those around him.

Nils Asther Swedish actor (1897–1981)

Nils Anton Alfhild Asther was a Swedish actor active in Hollywood from 1926 to the mid-1950s, known as "the male Greta Garbo". Between 1916 and 1963 he appeared in over seventy feature films, sixteen of which were produced in the silent era. He is mainly remembered today for two silent films – The Single Standard and Wild Orchids – he made with fellow Swede Greta Garbo, and his portrayal of the title character in the controversial pre-Code Frank Capra film The Bitter Tea of General Yen.

Teala Loring American actress

Teala Loring was an American actress who appeared in over 30 films during the 1940s.

<i>Laugh, Clown, Laugh</i> 1928 film

Laugh, Clown, Laugh is a 1928 American silent drama film starring Lon Chaney and Loretta Young. The movie was directed by Herbert Brenon and produced by Irving G. Thalberg for MGM Pictures. The film was written by Elizabeth Meehan, based on the 1923 Broadway stage production Laugh, Clown, Laugh, by David Belasco and Tom Cushing, which in turn was based on a 1919 play Ridi, Pagliaccio by Fausto Maria Martini. The theme song "Laugh, Clown, Laugh" was composed by Ted Fiorito (music) and Lewis and Young (lyrics).

<i>Lured</i> 1947 film by Douglas Sirk

Lured is a 1947 film noir directed by Douglas Sirk and starring George Sanders, Lucille Ball, Charles Coburn, and Boris Karloff. The film is a remake of Robert Siodmak's 1939 French film Pièges.

Ludwig Stössel Hungarian actor (1883–1973)

Ludwig Stössel was an actor born in Lockenhaus, now Austria, then Hungary. He was one of many Jewish actors and actresses who were forced to flee Germany when the Nazis came to power in 1933.

Ilka Grüning Austrian-Hungarian actress

Ilka Grüning was an Austrian-Hungarian actress. Born in Vienna in the old Austrian-Hungarian Empire, she was one of many Jewish actors and actresses that were forced to flee Europe when the Nazis came to power in 1933. A respected and famous actress in Germany, she was forced to play bit parts in Hollywood.

<i>Delinquent Daughters</i> 1944 film by Albert Herman

Delinquent Daughters, or Accent on Crime, is a 1944 American drama film directed by Albert Herman and starring June Carlson, Fifi D'Orsay and Margia Dean. An exploitation film, it is about a police investigation into the suicide death of a high school girl and the hard-partying teenagers at a party prior to the incident.

<i>Diamond Jim</i> 1935 film

Diamond Jim is a 1935 biographical film based on the published biography Diamond Jim Brady by Parker Morell. It follows the life of legendary entrepreneur James Buchanan Brady, including his romance with entertainer Lillian Russell, and stars Edward Arnold, Jean Arthur, Cesar Romero and Binnie Barnes.

<i>The Single Standard</i> 1929 film

The Single Standard is a 1929 American romantic drama film from Metro-Goldwyn-Mayer directed by veteran John S. Robertson and starring Greta Garbo, Nils Asther, and Johnny Mack Brown.

<i>Bluebeards Ten Honeymoons</i> 1960 film

Bluebeard's Ten Honeymoons is a 1960 British thriller film directed by W. Lee Wilder and starring George Sanders, Corinne Calvet, and Jean Kent. The story is loosely based on that of the real-life serial killer Henri Désiré Landru.

<i>Nana</i> (1955 film) 1955 French film

Nana is a French-Italian film by Christian-Jaque starring Martine Carol and Charles Boyer. An adaptation of the 1880 novel Nana by Émile Zola, it tells the story of two French aristocrats who are fatally ruined by their obsession for Nana, a mediocre actress and prostitute. Using the ancient theme of a worthless woman beguiling powerful men, the film portrays the moral corruption of the nominally Catholic court and nobility under the Second Empire.

<i>The Other Woman</i> (1954 film) 1954 film by Hugo Haas

The Other Woman is a 1954 American film noir written, directed and produced by Hugo Haas. Haas, Cleo Moore and John Qualen starred in the film.

<i>Alaska</i> (1944 film) 1944 film by George Archainbaud

Alaska is a 1944 American crime adventure film directed by George Archainbaud. It stars Kent Taylor, Margaret Lindsay, and John Carradine.

References

Bibliography