Hedy Lamarr was an Austro-Hungarian-born American actress and technology inventor. She was a film star during Hollywood's Golden Age.
Samson and Delilah is a 1949 American romantic biblical drama film produced and directed by Cecil B. DeMille and released by Paramount Pictures. It depicts the biblical story of Samson, a strongman whose secret lies in his uncut hair, and his love for Delilah, the woman who seduces him, discovers his secret, and then betrays him to the Philistines. It stars Victor Mature and Hedy Lamarr in the title roles, George Sanders as the Saran, Angela Lansbury as Semadar, and Henry Wilcoxon as Prince Ahtur.
Manoah is a figure from the Book of Judges 13:1-23 and 14:2-4 of the Hebrew Bible. His name means "rest". He is the father of the judge Samson.
Ecstasy is a 1933 Czech erotic romantic drama film directed by Gustav Machatý and starring Hedy Lamarr, Aribert Mog, and Zvonimir Rogoz. Machatý won the award for Best Director for this film at the 1934 Venice Film Festival.
Edwin Eugene Lockhart was a Canadian-American character actor, playwright, singer and lyricist. He appeared in over 300 films, and received an Academy Award nomination for Best Supporting Actor for his role as Regis in Algiers (1938), the American remake of Pepe le Moko.
Algiers is a 1938 American drama film directed by John Cromwell and starring Charles Boyer, Sigrid Gurie, and Hedy Lamarr. Written by John Howard Lawson, the film is about a notorious French jewel thief hiding in the labyrinthine native quarter of Algiers known as the Casbah. Feeling imprisoned by his self-imposed exile, he is drawn out of hiding by a beautiful French tourist who reminds him of happier times in Paris. The Walter Wanger production was a remake of the successful 1937 French film Pépé le Moko, which derived its plot from the Henri La Barthe novel of the same name.
Louis Charles Hayward was a South African-born, British-American actor.
Edgar Georg Ulmer was a Jewish-Moravian, Austrian-American film director who mainly worked on Hollywood B movies and other low-budget productions, eventually earning the epithet 'The King of PRC', due to his extremely prolific output for the Poverty Row studio. His stylish and eccentric works came to be appreciated by auteur theory-espousing film critics in the years following his retirement. Ulmer's most famous productions include the horror film The Black Cat (1934) and the film noir Detour (1945).
Experiment Perilous is a 1944 American melodrama film set at the turn of the 20th century. The film is based on a 1943 novel of the same name by Margaret Carpenter, and directed by Jacques Tourneur. Albert S. D'Agostino, Jack Okey, Darrell Silvera, and Claude E. Carpenter were nominated for an Academy Award for Best Art Direction-Interior Decoration, Black-and-White. Hedy Lamarr's singing voice was dubbed by Paula Raymond.
Jenny Greenteeth a.k.a. Wicked Jenny, Ginny Greenteeth and Grinteeth is a figure in English folklore. A river-hag, similar to Peg Powler and derived from the grindylow, she would pull children or the elderly into the water and drown them. The name is also used to describe pondweed or duckweed, which can form a continuous mat over the surface of a small body of water, making it misleading and potentially treacherous, especially to unwary children. With this meaning the name is common around Liverpool and southwest Lancashire.
H. M. Pulham, Esq. is a 1941 American drama film directed by King Vidor and starring Hedy Lamarr, Robert Young, and Ruth Hussey. Based on the novel H. M. Pulham, Esq. by John P. Marquand, the film is about a middle-aged businessman who has lived a conservative life according to the routine conventions of society, but who still remembers the beautiful young woman who once brought him out of his shell. Vidor co-wrote the screenplay with his wife, Elizabeth Hill Vidor. The film features an early uncredited appearance by Ava Gardner. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
I'd Climb the Highest Mountain is a 1951 Technicolor religious drama film made by Twentieth Century-Fox Film Corporation. It was directed by Henry King and produced by Lamar Trotti from a screenplay by Trotti. The story is based on a 1910 novel by Corra Harris about a minister and his wife in southern Appalachia in the early 20th century. The film stars Susan Hayward and William Lundigan with Rory Calhoun, Barbara Bates, Gene Lockhart, Alexander Knox and Lynn Bari. The music score was by Sol Kaplan and the cinematography by Edward Cronjager.
White Cargo is a 1942 American drama film starring Hedy Lamarr and Walter Pidgeon, and directed by Richard Thorpe. Released by Metro-Goldwyn-Mayer, it is based on the 1923 London and Broadway hit play by Leon Gordon, which was in turn adapted from the 1912 novel Hell's Playground by Ida Vera Simonton. The play had already been made into a British part-talkie, also titled White Cargo, with Maurice Evans in 1930. The 1942 film, unlike the play, begins in what was then the present-day, before unfolding in flashback.
Crossroads is a 1942 American mystery film noir starring William Powell, Hedy Lamarr, Claire Trevor and Basil Rathbone, and directed by Jack Conway. Powell plays a diplomat whose amnesia about his past subjects him to back-to-back blackmail schemes, which threaten his reputation, job, marriage, and future. The film was inspired by the 1938 French film Crossroads which had also had a British remake Dead Man's Shoes in 1940.
Dishonored Lady is a 1947 American film noir crime film directed by Robert Stevenson and starring Hedy Lamarr, Dennis O'Keefe and John Loder. It is based on the 1930 play Dishonored Lady by Edward Sheldon and Margaret Ayer Barnes. Lamarr and Loder were married when they made the film, but they divorced later in 1947.
Her Highness and the Bellboy is a 1945 American romantic comedy film directed by Richard Thorpe and starring Hedy Lamarr, Robert Walker, and June Allyson. Written by Richard Connell and Gladys Lehman, the film is about a beautiful European princess who travels to New York City to find the newspaper columnist she fell in love with six years earlier. At her posh New York hotel, she is mistaken for a maid by a kind-hearted bellboy. Charmed by his confusion, the princess insists that he become her personal attendant, unaware that he has fallen in love with her. Her Highness and the Bellboy was released by Metro-Goldwyn-Mayer in the United States on July 11, 1945.
The Conspirators is a 1944 American film noir, World War II, drama, spy, and thriller film directed by Jean Negulesco. It stars Hedy Lamarr and Paul Henreid, features Sydney Greenstreet and Peter Lorre in supporting roles, and has a cameo of Aurora Miranda singing a Fado. The Conspirators reunites several performers who appeared in Casablanca (1942).
Let's Live a Little is a 1948 American romantic comedy film directed by Richard Wallace and starring Hedy Lamarr, Robert Cummings and Anna Sten. Written by Howard Irving Young, Edmund L. Hartmann, Albert J. Cohen, and Jack Harvey, the film is about an overworked advertising executive who is being pursued romantically by his former fiancée, a successful perfume magnate, who is also the ad agency's largest client. While visiting a new client—a psychiatrist and author—to discuss a proposed ad campaign, his life becomes further complicated when the new client turns out to be a beautiful woman, who decides to treat his nervous condition.
The Female Animal american CinemaScope film noir directed by Harry Keller and starring Hedy Lamarr, Jane Powell, Jan Sterling and George Nader.
Loves of Three Queens, also known as The Face That Launched a Thousand Ships, is a 1954 Italian anthology film. It was directed by Marc Allégret and Edgar G. Ulmer and stars Hedy Lamarr.
