Blueprints for a Blackout | ||||
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Studio album by | ||||
Released | March 1984 | |||
Recorded | Dec 20, 1983 - Jan 5, 1984 at Joke's Koeienverhuurbedrijf, Schellingwoude, Netherlands | |||
Genre | ||||
Length | 66:11 | |||
Label | Original 2 x LP on Pig Brother Productions Reissued on CD by Ex Records | |||
Producer | Dolf Planteijdt and Jon Langford. | |||
The Ex chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Tom Hull | B+ [2] |
Blueprints for a Blackout is the fourth album (and the first double album) by Dutch post-punk band The Ex, originally released in 1984. It was the first of The Ex's albums to feature Luc playing bass guitar and he would remain as the band's bass player for 20 years. [3] The album also featured many guest musicians, a notable trend in The Ex's discography that would provide musical elements unique to each of their albums. [4]
Blueprints for a Blackout saw The Ex starting to expand beyond the standard guitar-bass-drum format of punk with forays into other instruments such as organ, beer crates, and oil barrels. [5]
In the transition from December 1983 to January 1984 The Ex spent two weeks improvising, writing and recording at Dolf's Koeienverhuur "Cow Rental" Studio in rural Schellingwoude outside of Amsterdam. New songs were developed by the musicians, after which vocalist G.W. Sok wrote lyrics and recorded vocals, and these supplemented preexisting songs that the band had played live at the time. The group had also made field recordings to add as samples to their tracks, including an oil-barrel dropped down several stories of concrete stairs, or the sound of a marching army. The band also began to experiment creating effects with long loops of analog tape and had guest collaborators in The Mekons' Jon Langford, Marcel Schmidt, Alex van Zanten, and members of various Dutch groups. [6]
The record's front sleeve image was taken from the Swiss documentary Heute Und Danach (“Today and Thereafter”) and contained a 12" square 20-page lyric-and-photo booklet, as well as a full-size poster about the recent eviction of the Wyers squat in Amsterdam. [6] The original double-LP saw release in February 1984 on The Ex's own Pig Brother Productions imprint, and debuted on CD, along with The Ex's entire back catalog, in 1993 on the band's own label, Ex Records. [7] The band has included the album as part of its download and streaming catalog via Bandcamp.
John Dougan of Allmusic writes: "Double-album. Simplistic and excessive but interesting. Out of print." Tracks 2 to 4 were selected as highlights. [1] Trouser Press wrote that the band "[employ] such musical implements as organ, beer crates and oil barrels [...] further expanding its sonic palette with guest musicians." [8] An unattributed review on the band's official website reads: "It's caustic. A real burner. [...] While still retaining an all important relevant edge to their musical comment , they've introduced elements of tunesmithing, attack, decay and composition that places them head and shoulders above their contemporaries." [9]
Various members played double-bass, organ, violin, oil-barrels, accordion, beer-crates, piano.
The Ex is an underground band from the Netherlands, started in 1979 at the height of the original punk explosion as a Dutch punk band. The Ex originated from the squatting movement in Amsterdam and Wormer, and was inspired by bands like The Fall and The Mekons. Although initially known as an anarcho-punk band associated with the Dutch post-punk ultra scene, over the decades The Ex's sound has gradually developed into its current form of highly intricate, experimental punk/post-punk/no wave-inspired work. This sound includes a combination of diverse genres and styles, such as noise, folk, world music, free jazz, and crossovers between these genres. Other examples of branching out stylistically include the improvised double album Instant and a release under the moniker Ex Orkest, a 20 piece big band assembled for performances at Holland Festival. "One reason we are hard to describe is that we never had an education at music school, and in that sense we are not influenced by any traditional playing," explained Katherina Bornefeld, drummer for The Ex since 1984. The Ex's lyrics consist of straightforward statements about politics and abuses in society. The band enjoys international acclaim for this socially critical message, as well as for the energetic, rhythmic, atonal guitar playing, and for the furious vocals of singer G.W. Sok, who was replaced in recent years by Arnold de Boer of the duo Zea. The Ex have released over 20 full-length albums.
Joggers and Smoggers is a double album by punk artists The Ex, released in 1989 as a double vinyl record album, and issued as a double CD in 1992. It is the first of the Ex's albums to feature extensive use of improvisation and instruments outside of the standard guitar/bass/drums arrangement of punk rock, as well as great numbers of international guest musicians, most notably New York's Sonic Youth, Glasgow's Dog Faced Hermans, Amsterdam's Instant Composers Pool, as well as numerous folk musicians from a variety of European and Middle Eastern traditions. The album marked a turning point in The Ex's artistry, foreshadowing many collaborations and delvings into avant-garde, experimental, improvisational, folk and world music that the band would mix with their abrasive trademark post-punk sound in the 20 years to come.
Disturbing Domestic Peace was the debut album from Dutch anarchist band The Ex.
And the Weathermen Shrug Their Shoulders is the second of two albums by Dutch punk band The Ex in collaboration with avant-garde cellist Tom Cora. Cora was acknowledged in the credits of earlier album Joggers and Smoggers but didn't actually appear on an Ex album until a recording session in 1990 which led to Scrabbling at the Lock as well as And the Weathermen Shrug Their Shoulders.
Dizzy Spells is an album by Dutch post-punk band The Ex. It is the band's 11th studio album and 18th overall, and was produced by Steve Albini who had also produced its predecessor. Dizzy Spells was also The Ex's final studio album to feature bass guitarist Luc who would end up leaving the band after being a member for 20 years.
Tumult is the third album by Dutch anarchist punk rock band The Ex, originally released in 1983. It was produced by Jon Langford of The Mekons and Dolf Planteijdt.
History is What's Happening is the second album of songs by Dutch punk rock band The Ex, originally released in 1982.
Pokkeherrie is a 1985 album by The Ex, originally released on vinyl only on the Pokabilly label. The original release included an eleven-page booklet containing lyrics & artwork and a double sided poster. It was reissued on compact disc in 1995 on Ex Records. The album comprises a collection of songs the group had performed on an anti-military tour. The title of the album is a Dutch word that means something like "so much noise" or "awful noise". It is the first of the Ex's albums to feature Katrin on drums, cementing the band's core lineup that would last for nearly two decades.
Scrabbling at the Lock is the first of two albums by Dutch punk band The Ex in collaboration with avant-garde cellist Tom Cora. It is also the first of The Ex's studio albums to feature the work of then Dog Faced Hermans guitarist Andy Moor, who has remained in the band ever since.
Mudbird Shivers is an album by Dutch punk/experimental band The Ex. The album prominently features vocals by guest musician Han Buhrs, who also plays a number of different instruments on the recording. It was released the same year as The Ex's entirely instrumental improv album Instant.
Aural Guerrilla is the 1988 studio album by Dutch anarchist post-punk band The Ex, co-released by American indie label Homestead Records.
Too Many Cowboys is the second double-album Dutch anarchist punk band The Ex. Released in 1987, it mixes live and studio recordings and marks the band's beginning of a collaboration with British anarchist group Chumbawamba.
Instant is a double compact disc by the Dutch experimental post-punk band The Ex. The band recorded the album in conjunction with many guest musicians, notably members of Holland's Instant Composers Pool (ICP) for whom the album is partially named, the other part being that the Dutch term for "free improvisation" literally translates to "instant composition."
Hands Up! You're Free is an album by Dutch anarcho-punk band The Ex compiling the group's three different Peel sessions recorded for BBC Radio 1 during the 1980s. The Ex released the collection on their own label, Ex Records, first on vinyl in June 1988, then on CD in 2003.
Catch My Shoe is an album by Dutch anarchist band The Ex. It is the band's first record after the departure of their original vocalist G.W. Sok and features Arnold de Boer, from the band Zea, on vocals, guitar and keyboard. It is also the band's first album recorded without a bass player, and has The Ex's two other guitarists trading off duties on lower pitched six-string baritone guitars. Two songs contain overdubbed brass lines recorded by Sicilian jazz trumpeter Roy Paci.
Treat is a split cassette shared between by Dutch punk band The Ex and Scottish ex-pat tour mates Dog Faced Hermans. The album was recorded live while the two bands toured Europe together and was released only on cassette in 1990. That year the two bands also collaborated on the single "Lied der Steinklopfer" released under the name Ex Faced Hermans, as well as sharing live sound engineer Gert-Jan, credited as a full member of the Dog Faced Hermans who continued to tour with The Ex for more than a decade.
Een Rondje Holland is a live album by Ex Orkest, an orchestra made up of the Dutch post-punk band The Ex accompanied by 20 other musicians. The album features orchestral arrangements of previously released Ex songs mixed with pieces of improvised music. The tracks were recorded over a series of four performances in the Netherlands, Germany and Belgium, and compiled for release on the band's own label in 2001.
6 is a collection of six singles by Dutch musical group The Ex. The singles were available in record shops and also through a subscription with a new one being issued every two months throughout 1991. Each of the singles explored different facets of The Ex's musical relationships and interests, featuring collaborations with an array of musicians and other artists. The 6 singles were not released on The Ex's CD collection, Singles. Period. The Vinyl Years 1980–1990 as they comprised an album to be collected and stored in a single box. The band announced plans to reissue the collection on CD in 2010, but have yet to do so.
1936, The Spanish Revolution is an album of songs and archival photographs related to the Spanish Civil War, recorded and assembled by Dutch anarchist punk band The Ex. The band released it in 1986, the 50th anniversary of the Spanish Revolution, on their own label as a square 7" (17.5 cm) soft-cover book with two 45 rpm records. A 5" (12.5 cm) hardcover edition was republished by AK press in 1997, replacing the records with a pair of 3" CDs.
Dignity of Labour is the third album by Dutch anarchist punk rock band The Ex, originally released in 1983. The album was originally issued as a box set of four 7-inch records in solidarity with factory workers where there the band were residing. The tracks were compiled onto a CD album a decade later.
Though Pokkeherrie is punk in its rawest form, the previous year's Blueprints For A Blackout, recorded shortly after Luc's arrival, was also a milestone[.]
The Ex often brings in 'guests' to play on certain tours or projects [...] The CD Blueprints for a Blackout was an early example of this and throughout our twenty-six year lifespan there have been similar projects and CDs[.]
The Ex employs such musical implements as organ, beer crates and oil barrels on the double Blueprints for a Blackout album[.]