Mudbird Shivers | ||||
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Studio album by | ||||
Released | June 1995 | |||
Recorded | February–March 1995 at the Koeienverhuurbedrijf, Purmerland, Holland | |||
Genre | ||||
Length | 49:23 | |||
Label | CrossTalk (US) Ex Records/RecRec Music (Netherlands) | |||
Producer | Dolf Planteijdt & Colin McLean | |||
The Ex chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Tom Hull | B+ [2] |
Mudbird Shivers is an album by Dutch punk/experimental band The Ex. The album prominently features vocals by guest musician Han Buhrs, who also plays a number of different instruments on the recording. [3] It was released the same year as The Ex's entirely instrumental improv album Instant . [4]
Dean McFarlane of Allmusic called the album "a fantastic introduction to their varied material, which is high-energy post-punk in a similar vein to Fugazi, Crass, and Shellac." "To describe their approach," he writes, "the Ex is a quintet of guitars percussion and vocals – stylistic references would be Captain Beefheart for all the angular abrasive guitar work and syncopated rhythm, early P.I.L. in that they share the influence of African and Jamaican musics – but the most striking reference is European traditional and folk, given a post-punk electric shock on this engaging album. Highly political in their lyrical content, the range here covers angular bass and drum rhythms while guitars skate about colliding in squalls of noise like Sonic Youth that surpass the hardest post-punk rockers such as Jesus Lizard or June of 44 in energy. At other moments, folk songs 1are [sic] given simple guitar and vocal arrangements that provide relief from the barrage of propulsive noise workouts. These folk songs, such as "The Carpenter," [sic] recall British folk revivalists Kevin Coyne and Burt Jansch in some ways, and they may sound unusual when considering that the rest of the album is made up of avant-rock chaos and political diatribe that is far from subdued." [1] Trouser Press reviewed the album positively, calling Buhrs "practically a vocal twin for Captain Beefheart [...] he's got the range for it, and provides a useful counterpart to Sok's one-note bellow (they duet on a few tracks)." Despite writing that the track "Embarrassment" "has a great lyric and a great riff that don't really belong together [...] the album is [otherwise] superb, abrasive, daring and full of unexpected kicks, including a slow, bulbous cover of the traditional "House Carpenter."" [4]
Andrea Moed of CMJ New Music Monthly also compared Buhrs to Captain Beefheart and praised the band's "rhythmically intense arrangements." [5]
In 2015, 20 years after the album's release, Alex Siquig wrote an article on it for Popmatters . According to him, despite the fact that the album isn't a "litmus test" "classic" (unlike Blonde on Blonde or OK Computer ) or that "it’s probably not even one of the albums true-blue fan-boys of the Ex would tout as an ideal starting point for new fans, or as a record of any particular significance", he wrote that "Mudbird Shivers is too special to dismiss or forget. Have the Ex made better and more complete albums? Without a doubt! Turn (2004) is their late career classic, an ambitious double LP most bands wouldn’t even attempt. Starters and Alternators (1998) [sic] is likewise the Ex at their most mature and refined, smartly kicking the shit out of the State. Their collaborations with outlaw cello maven Tom Cora and the Ethiopian saxophone savant Getachew Merkuria [sic] are also required listening, along with the 2000's 1936: Spanish Revolution [sic], Dizzy Spells , Blueprints for a Blackout , and 2011's Joggers and Smoggers . But the fully-formed dissident spirit of the Ex waits patiently in the past, in Murdbird Shivers." [3]
Shivers may refer to:
The Ex are an underground band from the Netherlands that formed in 1979 at the height of the original punk explosion. Initially known as an anarcho-punk band, they have since released over 20 full-length albums exploring a wide variety of genres, blending punk rock with free jazz and folk music from all over the world.
Shiny Beast is the tenth studio album by American rock band Captain Beefheart and the Magic Band, released in October 1978 by Warner Bros. Records. The album emerged from production difficulties surrounding Bat Chain Puller, an album Captain Beefheart recorded for DiscReet and Virgin Records in 1976. DiscReet co-founders Herb Cohen and Frank Zappa feuded over the production of the album, because Cohen funded the production with Zappa's royalty checks. Captain Beefheart recorded a new album titled Shiny Beast due to Zappa withholding the master tapes of the original Bat Chain Puller album.
Joggers and Smoggers is a double album by punk artists The Ex, released in 1989 as a double vinyl record album, and issued as a double CD in 1992. It is the first of the Ex's albums to feature extensive use of improvisation and instruments outside of the standard guitar/bass/drums arrangement of punk rock, as well as great numbers of international guest musicians, most notably New York's Sonic Youth, Glasgow's Dog Faced Hermans, Amsterdam's Instant Composers Pool, as well as numerous folk musicians from a variety of European and Middle Eastern traditions. The album marked a turning point in The Ex's artistry, foreshadowing many collaborations and delvings into avant-garde, experimental, improvisational, folk and world music that the band would mix with their abrasive trademark post-punk sound in the 20 years to come.
F-Punk is a studio album by Mick Jones' post-Clash band Big Audio Dynamite, released in 1995. It was the first album to be released under the name of Big Audio Dynamite since 1989's Megatop Phoenix. The title is a pun on the funk group P-Funk, and is supposed to imply "Fuck punk." The album cover lettering takes influence from London Calling, one of Mick Jones' albums with The Clash, which in turn was a copy of Elvis Presley's debut album.
Disturbing Domestic Peace was the debut album from Dutch anarchist band The Ex.
And the Weathermen Shrug Their Shoulders is the second of two albums by Dutch punk band The Ex in collaboration with avant-garde cellist Tom Cora. Cora was acknowledged in the credits of earlier album Joggers and Smoggers but didn't actually appear on an Ex album until a recording session in 1990 which led to Scrabbling at the Lock as well as And the Weathermen Shrug Their Shoulders.
Tumult is the third album by Dutch anarchist punk rock band The Ex, originally released in 1983. It was produced by Jon Langford of The Mekons and Dolf Planteijdt.
History is What's Happening is the second album of songs by Dutch punk rock band The Ex, originally released in 1982.
Starters Alternators is an album by Dutch anarchist band The Ex. It is the band's 10th studio album and was produced by Steve Albini.
Scrabbling at the Lock is the first of two albums by Dutch punk band The Ex in collaboration with avant-garde cellist Tom Cora. It is also the first of The Ex's studio albums to feature the work of then Dog Faced Hermans guitarist Andy Moor, who has remained in the band ever since.
Aural Guerrilla is the 1988 studio album by Dutch anarchist post-punk band The Ex, co-released by American indie label Homestead Records.
Too Many Cowboys is the second double-album Dutch anarchist punk band The Ex. Released in 1987, it mixes live and studio recordings and marks the band's beginning of a collaboration with British anarchist group Chumbawamba.
Instant is a double compact disc by the Dutch experimental post-punk band The Ex. The band recorded the album in conjunction with many guest musicians, notably members of Holland's Instant Composers Pool (ICP) for whom the album is partially named, the other part being that the Dutch term for "free improvisation" literally translates to "instant composition."
Blueprints for a Blackout is the fourth album by Dutch post-punk band The Ex, originally released in 1984. It was the first of The Ex's albums to feature Luc playing bass guitar and he would remain as the band's bass player for 20 years. The album also featured many guest musicians, a notable trend in The Ex's discography that would provide musical elements unique to each of their albums.
6 is a collection of six singles by Dutch musical group The Ex. The singles were available in record shops and also through a subscription with a new one being issued every two months throughout 1991. Each of the singles explored different facets of The Ex's musical relationships and interests, featuring collaborations with an array of musicians and other artists. The 6 singles were not released on The Ex's CD collection, Singles. Period. The Vinyl Years 1980–1990 as they comprised an album to be collected and stored in a single box. The band announced plans to reissue the collection on CD in 2010, but have yet to do so.
1936, The Spanish Revolution is an album of songs and archival photographs related to the Spanish Civil War, recorded and assembled by Dutch anarchist punk band The Ex. The band released it in 1986, the 50th anniversary of the Spanish Revolution, on their own label as a square 7" (17.5 cm) soft-cover book with two 45 rpm records. A 5" (12.5 cm) hardcover edition was republished by AK press in 1997, replacing the records with a pair of 3" CDs.
Trenchmouth vs. The Light of the Sun is the third studio album by American rock band Trenchmouth, released in January 1995 by EastWest Records, becoming the band's only album on a major label. Disillusioned with how they felt they did not have a place in the scene and time period they shared with bands such as Fugazi, Nation of Ulysses and Jawbox, Trenchmouth decided to change directions and recorded the album with producer and mixer Brad Wood in July 1994. The aggressive and eclectic album combines influences and styles of noise rock, post-punk, no wave, dub, ska and jazz.
Thank the Holder Uppers is an album by the American indie punk band Claw Hammer. The band's first major label album, it was released in 1995 via Interscope Records.
Ruby Red is an album by the American alternative rock band the Dambuilders, released in 1995. It was the band's first major label album made up of completely new material.