Book of Taliesin | |
---|---|
Aberystwyth, NLW, Peniarth MS 2 | |
Also known as | Llyfr Taliesin |
Date | First half of the 14th century |
Size | 38 folios |
Contents | some 60 Welsh poems |
The Book of Taliesin (Welsh : Llyfr Taliesin) is one of the most famous of Middle Welsh manuscripts, dating from the first half of the 14th century though many of the fifty-six poems it preserves are taken to originate in the 10th century or before.
The volume contains some of the oldest poems in Welsh, possibly but not certainly dating back to the sixth century and to a real poet called Taliesin (though these, if genuine, would have been composed in the Cumbric dialect of Brittonic-speaking early medieval north Britain, being adapted to the Welsh dialect of Brittonic in the course of their transmission in Wales).
The manuscript, known as Peniarth MS 2 and kept at the National Library of Wales, is incomplete, having lost a number of its original leaves including the first. It was named Llyfr Taliessin in the seventeenth century by Edward Lhuyd and hence is known in English as "The Book of Taliesin". The palaeographer John Gwenogvryn Evans dated the Book of Taliesin to around 1275, but Daniel Huws dated it to the first quarter of the fourteenth century, and the fourteenth-century dating is generally accepted. [1] : 164
The Book of Taliesin was one of the collection of manuscripts amassed at the mansion of Hengwrt, near Dolgellau, Gwynedd, by the Welsh antiquary Robert Vaughan (c. 1592–1667); the collection was eventually donated by Sir John Williams in 1907 to the newly established National Library of Wales as the Peniarth or Hengwrt-Peniarth Manuscripts. [2]
It appears that some "marks", presumably awarded for poems, measuring their "value", are extant in the margin of the Book of Taliesin.
Titles adapted from Skene.
Many of the poems have been dated to the twelfth and thirteenth centuries and are likely to be the work of poets adopting the Taliesin persona for the purposes of writing about awen (poetic inspiration), characterised by material such as:
A few are attributed internally to other poets. A full discussion of the provenance of each poem is included in the definitive editions of the book's contents poems by Marged Haycock. [3] [ page needed ] [4] [ page needed ]
Twelve of the poems in the manuscript were identified by Ifor Williams as credibly being the work of a historical Taliesin, or at least 'to be contemporary with Cynan Garwyn, Urien, his son Owain, and Gwallawg', possibly historical kings who respectively ruled Powys; Rheged, which was centred in the region of the Solway Firth on the borders of present-day England and Scotland and stretched east to Catraeth (identified by most scholars as present-day Catterick in North Yorkshire) and west to Galloway; and Elmet. [5] These are (giving Skene's numbering used in the content list below in Roman numerals, the numbering of Evans's edition of the manuscript in Arabic, and the numbers and titles of Williams's edition in brackets):
Numbering by | Williams's title (if any) | ||
---|---|---|---|
Skene | Evans | Williams | |
XXIII | 45 | I | Trawsganu Kynan Garwyn Mab Brochfael |
XXXI | 56 | II | |
XXXII | 57 | III | |
XXXIII | 58 | IV | |
XXXIV | 59 | V | |
XXXV | 60 | VI | Gweith Argoet Llwyfein |
XXXVI | 61 | VII | |
XXXVII | 62 | VIII | Yspeil Taliesin. Kanu Vryen |
XXXIX | 65 | IX | Dadolwych Vryen |
XLIV | 67 | X | Marwnat Owein |
XI | 29 | XI | Gwallawc |
XXXVIII | 63 | XII | Gwallawc |
Poems 2, 3, 4, 5, 6, 8, and 9 (in Williams's numbering) close with the same words, suggesting common authorship, while 4 and 8 contain internal attributions to Taliesin. The closing tag runs
Ac yny vallwyf (i) ben | Until I perish in old age, |
The precise dating of these poems remains uncertain. Re-examining the linguistic evidence for their early date, Patrick Sims-Williams concluded in 2016 that
evaluating the supposed proofs that poems in the Books of Aneirin and Taliesin cannot go back to the sixth century, we have found them either to be incorrect or to apply to only a very few lines or stanzas that may be explained as additions. It seems impossible to prove, however, that any poem must go back to the sixth century linguistically and cannot be a century or more later. [1] : 217
Scholarly English translations of all these are available in Poems from the book of Taliesin (1912) and the modern anthology The Triumph Tree. [7]
Among probably less archaic but still early texts, the manuscript also preserves a few hymns, a small collection of elegies to famous men such as Cunedda and Dylan Eil Ton and also famous enigmatic poems such as The Battle of Trees , The Spoils of Annwfn (in which the poet claims to have sailed to another world with Arthur and his warriors), and the tenth-century prophetic poem Armes Prydein Vawr . Several of these contain internal claims to be the work of Taliesin, but cannot be associated with the putative historical figure.
Many poems in the collection allude to Christian and Latin texts as well as native British tradition, and the book contains the earliest mention in any Western post-classical vernacular literature of the feats of Hercules and Alexander the Great.
The introduction to Gwyneth Lewis and Rowan Williams's translation of The Book of Taliesin suggests that later Welsh writers came to see Taliesin as a sort of shamanic figure. The poetry ascribed to him in this collection shows how he can not only channel other entities himself (such as the Awen) in these poems, but that the authors of these poems can in turn channel Taliesin as they both create and perform the poems that they ascribe to Taliesin's persona. This creates a collectivist, rather than individualistic, sense of identity; no human is simply one human, humans are part of nature (rather than opposed to it), and all things in the cosmos can ultimately be seen to be connected through the creative spirit of the Awen. [8]
{{cite book}}
: CS1 maint: location missing publisher (link)Modron ("mother") is a figure in Welsh tradition, known as the mother of the hero Mabon ap Modron. Both characters may have derived from earlier divine figures, in her case the Gaulish goddess Matrona. She may have been a prototype for Morgan le Fay from the Arthurian legend.
Ceridwen or Cerridwen was an enchantress in Welsh medieval legend. She was the mother of a hideous son, Mordfran, and a beautiful daughter, Creirwy. Her husband was Tegid Foel and they lived near Bala Lake in north Wales. Medieval Welsh poetry refers to her as possessing the cauldron of poetic inspiration (Awen) and the Tale of Taliesin recounts her swallowing her servant Gwion Bach who is then reborn through her as the poet Taliesin. Ceridwen is regarded by many modern pagans as the Celtic goddess of rebirth, transformation, and inspiration.
Taliesin was an early Brittonic poet of Sub-Roman Britain whose work has possibly survived in a Middle Welsh manuscript, the Book of Taliesin. Taliesin was a renowned bard who is believed to have sung at the courts of at least three kings.
Aneirin, also rendered as Aneurin or Neirin and Aneurin Gwawdrydd, was an early Medieval Brythonic war poet who lived during the 6th century. He is believed to have been a bard or court poet in one of the Cumbric kingdoms of the Hen Ogledd, probably that of Gododdin at Edinburgh, in modern Scotland. From the 17th century, he was usually known as Aneurin.
Cad Goddeu is a medieval Welsh poem preserved in the 14th-century manuscript known as the Book of Taliesin. The poem refers to a traditional story in which the legendary enchanter Gwydion animates the trees of the forest to fight as his army. The poem is especially notable for its striking and enigmatic symbolism and the wide variety of interpretations this has occasioned.
The Black Book of Carmarthen is thought to be the earliest surviving manuscript written solely in Welsh. The book dates from the mid-13th century; its name comes from its association with the Priory of St. John the Evangelist and Teulyddog at Carmarthen, and is referred to as black due to the colour of its binding. It is currently part of the collection of the National Library of Wales, where it is catalogued as NLW Peniarth MS 1.
Y Gododdin is a medieval Welsh poem consisting of a series of elegies to the men of the Brittonic kingdom of Gododdin and its allies who, according to the conventional interpretation, died fighting the Angles of Deira and Bernicia at a place named Catraeth in about AD 600. It is traditionally ascribed to the bard Aneirin and survives only in one manuscript, the "Book of Aneirin".
The Book of Aneirin is a late 13th century Welsh manuscript containing Old and Middle Welsh poetry attributed to the late 6th century Northern Brythonic poet, Aneirin, who is believed to have lived in present-day Scotland.
Urien ap Cynfarch Oer or Urien Rheged was a sixth-century figure who was possibly the ruler of the territory known as Rheged. The evidence for his existence comes from a ninth-century history and eight praise-poems dedicated to him possibly to be dated to his lifetime, attributed to the poet Taliesin. Urien features in medieval literature from Wales as one of the most celebrated figures of Welsh legend down to today. Outside of the Welsh context, he eventually was transformed in Arthurian legend into the figure of king Urien of Garlot or Gore. His most celebrated son, Owain mab Urien, similarly gave his name to the character of Ywain.
Awen is a Welsh, Cornish and Breton word for "inspiration".
Preiddeu Annwfn or Preiddeu Annwn is a cryptic poem of sixty lines in Middle Welsh, found in the Book of Taliesin. The text recounts an expedition with King Arthur to Annwfn or Annwn, the Otherworld in Welsh.
Llywarch Hen, was a prince and poet of the Brythonic kingdom of Rheged, a ruling family in the Hen Ogledd or "Old North" of Britain. Along with Taliesin, Aneirin, and Myrddin, he is held to be one of the four great bards of early Welsh poetry. Whether he actually wrote the poems attributed to him is unknown, and most of what is known about his life is derived from early medieval poems which may or may not be historically accurate.
John Gwenogvryn Evans was a Welsh palaeographic expert and literary translator.
Gwallog ap Llênog was possibly a sixth-century ruler of Elfed, a region in the wider area memorialised in later Welsh literature as the 'Old North'. The evidence for Gwallog's existence survives entirely from two poems of spurious date and several other references in semi-legendary genealogies and literature well beyond his era. If this later material is to be believed, he was a member of the Coeling, a family which is supposed to have been prominent across several kingdoms in northern Britain in the sixth century. He is probably best remembered for his role in the Historia Brittonum as an ally of Urien Rheged. As with many figures of this period, he attracted much interest in later Medieval Welsh literature.
Gweith Gwen Ystrat, is a late Old Welsh or Middle Welsh heroic poem found uniquely in the Book of Taliesin, where it forms part of the Canu Taliesin, a series of poems attributed to the 6th-century court poet of Rheged, Taliesin.
Talhaearn Tad Awen, was, according to medieval Welsh sources, a celebrated British poet of the sub-Roman period. He ranks as one of the earliest, if not the earliest, named poets to have composed and performed in Welsh. The better known poets Aneirin and Taliesin, who may have been slightly younger contemporaries, also belong to this early generation, the first of those known to modern scholars as the Cynfeirdd. Whereas medieval Welsh manuscripts preserve verse composed by or otherwise ascribed to the latter two figures, no such work survives for Talhaearn and in fact, his former fame seems to have largely vanished by the later Middle Ages.
The Black Book of Chirk is a 13th-century Welsh-language manuscript, known also as the Chirk Codex. It is Peniarth 29 of the National Library of Wales, and deals with legal and historical matters. It contains also an elegy addressed at Llywelyn ap Iorwerth; king of Wales. This poem was probably written by his grandson Llywelyn ap Gruffudd who lived in the 13th century.
Cyfoesi Myrddin a Gwenddydd ei Chwaer is an anonymous Middle Welsh poem of uncertain date consisting of 136 stanzas, mostly in englyn form. Myrddin, the legendary 6th-century North British bard and warrior, is depicted as being encouraged by his sister Gwenddydd to utter a series of prophecies detailing the future history of the kings of Gwynedd, leading up to an apocalyptic ending. The mood of the poem has been described as "one of despair and of loss of faith and trust in this world".
Urien Yrechwydd is a late Old Welsh or Middle Welsh heroic poem found uniquely in the Book of Taliesin. It is among those poems in the manuscript thought by Ifor Williams possibly to have originated as part of a sixth-century corpus of Canu Taliesin, a series of poems really composed by the semi-legendary sixth-century court poet of Rheged, Taliesin.