The Borsos Competition is the main awards program for Canadian feature films screening at the annual Whistler Film Festival. [1] Introduced for the first time in 2004, the juried competition presents six awards annually to honour films, actors, screenplays, directors, cinematographers and editors in Canadian cinema. Initially, only films that were having their world premieres at Whistler were eligible for the competition, [2] although this requirement was soon dropped as the festival had difficulty attracting entrants who were willing to forego larger film festivals such as TIFF or the FNC, and thereafter films selected for competition only had to be a regional premiere within the Western Canada region.
From the award's inauguration until 2015, six films were selected for competition each year, except in 2012 when eight films competed; in 2015, the festival dropped size limits, and since then the competition has typically included between 10 and 20 films per year.
The award is named in memory of Canadian film director Phillip Borsos. [3]
The festival also presents several other awards, which are not part of the Borsos Competition.
Year | Film | Director | Ref |
---|---|---|---|
2010 | The Whistleblower | Larysa Kondracki | [16] |
Good Neighbours | Jacob Tierney | [17] | |
Hard Core Logo 2 | Bruce McDonald | ||
Jo for Jonathan (Jo pour Jonathan) | Maxime Giroux | ||
Small Town Murder Songs | Ed Gass-Donnelly | ||
Wrecked | Michael Greenspan | ||
Craft awards: • Raphaël Lacaille (Jo for Jonathan) and Martha Plimpton (Small Town Murder Songs), Best Performance | [16] | ||
2011 | Keyhole | Guy Maddin | [18] |
388 Arletta Avenue | Randall Cole | [19] | |
Café de Flore | Jean-Marc Vallée | ||
Doppelgänger Paul | Dylan Akio Smith, Kris Elgstrand | ||
Marilyn | Christopher Petry | ||
Monsieur Lazhar | Philippe Falardeau | ||
Craft awards: None presented this year. | [18] | ||
2012 | Picture Day | Kate Melville | [20] |
All That You Possess (Tout ce que tu possèdes) | Bernard Émond | [21] | |
Blood Pressure | Sean Garrity | ||
Fair Sex (Les Manèges humains) | Martin Laroche | ||
Home Again | Sudz Sutherland | ||
Mad Ship | David Mortin | ||
My Awkward Sexual Adventure | Sean Garrity | ||
Still Mine | Michael McGowan | ||
Craft awards: • Marie-Evelyne Lessard (Fair Sex) and Tatiana Maslany (Picture Day), Best Performance | [20] | ||
2013 | |||
The Husband | Bruce McDonald | [22] | |
Cas & Dylan | Jason Priestley | [23] | |
Louis Cyr (Louis Cyr, l'homme le plus fort du monde) | Daniel Roby | ||
Patch Town | Craig Goodwill | ||
Siddharth | Richie Mehta | ||
Uvanga | Marie-Hélène Cousineau, Madeline Ivalu | ||
Craft awards: • Tatiana Maslany (Cas & Dylan), Best Performance | [22] | ||
2014 | Felix and Meira (Félix et Meira) | Maxime Giroux | [24] |
After the Ball | Sean Garrity | [25] | |
Bang Bang Baby | Jeffrey St. Jules | ||
Mountain Men | Cameron Labine | ||
Relative Happiness | Deanne Foley | ||
Wolves | David Hayter | ||
Craft awards: • Hadas Yaron (Felix and Meira), Best Performance • Maxime Giroux (Felix and Meira), Best Director, Best Screenplay | [24] | ||
2015 | River | Jamie M. Dagg | [26] |
Basic Human Needs | Matthew Yim | [27] | |
The Birdwatcher | Siobhan Devine | ||
The Colossal Failure of the Modern Relationship | Sergio Navarretta | ||
The Demons (Les Démons) | Philippe Lesage | ||
The Diary of an Old Man (Le Journal d’un vieil homme) | Bernard Émond | ||
Forsaken | Jon Cassar | ||
FSM | Melanie M. Jones | ||
He Hated Pigeons | Ingrid Veninger | ||
The Hotel Dieu | Adrian Thiessen | ||
The Mirage (Le Mirage) | Ricardo Trogi | ||
Natasha | David Bezmozgis | ||
Nestor | Daniel Robinson | ||
Numb | Jason R. Goode | ||
Patterson's Wager | O. Corbin Saleken | ||
The Sabbatical | Brian Stockton | ||
The Steps | Andrew Currie | ||
The Sublet | John Ainslie | ||
Suspension | Jeffery Scott Lando | ||
Craft awards: • Paul Savoie (The Diary of an Old Man), Best Performance • Jamie M. Dagg (River), Best Director, Best Screenplay • Dylan Macleod (He Hated Pigeons), Best Cinematography | [26] | ||
2016 | Before the Streets (Avant les rues) | Chloé Leriche | [28] |
An American Dream: The Education of William Bowman | Ken Finkleman | [29] | |
The Cyclotron (Le Cyclotron) | Olivier Asselin | ||
The Death (and Life) of Carl Naardlinger | Katherine Schlemmer | ||
Grand Unified Theory | David Ray | ||
Hunting Pignut | Martine Blue | ||
It's Not My Fault and I Don't Care Anyway | Chris Craddock | ||
Lost Solace | Chris Scheuerman | ||
Lovesick | Tyson Caron | ||
Menorca | John Barnard | ||
Population Zero | Adam Levins | ||
Raw | David I. Strasser | ||
Red Mile | Justin McConnell | ||
The Second Time Around | Leon Marr | ||
The Space Between | Amy Jo Johnson | ||
The Squealing Game | Steve Kerr | ||
The Sun at Midnight | Kirsten Carthew | ||
The 3 L'il Pigs 2 (Les 3 p'tits cochons 2) | Jean-François Pouliot | ||
The Void | Jeremy Gillespie, Steven Kostanski | ||
Craft awards: • Kawennáhere Devery Jacobs (The Sun at Midnight), Best Performance • Chloé Leriche (Before the Streets), Best Director • Olivier Asselin (The Cyclotron), Best Screenplay • Mathieu Laverdière (The Cyclotron), Best Cinematography | [28] | ||
2017 | All You Can Eat Buddha | Ian Lagarde | [30] |
Allure | Carlos and Jason Sanchez | ||
8 Minutes Ahead | Ben Hoskyn | [31] | |
Becoming Burlesque | Jackie English | ||
The Cannon | Marshall Axani | ||
Cardinals | Grayson Moore, Aidan Shipley | ||
The Definites | Hannah Cheesman, Mackenzie Donaldson | ||
Hochelaga, Land of Souls (Hochelaga, terre des âmes) | François Girard | ||
Juggernaut | Daniel DiMarco | ||
Mobile Homes | Vladimir de Fontenay | ||
Never Saw It Coming | Gail Harvey | ||
Nobody Famous | Sarah Rotella | ||
Porcupine Lake | Ingrid Veninger | ||
The Prodigal Dad | Robert Wenzek | ||
Prodigals | Michelle Ouellet | ||
Santa Stole Our Dog | Bryan Michael Stoller | ||
Someone Else's Wedding | Pat Kiely | ||
Trench 11 | Leo Scherman | ||
Tulipani, Love, Honour and a Bicycle | Mike van Diem | ||
Venus | Eisha Marjara | ||
Craft awards: • Evan Rachel Wood (Allure), Best Performance • Ian Lagarde (All You Can Eat Buddha), Best Director • Grayson Moore (Cardinals), Best Screenplay • Sara Mishara (Allure), Best Cinematography | [30] | ||
2018 | A Colony (Une colonie) | Geneviève Dulude-De Celles | [32] |
Acquainted | Natty Zavitz | ||
An Audience of Chairs | Deanne Foley | ||
Bella Ciao! | Carolyn Combs | ||
The Dancing Dogs of Dombrova | Zack Bernbaum | ||
Falls Around Her | Darlene Naponse | ||
Family First (Chien de garde) | Sophie Dupuis | ||
The Fireflies Are Gone (La Disparition des lucioles) | Sébastien Pilote | ||
Honey Bee | Rama Rau | ||
In God I Trust | Maja Zdanowski | ||
Nose to Tail | Jesse Zigelstein | ||
Red Rover | Shane Belcourt | ||
Roobha | Lenin M. Sivam | ||
Les Salopes, or the Naturally Wanton Pleasure of Skin (Les salopes ou le sucre naturel de la peau) | Renée Beaulieu | ||
Sashinka | Kristina Wagenbauer | ||
Stockholm | Robert Budreau | ||
Trouble in the Garden | Roz Owen | ||
Woodland | Jon Silverberg | ||
Craft awards: • Émilie Bierre (A Colony), Best Performance • Geneviève Dulude-De Celles (A Colony), Best Director • Robert Budreau (Stockholm), Best Screenplay • Michel La Veaux (The Fireflies Are Gone), Best Cinematography | [32] | ||
2019 | Antigone | Sophie Deraspe | [33] |
Apapacho | Marquise Lepage | [34] | |
Black Conflux | Nicole Dorsey | ||
Body and Bones | Melanie Oates | ||
Canadian Strain | Geordie Sabbagh | ||
The Cuban | Sergio Navarretta | ||
Dreamland | Bruce McDonald | ||
Entangled | Gaurav Seth | ||
Fall Back Down | S. B. Edwards | ||
From the Vine | Sean Cisterna | ||
Guilt (Le Coupable) | Onur Karaman | ||
Hammer | Christian Sparkes | ||
The Marijuana Conspiracy | Craig Pryce | ||
Promiseland | Kirk Caouette | ||
Queen of the Morning Calm | Gloria Ui Young Kim | ||
Spinster | Andrea Dorfman | ||
Things I Do for Money | Warren P. Sonoda | ||
Thunderbird | Nicholas Treeshin | ||
Volition | Tony Dean Smith | ||
We Had It Coming | Paul Barbeau | ||
Craft awards: • Nahéma Ricci (Antigone), Best Performance • Sophie Deraspe (Antigone), Best Director, Best Screenplay • Celiana Cárdenas (The Cuban), Best Cinematography | [33] |
Year | Film | Director | Ref |
---|---|---|---|
2020 | Little Orphans | Ruth Lawrence | [35] |
All In Madonna | Arnold Lim | [36] | |
An Introvert's Guide to High School | Sophie Harvey | ||
Between Waves | Virginia Abramovich | ||
The Corruption of Divine Providence | Jeremy Torrie | ||
Goddess of the Fireflies (La déesse des mouches à feu) | Anaïs Barbeau-Lavalette | ||
In Her City | Carl Bessai | ||
Indian Road Trip | Allan W. Hopkins | ||
The Marina (La Marina) | Christophe Levac, Étienne Galloy | ||
Mercy | Sam Flamont | ||
Québexit | Joshua Demers | ||
Still the Water | Susan Rodgers | ||
Sugar Daddy | Wendy Morgan | ||
Underground (Souterrain) | Sophie Dupuis | ||
You Will Remember Me (Tu te souviendras de moi) | Éric Tessier | ||
Craft awards: • Rémy Girard (You Will Remember Me), Best Performance • Sophie Dupuis (Underground), Best Director • Gail Maurice, Xavier Yuvens and Joshua Demers (Québexit), Best Screenplay • Fred Gervais-Dupuis (The Marina), Best Cinematography | [35] | ||
2021 | Cinema of Sleep | Jeffrey St. Jules | [37] |
Altar Boy | Serville Poblete | [38] | |
Carmen | Valerie Buhagiar | ||
Confessions of a Hitman | Luc Picard | ||
Dawn, Her Dad and the Tractor | Shelley Thompson | ||
Drinkwater | Stephen Campanelli | ||
Evelyne | Carl Bessai | ||
Inès | Renée Beaulieu | ||
The Inhuman (L'Inhumain) | Jason Brennan | ||
Lune | Arturo Pérez Torres, Aviva Armour-Ostroff | ||
The Noise of Engines (Le Bruit des moteurs) | Philippe Grégoire | ||
Nouveau Québec | Sarah Fortin | ||
Peace by Chocolate | Jonathan Keijser | ||
Run Woman Run | Zoe Leigh Hopkins | ||
We're All in This Together | Katie Boland | ||
Craft awards: • Dayo Ade (Cinema of Sleep), Best Performance • Luc Picard (Confessions of a Hitman), Best Director • Sarah Fortin (Nouveau Québec), Best Screenplay • Diego Guijarro (Carmen), Best Cinematography | [37] | ||
2022 | Coyote | Katherine Jerkovic | [39] |
The 12 Tasks of Imelda (Les 12 travaux d’Imelda) | Martin Villeneuve | [40] | |
Adult Adoption | Karen Knox | ||
Broken Angel | Jules Arita Koostachin | ||
Colorblind | Mostafa Keshvari | ||
Diaspora | Deco Dawson | ||
The End of Sex | Sean Garrity | ||
Exile | Jason James | ||
Lissa's Trip | Jeffery Lando | ||
Niagara | Guillaume Lambert | ||
Midnight at the Paradise | Vanessa Matsui | ||
Polaris | Kirsten Carthew | ||
Rodeo (Rodéo) | Joëlle Desjardins Paquette | ||
Soft-Spoken Weepy Cult Child | Irina Lord | ||
Craft awards: • Jorge Martinez Colorado (Coyote), Best Performance • Joëlle Desjardins Paquette (Rodeo), Best Director • Guillaume Lambert (Niagara), Best Screenplay • David Schuurman (Polaris), Best Cinematography • Arthur Tarnowski (The 12 Tasks of Imelda), Best Editing | [39] | ||
2023 | Atikamekw Suns (Soleils Atikamekw) | Chloé Leriche | [41] |
The Boy in the Woods | Rebecca Snow | [42] | |
The Burning Season | Sean Garrity | ||
Finality of Dusk | Madison Thomas | ||
Hailey Rose | Sandi Somers | ||
My Mother's Men (Les hommes de ma mère) | Anik Jean | ||
The Nature of Love (Simple comme Sylvain) | Monia Chokri | ||
She Talks to Strangers | Bruce Sweeney | ||
Tell Me Why These Things Are So Beautiful (Dis-moi pourquoi ces choses sont si belles) | Lyne Charlebois | ||
This Time | Robert Vaughn | ||
With Love and a Major Organ | Kim Albright | ||
Zoe.mp4 | Jeremy Lutter | ||
Craft awards: • Ensemble cast of Atikamekw Suns, Best Performance • Chloé Leriche (Atikamekw Suns), Best Direction • Jonas Chernick and Diana Frances (The Burning Season), Best Screenplay • André Turpin (The Nature of Love), Best Cinematography • Robert Swartz (The Boy in the Woods), Best Editing | [41] | ||
2024 | Really Happy Someday | J Stevens | [43] |
Aberdeen | Ryan Cooper, Eva Thomas | [44] | |
The Birds Who Fear Death | Sanjay Patel | ||
Darkest Miriam | Naomi Jaye | ||
Hunting Matthew Nichols | Markian Tarasiuk | ||
Kryptic | Kourtney Roy | ||
Lucky Strikes | Darcy Waite | ||
Phoenixes (Phénix) | Jonathan Beaulieu-Cyr | ||
Please, After You | Rob Michaels | ||
Sway | Charlie Hamilton, Zachary Ramelan | ||
Sweet Angel Baby | Melanie Oates | ||
Who Do I Belong To | Meryam Joobeur | ||
Young Werther | José Lourenço | ||
Craft awards: • Salha Nasraoui (Who Do I Belong To), Best Performance • Gail Maurice (Aberdeen), Best Performance Honorable Mention • Jonathan Beaulieu-Cyr (Phoenixes), Best Direction • J Stevens and Breton Lalama (Really Happy Someday), Best Screenplay • Ariane Falardeau St-Amour (Phoenixes), Best Cinematography • Meryam Joobeur and Maxime Mathis (Who Do I Belong To), Best Editing | [45] |
Phillip Borsos was an Australian-born Canadian film director, producer, and screenwriter. A four-time Canadian Film Award and Genie Award winner and an Academy Award nominee, he was one of the major figures of Canadian and British Columbian filmmaking during the 1980s, earning critical acclaim and accolades at a time when Canadian filmmakers were still struggling to gain attention outside of North America.
The Whistler Film Festival (WFF) is an annual film festival held in Whistler, British Columbia, Canada. Established in 2001, the festival is held the first weekend of December and includes juried competitive sections, the Borsos Awards, and the Pandora Audience Award. A conference for the Canadian film industry, known as the Whistler Summit, is organised in connection with the film festival.
Chloé Leriche is a Canadian film director from Montreal, Quebec. Her debut feature film, Before the Streets , received six Canadian Screen Award nominations at the 5th Canadian Screen Awards in 2017, including Best Picture and a nod for Leriche as Best Director.
Katherine Jerkovic is a Canadian film director. Her debut feature film, Roads in February , won the Toronto International Film Festival Award for Best Canadian First Feature Film at the 2018 Toronto International Film Festival. Her second feature, titled Coyote, also opened at TIFF in 2022 and has received several awards.
The Audience Award is an annual award given by the Whistler Film Festival to the most popular film voted by audiences for Best Picture.
The Whistler Film Festival Documentary Award is an annual juried award, given by the Whistler Film Festival to the film selected as the year's best documentary film in the festival program.
The ShortWork Awards are annual film awards, presented by the Whistler Film Festival to honour the best short films screened at the festival.
Drinkwater is a 2021 Canadian coming-of-age comedy film, directed by Stephen Campanelli. The film stars Daniel Doheny as Mike Drinkwater, a teenager living in Penticton, British Columbia, with his father Hank ; an outsider because his father does not hold down a steady job and instead lives solely off the proceeds of insurance fraud schemes, Mike finds his life transformed when he befriends Wallace, a young woman who moves into the house next door.
Nouveau Québec is a Canadian drama film, directed by Sarah Fortin and released in 2021. The film stars Christine Beaulieu and Jean-Sébastien Courchesne as Sophie and Mathieu, a couple whose relationship is tested by their differing reactions to being exposed to First Nations culture while visiting the remote northern town of Schefferville, Quebec.
Grayson Moore is a Canadian screenwriter and filmmaker, most noted as writer and co-director of the 2017 film Cardinals.
Coyote is a Canadian drama film, directed by Katherine Jerkovic and released in 2022. The film stars Jorge Martinez Colorado as Camilo, a Mexican immigrant to Canada who is rebuilding his life as a chef in La Malbaie, Quebec, who finds his plan complicated when his adult daughter Tania shows up needing his help to care for her son while she enters recovery for her drug addiction problems.
Rodeo is a 2022 Canadian drama film, directed and co-written by Joëlle Desjardins Paquette. The film stars Maxime Le Flaguais as Serge, a truck driver who takes his young daughter Lily on a cross-Canada road trip to attend a truck rodeo in Alberta, against the context of a dispute with his ex-wife over custody of her.
Atikamekw Suns is a 2023 Canadian drama film, written, produced, and directed by Chloé Leriche. The film centres on the true story of five youths from the Atikamekw First Nation community of Manawan who were found dead in a truck in the nearby river in 1977, with police investigation remaining inconclusive to this day about whether the truck driving into the river was a simple accident or a racially-motivated attack.
Finality of Dusk is a 2023 Canadian post-apocalyptic science fiction film directed by Madison Thomas, from a screenplay by Thomas and Katarina Ziervogel. Starring Marika Sila, Cherrel Holder, Chris Dodd, and Meegwun Fairbrother, the film follows Ishkode (Sila) and Niife (Holder), who team up to survive in a world where the air has become too toxic for humans to breathe, requiring people to wear specialized breathing helmets at all times, all the while being pursued by Odin (Dodd), a deaf man who is on a mission to steal their helmets.
The Burning Season is a 2023 Canadian drama film, directed by Sean Garrity. The film stars Sara Canning, Jonas Chernick, Joe Pingue and Tanisha Thammavongsa. The screenplay, written by Chernick and Diana Frances, won the award for best Canadian screenplay at the 2023 Whistler Film Festival, where it had its world premiere.
Altar Boy is a 2021 Canadian coming-of-age drama film, directed by Serville Poblete. The film stars Mark Bacolcol as Daniel Garcia, a Filipino Canadian teenager who is struggling to chart his own independent course in life against the wishes of his domineering, deeply religious mother Rose.
Any Other Way: The Jackie Shane Story is a 2024 Canadian documentary film, directed by Michael Mabbott and Lucah Rosenberg-Lee. The film is a portrait of Jackie Shane, the pioneering transgender singer who was a prominent figure in the Toronto music scene in the 1960s before virtually disappearing from public life after 1971.
Robert Swartz is a Canadian film and television editor.
She Talks to Strangers is a Canadian comedy-drama film, written and directed by Bruce Sweeney and released in 2023. The film stars Camille Sullivan as Leslie, a woman who has been separated for a number of years but not legally divorced from her husband Keith ; one day, however, Keith returns to hide out in her basement from people to whom he owes money, but with the secret intention to reestablish his ownership rights in the home so that he can make quick money by forcing her to sell it and give him half the money, thus forcing Leslie to team up with her mother Staci, with whom she also has a tense and difficult relationship, to figure out how to get rid of him.