Brotherly Love | |
---|---|
Directed by | Charles Reisner |
Written by | Earl Baldwin (scenario) Lew Lipton (scenario) Robert Hopkins (intertitles) |
Starring | Karl Dane George K. Arthur Jean Arthur |
Cinematography | Henry Sharp (*French) |
Edited by | George Hively |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 67 minutes |
Country | United States |
Languages | Sound (Part-Talkie) (English Intertitles) |
Brotherly Love is a 1928 sound part-talkie comedy film produced and distributed by Metro-Goldwyn-Mayer and directed by Charles Reisner. It is a starring vehicle for the comedy team of Karl Dane and George K. Arthur. Young Jean Arthur supports the comedy duo. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. [1] [2]
Some publicity photos from the film show Dane with Buster Keaton, but it is not clear whether Keaton had a cameo in the film that was later cut or merely posed with Dane for a photo while visiting the set. [3]
One copy of the film, with sound discs, is in the collection of the UCLA Film & Television Archive. [4] The Library of Congress database lists no copies. [5]
The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Steamboat Bill, Jr. is a 1928 silent comedy film starring Buster Keaton. Released by United Artists, the film is the final product of Keaton's independent production team and set of gag writers.
Karl Dane was a Danish-American comedian and actor known for his work in American films, mainly of the silent film era. He became a star after portraying “Slim”, a supporting role in one of the most successful silent films of all time, The Big Parade (1925), directed by King Vidor and starring John Gilbert.
Abie's Irish Rose is a 1928 early sound (part-talkie) film directed by Victor Fleming and starring Charles "Buddy" Rogers, Nancy Carroll, Jean Hersholt, and J. Farrell MacDonald. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film based on the 1922 play Abie's Irish Rose by Anne Nichols. The film was later remade in 1946. In the 1930s, author Nichols revealed that her deal with Paramount brought her $300,000 plus half the film's profits.
Arthur George Brest, known professionally as George K. Arthur, was an English actor and producer, born in Aberdeen, Scotland,. He appeared in more than 50 films between 1919 and 1935, and is best known as the diminutive half of the comedy team of Dane & Arthur.
Harry Rapf, was an American film producer.
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Lights of Old Broadway is a 1925 American silent drama film directed by Monta Bell, produced by William Randolph Hearst's Cosmopolitan Productions, and released by Metro-Goldwyn-Mayer. The film stars Marion Davies in a dual role and Conrad Nagel, and is an adaptation of the play The Merry Wives of Gotham by Laurence Eyre (USA). The film has color sequences using tinting, Technicolor, and the Handschiegl color process.
Baby Mine is a 1928 silent film comedy produced and distributed by Metro-Goldwyn-Mayer. This film is a remake of the 1917 film Baby Mine both being based on Margaret Mayo's 1910 Broadway comedy Baby Mine. This film stars Karl Dane, George K. Arthur and Charlotte Greenwood and is her third feature film, she having made two previous films in 1916 and 1918.
State Street Sadie is a 1928 American sound part-talkie crime drama film directed by Archie Mayo. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This is regarded as a lost film.
Rookies is a 1927 American silent comedy film directed by Sam Wood and released by Metro-Goldwyn-Mayer. The film pairs the comedy teaming of Karl Dane and George K. Arthur as the stars of Rookies. Because of the popularity of this film, this would be the first of several collaborations between the two actors. The comedy team of "... gangly Karl Dane and diminutive George K. Arthur... ... Clearly conceived to cash in on the success of Paramount's Wallace Beery-Raymond Hatton service comedy Behind the Front, this Dane-Arthur vehicle finds our mismatched heroes cast as a sergeant and private during WWI."
A Self-Made Failure is a 1924 American silent comedy film distributed by Associated First National Pictures, later First National Pictures. It was directed by William Beaudine and starred silent comic Lloyd Hamilton and then child actor Ben Alexander. At the time it was released, it one of the longest comedy features ever made.
China Bound is a 1929 silent film comedy produced and distributed by Metro-Goldwyn-Mayer. The film is rarely seen today due to some of its Asian racial content. A scene from the film was shown in the comedy retrospective MGM's Big Parade of Comedy (1965).
Detectives is a 1928 silent film comedy produced and distributed by Metro-Goldwyn-Mayer. It was directed by Chester Franklin with elements of the old-house melodrama genre. The film is another outing for Karl Dane, George K. Arthur and Marceline Day. Clips of the film appeared in Robert Youngson's MGM's Big Parade of Comedy in 1965. One scene has George K. Arthur disappearing while within the hanging covers of a large canopy bed.
Beware of Bachelors is a 1928 American part-talkie pre-code comedy drama film produced and released by Warner Bros., and directed by Roy Del Ruth. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The movie stars Audrey Ferris, William Collier Jr., Margaret Livingston, Clyde Cook, and George Beranger. The film was based on a short story by Mark Canfield.
Two Weeks Off is a 1929 American sound part-talkie comedy film directed by William Beaudine. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. A complete nitrate print survives at UCLA.
Circus Rookies is a lost 1928 American silent comedy film produced and distributed by MGM and directed by Edward Sedgwick. It starred the comedy team of Karl Dane and George K. Arthur.
All At Sea is a 1929 silent film comedy starring Karl Dane and George K. Arthur. It was produced and distributed by MGM and directed by Alfred J. Goulding.
The Fortune Hunter is a lost 1927 synchronized sound film comedy directed by Charles Reisner and starring Syd Chaplin. It is based on the 1909 Broadway play The Fortune Hunter by Winchell Smith. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film was produced by Warner Brothers.
Her Temporary Husband is a 1923 American silent comedy film directed by John McDermott and starring Owen Moore. Based upon a play of the same name by Edward A. Paulton, it was produced and distributed by Associated First National.