Built to Spill Plays the Songs of Daniel Johnston | ||||
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Studio album by | ||||
Released | June 12, 2020 | |||
Genre | Pop rock, Indie rock | |||
Length | 34:25 | |||
Label | Ernest Jenning | |||
Built to Spill chronology | ||||
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Built to Spill Plays the Songs of Daniel Johnston is a 2020 tribute album by indie rock band Built to Spill covering the works of outsider musician Daniel Johnston. It was released on June 12, 2020, by Ernest Jenning. The album was conceived after the band completed touring with Johnston during his final two concerts in November 2017. The album received mostly positive reviews.
Built to Spill accompanied Daniel Johnston at his final two concerts in November 2017; [1] band member Doug Martsch described the two shows as "good" and "weird". [2] During the tour, the band recorded covers of Johnston's songs while rehearsing. [2] [3] Martsch later said that the band had recorded the songs "for ourselves and our friends". [2] In the fall of 2018, the band spontaneously recorded Johnston songs during a session in their former guitarist Jim Roth's studio, and then decided to record an album of Johnston songs. [2] [4] Johnston died on September 11, 2019, before the album's release. [2] The album largely covers songs that Johnston recorded in the 1990s. [5] The album's release was pushed back from May 1 to June 12, 2020 as a result of the coronavirus pandemic, which caused shipping issues. [2] [6]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 6.2/10 [7] |
Metacritic | 70/100 [8] |
Review scores | |
Source | Rating |
AllMusic | [5] |
American Songwriter | [9] |
Flood | 8/10 [10] |
No Ripcord | 6/10 [11] |
Pitchfork | 6.7/10 [12] |
PopMatters | 4/10 [13] |
Under the Radar | 7/10 [14] |
Uncut | 7/10 [15] |
According to the review aggregator Metacritic , Built to Spill Plays the Songs of Daniel Johnston received "generally favorable reviews" based on a weighted average score of 70 out of 100 from 9 critic scores. [8]
Several critics praised the album for its faithfulness to Johnston's musical style and lyrical tone. Tim Sendra, writing for AllMusic, said that the album used a "low-key, almost relaxed style with slightly distorted guitars and a loose rhythm section backing Martsch's wistful vocals", while capturing "Johnston's mix of shattering pathos and irresistible melodies" and the "openhearted, almost painfully innocent nature of Johnston's songs". [5] In Under the Radar , Scott D. Elingburg said that the album was "a combination of perfect pop and indie rock", with "traces of [Johnston's] spirit resid[ing] in every song". [14] Likewise, Flood stated that although "the playing is more polished and proficient, less raw and ragged, than Johnston's ever was, his playful spirit is most definitely here, listening, smiling, nodding along to his own songs". [10] Shawn Donohue in Glide described the covers as "straight ahead renditions" of Johnston's songs and said that the album "succeeds" as a "loving document to a unique songwriter". [16] By contrast, Chris Rutledge in American Songwriter said that the album "stands as a testament to the songs and to the band reimagining them". [9]
PopMatters rated the album 4 out of 10, describing it as "pretty lackluster" and "too plain for its own good"; [13] No Ripcord said that the album "sounds as nondescript as the album title itself". [11] Pitchfork rated the album 6.7 out of 10 and said that it had "nothing of the strange and messy spirit that animates Johnston's music". [12] By contrast, Holly Hazelwood, writing for Spectrum Culture, criticized the band for failing to take ownership over the covers, stating that "you'd be hard pressed to find the band's fingerprints anywhere – so tracks like the bouncy 'Life in Vain' or 'Queenie the Dog' could have been done by any other gentle, three-piece indie rock band". [17]
No. | Title | Length |
---|---|---|
1. | "Bloody Rainbow" | 2:24 |
2. | "Tell Me Now" | 3:00 |
3. | "Honey I Sure Miss You" | 3:29 |
4. | "Good Morning You" | 1:32 |
5. | "Heart, Mind and Soul" | 4:28 |
6. | "Life in Vain" | 3:25 |
7. | "Mountain Top" | 2:05 |
8. | "Queenie the Dog" | 3:36 |
9. | "Impossible Love" | 2:44 |
10. | "Fake Records of Rock & Roll" | 4:08 |
11. | "Fish" | 3:20 |
Total length: | 34:25 |
Daniel Dale Johnston was an American singer, musician and artist regarded as a significant figure in outsider, lo-fi, and alternative music scenes. Most of his work consisted of cassettes recorded alone in his home, and his music was frequently cited for its "pure" and "childlike" qualities.
Built to Spill is an American indie rock band that formed in Boise, Idaho, in 1992. Centered on lead vocalist and guitarist Doug Martsch, the only permanent member, Built to Spill has released nine albums since its inception.
Doug Martsch is an American singer and musician. He is best known for his distinctive vocals and guitar playing style in the band Built to Spill.
There's Nothing Wrong with Love is the second full-length album released by American indie rock band Built to Spill. There's Nothing Wrong with Love was recorded in May and June 1994, and released September 13, 1994, on the Up Records label. It was produced by Phil Ek. The songs "Car" and "Distopian Dream Girl" were released as singles. Sub Pop reissued the album on vinyl in 2015. This is the only album to feature drummer Andy Capps and the first to feature bassist Brett Nelson.
The Normal Years is a compilation album of singles, live songs, songs on other compilations, and previously unreleased recordings by indie rock band Built to Spill.
Perfect from Now On is the third full-length album released by Built to Spill, and the band's first major label release. It was recorded at the Avast! Recording Company in Seattle, Washington by Phil Ek. Stylistically, the album was marked by its experimentation with longer song structures and philosophical lyrics.
Keep It Like a Secret is the fourth studio album released by American indie rock band Built to Spill, and their second for Warner Bros. Records.
Ancient Melodies of the Future is the fifth album by indie rock band Built to Spill. The core line-up of the band remained as it had for the previous two albums, with singer/guitarist Doug Martsch, bassist Brett Nelson, and drummer Scott Plouf. The album was recorded at Bear Creek in Woodinville, Washington, with overdubs recorded at Avast! Recording Co. in Seattle, Washington, and Martsch's studio, The Manhouse, in Boise, Idaho. Ancient Melodies of the Future was released in 2001 by Warner Bros.
Now You Know is the debut solo album by American musician Doug Martsch of indie rock band Built to Spill. Unlike Martsch's rock-oriented work with Built to Spill, the album touches on blues and folk in addition to rock. Now You Know was released in 2002 on Up Records label.
Duster is an American indie rock band, formed in San Jose, California in 1996. For most of its history, the group consisted of multi-instrumentalists Clay Parton and Canaan Dove Amber alongside drummer Jason Albertini before Albertini left the band in 2022.
You in Reverse is the sixth full-length album released by indie rock band Built to Spill. The band added one new member for this album, making Built to Spill a quartet for the first time. It was also the first album since Ultimate Alternative Wavers not recorded or produced by Phil Ek. The lineup was Doug Martsch, Brett Nelson, Scott Plouf, and Jim Roth. The album was recorded in Portland, Oregon at Audible Alchemy. You in Reverse was released on April 11, 2006.
"Carry the Zero" is a song recorded by the American rock band Built to Spill for their fourth studio album, Keep It Like a Secret (1999). It was released as the second single from Keep It Like a Secret in 1999 through Warner Bros. Records. An extended play of the same name was released the same year; it is their first solo EP after the 1995 split EP Built to Spill Caustic Resin.
"Goin' Against Your Mind" is a song recorded by the American rock band Built to Spill for their sixth studio album, You in Reverse (2006). It was released as the lead single from You in Reverse on January 17, 2006 through Warner Bros. Records.
Caustic Resin is an American indie rock band from Boise, Idaho consisting of Brett Netson on guitar and vocals, Tom Romich Jr. on bass guitar, and James Dillion or Pat Perkins on drums.
The What of Whom is the third self-released music cassette album by singer-songwriter Daniel Johnston, recorded in 1982.
Helvetia was an indie rock band that formed in Seattle, Washington, in 2005. The name Helvetia is a personification of Switzerland, the childhood home of bandleader and primary songwriter Jason Albertini.
There Is No Enemy is the seventh full-length studio album by indie rock band Built to Spill. The album was released in the US on October 6, 2009, and is the last to feature long-time drummer Scott Plouf and bassist Brett Nelson, who left the group in 2012. It features guest musicians Sam Coomes, cellist John McMahon, Scott Schmaljohn, Paul Leary, and additional keyboards by Roger Manning.
Respect is the 8th self-released music cassette album by singer-songwriter Daniel Johnston, released in 1985. It features covers of the Elvis Presley song "Heartbreak Hotel" and the Bert Berns song "A Little Bit of Soap", made popular by The Jarmels.
Untethered Moon is the eighth studio album by American rock band Built to Spill. The album was released on vinyl for Record Store Day on April 18, 2015, and on CD and digital format on April 21, 2015. It is the band's first album in nearly six years, since 2009's There Is No Enemy, making it the band's longest delay between studio albums up to that point.
When the Wind Forgets Your Name is the ninth studio album by American indie rock band Built to Spill. It was released on September 9, 2022, by Sub Pop.
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