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Dōgen Zenji, also known as Dōgen Kigen (道元希玄), Eihei Dōgen (永平道元), Kōso Jōyō Daishi (高祖承陽大師), or Busshō Dentō Kokushi (仏性伝東国師), was a Japanese Buddhist priest, writer, poet, philosopher, and founder of the Sōtō school of Zen in Japan.
Sōtō Zen or the Sōtō school is the largest of the three traditional sects of Zen in Japanese Buddhism. It is the Japanese line of the Chinese Cáodòng school, which was founded during the Tang dynasty by Dòngshān Liánjiè. It emphasizes Shikantaza, meditation with no objects, anchors, or content. The meditator strives to be aware of the stream of thoughts, allowing them to arise and pass away without interference.
Kenshō (見性) is a Japanese term from the Zen tradition. Ken means "seeing", shō means "nature, essence". It is usually translated as "seeing one's (true) nature", that is, the Buddha-nature or nature of mind.
Buddha-nature refers to several related Buddhist terms, most notably tathāgatagarbha and buddhadhātu. Tathāgatagarbha means "the womb" or "embryo" (garbha) of the "thus-gone" (tathāgata), or "containing a tathāgata", while buddhadhātu literally means "Buddha-realm" or "Buddha-substrate".
Shōbōgenzō is the title most commonly used to refer to the collection of works written in Japanese by the 13th century Japanese Buddhist monk and founder of the Japanese Sōtō Zen school, Eihei Dōgen. Several other works exist with the same title, and it is sometimes called the Kana Shōbōgenzō in order to differentiate it from those. The term shōbōgenzō can also be used more generally as a synonym for the Buddha Dharma as viewed from the perspective of Mahayana Buddhism.
Gudo Wafu Nishijima was a Japanese Zen Buddhist priest and teacher.
The wild fox kōan, also known as "Pai-chang 's fox" and "Hyakujō and a Fox", is an influential kōan story in the Zen tradition dating back as early as 1036, when it appeared in the Chinese biographical history T'ien-sheng kuang-teng lu. It was also in The Gateless Gate, a 13th-century collection of 48 kōans compiled by the Chinese monk Wumen, as case 2.
Bendōwa (辨道話), meaning Discourse on the Practice of the Way or Dialogue on the Way of Commitment, sometimes also translated as Negotiating the Way, On the Endeavor of the Way, or A Talk about Pursuing the Truth, is an influential essay written by Dōgen, the founder of Zen Buddhism's Sōtō school in Japan.
The Five Ranks is a poem consisting of five stanzas describing the stages of realization in the practice of Zen Buddhism. It expresses the interplay of absolute and relative truth and the fundamental non-dualism of Buddhist teaching.
Though Zen is said to be based on a "special transmission outside scriptures" which "did not stand upon words", the Zen-tradition has a rich doctrinal and textual background. It has been influenced by sutras such as the Lankavatara Sutra, the Vimalakirti Sutra, the Avatamsaka Sutra, and the Lotus Sutra.
Genjōkōan (現成公按), translated by Tanahashi as Actualizing the Fundamental Point, is an influential essay written by Dōgen, the founder of Zen Buddhism's Sōtō school in Japan. It is considered one of the most popular essays in Shōbōgenzō.
Zhengfa Yanzang, known in English as the Treasury of the Correct Dharma Eye or by the Japanese reading of its title, Shōbōgenzō, is a collection of kōans compiled by Dahui Zonggao. Dahui was a famous popularizer of kōans during the Song Dynasty in China. Dahui's collection is composed of three scrolls prefaced by three short introductory pieces. Dahui's work uses the same Chinese characters for its title as the now well known Shōbōgenzō written by the Japanese monk Eihei Dōgen in the thirteenth century. Upon arriving in China, Dōgen first studied under Wuji Lepai, a disciple of Dahui, which is where he probably came into contact with Dahui's Zhengfa Yanzang. In his book Dogen's Manuals of Zen Meditation, the modern scholar Carl Bielefeldt acknowledges that Dōgen likely took the title from Dahui for his own kōan collection, the Shinji Shōbōgenzō, and kept it for his later and now most well-known work, the Kana Shōbōgenzō :
Indeed the fact that Dōgen styled his effort "Shōbō genzō" suggests that he had as his model a similar compilation of the same title by the most famous of Sung masters, Ta-Hui Tsung-kao [Dahui Zonggao]. Unlike the latter, Dōgen was content here simply to record the stories without interjecting his own remarks. A few years later, however, he embarked on a major project to develop extended commentaries on many of these and other passages from the Ch'an literature. The fruit of this project was his masterpiece—the remarkable collection of essays known as the kana, or "vernacular", Shōbō genzō.
Keisei sanshoku, rendered in English as The Sounds of Valley Streams, the Forms of Mountains, is the 25th book of the Shōbōgenzō by the 13th century Sōtō Zen monk Eihei Dōgen. It was written in the spring of 1240 at Dōgen's monastery Kōshōhōrin-ji in Kyoto. The book appears in both the 75 and 60 fascicle versions of the Shōbōgenzō, and it is ordered ninth in the later chronological 95 fascicle editions. The name keisei sanshoku is a quotation from the Song Dynasty Chinese poet Su Shi, wherein he experiences the sound of the valley stream as the preaching of the dharma and the mountain as the body of the Buddha. Dogen also discusses this verse of Su Shi in the later Shōbōgenzō books of Sansui Kyō and Mujō Seppō. About halfway through the essay, Dōgen switches from focusing on the title theme to a discussion of Buddhist ethics before ultimately concluding that one must practice ethical behavior in order to see the dharma in the natural world as Su Shi does.
Sokushin zebutsu, rendered in English as Mind is Itself Buddha, is a book of the Shōbōgenzō by the 13th century Sōtō Zen monk Eihei Dōgen. It was written in the spring of 1239 at Dōgen's monastery Kōshōhōrin-ji in Kyoto. The book appears as the fifth book in both the 75 and 60 fascicle versions of the Shōbōgenzō, and it is ordered sixth in the later chronological 95 fascicle Honzan editions. The title Sokushin zebutsu is an utterance attributed to the 8th century Song Dynasty Zen monk Mazu Daoyi in a well known kōan that appears most notably as Case 30 in The Gateless Barrier, although Dōgen would have known it from the earlier Transmission of the Lamp. In addition to this book of the Shōbōgenzō, Dōgen also discusses the phrase Sokushin zebutsu in several of his formal Dharma Hall Discourses, namely numbers 8, 75, 319, and 370, all of which are recorded in the Eihei Kōroku.
Gyōbutsu igi, known in English as Dignified Behavior of the Practice Buddha, is a book of the Shōbōgenzō by the 13th century Sōtō Zen monk Eihei Dōgen. It was written in the winter of 1241 at Dōgen's monastery Kōshōhōrin-ji in Kyoto. The book appears as the sixth book in both the 75 and 60 fascicle versions of the Shōbōgenzō, and it is ordered 23rd in the later chronological 95 fascicle Honzan editions. Dōgen discusses similar concepts in two of his formal Dharma Hall Discourses, namely number 119, which was written shortly after Gyōbutsu igi, and number 228, both of which are recorded in the Eihei Kōroku. The title is a quotation from the final chapter of Buddhabhadra's translation of the Avataṃsaka Sūtra where the phrase was used to simply describe the Buddha, "bearing himself as a Buddha." Dōgen substantially reimagines the meaning of the phrase in this fascicle.
Ikka myōju, known in English as One Bright Jewel or One Bright Pearl, is a book of the Shōbōgenzō by the 13th century Sōtō Zen monk Eihei Dōgen. It was written in the summer of 1238 at Dōgen's monastery Kōshōhōrin-ji in Kyoto. The essay marked the beginning of a period of high output of Shōbōgenzō books that lasted until 1246. The book appears as the seventh book in both the 75 and 60 fascicle versions of the Shōbōgenzō, and it is ordered fourth in the later chronological 95 fascicle Honzan editions. The essay is an extended commentary on the famous saying of the Tang Dynasty monk Xuansha Shibei that "the ten-direction world is one bright jewel", which in turn references the Mani Jewel metaphors of earlier Buddhist scriptures. Dōgen also discusses the "one bright jewel" and related concepts from the Shōbōgenzō essay in two of his formal Dharma Hall Discourses, namely numbers 107 and 445, as well as his Kōan commentaries 23 and 41, all of which are recorded in the Eihei Kōroku.
A Mani Jewel refers to any of various jewels mentioned in Buddhist literature as either metaphors for several concepts in Buddhist philosophy or as mythical relics. The word mani is simply Sanskrit and Pali for "jewel", so the phrase "Mani Jewel" is in one sense redundant. However, the Mani Jewel metaphors were significantly expanded in Chinese language texts in which it was also called by essentially the same redundant name móní zhū, where the first two characters are the transcription of mani and the third character (珠) is its Chinese translation, "jewel". The English phrase "Mani Jewel" is thus in essence a translation of the Chinese term. The use of the Mani Jewel in Buddhist literature includes various magical relics such as the wish-fulfilling cintamani as well as metaphorical devices to illustrate several ideas such as Buddha-nature and Śūnyatā.
Sansui kyō, rendered in English as Mountains and Waters Sutra, is a book of the Shōbōgenzō by the 13th century Sōtō Zen monk Eihei Dōgen. It is widely considered to be one of the most beautiful of all of the 95 books of the Shōbōgenzō according to Stanford University professor Carl Bielefeldt. The text was written in the fall of 1240 at Dōgen's monastery Kōshōhōrin-ji in Kyoto, and the manuscript from that time in Dōgen's own hand survives. This year saw a marked increase in the output of his essays for the Shōbōgenzō, including the closely related work Keisei sanshoku written a few months before and covering essentially the same theme, namely the mountains and rivers as equivalent to the body and speech of the Buddha. The book appears as the 29th in the 75 fascicle versions of the Shōbōgenzō, and it is ordered 14th in the later chronological 95 fascicle Honzan edition. It was also included as the 14th book of the 28 fascicle "Eiheiji manuscript" Shōbōgenzō. Gudō Nishijima, a modern Zen priest, sums up the essay as follows: "Buddhism is basically a religion of belief in the universe, and nature is the universe showing its real form. So to look at nature is to look at the Buddhist truth itself. For this reason, Master Dōgen believed that nature is just Buddhist sutras."
Kobutsushin or Kobusshin, also known in various English translations such as The Mind of Eternal Buddhas or Old Buddha Mind, is a book of the Shōbōgenzō by the 13th century Sōtō Zen monk Eihei Dōgen. The book appears ninth in the 75 fascicle version of the Shōbōgenzō, and it is ordered 44th in the later chronological 95 fascicle "Honzan edition". It was presented to his students in the fourth month of 1243 at Rokuharamitsu-ji, a temple in a neighborhood of eastern Kyoto populated primarily by military officials of the new Kamakura shogunate. This was the same location where he presented another book of the same collection called Zenki. Both were short works compared to others in the collection, and in both cases he was likely invited to present them at the behest of his main patron, Hatano Yoshishige, who lived nearby. Later in the same year, Dōgen suddenly abandoned his temple Kōshōhōrin-ji in Kyoto and began to establish Eihei-ji.
The Japanese Buddhist word uji (有時), usually translated into English as Being-Time, is a key metaphysical idea of the Sōtō Zen founder Dōgen (1200-1253). His 1240 essay titled Uji, which is included as a fascicle in the Shōbōgenzō collection, gives several explanations of uji, beginning with, "The so-called "sometimes" (uji) means: time (ji) itself already is none other than being(s) (u) are all none other than time (ji).". Scholars have interpreted uji "being-time" for over seven centuries. Early interpretations traditionally employed Buddhist terms and concepts, such as impermanence. Modern interpretations of uji are more diverse, for example, authors like Steven Heine and Joan Stambaugh compare Dōgen's concepts of temporality with the existentialist Martin Heidegger's 1927 Being and Time.
References
- 1 2 3 Bielefeldt, Carl (2010), Shōbōgenzō busshō, Sotoshu Shumucho, archived from the original on 2012-06-28, retrieved 2015-09-30
