Buster Bee

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Buster Bee
Lake Hemphill Buster Bee.jpg
Studio album by
Oliver Lake and Julius Hemphill
Released1978
RecordedMarch 1, 1978
StudioEastern Sound, Toronto
Genre Free jazz
Length45:43
Label Sackville
3018
Producer Bill Smith
Oliver Lake chronology
Ntu: Point from Which Creation Begins
(1976)		Buster Bee
(1978)		Life Dance of Is
(1978)
Julius Hemphill chronology
Raw Materials and Residuals
(1978)		Buster Bee
(1978)		 Live in New York
(1978)

Buster Bee is an album by saxophonists Oliver Lake and Julius Hemphill. Featuring three compositions by each musician, it was recorded at Eastern Sound in Toronto, on March 1, 1978, and was released on vinyl by Sackville Records later that year. In 2001, it was reissued on CD in limited quantities as part of the Sackville Collection series. [1] [2] [3] [4]

Contents

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [1]
DownBeat Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [5]
The Penguin Guide to Jazz Star full.svgStar full.svgStar full.svgStar empty.svg [6]
The Virgin Encyclopedia of Jazz Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [7]

Robert Palmer of The New York Times noted that the album "is steeped in the two altoists' rhythm-and-blues roots and should delight anyone who has enjoyed the World Saxophone Quartet in concert." [8] A writer for Billboard remarked: "Lake and Hemphill require intense concentration, but to the patient, open-minded listener, their efforts can be rewarding." [9] The Globe and Mail opined that "some of the music, especially the tune 'Buster Bee', is bebop 30 years later, after Ornette Coleman and after Anthony Braxton... It often swings—even though no one's counting time—and it's supremely lyrical." [10]

In a review for AllMusic, Brian Olewnick stated that the album "allows [the musicians] an unusual intimacy that fosters some lovely playing and interaction," and wrote: "All of the tracks are composed (though allowing for substantial improvisation) and are a pleasingly varied bunch... Both players are near the top of their game, with subtle liquid phrasing giving way to impassioned cries on a moment's notice. Recommended." [1] The authors of The Penguin Guide to Jazz Recordings called the album "nicely intimate," and commented: "It feels a little like eavesdropping on a private conversation, but a nice historical glimpse none the less." [6]

Author Gary Giddins stated that, although "solo and duo wind recitals were commonplace" at the time of the recording, Buster Bee is "one of the best," showing Hemphill's "strong yet uncompromising individual link to Charlie Parker." [11]

Track listing

  1. "Buster Bee" (Julius Hemphill) – 10:15
  2. "Vator" (Oliver Lake) – 5:48
  3. "Fertility" (Julius Hemphill) – 6:55
  4. "'S'" (Julius Hemphill) – 8:08
  5. "A Stand" (Oliver Lake) – 4:23
  6. "Flesh Turns Chi" (Oliver Lake) – 9:49

Personnel

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References

  1. 1 2 3 Olewnick, Brian. "Julius Hemphill / Oliver Lake: Live in New York". AllMusic. Retrieved July 7, 2023.
  2. ↑ "Julius Hemphill & Oliver Lake - Live in New York". Jazz Music Archives. Retrieved July 7, 2023.
  3. ↑ "Julius Hemphill discography". JazzLists. Retrieved July 7, 2023.
  4. ↑ Shoemaker, Bill (December 1, 2000). "Sackville Records: Return to Sackville". JazzTimes. Retrieved July 7, 2023.
  5. ↑ Litweiler, John (March 1980). "World Saxophone Quartet: Steppin' with The World Saxophone Quartet / Oliver Lake-Julius Hemphill: Buster Bee". DownBeat . Vol. 47, no. 3. pp. 42–43.
  6. 1 2 Cook, Richard; Morton, Brian (2006). The Penguin Guide to Jazz Recordings. Penguin Books. p. 777.
  7. ↑ Larkin, Colin, ed. (2004). The Virgin Encyclopedia of Jazz. Virgin Books. p. 400.
  8. ↑ Palmer, Robert (September 2, 1979). "A Saxophone Foursome Comes Into Its Own". The New York Times. Retrieved July 7, 2023.
  9. ↑ "Billboard's Recommended LPs". Billboard. July 28, 1979. p. 59 – via Google Books.
  10. ↑ Miller, Mark (7 July 1979). "Buster Bee Oliver Lake/Julius Hemphill". The Globe and Mail. p. F4.
  11. ↑ Giddins, Gary (2000). Visions of Jazz: The First Century. Oxford University Press. p. 550.
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