Cannibal (Bury Tomorrow album)

Last updated

Cannibal
BuryTomorrowCannibal.jpg
Studio album by
Released3 July 2020 (2020-07-03)
Studio
Genre Metalcore
Length42:04
Label Music For Nations
Producer Dan Weller
Bury Tomorrow chronology
Black Flame
(2018)
Cannibal
(2020)
The Seventh Sun
(2023)
Singles from Cannibal
  1. "The Grey (VIXI)"
    Released: 29 November 2019
  2. "Cannibal"
    Released: 10 January 2020
  3. "Choke"
    Released: 13 February 2020
  4. "Better Below"
    Released: 2 April 2020
  5. "Gods & Machines"
    Released: 26 June 2020

Cannibal is the sixth studio album by British metalcore band Bury Tomorrow. Originally scheduled for release on 3 April 2020, it was released on 3 July 2020 through Music For Nations. [2] [3] It was produced by Dan Weller. The album hit the Top 10 of album charts in the UK, Germany, Switzerland and Scotland. It is the last album to feature the band's founding rhythm guitarist and clean vocalist Jason Cameron before he left the band in July 2021. [4]

Contents

Background and promotion

In an Instagram Q&A with their fans, guitarist/vocalist Jason Cameron confirmed that a new album will be released in 2020. [5]

On 29 November 2019, the band released the lead single of their upcoming album titled "The Grey (VIXI)" and its corresponding music video. [6] On 10 January 2020, the band released the second single and title track "Cannibal" along with an accompanying music video. That same day, the band revealed the tracklist, album's official artwork and announced that their new upcoming sixth studio album Cannibal is set for release on 3 April 2020. [2] On 13 February, the band released the third single of the album titled "Choke". [7]

On 20 March, presumably due to the ongoing COVID-19 pandemic concerns, the band announced that they delayed the release of the album to 3 July in a bid to help them properly promote it. [3] On 2 April, the band released the fourth single "Better Below" along with an accompanying music video. [8] On 26 June, a week before the album release, the band released their fifth single "Gods & Machines". [9]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [1]
Dead Press!7/10 [10]
Distorted Sound7/10 [11]
Kerrang! Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [12]
KillYourStereo55/100 [13]
Louder Sound Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [14]
Rock 'N' Load10/10 [15]
Rock Sins9/10 [16]
Wall of Sound5/10 [17]

The album received mostly positive reviews, but also mixed reviews from several critics. AllMusic gave the album a positive review saying, "While hardly an updated recipe – strident, gravel-gargling verses that yield soaring clean choruses – it's a dish that the band have perfected over the years, and Cannibal is the finest representation of that sound to date." [1] Damon Taylor from Dead Press! rated the album positively but saying: "With Cannibal, Bury Tomorrow lean on their strengths and tighten up the more meandering elements of previous records to create a direct yet effective metalcore album. Whilst the lack of progression may be disappointing to some, the record does deliver a cohesive and solid collection of tracks." [10] Distorted Sound scored the album 7 out of 10 and said: "If you're going into Cannibal already hesitant that the Southampton crew often can't resist overdoing their blend of vocal styles – you'll find little respite on this record. Even with that said though, what is here is solid enough, and pretty much what you'd expect to receive from BURY TOMORROW at this point if you've followed their journey, just don't expect to be blown away. Coming off the back of their most successful moment, it was always going to be difficult for BURY TOMORROW to attain the same level of success without taking an unexpected shift. Cannibal strays away from reinvention, which, for most will be welcoming news – but if you were worried that the quintet might have already seen their peak on Black Flame , by the looks of it, you may have been right." [11]

Kerrang! gave the album 4 out of 5 and stated: "Black Flame was an important album for Bury Tomorrow, seeing them take a huge step forward towards modern metal's top table. Cannibal looks set to continue that momentum. And if it helps Dani and anyone else to deal with their demons as it goes, that can only be a very good thing." [12] Hunter Hewgley from KillYourStereo gave the album 55 out of 100 and said: "While FAR from perfect, Cannibal shows that Bury Tomorrow are aware of their strengths and are playing to them well. I can't say that I'm in love with Cannibal, but I also can't say I truly dislike it either. I find myself somewhere in that hard to distinguish middle: content and admiring the clear potential that Bury Tomorrow display but also not having it 'wow' me at all. For me, Cannibal definitely seems to be this U.K. band's most cohesive work, but I still cannot bring myself to enjoy them quite as much as others rightfully do. While I know that Bury Tomorrow's fanbase will adore Cannibal, I can't help but see it for what it is: a flawed, familiar-sounding melodic metalcore album, with a couple good songs spread out amongst the larger track list. Even so, Bury Tomorrow still seem ahead of many other bargain bin metalcore bands who attempt this sound. They just need one truly great album to cement them as a stand-out act, in my mind. Bury Tomorrow have a lot of great qualities, and a lot of potentials to make something pretty damn amazing in the future, but as a whole, Cannibal simply fails to eat its way into my heart." [13] Louder Sound gave the album a very positive review and stated: "The sheer talent and artistic wisdom it takes to produce such a towering, jam-packed record nearly 15 years down the line proves why Bury Tomorrow are still such a formidable force in the metalcore realm today. Neatly balancing stunning melodies with teeth-clenching brutality throughout, they've made show-stopping metalcore look easy once again." [14]

Rock 'N' Load praised the album saying, "Bury Tomorrow have set their own bar exceptionally high with this record, it has been very well put together, each track standing out and not a filler in sight. They've poured blood, sweat, tears, passion and so much more into this, the music matching the emotion in the vocals is something they've managed to execute well and it makes for a fantastic listen." [15] Simon Crampton of Rock Sins rated the album 9 out of 10 and said: "Musically Cannibal more than lives up to its end of the bargain, proving to be a much tighter and heavier prospect than its predecessor, proving once and for all that Bury Tomorrow are a certified banger factory. This is an album that grows stronger with each repeated listen revealing new parts of itself to the listener over time, and rewarding you for sticking with it and giving yourself over to it." [16] Wall of Sound gave the album a score 5/10 and saying: "I'm not going to pick standouts from this album, but I will pick a stand out element, and that's the guitars. Oh my gosh, they're damn good. So good in fact, that I wish they'd do an instrumental version. But in the end, Bury Tomorrow have created an enjoyable album. Is it going-to-blow-your-mind amazing? No. But does it hit the spot? Yes." [17]

Commercial performance

Metal Hammer named it as the 16th best metal album of 2020. [18]

Track listing

Cannibal track listing
No.TitleLength
1."Choke"3:47
2."Cannibal"4:15
3."The Grey (VIXI)"3:58
4."Imposter"3:27
5."Better Below"3:12
6."The Agonist"4:02
7."Quake"4:25
8."Gods & Machines"4:05
9."Voice & Truth"3:06
10."Cold Sleep"3:39
11."Dark, Infinite"4:01
Total length:42:04

Personnel

Credits adapted from AllMusic. [1]

Bury Tomorrow

Additional personnel

Charts

Chart performance for Cannibal
Chart (2020)Peak
position
Austrian Albums (Ö3 Austria) [19] 19
German Albums (Offizielle Top 100) [20] 3
Scottish Albums (OCC) [21] 8
Swiss Albums (Schweizer Hitparade) [22] 10
UK Albums (OCC) [23] 10
UK Rock & Metal Albums (OCC) [24] 1

Related Research Articles

Metalcore is a fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming, more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However the death growl is also a popular technique within the genre.

Melodic metalcore is a fusion genre, incorporating elements of melodic death metal and metalcore; it has a heavy emphasis on melodic instrumentation, distorted guitar tones, palm muting, double bass drumming, blast beats, metalcore-stylized breakdowns, aggressive screaming, death growls, and clean singing. The genre has seen commercial success for employing a more accessible sound at times compared to other forms of extreme music. Many notable melodic metalcore bands have been influenced by At the Gates and In Flames.

<span class="mw-page-title-main">Asking Alexandria</span> English rock band

Asking Alexandria are an English rock band formed in Dubai, United Arab Emirates and now based in York, North Yorkshire, consisting of guitarists Ben Bruce and Cameron Liddell, drummer James Cassells, lead vocalist Danny Worsnop, and bassist Sam Bettley.

<span class="mw-page-title-main">Bury Tomorrow</span> British metalcore band

Bury Tomorrow are a British metalcore band formed in 2006 in Southampton, Hampshire, England. The band is composed of six members; lead vocalist Daniel Winter-Bates, bassist Davyd Winter-Bates, drummer Adam Jackson, lead guitarist Kristan Dawson, who replaced founding guitarist Mehdi Vismara in 2013, rhythm guitarist Ed Hartwell, and keyboardist and vocalist Tom Prendergast, who both replaced Jason Cameron in 2021. Bury Tomorrow have released seven studio albums, their most recent being The Seventh Sun, released on 31 March 2023.

<i>The Union of Crowns</i> 2012 studio album by Bury Tomorrow

The Union of Crowns is the second studio album by British metalcore band Bury Tomorrow. The album was released on 13 July 2012 through Nuclear Blast. It was produced by Antony Smith and Pedro Teixeira. It is also the last album to feature the band's founding lead guitarist Mehdi Vismara before he left the band in 2013. It was recorded within the first few months of 2012. The album's release was delayed several times by the band in attempts to find a record label who could provide international distribution simultaneously.

<span class="mw-page-title-main">Crossfaith</span> Japanese metalcore band

Crossfaith is a Japanese metalcore band from Osaka that was formed in 2006. Since its formation, the band has retained the same line-up with no member changes, which currently consists of vocalist Kenta Koie, guitarist Kazuki Takemura, bassist Hiroki Ikegawa, drummer Tatsuya Amano and keyboardist Terufumi Tamano. They are characterized by performing a style of metalcore with dubstep and other forms of electronic music influences, and for their intense live performances.

<i>Lost Forever // Lost Together</i> 2014 studio album by Architects

Lost Forever // Lost Together is the sixth studio album by British metalcore band Architects. It was released on 11 March 2014 globally through Epitaph Records; with the exception of UNFD in Australia and New Damage in Canada.

<i>Runes</i> (album) 2014 studio album by Bury Tomorrow

Runes is the third studio album by British metalcore band Bury Tomorrow. It was released on 26 May 2014 through Nuclear Blast and was produced by Mike Curtis. The album is named after the Rune Poems and is the band's first to feature Kristan Dawson, who replaced founding member Mehdi Vismara as Bury Tomorrow's lead guitarist in 2013. In June 2014, Runes reached number 34 on the UK charts and was also number 1 on the UK Rock Chart.

<i>Ire</i> (album) 2015 studio album by Parkway Drive

Ire is the fifth studio album by Australian metalcore band Parkway Drive. It was released on 25 September 2015 through Resist and Epitaph Records, and was streamed online on 20 September. The album was produced by George Hadji-Christou. The band sought to change their established style with Ire, and reviewers have noted the inclusion of new influences.

<i>Vena</i> (album) 2015 studio album by Coldrain

Vena is the fourth studio album by Japanese rock band Coldrain. Recorded at the Trojan House and Madden Brothers Studio in Los Angeles, California with producer Brandon Paddock. It was released on October 21, 2015, in Japan by VAP and on October 23, 2015, worldwide by independent North American label Hopeless Records.

<i>Earthbound</i> (Bury Tomorrow album) 2016 studio album by Bury Tomorrow

Earthbound is the fourth studio album by British metalcore band Bury Tomorrow. It was released on 29 January 2016 through Nuclear Blast. It was produced by Caleb Shomo, the lead vocalist of the band Beartooth. This is their last release on Nuclear Blast due to their signing to Music For Nations and Sony Music.

<span class="mw-page-title-main">Loathe (band)</span> British metal band

Loathe are an English heavy metal band from Liverpool. Formed in 2014, the group consists of lead vocalist Kadeem France, guitarist and second vocalist Erik Bickerstaffe, drummer Sean Radcliffe and bassist Feisal El-Khazragi.

<i>Black Flame</i> (album) 2018 studio album by Bury Tomorrow

Black Flame is the fifth studio album by British metalcore band Bury Tomorrow. It was released on 13 July 2018 through Music For Nations and Sony Music. It was produced by Dan Weller.

<i>Guardians</i> (August Burns Red album) 2020 studio album by August Burns Red

Guardians is the ninth studio album by American metalcore band August Burns Red. It was released on April 3, 2020, through Fearless Records. The album was produced by Carson Slovak and Grant McFarland. It is their last album to be released on this label before the band signed to SharpTone Records in 2022.

<i>Like a House on Fire</i> 2020 studio album by Asking Alexandria

Like a House on Fire is the sixth studio album by English rock band Asking Alexandria. It was released on 15 May 2020 through Sumerian Records. It was produced by Matt Good. The album shows the group's continuity of a more straight forward and melodic hard rock sound, as established on their previous self-titled fifth album, while also shift into different genres. The album is also the last release from the band under Sumerian Records.

<i>The Path</i> (Fit for a King album) 2020 studio album by Fit for a King

The Path is the sixth studio album by American metalcore band Fit for a King. It was released on September 18, 2020, through Solid State Records and was produced by Drew Fulk. It is the band's first release with guitarist Daniel Gailey. It is also the last album to feature the band's founding drummer Jared Easterling before he left the band in December 2021.

<i>Sleeps Society</i> 2021 studio album by While She Sleeps

Sleeps Society is the fifth studio album by British metalcore band While She Sleeps. It was released on 16 April 2021, through the band's independent label Sleeps Brothers, in collaboration with Search and Destroy, Spinefarm Records, and Universal Music. The album was produced by Carl Bown and Sean Long, the band's lead guitarist.

<i>Below</i> (album) 2021 studio album by Beartooth

Below is the fourth studio album by American rock band Beartooth. The album was released on June 25, 2021, through Red Bull Records. It was produced by Caleb Shomo and Oshie Bichar. A deluxe edition of Below was released on March 18, 2022, with an additional 20 tracks.

<i>Scoring the End of the World</i> 2022 studio album by Motionless in White

Scoring the End of the World is the sixth studio album by American metalcore band Motionless in White. It was released on June 10, 2022, through Roadrunner Records. The album was produced by Drew Fulk and Justin DeBlieck. It is the band's first album to feature drummer Vinny Mauro and bassist Justin Morrow performing on the release.

<i>The Seventh Sun</i> 2023 studio album by Bury Tomorrow

The Seventh Sun is the seventh studio album by British metalcore band Bury Tomorrow. The album was released on 31 March 2023 through Music for Nations and it was produced by Dan Weller. It is the first album to feature the band's new rhythm guitarist Ed Hartwell and keyboardist/clean vocalist Tom Prendergast.

References

  1. 1 2 3 4 5 Christopher Monger, James. "Bury Tomorrow – Cannibal". AllMusic . Retrieved 3 July 2020.
  2. 1 2 "Bury Tomorrow Have Announced Their New Album 'Cannibal' And Released A New Song". Rock Sound. 10 January 2020. Archived from the original on 10 January 2020. Retrieved 10 January 2020.
  3. 1 2 "Bury Tomorrow Reportedly Delay New Album To July". ThePRP. 21 March 2020. Retrieved 24 March 2020.
  4. "British metalcore heroes Bury Tomorrow announce the departure of rhythm guitarist and vocalist Jason Cameron". Guitar World. 13 July 2021. Retrieved 13 July 2021.
  5. "NEWS: Bury Tomorrow to release new album in 2020!". Dead Press!. Retrieved 27 October 2019.
  6. "Bury Tomorrow Release New Song The Grey (VIXI)". Kerrang!. 29 November 2019. Retrieved 10 January 2020.
  7. "Bury Tomorrow Unleash New Song, Choke". Kerrang!. 14 February 2020. Retrieved 15 February 2020.
  8. "Watch Bury Tomorrow's New Video For Better Below". Kerrang!. 2 April 2020. Retrieved 3 April 2020.
  9. "NEWS: Bury Tomorrow debut new song, 'Gods & Machines'!". Dead Press!. 26 June 2020. Archived from the original on 7 July 2020. Retrieved 27 June 2020.
  10. 1 2 Taylor, Damon (6 July 2020). "ALBUM REVIEW: Bury Tomorrow – Cannibal". Dead Press!. Retrieved 7 July 2020.
  11. 1 2 Pugh, Kris (2 July 2020). "ALBUM REVIEW: Cannibal – Bury Tomorrow". Distorted Sound Mag. Retrieved 2 July 2020.
  12. 1 2 Travers, Paul (2 July 2020). "Album Review: Bury Tomorrow – Cannibal". Kerrang! . Retrieved 2 July 2020.
  13. 1 2 Hewgley, Hunter (2 July 2020). "Bury Tomorrow – Cannibal". KillYourStereo. Retrieved 2 July 2020.
  14. 1 2 Cooper, Ali (3 July 2020). "Bury Tomorrow's new album Cannibal proves they're the kings of modern metalcore". Louder Sound . Retrieved 3 July 2020.
  15. 1 2 "Bury Tomorrow // Cannibal // Album Review". Rock 'N' Load. 29 June 2020. Retrieved 2 July 2020.
  16. 1 2 Crampton, Simon (3 July 2020). "Bury Tomorrow – Cannibal". Rock Sins. Retrieved 3 July 2020.
  17. 1 2 "Bury Tomorrow – Cannibal (Album Review)". Wall of Sound. 2 July 2020. Retrieved 2 July 2020.
  18. "The 50 best metal albums of 2020". Metal Hammer . Future plc. 8 January 2021. Retrieved 12 March 2021.
  19. "Austriancharts.at – Bury Tomorrow – Cannibal" (in German). Hung Medien. Retrieved 15 July 2020.
  20. "Offiziellecharts.de – Bury Tomorrow – Cannibal" (in German). GfK Entertainment Charts. Retrieved 10 July 2020.
  21. "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 10 July 2020.
  22. "Swisscharts.com – Bury Tomorrow – Cannibal". Hung Medien. Retrieved 15 July 2020.
  23. "Official Albums Chart Top 100". Official Charts Company. Retrieved 10 July 2020.
  24. "Official Rock & Metal Albums Chart Top 40". Official Charts Company. Retrieved 10 July 2020.