The Magazine of Fantasy & Science Fiction is a U.S. fantasy and science-fiction magazine, first published in 1949 by Mystery House, a subsidiary of Lawrence Spivak's Mercury Press. Editors Anthony Boucher and J. Francis McComas had approached Spivak in the mid-1940s about creating a fantasy companion to Spivak's existing mystery title, Ellery Queen's Mystery Magazine. The first issue was titled The Magazine of Fantasy, but the decision was quickly made to include science fiction as well as fantasy, and the title was changed correspondingly with the second issue. F&SF was quite different in presentation from the existing science-fiction magazines of the day, most of which were in pulp format: it had no interior illustrations, no letter column, and text in a single-column format, which in the opinion of science-fiction historian Mike Ashley "set F&SF apart, giving it the air and authority of a superior magazine".
Other Worlds, Universe Science Fiction, and Science Stories were three related US magazines edited by Raymond A. Palmer. Other Worlds was launched in November 1949 by Palmer's Clark Publications and lasted for four years in its first run, with well-received stories such as "Enchanted Village" by A. E. van Vogt and "Way in the Middle of the Air", one of Ray Bradbury's "Martian Chronicle" stories. Since Palmer was both publisher and editor, he was free to follow his own editorial policy, and presented a wide array of science fiction.
Startling Stories was an American pulp science fiction magazine, published from 1939 to 1955 by publisher Ned Pines' Standard Magazines. It was initially edited by Mort Weisinger, who was also the editor of Thrilling Wonder Stories, Standard's other science fiction title. Startling ran a lead novel in every issue; the first was The Black Flame by Stanley G. Weinbaum. When Standard Magazines acquired Thrilling Wonder in 1936, it also gained the rights to stories published in that magazine's predecessor, Wonder Stories, and selections from this early material were reprinted in Startling as "Hall of Fame" stories. Under Weisinger the magazine focused on younger readers and, when Weisinger was replaced by Oscar J. Friend in 1941, the magazine became even more juvenile in focus, with clichéd cover art and letters answered by a "Sergeant Saturn". Friend was replaced by Sam Merwin Jr. in 1945, and Merwin was able to improve the quality of the fiction substantially, publishing Arthur C. Clarke's Against the Fall of Night, and several other well-received stories.
Satellite Science Fiction was an American science-fiction magazine published from October 1956 to April 1959 by Leo Margulies' Renown Publications. Initially, Satellite was digest sized and ran a full-length novel in each issue with a handful of short stories accompanying it. The policy was intended to help it compete against paperbacks, which were taking a growing share of the market. Sam Merwin edited the first two issues; Margulies took over when Merwin left and then hired Frank Belknap Long for the February 1959 issue. That issue saw the format change to letter size, in the hope that the magazine would be more prominent on newsstands. The experiment was a failure and Margulies closed the magazine when the sales figures came in.
Science Fiction Adventures was an American digest-size science fiction magazine, published from 1956 to 1958 by Irwin Stein's Royal Publications as a companion to Infinity Science Fiction, which had been launched in 1955. Larry Shaw was the editor for all 12 issues. Science Fiction Adventures focused on longer fiction than appeared in Infinity; these were often labeled as novels, though they were rarely longer than 20,000 words. Shaw declared in his first editorial that he wanted to bring back a "sense of wonder", and he printed straightforward action-adventure stories. Two other magazines of the period, Imagination and Imaginative Tales, had similar editorial approaches, but science fiction historian Mike Ashley considers that Science Fiction Adventures contained the best fiction of the three. Robert Silverberg was a prolific contributor, under his own name and under the pseudonym "Calvin M. Knox", and he also collaborated with Randall Garrett on two stories in the first issue, under two different pseudonyms. Other well-known writers occasionally appeared, including Harlan Ellison, Cyril M. Kornbluth, Algis Budrys, and Harry Harrison. Ed Emshwiller contributed cover art for nine of the twelve issues, and one of the other three was among John Schoenherr's earliest sales.
A. Merritt's Fantasy Magazine was an American pulp magazine which published five issues from December 1949 to October 1950. It took its name from fantasy writer A. Merritt, who had died in 1943, and it aimed to capitalize on Merritt's popularity. It was published by Popular Publications, alternating months with Fantastic Novels, another title of theirs. It may have been edited by Mary Gnaedinger, who also edited Fantastic Novels and Famous Fantastic Mysteries. It was a companion to Famous Fantastic Mysteries, and like that magazine mostly reprinted science-fiction and fantasy classics from earlier decades.
Dynamic Science Stories was an American pulp magazine which published two issues, dated February and April 1939. A companion to Marvel Science Stories, it was edited by Robert O. Erisman and published by Western Fiction Publishing. Among the better known authors who appeared in its pages were L. Sprague de Camp and Manly Wade Wellman.
Strange Stories was a pulp magazine which ran for thirteen issues from 1939 to 1941. It was edited by Mort Weisinger, who was not credited. Contributors included Robert Bloch, Eric Frank Russell, C. L. Moore, August Derleth, and Henry Kuttner. Strange Stories was a competitor to the established leader in weird fiction, Weird Tales. With the launch, also in 1939, of the well-received Unknown, Strange Stories was unable to compete. It ceased publication in 1941 when Weisinger left to edit Superman comic books.
Strange Tales was an American pulp magazine first published from 1931 to 1933 by Clayton Publications. It specialized in fantasy and weird fiction, and was a significant competitor to Weird Tales, the leading magazine in the field. Its published stories include "Wolves of Darkness" by Jack Williamson, as well as work by Robert E. Howard and Clark Ashton Smith. The magazine ceased publication when Clayton entered bankruptcy. It was temporarily revived by Wildside Press, which published three issues edited by Robert M. Price from 2003 to 2007.
Tops in Science Fiction was an American pulp science fiction magazine launched in 1953. The publisher, Love Romances Publishing, created it as a vehicle to reprint stories from Planet Stories. It was unsuccessful and only lasted for two issues. Although it contained no original stories, it did print some original artwork, including some of Kelly Freas's early work. A British reprint edition appeared in the mid-1950s.
Two Complete Science-Adventure Books was an American pulp science fiction magazine, published by Fiction House, which lasted for eleven issues between 1950 and 1954 as a companion to Planet Stories. Each issue carried two novels or long novellas. It was initially intended to carry only reprints, but soon began to publish original stories. Contributors included Isaac Asimov, Robert A. Heinlein, Arthur C. Clarke, Poul Anderson, John Brunner, and James Blish. The magazine folded in 1954, almost at the end of the pulp era.
Ghost Stories was an American pulp magazine that published 64 issues between 1926 and 1932. It was one of the earliest competitors to Weird Tales, the first magazine to specialize in the fantasy and occult fiction genre. It was a companion magazine to True Story and True Detective Stories, and focused almost entirely on stories about ghosts, many of which were written by staff writers but presented under pseudonyms as true confessions. These were often accompanied by faked photographs to make the stories appear more believable. Ghost Stories also had original and reprinted contributions, including works by Robert E. Howard, Carl Jacobi, and Frank Belknap Long. Among the reprints were Agatha Christie's "The Last Seance", several stories by H.G. Wells, and Charles Dickens's "The Signal-Man". Initially successful, the magazine began to lose readers and in 1930 was sold to Harold Hersey. Hersey was unable to reverse the magazine's decline, and publication of Ghost Stories ceased in early 1932.
Scientific Detective Monthly was a pulp magazine that published fifteen issues beginning in January 1930. It was launched by Hugo Gernsback as part of his second venture into science-fiction magazine publishing, and was intended to focus on detective and mystery stories with a scientific element. Many of the stories involved contemporary science without any imaginative elements—for example, a story in the first issue turned on the use of a bolometer to detect a black girl blushing—but there were also one or two science fiction stories in every issue.
Wonder Story Annual was a science fiction pulp magazine which was launched in 1950 by Standard Magazines. It was created as a vehicle to reprint stories from early issues of Wonder Stories, Startling Stories, and Wonder Stories Quarterly, which were owned by the same publisher. It lasted for four issues, succumbing in 1953 to competition from the growing market for paperback science fiction. Reprinted stories included Twice in Time, by Manly Wade Wellman, and "The Brain-Stealers of Mars", by John W. Campbell.
Science-fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science-fiction themes had been appearing for decades in pulp magazines such as Argosy, but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out Detective Story Magazine. The first magazine to focus solely on fantasy and horror was Weird Tales, which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 Weird Tales was joined by Amazing Stories, published by Hugo Gernsback; Amazing printed only science fiction, and no fantasy. Gernsback included a letter column in Amazing Stories, and this led to the creation of organized science-fiction fandom, as fans contacted each other using the addresses published with the letters. Gernsback wanted the fiction he printed to be scientifically accurate, and educational, as well as entertaining, but found it difficult to obtain stories that met his goals; he printed "The Moon Pool" by Abraham Merritt in 1927, despite it being completely unscientific. Gernsback lost control of Amazing Stories in 1929, but quickly started several new magazines. Wonder Stories, one of Gernsback's titles, was edited by David Lasser, who worked to improve the quality of the fiction he received. Another early competitor was Astounding Stories of Super-Science, which appeared in 1930, edited by Harry Bates, but Bates printed only the most basic adventure stories with minimal scientific content, and little of the material from his era is now remembered.
Captain Hazzard was a science fiction pulp magazine which published one issue in 1938. It was published by Aaron Wyn's Ace Magazines, and edited by Aaron's wife, Rose Wyn. The lead novel, "Python-Men of the Lost City", featured Captain Hazzard, a telepathic superhero; the author's name, "Chester Hawks", was a pseudonym. The magazine also contained some shorter fiction. The lead novel was reprinted in 1974 by Robert Weinberg.
Ace Mystery was a weird menace pulp magazine which published three issues starting 1936, followed by two more under the title Detective Romances. It was published by Periodical House and edited by Harry Widmer. Writers who appeared in the magazine included Frederick C. Davis, who wrote all three lead novels, Hugh B. Cave, and Robert C. Blackmon; magazine historian Michael Cook comments that these were capable writers, but the rest of the magazine was too low-quality to succeed. Some of the stories were fantasy rather than weird menace -- for example, one story was about a sculptor who could shrink dead bodies. Science fiction historian Mike Ashley is more positive than Cook, describing the magazine as "of reasonably good quality", and singling out Charles Marquis Warren's "Coyote Woman" for praise; Ashley quotes pulp historian Robert K. Jones, who considered the "Coyote Woman" "...among the most effective vampire stories to appear in the pulps".
The Western Raider was an American pulp magazine. The first issue was dated August/September 1938; it was followed by two more issues under that title, publishing Western fiction, and then was changed to a crime fiction pulp for two issues, titled The Octopus and The Scorpion. Both these two issues were named after a supervillain, rather than after a hero who fights crime, as was the case with most such magazines. Norvell Page wrote the lead novels for both the crime fiction issues; the second was rewritten by Ejler Jakobsson, one of the editors, to change the character from The Octopus to The Scorpion.
Captain Zero was an American pulp magazine that published three issues in 1949 and 1950. The lead novels, written by G.T. Fleming-Roberts, featured Lee Allyn, who had been the subject of an experiment with radiation, and as a result was invisible between midnight and dawn. Under the name Captain Zero, Allyn became a vigilante, fighting crime at night. Allyn had no other superpowers, and the novels were straightforward mysteries in Weinberg's opinion, though pulp historian Robert Sampson considers them to be "complex...[they] pound along with hair-raising incidents..full of twists and high suspense". Captain Zero was the last crime-fighter hero magazine to be launched in the pulp era, ending an era that had begun with The Shadow in 1931. There was room in the magazine for only one or two short stories along with the lead novel; these were all straight mystery stories, without the veneer of science fiction of the Captain Zero novels.
Between 1965 and 1976, Sol Cohen published over a hundred issues of science fiction magazines under a set of related titles.
