Categories | Pulp magazine |
---|---|
Publisher | Techni-Craft Publishing Company |
Founder | Hugo Gernsback |
Founded | January 1930 |
Final issue | 1931 |
Country | United States |
Based in | New York City |
Language | English |
Scientific Detective Monthly (also known as Amazing Detective Tales and Amazing Detective Stories) was a pulp magazine that published fifteen issues beginning in January 1930. It was launched by Hugo Gernsback as part of his second venture into science-fiction magazine publishing, and was intended to focus on detective and mystery stories with a scientific element. Many of the stories involved contemporary science without any imaginative elements—for example, a story in the first issue turned on the use of a bolometer to detect a black girl blushing—but there were also one or two science fiction stories in every issue.
The title was changed to Amazing Detective Tales with the June 1930 issue, perhaps to avoid the word "scientific", which may have given readers the impression of "a sort of scientific periodical", [1] in Gernsback's words, rather than a magazine intended to entertain. At the same time, the editor—Hector Grey—was replaced by David Lasser, who was already editing Gernsback's other science-fiction magazines. The title change apparently did not make the magazine a success, and Gernsback closed it down with the October issue. He sold the title to publisher Wallace Bamber, who produced at least five more issues in 1931 under the title Amazing Detective Stories.
By the end of the 19th century, stories that were centered on scientific inventions and set in the future, in the tradition of Jules Verne, were appearing regularly in popular fiction magazines. [3] The first science fiction (sf) magazine, Amazing Stories , was launched in 1926 by Hugo Gernsback at the height of the pulp magazine era. [4] [5] It was successful, and helped to form science fiction as a separately marketed genre, but in February 1929 Gernsback lost control of the publisher when it went bankrupt. [6] [7] By April he had formed a new company, Gernsback Publications Incorporated, and created two subsidiaries: Techni-Craft Publishing Corporation and Stellar Publishing Corporation. In the middle of the year he launched three new magazines: a non-sf magazine titled Radio Craft, and two sf pulps titled Science Wonder Stories and Air Wonder Stories . [8] These were followed in September 1929 by the first issue of Science Wonder Quarterly, and in October Gernsback sent a letter to some of the writers he had already bought material from, letting them know that he was seeing more demand for "detective or criminal mystery stories with a good scientific background". He named Arthur B. Reeve's "Craig Kennedy" stories as an example, and also mentioned S.S. Van Dine's "Philo Vance" stories, which were very popular at the time. [9] In the January 1930 issue of both the sf magazines, Gernsback advertised the new magazine that he hoped to populate with these stories: Scientific Detective Monthly. [9] [10]
Gernsback believed that science fiction was educational, claiming, for example, that "teachers encourage the reading of this fiction because they know that it gives the pupil a fundamental knowledge of science and aviation". [11] He intended Scientific Detective Monthly to be a detective magazine in which the stories had a scientific background; it would entertain, but also instruct. [10] The subgenre of scientific detective fiction was not new; it had first become popular in the U.S. between 1909 and 1919, and the appearance of Gernsback's magazine was part of a resurgence of popularity in the subgenre at the end of the 1920s. [12] The first issue was dated January 1930 (meaning it would have been on the newsstands in mid-December 1929). The publisher was Techni-Craft Publishing company based in New York City. [13] Gernsback was editor-in-chief, and had final say on the choice of stories, but the editorial work was done by his deputy, Hector Grey. [10]
In February 1930, an article by Gernsback appeared in Writers' Digest titled "How to Write 'Science' Stories". In it, Gernsback offered advice on how to write stories for his new magazine, claiming that scientific detective stories represented the future of the genre, and that "the ordinary gangster and detective story will be relegated into the background in a very few years". [14] Science fiction historian Gary Westfahl comments that the article also serves as a guide to writing science fiction in general, and that the article is the first "how to" article published for the new genre of science fiction. [14]
With the June issue, the title was changed to Amazing Detective Tales. Gernsback merged Science Wonder Stories and Air Wonder Stories into Wonder Stories at the same time; he was concerned that the word "Science" was putting off some potential readers, who assumed that the magazine was, in his words, "a sort of scientific periodical". [1] [10] It is likely that the same reasoning motivated Scientific Detective Monthly's new title. In the following issue, Grey was replaced as editor by David Lasser, who was already editing Gernsback's other sf titles, and an attempt was made to include more stories with science fiction elements. Gernsback continued the magazine for five issues under the new title; the last issue was dated October 1930. The decision to cease publication was apparently taken suddenly, as the October issue included the announcement that the format would change in November from large to standard pulp size, and listed two stories planned for the November issue. [10] [15] Gernsback sold the title to Wallace Bamber, who published at least five more issues, starting in February 1931; no issues are known for June or July 1931, or after August. [15]
The stories in Scientific Detective Monthly were almost always detective stories, but they were only occasionally science fiction, as in many cases the science appearing in the stories already had practical applications. In the first issue, for example, "The Mystery of the Bulawayo Diamond", by Arthur B. Reeve, mentions unusual science, but the mystery is solved by the use of a bolometer to detect a blush on the face of a black woman. The murderer in "The Campus Murder Mystery", by Ralph W. Wilkins, freezes the body to conceal the manner of death; a chemical catalyst and electrical measurements of palm sweat provide the scientific elements in two other stories in the same issue. The only genuine science fiction story in the first issue is "The Perfect Counterfeit" by Captain S.P. Meek, in which a matter duplicator has been used to counterfeit paper money. [10] Van Dine's Philo Vance novel, The Bishop Murder Case, began serialization in the first issue, which probably assisted sales, since the hardcover edition of the novel, which had appeared only a few months previously, had sold well. [9] It was not science fiction, however, and throughout the magazine's run, only one or two stories per issue include elements that would qualify them as science fiction. [10] Mike Ashley, a historian of the field, suggests that Gernsback was more interested in stories about the science of detection than in imaginary science: most of Scientific Detective Monthly's contents were gadget stories, of a kind which Gernsback had been publishing in his other magazines for some time. [9] The cover for the first issue, by Jno Ruger, showed a detective using an electronic device to measure the reactions of a suspect. [10]
Later issues included stories by some writers who either were already well known to readers of science fiction or would soon become so, including Lloyd Arthur Eshbach, David H. Keller, Ed Earl Repp, Neil R. Jones, and Edmond Hamilton, though even these stories were not always science fiction. Hamilton's "The Invisible Master", for example, describes a way to become invisible, but at the end of the story the science is revealed to be a hoax, and the story is straightforward detective fiction. Clark Ashton Smith, later to be better known for his fantasy than for science fiction, contributed "Murder in the Fourth Dimension" to the October 1930 issue; the protagonist uses the fourth dimension to dispose of his victim's corpse. [16]
As well as fiction, there were some non-fiction departments, including readers' letters (even in the first issue—Gernsback obtained letters by advertising the magazine to readers who subscribed to his other magazines), book reviews, and miscellaneous crime or science-related fillers. The first issue included a test of the readers' powers of observation: it showed a crime scene, which the readers were supposed to study, and then posed questions to see how much they could remember of the details. There was also a questionnaire about science, which asked about scientific facts mentioned in the stories, and a "Science-Crime Notes" section containing news items about science and crime. [10] Gernsback's editorial argued that science would eventually end crime, and suggested that both the police and criminals would make growing use of scientific innovations in the future. Gernsback included on the masthead the names of several experts on crime, such as Edwin Cooley, a professor of criminology at Fordham University; he also listed members of his staff on the masthead with made-up titles: C.P. Mason, a member of his editorial staff, was listed as "Scientific Criminologist", for example. [9]
Following the sale, Bamber filled the magazine with ordinary detective fiction, including Edgar Wallace's The Feathered Serpent. [9]
The first few covers of the magazine did not advertise the names of the authors whose work was inside, which was probably a mistake as existing science fiction readers might have been attracted by the names of writers with whom they were familiar. Conversely, the readers who might have been interested in the more sedate topics covered by the non-fiction were probably discouraged by the lurid cover artwork. Gernsback was unable to obtain enough fiction to make Scientific Detective Monthly a true mixture of the two genres, and the result was a magazine that failed to fully appeal to fans of either genre. It was, in a historian Robert Lowndes' words, a "fascinating experiment", but a failed one. [10]
January | February | March | April | May | June | July | August | September | October | November | December | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
1930 | 1/1 | 1/2 | 1/3 | 1/4 | 1/5 | 1/6 | 1/7 | 1/8 | 1/9 | 1/10 | ||
1931 | 2/1 | 2/2 | 2/3 | 2/4 | 3/1 | |||||||
Issues of Scientific Detective Monthly, showing volume/issue number and color-coded to indicate the managing editor: Hector Grey (blue), David Lasser (yellow) and unknown (orange) [10] [17] |
Scientific Detective Monthly was published by Techni-Craft Publishing Co. of New York for the first ten issues, and then by Fiction Publishers, Inc., also of New York. The editor-in-chief was Hugo Gernsback for the first ten issues; the managing editor was Hector Grey for the first six issues, and David Lasser for the next four. The editor for the 1931 issues is not known. The first volume contained ten numbers, the second contained four, and the last contained only one. The title changed to Amazing Detective Tales with the June 1930 issue, and again to Amazing Detective Stories in February 1931. The magazine was in large pulp format throughout; it was 96 pages long and priced at 25 cents. [10]
Hugo Gernsback was a Luxembourgish–American inventor, writer, editor, and magazine publisher, best known for publications including the first science fiction magazine. His contributions to the genre as publisher—although not as a writer—were so significant that, along with the novelists H. G. Wells and Jules Verne, he is sometimes called "The Father of Science Fiction". In his honor, annual awards presented at the World Science Fiction Convention are named the "Hugos".
Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.
Thomas O'Conor Sloane was an American scientist, inventor, author, editor, educator, and linguist, perhaps best known for writing The Standard Electrical Dictionary and as the editor of Scientific American, from 1886 to 1896 and the first science fiction magazine, Amazing Stories, from 1929 to 1938.
Planet Stories was an American pulp science fiction magazine, published by Fiction House between 1939 and 1955. It featured interplanetary adventures, both in space and on some other planets, and was initially focused on a young readership. Malcolm Reiss was editor or editor-in-chief for all of its 71 issues. Planet Stories was launched at the same time as Planet Comics, the success of which probably helped to fund the early issues of Planet Stories. Planet Stories did not pay well enough to regularly attract the leading science fiction writers of the day, but occasionally obtained work from well-known authors, including Isaac Asimov and Clifford D. Simak. In 1952 Planet Stories published Philip K. Dick's first sale, and printed four more of his stories over the next three years.
Wonder Stories was an early American science fiction magazine which was published under several titles from 1929 to 1955. It was founded by Hugo Gernsback in 1929 after he had lost control of his first science fiction magazine, Amazing Stories, when his media company Experimenter Publishing went bankrupt. Within a few months of the bankruptcy, Gernsback launched three new magazines: Air Wonder Stories, Science Wonder Stories, and Science Wonder Quarterly.
Neil Ronald Jones was an American writer who worked for the state of New York. Not prolific, and little remembered today, Jones was ground-breaking in science fiction. His first story, "The Death's Head Meteor", was published in Air Wonder Stories in 1930, possibly recording the first use of "astronaut" in fiction. He also pioneered cyborg and robotic characters, and is credited with inspiring the modern idea of cryonics. Most of his stories fit into a "future history" like that of Robert A. Heinlein or Cordwainer Smith, well before either of them used this convention in their fiction.
Fantastic Adventures was an American pulp fantasy and science fiction magazine, published from 1939 to 1953 by Ziff-Davis. It was initially edited by Raymond A. Palmer, who was also the editor of Amazing Stories, Ziff-Davis's other science fiction title. The first nine issues were in bedsheet format, but in June 1940 the magazine switched to a standard pulp size. It was almost cancelled at the end of 1940, but the October 1940 issue enjoyed unexpectedly good sales, helped by a strong cover by J. Allen St. John for Robert Moore Williams' Jongor of Lost Land. By May 1941 the magazine was on a regular monthly schedule. Historians of science fiction consider that Palmer was unable to maintain a consistently high standard of fiction, but Fantastic Adventures soon developed a reputation for light-hearted and whimsical stories. Much of the material was written by a small group of writers under both their own names and house names. The cover art, like those of many other pulps of the era, focused on beautiful women in melodramatic action scenes. One regular cover artist was H.W. McCauley, whose glamorous "MacGirl" covers were popular with the readers, though the emphasis on depictions of attractive and often partly clothed women did draw some objections.
Scoops was a weekly British science fiction magazine published by Pearson's in tabloid format in 1934, edited by Haydn Dimmock. Scoops was launched as a boy's paper, and it was not until several issues had appeared that Dimmock discovered there was an adult audience for science fiction. Circulation was poor, and Dimmock attempted to change the magazine's focus to more mature material. He reprinted Arthur Conan Doyle's The Poison Belt, improved the cover art, and obtained fiction from British science fiction writers such as John Russell Fearn and Maurice Hugi, but to no avail. Pearson's cancelled the magazine because of poor sales; the twentieth issue, dated 23 June 1934, was the last. The failure of the magazine contributed to the belief that Britain could not support a science fiction magazine, and it was not until 1937, with Tales of Wonder, that another attempt was made.
Science Fiction Quarterly was an American pulp science fiction magazine that was published from 1940 to 1943 and again from 1951 to 1958. Charles Hornig served as editor for the first two issues; Robert A. W. Lowndes edited the remainder. Science Fiction Quarterly was launched by publisher Louis Silberkleit during a boom in science fiction magazines at the end of the 1930s. Silberkleit launched two other science fiction titles at about the same time: all three ceased publication before the end of World War II, falling prey to slow sales and paper shortages. In 1950 and 1951, as the market improved, Silberkleit relaunched Future Fiction and Science Fiction Quarterly. By the time Science Fiction Quarterly ceased publication in 1958, it was the last surviving science fiction pulp magazine, all other survivors having changed to different formats.
Science-Fiction Plus was an American science fiction magazine published by Hugo Gernsback for seven issues in 1953. In 1926, Gernsback had launched Amazing Stories, the first science fiction magazine, but he had not been involved in the genre since 1936, when he sold Wonder Stories. Science-Fiction Plus was initially in slick format, meaning that it was large-size and printed on glossy paper. Gernsback had always believed in the educational power of science fiction, and he continued to advocate his views in the new magazine's editorials. The managing editor, Sam Moskowitz, had been a reader of the early pulp magazines, and published many writers who had been popular before World War II, such as Raymond Z. Gallun, Eando Binder, and Harry Bates. Combined with Gernsback's earnest editorials, the use of these early writers gave the magazine an anachronistic feel.
Analog Science Fiction and Fact is an American science fiction magazine published under various titles since 1930. Originally titled Astounding Stories of Super-Science, the first issue was dated January 1930, published by William Clayton, and edited by Harry Bates. Clayton went bankrupt in 1933 and the magazine was sold to Street & Smith. The new editor was F. Orlin Tremaine, who soon made Astounding the leading magazine in the nascent pulp science fiction field, publishing well-regarded stories such as Jack Williamson's Legion of Space and John W. Campbell's "Twilight". At the end of 1937, Campbell took over editorial duties under Tremaine's supervision, and the following year Tremaine was let go, giving Campbell more independence. Over the next few years Campbell published many stories that became classics in the field, including Isaac Asimov's Foundation series, A. E. van Vogt's Slan, and several novels and stories by Robert A. Heinlein. The period beginning with Campbell's editorship is often referred to as the Golden Age of Science Fiction.
Fantastic Story Quarterlywas a pulp science fiction magazine, published from 1950 to 1955 by Best Books, a subsidiary imprint of Standard Magazines, based in Kokomo, Indiana. The name was changed with the Summer 1951 issue to Fantastic Story Magazine. It was launched to reprint stories from the early years of the science fiction pulp magazines, and was initially intended to carry no new fiction, though in the end every issue contained at least one new story. It was sufficiently successful for Standard to launch Wonder Story Annual as a vehicle for more science fiction reprints, but the success did not last. In 1955 it was merged with Standard's Startling Stories. Original fiction in Fantastic Story included Gordon R. Dickson's first sale, "Trespass", and stories by Walter M. Miller and Richard Matheson.
Amazing Stories Annual was a pulp magazine which published a single issue in July 1927. It was edited by Hugo Gernsback, and featured the first publication of The Master Mind of Mars, by Edgar Rice Burroughs, which had been rejected by several other magazines, perhaps because the plot included a satire on religious fundamentalism. The other stories in Amazing Stories Annual were reprints, including two stories by A. Merritt, and one by H.G. Wells. The magazine sold out, and its success led Gernsback to launch Amazing Stories Quarterly the following year.
Future Science Fiction and Science Fiction Stories were two American science fiction magazines that were published under various names between 1939 and 1943 and again from 1950 to 1960. Both publications were edited by Charles Hornig for the first few issues; Robert W. Lowndes took over in late 1941 and remained editor until the end. The initial launch of the magazines came as part of a boom in science fiction pulp magazine publishing at the end of the 1930s. In 1941 the two magazines were combined into one, titled Future Fiction combined with Science Fiction, but in 1943 wartime paper shortages ended the magazine's run, as Louis Silberkleit, the publisher, decided to focus his resources on his mystery and western magazine titles. In 1950, with the market improving again, Silberkleit relaunched Future Fiction, still in the pulp format. In the mid-1950s he also relaunched Science Fiction, this time under the title Science Fiction Stories. Silberkleit kept both magazines on very slim budgets throughout the 1950s. In 1960 both titles ceased publication when their distributor suddenly dropped all of Silberkleit's titles.
Comet was a pulp magazine which published five issues from December 1940 to July 1941. It was edited by F. Orlin Tremaine, who had edited Astounding Stories, one of the leaders of the science fiction magazine field, for several years in the mid-1930s. Tremaine paid one cent per word, which was higher than some of the competing magazines, but the publisher, H-K Publications based in Springfield, MA, was unable to sustain the magazine while it gained circulation, and it was cancelled after less than a year when Tremaine resigned. Comet published fiction by several well-known and popular writers, including E.E. Smith and Robert Moore Williams. The young Isaac Asimov, visiting Tremaine in Comet's offices, was alarmed when Tremaine asserted that anyone who gave stories to competing magazines for no pay should be blacklisted; Asimov promptly insisted that Donald Wollheim, to whom he had given a free story, should make him a token payment so he could say he had been paid.
Dynamic Science Fiction was an American pulp magazine which published six issues from December 1952 to January 1954. It was a companion to Future Science Fiction, and like that magazine was edited by Robert W. Lowndes and published by Columbia Publications. Stories that appeared in its pages include "The Duplicated Man" by Lowndes and James Blish, and "The Possessed" by Arthur C. Clarke. It was launched at the end of the pulp era, and when publisher Louis Silberkleit converted Future to a digest format in 1954, he decided not to do the same with Dynamic, simply cancelling the magazine.
Flash Gordon Strange Adventure Magazine was a pulp magazine which was launched in December 1936. It was published by Harold Hersey, and was an attempt to cash in on the growing comics boom, and the popularity of the Flash Gordon comic strip in particular. The magazine contained a novel about Flash Gordon and three unrelated stories; there were also eight full-page color illustrations. The quality of both the artwork and the fiction was low, and the magazine only saw a single issue. It is now extremely rare.
Wonder Story Annual was a science fiction pulp magazine which was launched in 1950 by Standard Magazines. It was created as a vehicle to reprint stories from early issues of Wonder Stories, Startling Stories, and Wonder Stories Quarterly, which were owned by the same publisher. It lasted for four issues, succumbing in 1953 to competition from the growing market for paperback science fiction. Reprinted stories included Twice in Time, by Manly Wade Wellman, and "The Brain-Stealers of Mars", by John W. Campbell.
Science-fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science-fiction themes had been appearing for decades in pulp magazines such as Argosy, but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out Detective Story Magazine. The first magazine to focus solely on fantasy and horror was Weird Tales, which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 Weird Tales was joined by Amazing Stories, published by Hugo Gernsback; Amazing printed only science fiction, and no fantasy. Gernsback included a letter column in Amazing Stories, and this led to the creation of organized science-fiction fandom, as fans contacted each other using the addresses published with the letters. Gernsback wanted the fiction he printed to be scientifically accurate, and educational, as well as entertaining, but found it difficult to obtain stories that met his goals; he printed "The Moon Pool" by Abraham Merritt in 1927, despite it being completely unscientific. Gernsback lost control of Amazing Stories in 1929, but quickly started several new magazines. Wonder Stories, one of Gernsback's titles, was edited by David Lasser, who worked to improve the quality of the fiction he received. Another early competitor was Astounding Stories of Super-Science, which appeared in 1930, edited by Harry Bates, but Bates printed only the most basic adventure stories with minimal scientific content, and little of the material from his era is now remembered.
Amazing Stories Quarterly was a U.S. science fiction pulp magazine that was published between 1928 and 1934. It was launched by Hugo Gernsback as a companion to his Amazing Stories, the first science fiction magazine, which had begun publishing in April 1926. Amazing Stories had been successful enough for Gernsback to try a single issue of an Amazing Stories Annual in 1927, which had sold well, and he decided to follow it up with a quarterly magazine. The first issue of Amazing Stories Quarterly was dated Winter 1928 and carried a reprint of the 1899 version of H.G. Wells' When the Sleeper Wakes. Gernsback's policy of running a novel in each issue was popular with his readership, though the choice of Wells' novel was less so. Over the next five issues, only one more reprint appeared: Gernsback's own novel Ralph 124C 41+, in the Winter 1929 issue. Gernsback went bankrupt in early 1929, and lost control of both Amazing Stories and Amazing Stories Quarterly; associate editor T. O'Conor Sloane then took over as editor. The magazine began to run into financial difficulties in 1932, and the schedule became irregular; the last issue was dated Fall 1934.