| Caribbean Guitar | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | July 1962 | |||
| Recorded | Nashville, TN | |||
| Genre | Country, pop | |||
| Length | 29:16 | |||
| Label | RCA Victor LPM-2549 (Mono), LSP-2549 (Stereo) | |||
| Producer | Chet Atkins | |||
| Chet Atkins chronology | ||||
| ||||
Caribbean Guitar is the eighteenth studio album recorded by American guitarist Chet Atkins, released in 1962.
Atkins' treatment of "Banana Boat Song" is based on The Tarriers' version, not Harry Belafonte's more famous rendition.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [1] |
| New Record Mirror | [2] |
Writing for Allmusic, critic Richard S. Ginell wrote of the album "Chet Atkins's versatility and curiosity have covered a lot of ground, and you would think that his talent would be able to encompass calypso and other Caribbean styles as well. Alas, he isn't given much of a chance here." [1]
The Day Finger Pickers Took Over the World is an album by American guitarist Chet Atkins and Australian guitarist Tommy Emmanuel. Recorded when Atkins was 73, this was his last release of original material in the 20th century. "Smokey Mountain Lullaby" was nominated for the 1997 Grammy Award for Country Instrumental Performance.
A Session with Chet Atkins is the third studio album recorded by American guitarist Chet Atkins. It features Atkins introducing standard pop and jazz melded with country sensibilities. The liner notes state this is the first use of a celeste on a country record. The musicians include Homer and Jethro in the rhythm section. Atkins uses his new EchoSonic amplifier for the first time on his recordings.
Chet Atkins in Three Dimensions is the fifth studio album recorded by American guitarist Chet Atkins. The recording mixes unique arrangements of traditional tunes, pop songs and classical arrangements. Atkins stated in his 1974 autobiography that this album was the first time he strayed away from country, even though he had been fired numerous times from various radio shows for "not sounding country enough".
Hi-Fi in Focus is the eighth studio album recorded by American guitarist Chet Atkins, released in 1957.
Chet Atkins at Home is the seventh studio album recorded by American guitarist Chet Atkins. It contains his clever arrangement of Yankee Doodle played at the same time as Dixie.
Sneakin' Around is a collaborative album by American guitarists Chet Atkins and Jerry Reed, released in 1991. Reed and Atkins had done a series of recording collaborations nearly 20 years before this release. It peaked at No. 68 on the Billboard Country Albums charts.
C.G.P. is the fifty-fifth studio album by Chet Atkins. It was released in 1988 by Columbia Records. The initials in the title refer to the Atkins-coined title "Certified Guitar Player", a moniker he assigned not only to himself but other guitarists he admired and felt contributed to the legacy of guitar playing.
Chet Atkins in Hollywood is the ninth studio album recorded by American guitarist Chet Atkins, released in 1959. The title takes its name from the fact that Atkins recorded it in Hollywood. The lush string arrangements are by Dennis Farnon. Atkins later re-recorded this album in his home studio, using the orchestra tapes from the Hollywood session. The original LP lists Atkins as the producer, the 1961 reissue lists "... with Dennis Farnon and his orchestra" and also lists Dick Peirce as producer.
Hum & Strum Along with Chet Atkins is the tenth studio album by American guitarist Chet Atkins, released in 1959. This is a country-themed "listener participation" album in the vein of the "Sing Along With Mitch" series of albums by Mitch Miller. It came packaged in a gatefold with a lyric and guitar/ukulele chord booklet. It was reissued as an LP in 1961.
Travelin' is the twenty-third studio album recorded by American guitarist Chet Atkins, released in 1963.
Sails is the fifty-fourth studio album by Chet Atkins. It was released in 1987 by Columbia Records. Sails follows in the 1980s' vein of Chet Atkins' releases with a smooth jazz and new age atmosphere.
My Favorite Guitars is the twenty-sixth studio album by Chet Atkins. The guitars referred to are Atkins' signature Gretsch "Country Gentleman" electric guitar, a Brazilian Del Vecchio resonator guitar presented to him by Los Indios Tabajaras, and a Spanish Juan Estruch classical guitar, all visible on the LP cover photo. It is another example of Atkins' 1960s easy-going, easy-listening guitar playing.
More of That Guitar Country is the twenty-seventh studio album by US country musician Chet Atkins. It is a follow-up to his Guitar Country release and was more successful. His rendition of "Yakety Sax" by Boots Randolph earned Atkins a hit on the country singles charts. A mix of traditional fingerpicking, country-flavored pop and traditional country, the album peaked at number 4 on the Billboard Country charts.
Work It Out With Chet Atkins C.G.P. is the fiftieth studio album by Chet Atkins. After recording for RCA Victor since 1947, Chet left the label to join Columbia. This release is background music for exercising. He was nominated for the 1984 Best Country & Western Instrumental Performance Grammy award for "Tara's Theme" but did not win. It peaked at No. 64 on the Billboard Country Albums charts.
The Night Atlanta Burned is the forty-sixth studio album by Chet Atkins, credited to "The Atkins String Co." — a quartet comprising Chet, Johnny Gimble, Paul Yandell and Lisa Silver. The album is a fusion of classical musical techniques with country, folk and bluegrass.
It's a Guitar World is the thirty-first studio album by guitarist Chet Atkins, released in 1966.
Solo Flights is the thirty-sixth studio album by Chet Atkins. Side one of this album features Atkins' experiment with the "Octabass Guitar," where he replaced the two low strings with heavier strings in order to drop an octave and create a fuller sound with bass.
Chet Atkins Picks on Jerry Reed is the 45th studio album of instrumental guitar versions of ten Jerry Reed compositions performed primarily by American guitarist Chet Atkins, released in 1974.
Guitar Monsters is an album by Chet Atkins and Les Paul, released in 1978. It is their second collaboration, after their Grammy Award-winning release Chester & Lester.
First Nashville Guitar Quartet is the title of a recording by Chet Atkins, Liona Boyd, John Knowles and John Pell.
