Chet Atkins in Three Dimensions | ||||
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Studio album by | ||||
Released | 1955 | |||
Recorded | October 1955 in Nashville, TN | |||
Genre | Country, pop, classical | |||
Length | 26:25 | |||
Label | RCA Victor LPM-1197 (Mono) | |||
Producer | Steve Sholes | |||
Chet Atkins chronology | ||||
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Alternative Cover | ||||
Chet Atkins in Three Dimensions is the fifth studio album recorded by American guitarist Chet Atkins. The recording mixes unique arrangements of traditional tunes, pop songs, and classical arrangements (hence the three dimensions of the title). Atkins stated in his 1974 autobiography that this album was the first time he strayed away from country, even though he had been fired numerous times from various radio shows for "not sounding country enough". [1]
A 7-inch EP (EPA-687) was released with the same title in 1956. The tracks were listed as "Minuet and Prelude No. 2", "Intermezzo", "Schon Rosmarin", "Minute Waltz"
Review scores | |
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Source | Rating |
Allmusic | [2] |
In his review for Allmusic, critic Richard S. Ginell wrote Atkins "... tries to transcend categories and stereotypes, dividing the album into three distinct sections... An all-encompassing record like this was the envy of every open-minded guitarslinger of the time." [2]
A Session with Chet Atkins is the third studio album recorded by American guitarist Chet Atkins. It features Atkins introducing standard pop and jazz melded with country sensibilities. The liner notes state this is the first use of a celeste on a country record. The musicians include Homer and Jethro in the rhythm section. Atkins uses his new EchoSonic amplifier for the first time on his recordings.
Finger-Style Guitar is the sixth studio album by American guitarist Chet Atkins, released in 1956.
Hi-Fi in Focus is the eighth studio album recorded by American guitarist Chet Atkins, released in 1957.
Chet Atkins at Home is the seventh studio album recorded by American guitarist Chet Atkins. It contains his clever arrangement of Yankee Doodle played at the same time as Dixie.
Chet Atkins in Hollywood is the ninth studio album recorded by American guitarist Chet Atkins, released in 1959. The title takes its name from the fact that Atkins recorded it in Hollywood. The lush string arrangements are by Dennis Farnon. Atkins later re-recorded this album in his home studio, using the orchestra tapes from the Hollywood session. The original LP lists Atkins as the producer, the 1961 reissue lists "... with Dennis Farnon and his orchestra" and also lists Dick Peirce as producer.
Hum & Strum Along with Chet Atkins is the tenth studio album by American guitarist Chet Atkins, released in 1959. This is a country-themed "listener participation" album in the vein of the "Sing Along With Mitch" series of albums by Mitch Miller. It came packaged in a gatefold with a lyric and guitar/ukulele chord booklet. It was reissued as an LP in 1961.
Our Man in Nashville is the twentieth studio album by American guitarist Chet Atkins, released in 1963. RCA did a series of "Our Man in ..." and Chet was indeed their man in Nashville. He was producing and developing the "Nashville sound".
Caribbean Guitar is the eighteenth studio album recorded by American guitarist Chet Atkins, released in 1962.
Sails is the fifty-fourth studio album by Chet Atkins. It was released in 1987 by Columbia Records. Sails follows in the 1980s' vein of Chet Atkins' releases with a smooth jazz and new age atmosphere.
More of That Guitar Country is the twenty-seventh studio album by US country musician Chet Atkins. It is a follow-up to his Guitar Country release and was more successful. His rendition of "Yakety Sax" by Boots Randolph earned Atkins a hit on the country singles charts. A mix of traditional fingerpicking, country-flavored pop and traditional country, the album peaked at number 4 on the Billboard Country charts.
Work It Out With Chet Atkins C.G.P. is the fiftieth studio album by Chet Atkins. After recording for RCA Victor since 1947, Chet left the label to join Columbia. This release is background music for exercising. He was nominated for the 1984 Best Country & Western Instrumental Performance Grammy award for "Tara's Theme" but did not win. It peaked at No. 64 on the Billboard Country Albums charts.
The Night Atlanta Burned is the forty-sixth studio album by Chet Atkins, credited to "The Atkins String Co." — a quartet comprising Chet, Johnny Gimble, Paul Yandell and Lisa Silver. The album is a fusion of classical musical techniques with country, folk and bluegrass.
It's a Guitar World is the thirty-first studio album by guitarist Chet Atkins, released in 1966.
Solo Flights is the thirty-sixth studio album by Chet Atkins. Side one of this album features Atkins' experiment with the "Octabass Guitar," where he replaced the two low strings with heavier strings in order to drop an octave and create a fuller sound with bass.
Solid Gold 68 is the thirty-fifth studio album by American guitarist Chet Atkins, released on RCA Victor LSP-4061. It is the first in a series of three albums providing Chet with the opportunity to interpret some of the pop hits of the year. It reached No. 18 on the Country Album charts.
Chet Atkins Picks on Jerry Reed is the 45th studio album of instrumental guitar versions of ten Jerry Reed compositions performed primarily by American guitarist Chet Atkins, released in 1974.
Guitar Monsters is an album by Chet Atkins and Les Paul, released by RCA Records in 1978. It is their second collaboration, after their Grammy Award-winning release Chester & Lester.
First Nashville Guitar Quartet is the title of a 1979 album by Chet Atkins, Liona Boyd, John Knowles and John Pell.
Chet Atkins Picks on the Pops is the title of a recording by Chet Atkins and Arthur Fiedler and the Boston Pops orchestra, the second they produced. The arrangements, by Richard Hayman, were recorded live in Boston’s Symphony Hall.
Eclectic Guitar is a compilation recording by American guitarist Chet Atkins, released in 2007 on the El label.