Teen Scene | ||||
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Studio album by | ||||
Released | 1963 | |||
Recorded | RCA 'Nashville Sound' Studios, Nashville, TN | |||
Genre | Country, pop, rock | |||
Length | 26:29 | |||
Label | RCA Victor LSP-2719 (Stereo), LPM-2719 (Mono) | |||
Producer | Anita Kerr | |||
Chet Atkins chronology | ||||
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Pickwick reissue cover | ||||
Teen Scene is the twenty-first studio album by American guitarist Chet Atkins, released in 1963. It was nominated for the 1964 Best Rock and Roll Recording Grammy but did not win. It reached No. 93 on the Billboard Pop Albums charts. The album was reissued in 1975 on the Pickwick budget label.
Review scores | |
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Source | Rating |
Allmusic | [1] |
Chester Burton Atkins, also known as "Mister Guitar" and "the Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played the mandolin, fiddle, banjo, and ukulele, and occasionally sang.
Jerry Reed Hubbard, known professionally as Jerry Reed, was an American country singer, guitarist, composer, songwriter and actor who appeared in more than a dozen films. His signature songs included "Guitar Man", "U.S. Male", "A Thing Called Love", "Alabama Wild Man", "Amos Moses", "When You're Hot, You're Hot", "Ko-Ko Joe", "Lord, Mr. Ford", "East Bound and Down", "The Bird", and "She Got the Goldmine ".
Terry Lee McMillan was an American country music singer, harmonica player, and percussionist. In 1973, he became a member of Eddy Raven's band in Nashville, and worked with Raven until 1974. McMillan then started working with Chet Atkins, playing harmonica with his touring show. Later, he toured with Jerry Reed and Jeannie C. Riley before becoming a very in-demand session musician. In the 1970s, McMillan appeared on many albums, including the recordings of Mickey Newbury and Gary Stewart. He was also featured many times on Trinity Broadcasting in the 1990s.
Almost Alone is the fifty-seventh studio album by Chet Atkins. He was 71 at the time of the album's release. It is almost all solo guitar instrumentals. "Jam Man" won the 1997 Grammy award for Best Country & Western Instrumental Performance.
Our Man in Nashville is the twentieth studio album by American guitarist Chet Atkins, released in 1963. RCA did a series of "Our Man in ..." and Chet was indeed their man in Nashville. He was producing and developing the "Nashville sound".
Progressive Pickin' is the twenty-fifth studio album by guitarist Chet Atkins.
From Nashville with Love is the twenty-ninth studio album by American guitarist Chet Atkins, released in 1966.
Solo Sessions is the fifty-eighth and final studio album by Chet Atkins, released in 2003. It is his first posthumous release of solo guitar recordings after his death in 2001.
Alone is the forty-fourth studio album by guitarist Chet Atkins. It peaked at number 42 on the Billboard Country Album charts.
Class Guitar is the thirty-third studio album by guitarist Chet Atkins. It peaked at number 26 on the Country Album charts and number 189 on the Pop Album charts. It is out of print.
The Atkins–Travis Traveling Show is the title of a recording by guitarists Chet Atkins and Merle Travis, released by RCA Records in 1974. The two musical legends team up on 11 songs, earning the 1974 Grammy Award for Best Country Instrumental Performance. Rehearsed in Nashville, this album was recorded in California.
Jazz From the Hills is an album by American guitarist Chet Atkins and The Country All-Stars. It is a reissue of sessions from 1952–1956.
The Essential Chet Atkins is a two-disc compilation recording by American guitarist Chet Atkins, released in 2007 on the Legacy label.
Galloping Guitar: The Early Years is a multi-disc box-set retrospective recording by American guitarist Chet Atkins, released in 1993 on the Bear Family label.
Standard Brands is an album by guitarists Lenny Breau and Chet Atkins that was released in 1981.
The Best of Chet Atkins & Friends is a compilation recording by American guitarist Chet Atkins, released in 1976. It peaked at number 25 on the Billboard Country Albums charts in 1977.
The Everly Brothers' Best is the first compilation album by American singing duo the Everly Brothers, released in 1959 by their first record company, Cadence Records. The album contains both sides of their first six singles for the label in chronological order. Allmusic states in their review: "this original Cadence compilation still holds up nicely after almost half-a-century."
Texas in My Soul is the seventh studio album by country singer Willie Nelson. It was an early concept album that aimed to pay tribute to the State of Texas. The original album artwork features the Alamo, along with three San Antonio construction projects completed in 1968: the Tower of the Americas, HemisFair Arena and the HemisFair monorail system.
"Take These Chains from My Heart" is a song by Hank Williams. It was written by Fred Rose and Hy Heath and was recorded at Williams' final recording session on September 23, 1952, in Nashville. The song has been widely praised; Williams' biographer Colin Escott deems it "perhaps the best song [Rose] ever presented to Hank...It was one of the very few songs that sounded somewhat similar to a Hank Williams song." Williams is backed by Tommy Jackson (fiddle), Don Helms, Chet Atkins, Jack Shook, and Floyd "Lightnin'" Chance (bass). In the wake of Williams' death on New Year's Day, 1953, the song shot to No. 1, his final chart-topping hit for MGM Records. Like "Your Cheatin' Heart," the song's theme of despair, so vividly articulated by Williams' typically impassioned singing, reinforced the image of Hank as a tortured, mythic figure.
I Want to Go with You is a studio album by American country music singer Eddy Arnold released by RCA Victor in 1966. It reached #1 in the US country charts and #26 in the Billboard 200 charts. Released as a single in early 1966, the title track "I Want to Go with You" peaked at #36 on the Billboard Hot 100 chart. It was more successful with country and adult contemporary audiences, reaching #1 on both the Billboard country chart for six weeks and the easy listening chart for three weeks.