Chester Burton Atkins, also known as "Mr. Guitar" and "The Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played the mandolin, fiddle, banjo, and ukulele, and occasionally sang.
Lester William Polsfuss, known as Les Paul, was an American jazz, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid-body electric guitar, and his prototype, called the Log, served as inspiration for the Gibson Les Paul. Paul taught himself how to play guitar, and while he is mainly known for jazz and popular music, he had an early career in country music. In the 1950s, he and his wife, singer and guitarist Mary Ford, recorded numerous records, selling millions of copies.
Jerry Reed Hubbard, known professionally as Jerry Reed, was an American singer, guitarist, composer, songwriter and actor who appeared in more than a dozen films. His signature songs included "Guitar Man", "U.S. Male", "A Thing Called Love", "Alabama Wild Man", "Amos Moses", "When You're Hot, You're Hot", "Ko-Ko Joe", "Lord, Mr. Ford", "East Bound and Down", "The Bird", and "She Got the Goldmine ".
Martin Taylor, MBE is a British jazz guitarist who has performed solo, in groups, guitar ensembles, and as an accompanist.
Homer and Jethro were the stage names of American country music duo Henry D. "Homer" Haynes (1920–1971) and Kenneth C. "Jethro" Burns (1920–1989), popular from the 1940s through the 1960s on radio and television for their satirical versions of popular songs. Known as the Thinking Man's Hillbillies, they received a Grammy Award in 1959 and are members of the Country Music Hall of Fame.
William Thomas Emmanuel is an Australian guitarist. Originally a session player in many bands, he has released many award-winning recordings as a solo artist. In June 2010, Emmanuel was appointed a Member of the Order of Australia (AM); in 2011, he was inducted into the Australian Roll of Renown. In 2019, he was listed by MusicRadar as the best acoustic guitarist in the world.
The Los Angeles Guitar Quartet's Guitar Heroes (2004) won best Classical-Crossover Album at the 47th Grammy Awards. The album pays respect to guitarists that have influenced LAGQ. It is widely regarded as the Los Angeles Guitar Quartet's best record to date.
Almost Alone is the fifty-seventh studio album by Chet Atkins. He was 71 at the time of the album's release. It is almost all solo guitar instrumentals. "Jam Man" won the 1997 Grammy award for Best Country & Western Instrumental Performance.
Teensville is the twelfth studio album recorded by American guitarist and producer Chet Atkins, released in 1960. The idea here was for Atkins to release a record appealing to teens who were now interested in rock 'n roll. The original version of "Oh Lonesome Me", a hit on both the pop and country charts for Don Gibson, was produced by Atkins and featured his guitar.
Chet Atkins Picks on the Beatles is the twenty-eighth studio album by American guitarist Chet Atkins. Atkins interprets a selection of songs by The Beatles on this album.
Country After All These Years is a studio album by guitarist Chet Atkins. It would be his last recording for RCA Victor after 35 years with the label, and as a fitting parting gift, the album won the 1982 Grammy Award for Best Country Instrumental Performance. Chet was also nominated in the same category that year for Reflections, his collaboration with Doc Watson.
Picks on the Hits is the forty-third studio album by guitarist Chet Atkins, released in 1972. It was nominated for the 1972 Grammy Award for Best Country Instrumental Performance but did not win. Chet's duet release with Jerry Reed Me & Chet was also nominated in the same category.
Yestergroovin' is the thirty-ninth studio album by guitarist Chet Atkins, released in 1970. Yestergroovin' was nominated for the 1970 Grammy Award for Best Country Instrumental Performance. It did not win, but Atkins's collaboration with Jerry Reed Me and Jerry did. He would be nominated twice in the same category again in 1973.
For the Good Times, fully titled For the Good Times (and Other Country Moods), is the forty-second studio album by guitarist Chet Atkins. At the Grammy Awards of 1972, "Snowbird" won the Grammy Award for Best Country Instrumental Performance. The album peaked at number 17 on the Billboard Country Albums charts.
Me & Jerry is the first duet studio album by Chet Atkins and Jerry Reed, released by RCA Records in 1970. Consisting of pop, country and standards, this collaboration won the 1971 Grammy Award for Best Country Instrumental Performance.
Me & Chet is the title of the follow-up to Me & Jerry, the successful duet recording by Chet Atkins and Jerry Reed. It was nominated for the 1972 Grammy Award for Best Country Instrumental Performance but did not win. Chet's solo release Chet Atkins Picks on the Hits was also nominated in the same category. It reached No. 24 on the Billboard Country Album charts.
The Best of Chet Atkins is a compilation recording by American guitarist Chet Atkins, released in 1964.
Chet Picks on the Grammys is a compilation recording by American guitarist Chet Atkins. The 13 tracks are all recordings of songs that won Grammy awards from 1967 to 1996. The songs either won a Grammy individually or were included on an album that won.
Inner City Records was a jazz record company and label founded by Irv Kratka in 1976 in New York City.
Liza (All the Clouds'll Roll Away)" is a song composed by George Gershwin with lyrics by Ira Gershwin and Gus Kahn. It was introduced in 1929 by Ruby Keeler (as Dixie Dugan) in Florenz Ziegfeld's musical Show Girl. The stage performances were accompanied by the Duke Ellington Orchestra. On the show's opening night in Boston on June 25, 1929, Keeler's husband and popular singer Al Jolson suddenly stood up from his seat in the third row and sang a chorus of the song, much to the surprise of the audience and Gershwin himself. Jolson recorded the song a few days later on July 6, 1929, and his rendition rose to number nine on the charts of the day.
