Related Research Articles
Harry Alfred Robert Kupfer was a German opera director and academic. A long-time director at the Komische Oper Berlin, he worked at major opera houses and at festivals internationally. Trained by Walter Felsenstein, he worked in the tradition of realistic directing. At the Bayreuth Festival, he staged Wagner's Der fliegende Holländer in 1978 and Der Ring des Nibelungen in 1988. At the Salzburg Festival, he directed the premiere of Penderecki's Die schwarze Maske in 1986 and Der Rosenkavalier by Richard Strauss in 2014.
Aribert Reimann was a German composer, pianist, and accompanist, known especially for his literary operas. His version of Shakespeare's King Lear, the opera Lear, was written at the suggestion of Dietrich Fischer-Dieskau, who performed the title role. His opera Medea after Grillparzer's play premiered in 2010 at the Vienna State Opera. He was a professor of contemporary Lied in Hamburg and Berlin. In 2011, he was awarded the Ernst von Siemens Music Prize for his life's work.
Intolleranza 1960 is a one-act opera in two parts by Luigi Nono, and is dedicated to his father-in-law, Arnold Schoenberg. The Italian libretto was written by Nono from an idea by Angelo Maria Ripellino, using documentary texts and poetry by Julius Fučík, "Reportage unter dem Strang geschrieben" [reportage written under the gallows]; Henri Alleg, "La question" ; Jean-Paul Sartre's introduction to Alleg's poem; Paul Éluard's poem "La liberté"; "Our march" by Vladimir Mayakovsky; and Bertolt Brecht's "To Posterity". The plot concerns a migrant, who travels from Southern Italy looking for work. Along the way, he encounters protests, arrests and torture. He ends up in a concentration camp, where he experiences the gamut of human emotions. He reaches a river, and realises that everywhere is his home. The opera premiered on 13 April 1961 at the Teatro La Fenice in Venice. It has a running time of approximately one hour and fifteen minutes.
Andión Fernández is a Spanish Filipina operatic soprano, born in Manila.
Barry McDaniel was an American operatic baritone who spent his career almost exclusively in Germany, including 37 years at the Deutsche Oper Berlin. He appeared internationally at major opera houses and festivals, and created roles in several new operas, including Henze's Der junge Lord, Nabokov's Love's Labour's Lost, and Reimann's Melusine. He was also a celebrated concert singer and recitalist, focused on German Lied and French mélodie. He was the first singer of Wilhelm Killmayer's song cycle Tre Canti di Leopardi. He recorded both operatic and concert repertory.
Loren Driscoll was an American tenor who had an active international career from the 1950s through the mid-1980s. Driscoll was particularly noted for his performances in contemporary operas and sang in many world premieres.
Wolfgang Schöne is a German bass-baritone who made an international career in opera and concert, based at the Staatsoper Stuttgart from 1973 to 2005. He created roles in world premiered of operas, in Josef Tal's Die Versuchung at the Bavarian State Opera in 1976, in Hermann Reutter's Hamlet in Stuttgart in 1980, in Henze's Die englische Katze at the Schwetzingen Festival in 1983 and K. in Aribert Reimann's Das Schloß at the Deutsche Oper Berlin in 1992.
Medea is a German-language opera by Aribert Reimann after the play by Franz Grillparzer. It was premiered at the Vienna State Opera in February 2010. The German premiere was at the Oper Frankfurt in August 2010.
Melusine is a 1971 German-language opera by Aribert Reimann, on a libretto by Claus H. Henneberg after Melusine, a 1920 play in four acts by Yvan Goll which transposes the legendary water-spirit to Goll's time. The opera was written for the Schwetzingen Festival, where it premiered in 1971. It was recorded in 2010.
Das Schloß is a 1992 German-language opera by Aribert Reimann. He wrote his own libretto based on Kafka's novel and its dramatization by Max Brod. It premiered on 2 September 1992 at the Deutsche Oper Berlin, staged by Willy Decker and conducted by Michael Boder.
Thomas Thomaschke is a German bass singer in opera and concert. He has appeared in parts such as Hunding in Wagner's Die Walküre and Sarastro in Mozart's Die Zauberflöte in major opera houses in Europe and international festivals. He has also performed and recorded oratorios and cantatas.
Claudia Barainsky is a German operatic soprano. She has performed internationally, and won awards for her roles in contemporary operas such as Bernd Alois Zimmermann's Die Soldaten and Aribert Reimann's Medea.
Michael Boder was a German conductor of opera and concert who worked internationally. He was music director of the Basel Opera from 1989 to 1993, of the Liceu in Barcelona from 2008 to 2012, and principal conductor of the Royal Danish Theatre to 2016. He conducted regularly at the Vienna State Opera, including the world premieres of Cerha's Der Riese vom Steinfeld and Reimann's Medea. He also conducted the premieres of operas by Pascal Dusapin, Hans Werner Henze, Luca Lombardi, Krzysztof Penderecki, and Manfred Trojahn, among others.
Reinhard Peters was a German operatic conductor, violinist and an academic teacher at the Folkwangschule Essen. He was the Generalmusikdirektor for the opera companies Deutsche Oper am Rhein, Theater Münster and Deutsche Oper Berlin. He premiered music in opera and concert, such as Giselher Klebe's Die tödlichen Wünsche, Aribert Reimann's Melusine, Nicolas Nabokov's Love's Labour's Lost, and Wilhelm Killmayer's song cycle Tre Canti di Leopardi.
Claus H. Henneberg was a German librettist and translator. He worked as dramaturge for the Cologne Opera and the Deutsche Oper Berlin. In the 1976/77 season, he was the Intendant of the Opernhaus Kiel.
Joan Carroll is an American operatic coloratura soprano who appeared in the title role of Alban Berg's Lulu at the work's US premiere at the Santa Fe Opera in 1963, and often in opera houses in Europe. She premiered vocal music by Aribert Reimann and Wilhelm Killmayer, among others.
Carla Henius was a German operatic soprano and mezzo-soprano, voice teacher and librettist. She played a decisive role in promoting recent works by composers such as Arnold Schoenberg, Karlheinz Stockhausen and Luigi Nono for the stage. She wrote the libretto for an opera by Aribert Reimann.
Rudolf Sellner, born Gustav Rudolf Sellner was a German actor, dramaturge, stage director, and intendant. He represented in the 1950s a radical Instrumentales Theater. After decades of acting and directing plays, he turned to staging operas, and was a long-time intendant of the Deutsche Oper Berlin from 1961, when the Berlin Wall was built. He staged notable world premieres, including Ernst Barlach's play Der Graf von Ratzeburg in 1951, Ionesco's Mörder ohne Bezahlung in 1958, Giselher Klebe's Alkmene in 1961 for the opening of the Deutsche Oper, and Aribert Reimann's opera Melusine in 1971.
Renate Behle is an Austrian operatic mezzo-soprano and soprano who made an international career, based in Germany. She was professor of voice at the Hochschule für Musik und Theater Hamburg from 2000 to 2010.
Hans Günter Nöcker was a German operatic bass-baritone who was based at the Bavarian State Opera for decades, performing in several world premieres including Aribert Reimann's Lear, and also had an international career.
References
- 1 2 3 4 5 6 "Bühnen-Abschied für Catherine Gayer". Neue Musikzeitung (in German). 5 July 2002. Retrieved 2 July 2018.
- 1 2 "11.2. Catherine Gayer wird 80". onlinemerker.com (in German). 5 July 2002. Retrieved 2 July 2018.
- 1 2 Schwinger, Wolfram (7 May 1971). "Aribert Reimanns neue Oper in Schwetzingen uraufgeführt: Ein Stück Lulu in Melusine". Die Zeit (in German). Retrieved 7 July 2017.
- ↑ Kutsch, K.-J.; Riemens, Leo, eds. (2004). "Anhang". Großes Sängerlexikon (in German). Vol. 4. Walter de Gruyter. pp. 5277, 5288, 5326, 5328, 5332. ISBN 978-3-59-844088-5.
