Catherine O'Brien (film scholar)

Last updated

Catherine O'Brien (born in 1962) is a British academic, film scholar, linguist and writer. [1] Her main fields are French cinema; the First World War [2] in French and German cultures in relation to art and comparative literature [3] and the intersections between cinema, theology and religion. [4] [5] [6]

Contents

Early life and education

O'Brien obtained a Bachelor of Arts (1985) as well as a Doctor of Philosophy (Ph.D.;1994) both in French and German from the University of Hull in Kingston upon Hull, a city in the East Riding of Yorkshire, England. [7] [8]

Academic career

From 1989 to 2017, O'Brien was a senior lecturer at Kingston University, a public research university located within the Royal Borough of Kingston upon Thames, in South West London, United Kingdom. O'Brien was mainly based at the Faculty of Arts and Social Sciences (FASS) at the Penrhyn Road Campus. [9] [10] She taught a wide range of courses on both the French and the Film Studies degrees and was a Module Leader for French Cinema, New Wave Cinema, European Cinema, Female Archetypes on Screen and final-year French Language. [11] O'Brien was the Course Director for the Master of Art in Film Studies from 2003 to 2007. As Director of Studies, she has supervised Doctorate theses. [12] She went on to become the co-director of the Center for Marian Studies at the University of Roehampton in England. [13] [14] O'Brien has been a visiting professor at several universities in the West such as the University of Westminster [15] or the University of Notre Dame located in South Bend in Indiana. [16] [17]

Selected bibliography

Non-exhaustive list of her works: [18]

Books

Articles

Book sections

Conferences

See also

Related Research Articles

Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism holds the position that societies prioritize the male point of view and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women.

<span class="mw-page-title-main">George Eliot</span> English novelist and poet (1819–1880)

Mary Ann Evans, known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels: Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–1863), Felix Holt, the Radical (1866), Middlemarch (1871–1872) and Daniel Deronda (1876). As with Charles Dickens and Thomas Hardy, she emerged from provincial England; most of her works are set there. Her works are known for their realism, psychological insight, sense of place and detailed depiction of the countryside. Middlemarch was described by the novelist Virginia Woolf as "one of the few English novels written for grown-up people" and by Martin Amis and Julian Barnes as the greatest novel in the English language.

<span class="mw-page-title-main">Horror film</span> Film genre

Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes.

Sabiha Sumar is a Pakistani filmmaker and producer. She is best known for her independent documentary films. Her first feature-length film was Khamosh Pani , released in 2003. She is known for exploring themes of gender, religion, patriarchy and fundamentalism in Pakistan.

Criticism of Hinduism has been applied to both historical and current aspects of Hinduism, notably Sati and the caste system.

Linda Ruth Williams is Professor of Film Studies in the department of Communications, Drama, and Film at the University of Exeter, UK. Her special interests include sexuality and censorship in cinema and literature, women in film, psychoanalytic theory and D. H. Lawrence.

<span class="mw-page-title-main">Ebrahim Hatamikia</span> Iranian screenwriter and film director

Ebrahim Hatamikia is an Iranian film director, screenwriter, cinematographer and actor. Hatamikia is known for films depicting the Iran–Iraq War's impact on Iran. His films are considered some of the best ever made in the Iranian war cinema and most notable for their attention to social changes brought about by the war. Also, he is best-known for his explorations of the trauma by the war; both on returning soldiers and those who await them, unable to mourn effectively without knowing the fate of their loved ones.

Emma Wilson, is a British academic and writer, specialising in French literature and cinema. She is Professor of French Literature and the Visual Arts at the University of Cambridge and a fellow of Corpus Christi College.

New Extreme Films describes a range of transgressive films made at the turn of the 21st century that sparked controversy, and provoked significant debate and discussion. They were notable for including graphic images of violence, especially sexual violence and rape, as well as explicit sexual imagery.

<span class="mw-page-title-main">Tina Beattie</span> British writer and broadcaster

Tina Beattie is a British Christian theologian, writer and broadcaster.

<i>Jud Süß</i> 1940 Nazi German film

Jud Süß is a 1940 Nazi German historical drama and propaganda film produced by Terra Film at the behest of Joseph Goebbels. It is considered one of the most antisemitic films of all time. The film was directed by Veit Harlan, who wrote the screenplay with Eberhard Wolfgang Möller and Ludwig Metzger. The leading roles were played by Ferdinand Marian and Harlan's wife Kristina Söderbaum; Werner Krauss and Heinrich George played key supporting roles.

<span class="mw-page-title-main">Women warriors in literature and culture</span> Archetypal figure

The portrayal of women warriors in literature and popular culture is a subject of study in history, literary studies, film studies, folklore history, and mythology. The archetypal figure of the woman warrior is an example of a normal thing that happens in some cultures, while also being a counter stereotype, opposing the normal construction of war, violence and aggression as masculine. This convention-defying position makes the female warrior a prominent site of investigation for discourses surrounding female power and gender roles in society.

Ginette Vincendeau is a French-born British-based academic who is a professor of film studies at King's College London.

<span class="mw-page-title-main">Negar Mottahedeh</span> Iranian cultural critic and film theorist

Negar Mottahedeh is a cultural critic and film theorist specializing in interdisciplinary and feminist contributions to the fields of Middle Eastern Studies and Film Studies.

<span class="mw-page-title-main">Kingston University</span> Public university in London, England

Kingston University London is a public research university located within the Royal Borough of Kingston upon Thames, in South West London, England. Its roots go back to the Kingston Technical Institute, founded in 1899. It received university status in 1992, before which the institution was known as Kingston Polytechnic.

Annette Frieda Kuhn, FBA is a British author, cultural historian, educator, researcher, editor and feminist. She is known for her work in screen studies, visual culture, film history and cultural memory. She is Professor and Research Fellow in Film Studies at Queen Mary University of London.

A Gothic film is a film that is based on Gothic fiction or contains Gothic elements. Since various definite film genres—including science fiction, film noir, thriller, and comedy—have used Gothic elements, the Gothic film is challenging to define clearly as a genre. Gothic elements have also infused the horror film genre, contributing supernatural and nightmarish elements. To create a Gothic atmosphere, filmmakers have sought to create new camera tricks that challenge audiences' perceptions. Gothic films also reflected contemporary issues. A New Companion to The Gothic's Heidi Kaye said "strong visuals, a focus on sexuality and an emphasis on audience response" characterize Gothic films like they did the literary works. The Encyclopedia of the Gothic said the foundation of Gothic film was the combination of Gothic literature, stage melodrama, and German expressionism.

The World Religions and Spirituality Project publishes academic profiles of new and established religious movements, archive material related to some groups, and articles that provide context for the profiles. It is referenced by scholars, journalists, and human rights groups to provide a scholarly representation of threatened communities.

References

  1. "Classifications: PN1995.9.M334, 791.43682". World Cat Identities. Retrieved 6 June 2020.
  2. Fell, A.; Sharp, I. (12 April 2007). The Women's Movement in Wartime: International Perspectives, 1914-19. Springer. ISBN   978-0-230-21079-0.
  3. Rinke, andrea (2006). Images of Women in East German Cinema, 1972-1982: Socialist Models, Private Dreamers and Rebels. Edwin Mellen Press. ISBN   978-0-7734-5684-6.
  4. "Virtual international authority file - Individual 271389553". VIAF.
  5. "IdRef Website - Identifiers and repositories for Higher Education". IdRef. Retrieved 6 June 2020.
  6. "For Authors – Knowledge Unlatched". Knowledge Unlatched and EBSCO Information Services. Retrieved 6 June 2020.
  7. Deighton, Alan (1995). Order from Confusion: Essays Presented to Edward McInnes on the Occasion of His Sixtieth Birthday. New German Studies, German Department, University of Hull. ISBN   978-0-85958-750-1.
  8. O'Brien, Catherine; O'Brien, Professor Catherine (1997). Women's Fictional Responses to the First World War: A Comparative Study of Selected Texts by French and German Writers. P. Lang. ISBN   978-0-8204-3141-3.
  9. Lloyd, Professor Fran; Lloyd, Fran; O'Brien, Catherine (2000). Secret Spaces, Forbidden Places: Rethinking Culture. Berghahn Books. ISBN   978-1-57181-788-4.
  10. Reinhardt, Catherine A. (2006). Claims to Memory: Beyond Slavery and Emancipation in the French Caribbean. Berghahn Books. ISBN   978-1-84545-079-3.
  11. Leglu, Catherine (2 December 2017). Between Sequence and Sirventes: Aspects of the Parody in the Troubadour Lyric. Routledge. ISBN   978-1-351-19829-5.
  12. Gratton, Johnnie (2000). Expressivism: The Vicissitudes of a Theory in the Writing of Proust and Barthes. European Humanities Res Ctr. ISBN   978-1-900755-26-9.
  13. "About | The Centre for Marian Studies". CMS. Retrieved 6 June 2020.
  14. "Oxford University Department for Continuing Education". www.conted.ox.ac.uk. Retrieved 6 June 2020.
  15. "Varia | University of Westminster, London". www.westminster.ac.uk. Retrieved 6 June 2020.
  16. Dame, University of Notre (15 March 2016). "Lecture: The Virgin Mary on Screen - Mother and Disciple // College of Arts and Letters // University of Notre Dame". College of Arts and Letters. Retrieved 6 June 2020.
  17. "In the News: May 5, 2016". udayton.edu. Retrieved 6 June 2020.
  18. "Items where Kingston Author is "O'Brien, Catherine" - Kingston University Research Repository". eprints.kingston.ac.uk. Retrieved 6 June 2020.
  19. O'Brien, Catherine (2018). Martin Scorsese's Divine Comedy: Movies and Religion. London: Bloomsbury Publishing. ISBN   978-1350003293.
  20. O'Brien, Catherine (1997). Women's Fictional Responses to the First World War: A Comparative Study of Selected Texts by French and German Writers. USA: University of California. ISBN   0820431419.
  21. University of London (6 November 2018). "Dr Catherine O'Brien's Works". University of London Research Repository (Kingston Annex). Retrieved 11 November 2018.